Uploaded February 2023 | Updated September 2026, 2 hours ago
In 1974 bassist Michael Anthony joined the Van Halen brothers in the band that bears their family name. By the time of our interview seven years later, he was regularly delighting concert goers with an extended bass solo that climaxed with his jumping on his bass. Most of the time, though, he played a supporting role. As Eddie said at the time of my interview with Michael, “Mike Anthony is a damned good bass player. When my brother Al and Mike are playing, it’s an open world for me. I can do whatever I want. They’re right there backing me up, feeding me.” Michael’s harmony vocals were essential to the classic Van Halen sound.
Shortly after recording Fair Warning, Michael agreed to do a wide-ranging interview on his role in the band. Our conversation took place on July 22, 1981. As you'll hear, we discussed his musical upbringing, instruments, the evolution of his extended onstage solo, and the limitations of playing hard rock. He explains how Van Halen arranges songs in Dr. Roth’s basement and the role producer Ted Templeman plays in this process. Michael also covers his favorite recordings with Van Halen and the benefits and pitfalls of success. We wrapped up the conversation with his advice for young players. An edited print version of this appeared in the October 1981 issue of Guitar Player magazine.
In all, Michael played bass on Van Halen’s first 11 albums. In 2006 he was permanently replaced by Eddie’s son Wolfgang. After that, he worked with former Van Halen vocalist Sammy Hagar in Chickenfoot, featuring Joe Satriani on guitar. He currently plays with Sammy Hagar and the Circle. You can follow his exploits by visiting his official Mad Anthony Café website at madanthonycafe.com/.
I hope you enjoy this unique recording, and be sure to check out the other historic Van Halen interviews on the Talking Guitar YouTube channel. To help us continue producing podcasts, please hit that donate button and send some cheer our way: paypal.me/TalkingGuitar.
A special thanks to engineer/producer Nik Hunt for enhancing the sound of the 42-year-old master tape and to Michael Anthony for approving our posting it. For more guitar-intensive podcasts and articles, visit my online Talking Guitar magazine at jasobrecht.substack.com/. #vanhalen #michaelanthony #eddievanhalen #edwardvanhalen #jasobrecht #talkingguitar #nikhunt #guitarplayermagazine
In 1974 bassist Michael Anthony joined the Van Halen brothers in the band that bears their family name. By the time of our interview seven years later, he was regularly delighting concert goers with an extended bass solo that climaxed with his jumping on his bass. Most of the time, though, he played a supporting role. As Eddie said at the time of my interview with Michael, “Mike Anthony is a damned good bass player. When my brother Al and Mike are playing, it’s an open world for me. I can do whatever I want. They’re right there backing me up, feeding me.” Michael’s harmony vocals were essential to the classic Van Halen sound.
Shortly after recording Fair Warning, Michael agreed to do a wide-ranging interview on his role in the band. Our conversation took place on July 22, 1981. As you'll hear, we discussed his musical upbringing, instruments, the evolution of his extended onstage solo, and the limitations of playing hard rock. He explains how Van Halen arranges songs in Dr. Roth’s basement and the role producer Ted Templeman plays in this process. Michael also covers his favorite recordings with Van Halen and the benefits and pitfalls of success. We wrapped up the conversation with his advice for young players. An edited print version of this appeared in the October 1981 issue of Guitar Player magazine.
In all, Michael played bass on Van Halen’s first 11 albums. In 2006 he was permanently replaced by Eddie’s son Wolfgang. After that, he worked with former Van Halen vocalist Sammy Hagar in Chickenfoot, featuring Joe Satriani on guitar. He currently plays with Sammy Hagar and the Circle. You can follow his exploits by visiting his official Mad Anthony Café website at madanthonycafe.com/.
I hope you enjoy this unique recording, and be sure to check out the other historic Van Halen interviews on the Talking Guitar YouTube channel. To help us continue producing podcasts, please hit that donate button and send some cheer our way: paypal.me/TalkingGuitar.
A special thanks to engineer/producer Nik Hunt for enhancing the sound of the 42-year-old master tape and to Michael Anthony for approving our posting it. For more guitar-intensive podcasts and articles, visit my online Talking Guitar magazine at jasobrecht.substack.com/. #vanhalen #michaelanthony #eddievanhalen #edwardvanhalen #jasobrecht #talkingguitar #nikhunt #guitarplayermagazine






![Tom Petty: The Complete 1986 Guitar Player Interview on Songwriting and Rhythm Guitar
Rock music lost one of its premier songwriters and rhythm guitarists when Tom Petty passed away on October 2, 2017. For decades Petty fronted the band that bore his name – Tom Petty and the Heartbreakers.
One of the qualities I most admired about Tom was how he stood up for himself. He was unwavering in his all-or-nothing fight to control his artistic freedom and integrity. Like his musical heroes John Lennon and Keith Richards, he was devoted to rhythm guitar, which is one of the major themes of our interview. Over time he evolved into one of rock’s preeminent songwriters, crafting enduring songs that deal with social outcasts, love, heartbreak, resilience, and especially American individualism. It’s fitting that when the iconic Traveling Wilburys initially came together as a self-described “band of brothers,” Tom Petty received equal billing with Bob Dylan, George Harrison, Roy Orbison, and Jeff Lynne.
At the time of our interview, the Heartbreakers had just finished a world tour with Bob Dylan and Tom had begun work on what would become the Let Me Up (I’ve Had Enough) album. Our conversation took place mid-afternoon on May 27, 1986. Just before the interview was to begin, a publicist informed me that I could only have fifteen minutes with Tom and that I was forbidden to bring up the topics of sex and drugs. Tom, it turned out, would have none of that. A few minutes later he came into the room and pulled his chair so close to mine that our knees touched. He locked eyes with me and we got right to it. He ignored the time restriction, speaking for nearly 50 minutes.
An edited version of this interview appeared in the August 1986 issue of Guitar Player magazine. A complete transcription is included in my book Talking Guitar: Conversations With Musicians Who Shaped Twentieth-Century American Music [UNC Press, 2017].
Thanks to Nik Hunt for enhancing the sound of the decades-old master tape. We hope you enjoy this unique recording.
You can help us continue to produce Talking Guitar podcasts of historic interviews by sending a donation c/o https://paypal.me/TalkingGuitar. Thank you!
Be sure to check out the other historic interviews on the Talking Guitar YouTube channel. For dozens more guitar-intensive podcasts, interview transcripts, and articles, visit Talking Guitar magazine at https://jasobrecht.substack.com/.
#tompetty #tompettyandtheheartbreakers #mikecampbell #rhythmguitar #songwriting #nikhunt #guitarplayermagazine
This podcast is copyright 2023 by Jas Obrecht. All rights reserved.
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