1929 JULES ALLEN When The Works All Done This Fall CLASSIC COUNTRY - 78 RPM Record 78 RPM Records 2024-03-13 | Jules Allen, the Singing Cowboy – When The Work's All Done This Fall Written by D. J. O'Malley 78 RPM audio transfer from Bowness Arts' collection of vintage records Jules Allen – When The Work's All Done This Fall / Punchin' The DoughLabel: Victor – V-40263 (Canada)Format: Shellac, 10", 78 RPMRecorded: April 27, 1929 in Culver City, California Released: 1930Genre: Folk, World, & CountryStyle: Classic Country, Golden Age of CountryOther side of this record: Punchin' The Doughyoutu.be/KWb-8sgv6sI Jules Verne Allen was an American cowboy singer and author from Waxahachie, Texas. He was born April 1, 1883, and he lived the words he sang about. Allen started working with cattle when he was just ten years old in Jack County, Texas. In the 1890s, he was a horse wrangler, crossing the plains five times. He worked cattle from the Rio Grande border to the Montana line. He was a "rough string rider" and "bronco buster" fourteen years. While not in the ranches and prairies, he also grew up with a guitar and music. He recorded for the RCA Victor label, and made credible claims that he was the Original Singing Cowboy". Allen volunteered to serve his country in WWI, and was a member of both the Disabled American Veterans and American Legion. He wrote the book "Cowboy Lore", published in 1933, to hand down to the glamour and glory of the southwest to history for others to learn what life was like in those years. Jules Allen died July 10, 1945.When the Work's All Done this Fall is a classic American cowboy song, written as a poem by Dominick John O'Malley (1867–1943). The work was first published in the Miles City Stock-Growers Journal in 1893, titled After the Roundup, over the pen name D.J. White. The lyrics and a melody were first collected from tradition and published by John Lomax in 1910 in Cowboy Songs and Other Frontier Ballads. This poem, like many others of the day, was intended to be sung as lyrics to the melodies of other popular songs. In 2010, members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
Glamorgan Elementary School Choir – Salute To Calgary (1975) Full Album 78 RPM Records 2024-06-25 | Glamorgan Elementary School Choir – Salute To CalgaryConductor – John KuzmarPiano – Marjorie HughesReleased: 1975Label: Westmount Records – WSTM 7510-SFormat: Vinyl, LP, Album, StereoCountry: CanadaGenre: Children's ChoirGlamorgan Elementary SchoolCalgary, Alberta, CanadaTracklist: A1 New Generation/Something To Smile AboutA2 Introduction Announcer – Paula SlasorA3 Welcome To Our World/One Hundred CandlesA4 Announcer – Paula SlasorWho Are The Heroes/Land Of The Silver BirchA5 Announcer – Kevin McLachlanStouthearted ManA6 Announcer – Brenda KearnsFour Strong Winds/Prairie SchoonerA7 Announcer – Kevin McLachlanGypsy King/Pedlar/Tum BalalyakaA8 Announcer – Brenda KearnsThose Were The DaysB1 Announcer – Kevin McLachlanWhite Hatter/Calgary StampedeB2 Announcer – Paula SlasorToday/Hello TomorrowB3 Announcer – Kevin McLachlanStodola Pumpa/Place In The Sun/Gypsy SongB4 Announcer – Brenda KearnsIf I Ruled The WorldB5 Announcer – Paula SlasorDear Land Of HomeB6 Announcer – Kevin McLachlanCalgary Our Home/CalgaryB7 Announcer – Kevin McLachlanCalgaryThe Calgary Stampede July 5-14, 2024The Greatest Outdoor Show on Earth
1953 Bud Roman PRETEND Ray Baxter Orchestra - 78 RPM Record 78 RPM Records 2024-04-14 | Bud Roman / Mimi Martel – Pretend / Your Cheatin' Heart With The Ray Baxter Orchestra Written by Lew Douglas, Cliff Parman and Frank Lavere 78 RPM audio transfer from the Bowness Arts collection of vintage records. Bud Roman / Mimi Martel – Pretend / Your Cheatin' HeartLabel: Tops Records – 360Format: Vinyl, 10", 78 RPMReleased: 1953Genre: PopStyle: VocalOther side of this record: Bud Roman – Pretend / Mimi Martel – Your Cheatin' Heartyoutu.be/iFOotU2mLcQ "Pretend" is a popular song penned in 1952 by Dan Belloc, Lew Douglas, Cliff Parman, and Frank Levere. The most famous rendition, performed by Nat King Cole, was distributed by Capitol Records. Initially debuting on the Billboard Best Seller chart on January 31, 1953, the song remained on the chart for 20 weeks, reaching its peak position at No. 3.Tops Music Enterprises originated in Los Angeles, California, in 1947 when Carl Doshay and Sam Dickerman, who were "rack jobbers" selling used jukebox 78 RPM records, decided to venture into the record business. They began by producing and selling "knockoff" cover version records at a lower price point than major labels, targeting venues like grocery stores and drug stores. As the company's success grew, it relocated to Hollywood and enlisted Dave Pell as a house producer and arranger in the mid-1950s. Recognizing the changing landscape with the rise of 45 RPM singles and Long Play records (LPs), Tops started recording established artists who were past their commercial peak, like Lena Horne, Mel Tormé. Publicist Bob Blythe, along with a group of investors, purchased the company in 1960. Blythe took control, displacing Doshay, but his overspending ultimately drove Tops into bankruptcy. Despite attempts by the investor group to remove Blythe, the damage was done. Tops and its assets were sold to Pickwick International, Inc., and by 1963, Pickwick had absorbed Tops/Mayfair/P.R.I. labels into its own operations.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1955 CHILDCRAFT RECORDS Old Mother Goose - 78 RPM Record 78 RPM Records 2024-04-13 | Childcraft Records – Old Mother Goose Mother Goose Nursery Rhymes and SongsLabel: Mercury – 1, Childcraft Records – 1Format: Shellac, 10", 78 RPMReleased: circa 1955Genre: Children'sStyle: Nursery RhymesTracklist:A1 King Of France With 40,000 Men 0:01A2 Old King Cole 0:51A3 Old Mother Goose 1:31A4 Mistress Mary 2:15A5 Rain, Rain, Go Away 2:44B1 Little Robin Redbreast 3:25B2 Cock-A-Doodle-Doo 4:39B3 Polly, Put The Kettle On 4:57Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1950 Jo Stafford With Paul Weston And His Orchestra – If (78 RPM Record) 78 RPM Records 2024-04-10 | Jo Stafford With Paul Weston And His Orchestra – If Waltz Ballad Written by Robert Hargreaves, Stanley Damerell and Tolchard Evans 78 RPM audio transfer from Bowness Arts' collection of vintage records Jo Stafford With Paul Weston And His Orchestra – It Is No Secret / IfLabel: Columbia – C-1682 (Canada)Format: Shellac, 10", 78 RPMReleased: 1950Genre: PopStyle: Vocal, ReligiousOther side of this record: It Is No Secretyoutu.be/lDv_ZJD0AdQ Jo Elizabeth Stafford, born on November 12, 1917, in Coalinga, California, was an American singer known for her renditions of traditional pop music and jazz standards. Her career spanned five decades, from the late 1930s to the early 1980s. Initially trained as an opera singer, Stafford transitioned to popular music and gained renown for the purity of her voice. By 1955, she had achieved unparalleled record sales worldwide among female artists. In 1938 and 1939, Stafford was a member of The Pied Pipers and later joined Tommy Dorsey And His Orchestra, where she collaborated with notable musicians like Frank Sinatra and Buddy Rich. She was also part of The Stafford Sisters, a singing trio including her sisters Pauline and Christine. Stafford's marriage to pianist and arranger Paul Weston led to their creation of the comedic lounge act personas Jonathan and Darlene Edwards. Beyond her musical career, Stafford established the Jo Stafford Prize in American Folklore and authored "Easy Lessons In Singing." In 2006, she donated her extensive library of music arrangements, photographs, and recordings to the University of Arizona. Stafford battled congestive heart failure in her later years, succumbing to the illness on July 16, 2008, at the age of 90 in Century City, California. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1950 JO STAFFORD It Is No Secret PAUL WESTON Orchestra - 78 RPM Record 78 RPM Records 2024-04-09 | Jo Stafford With Paul Weston And His Orchestra – It Is No Secret Written by Stuart Hamblen 78 RPM audio transfer from Bowness Arts' collection of vintage records Jo Stafford With Paul Weston And His Orchestra – It Is No Secret / IfLabel: Columbia – C-1682 (Canada)Format: Shellac, 10", 78 RPMReleased: 1950Genre: PopStyle: Vocal, ReligiousOther side of this record: Ifyoutu.be/2QaUNsSSFWA Jo Elizabeth Stafford, born on November 12, 1917, in Coalinga, California, was an American singer known for her renditions of traditional pop music and jazz standards. Her career spanned five decades, from the late 1930s to the early 1980s. Initially trained as an opera singer, Stafford transitioned to popular music and gained renown for the purity of her voice. By 1955, she had achieved unparalleled record sales worldwide among female artists. In 1938 and 1939, Stafford was a member of The Pied Pipers and later joined Tommy Dorsey And His Orchestra, where she collaborated with notable musicians like Frank Sinatra and Buddy Rich. She was also part of The Stafford Sisters, a singing trio including her sisters Pauline and Christine. Stafford's marriage to pianist and arranger Paul Weston led to their creation of the comedic lounge act personas Jonathan and Darlene Edwards. Beyond her musical career, Stafford established the Jo Stafford Prize in American Folklore and authored "Easy Lessons In Singing." In 2006, she donated her extensive library of music arrangements, photographs, and recordings to the University of Arizona. Stafford battled congestive heart failure in her later years, succumbing to the illness on July 16, 2008, at the age of 90 in Century City, California. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1919 IRVING KAUFMAN Monte Cristo - 78 RPM Record 78 RPM Records 2024-04-07 | Irving Kaufman – Monte Cristo From "Monte Cristo Jr." Tenor with Orchestra Accompaniment Written by Harold Atteridge (lyricist), Sigmund Romberg, and Jean Schwartz 78 RPM audio transfer from Bowness Arts' collection of vintage recordsIrving Kaufman / Arthur Fields – Monte Cristo / Johnny's In TownLabel: Gennett – 4529Format: Shellac, 10", 78 RPMReleased: 1919Genre: PopStyle: VocalOther side of this record: Arthur Fields – Johnny's In TownIrving Kaufman, born Isidore Kaufman on February 8, 1890, in Syracuse, New York, emerged as a significant voice in the early twentieth century's American music scene. The son of Russian Jewish immigrants, Kaufman found his early footing in the entertainment world as part of The Kaufman Brothers ensemble alongside his siblings Phillip and Jack. His career took a notable turn between 1913 and 1919 when he joined The Avon Comedy Four, a group celebrated for its blend of comedy and music, laying the groundwork for Kaufman's expansive recording career. Though primarily recognized for his vaudeville performances, Kaufman's contribution to music transcended genre boundaries. He collaborated with jazz luminaries like Leon "Bix" Beiderbecke and the Dorsey Brothers, showcasing a voice that adapted seamlessly to both acoustic and electrical recording technologies. His prolific output in the 1920s secured his status as one of the era's defining voices. After a heart attack forced him into retirement in 1949, Kaufman stepped away from the spotlight, making a brief return in 1974 with the release of "Reminisce With Irving Kaufman." This collection, featuring a mix of old recordings and new performances with his second wife, Belle Brooks, served as a nostalgic nod to his enduring legacy. Kaufman's final years were spent in Palm Springs, California, until his death at the age of 85, on January 3, 1976, in Indio, California.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1938 BENNY GOODMAN Whispering SWING JAZZ Instrumental - 78 RPM Record 78 RPM Records 2024-04-06 | Benny Goodman And His Orchestra – Whispering Fox-Trot Written by Malvin and John Schonberger (as originally credited in 1920). Originally credited in 1920 to Malvin and John Schonberger, the song's authorship was later revised during the copyright renewal process. John Schonberger corrected that the lyrics, initially attributed to Malvin Schonberger, were actually penned by Richard Coburn. Additionally, Vincent Rose was added as a co-composer.Benny Goodman And His Orchestra – Bach Goes To Town / WhisperingLabel: Victor – 26130 (Canada)Format: Shellac, 10", 78 RPMRecorded: December 15, 938 in New York CityReleased: 1939Genre: JazzStyle: Big Band Swing InstrumentalOther side of this record: Bach Goes To Townyoutu.be/qE8o7DxPmDQ Benny Goodman – ClarinetHarry Goodman – String BassBuddy Schutz – Drums Ben Heller – GuitarJess Stacy – PianoArthur Rollini – SaxophoneDave Matthews – Saxophone Jerry Jerome – Saxophone Noni Bernardi – Saxophone Red Ballard – TromboneVernon Brown – Trombone Charles Griffin – TrumpetHarry James – TrumpetZiggy Elman – TrumpetBenjamin David Goodman was born May 30, 1909 in Chicago, Illinois. He was an American clarinetist and bandleader known as the "King of Swing". Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his quartet and quintet. He performed nearly to the end of his life while exploring an interest in classical music. He died in New York City on June 13, 1986 at the age of 77.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1938 BENNY GOODMAN Bach Goes To Town SWING JAZZ Instrumental - 78 RPM Record 78 RPM Records 2024-04-05 | Benny Goodman And His Orchestra – Bach Goes To Town Fox-Trot Written by Alec TempletonBenny Goodman And His Orchestra – Bach Goes To Town / WhisperingLabel: Victor – 26130 (Canada)Format: Shellac, 10", 78 RPMRecorded: December 15, 938 in New York CityReleased: 1939Genre: JazzStyle: Big Band Swing InstrumentalOther side of this record: Whisperingyoutu.be/iA2-3aJv6qY Benny Goodman – ClarinetHarry Goodman – String BassBuddy Schutz – Drums Ben Heller – GuitarJess Stacy – PianoArthur Rollini – SaxophoneDave Matthews – Saxophone Jerry Jerome – Saxophone Noni Bernardi – Saxophone Red Ballard – TromboneVernon Brown – Trombone Charles Griffin – TrumpetHarry James – TrumpetZiggy Elman – TrumpetBenjamin David Goodman was born May 30, 1909 in Chicago, Illinois. He was an American clarinetist and bandleader known as the "King of Swing". Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his quartet and quintet. He performed nearly to the end of his life while exploring an interest in classical music. He died in New York City on June 13, 1986 at the age of 77.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
7-Year Old PETE COLEMAN The Little Shirt My Mother Made For Me - 78 RPM Record 78 RPM Records 2024-04-01 | The Little Shirt That Mother Made For MeWritten by Harry Wincott; Published in 1903. Radio program home recording, circa late 1940's Performed by 7-year old Pete Coleman of Reynold's Island. (Father's name is Ralph, and he has a younger brother at home.)Digitally archived from a 78 RPM record "The RecorDisc Corp., 395 Broadway, New York". Single-sided home recording record. No further information written on the label. (I digitized the record without cleaning, as the record was literally falling apart, with strips of acetate peeling from the record surface. I wanted to archive the recording before it was lost forever.) The RecorDisc Corp. was a company that specialized in producing record blanks for use in home recording in the 1940s and 1950s. The company was owned and operated by the Gould-Moody company, which specialized in making professional quality blank records.LyricsI shan't forget the day that I was born'Twas on a cold and frosty winter's mornThe doctor said I was a chubby chapAnd when the nurse she took me on her lapOh she washed me all over I rememberAnd after powder-puffing me you seeShe laid me in the cradle near the fenderIn the little shirt my mother made for me.The first day that I wore me knicker-bocksI did feel funny after wearing frocksI looked a little picture, they all sayBut when they sent me out to run and playOh I didn't like the breeches I was wearingSo in the street I took 'em off you seeAnd I started walking back home brave and daringIn the little shirt my mother made for me.Last year when I was on me holidaysUpon the briny ocean I would gazeThe water looked so nice I thought I'd goAnd have a swim, but in a minute, howAll the girls upon the beach at me were staringAnd some were taking snap-shots I could see'Twas a good job for me that I was wearingThe little shirt my mother made for me.When first they told me to school I must goI didn't like the teacher you must knowBecause I played truant once, oh dearThe master shouted, 'Muggins, you come here.'And his thick stick came down wallop on meThere's no mistake it spoil't my pedigreeI'd the map of England printed nicely on meNear the little shirt my mother made for me.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1919 CARL SEVILLE and JACK GEDDES Hawaiian Hours With You UKULELE DUET - 78 RPM Record 78 RPM Records 2024-03-25 | Carl Seville And Jack Geddes – Hawaiian Hours With You Hawaiian Guitar Duet Written by Ralph Howard 78 RPM audio transfer from the Bowness Arts' collection of vintage records.Carl Seville And Jack Geddes – Hawaiian Hours With You / CinderellaLabel: Columbia – A2856Format: Shellac, 10", 78 RPMRecorded: December 12, 191 in New York CityReleased: March 1920Genre: Folk, World, & CountryStyle: Pacific, Hawaiian, InstrumentalOther side of this record: Cinderellayoutu.be/PLEXzc8HozY The ukulele (sometimes called the "Hawaiian Guitar") is a member of the lute family of instruments. It generally employs four nylon strings. Developed in the 1880s of Portuguese origin, it is a type of small, guitar-like instrument which was popularized in Hawaii due to the ardent support and promotion of the instrument by King Kalākaua, who reigned over Hawaii from 1874 until his death in 1891. A patron of the arts, he incorporated the ukulele into performances at royal gatherings. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1919 CARL SEVILLE and JACK GEDDES Cinderella HAWAIIAN GUITAR DUET - 78 RPM Record 78 RPM Records 2024-03-24 | Carl Seville And Jack Geddes – Cinderella Hawaiian Guitar Duet Written by Eugene Platzman and Joe Rosey 78 RPM audio transfer from the Bowness Arts' collection of vintage records.Carl Seville And Jack Geddes – Hawaiian Hours With You / CinderellaLabel: Columbia – A2856Format: Shellac, 10", 78 RPMRecorded: December 12, 191 in New York CityReleased: March 1920Genre: Folk, World, & CountryStyle: Pacific, Hawaiian, InstrumentalOther side of this record: Hawaiian Hours With Youyoutu.be/OZoCSNbaaLk The ukulele (sometimes called the "Hawaiian Guitar") is a member of the lute family of instruments. It generally employs four nylon strings. Developed in the 1880s of Portuguese origin, it is a type of small, guitar-like instrument which was popularized in Hawaii due to the ardent support and promotion of the instrument by King Kalākaua, who reigned over Hawaii from 1874 until his death in 1891. A patron of the arts, he incorporated the ukulele into performances at royal gatherings. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
Woodwards Presents Old Fashioned Days (Full Album) - 1890s Ragtime 78 RPM Records 2024-03-20 | Tunes From The Gay 90's with Billy Rowland, Leonard Leigh, Frank Simms And His Minstrels Woodward's Presents Old Fashioned Days Vinyl rip audio transfer from the Bowness Arts collection of vintage records. Billy Rowland, Leonard Leigh, Frank Simms And His Minstrels – Woodward's Presents Old Fashioned DaysManufactured by RCA Victor Custom Record DivisionLabel: Woodward's – CCM-202 (Canada)Format: Vinyl, LP, CompilationReleased: circa 1965Genre: Pop, Folk, World, & Country, Stage & ScreenStyle: Ragtime, VaudevilleTracklist:A1 Smiles 01:00A2 Five Foot Two, Eyes Of Blue 02:15A3 The Sheik Of Araby 04:41A4 Barney Google, Black Bottom, Charleston 07:40A5 I'll Be With you In Apple Blossom Time 10: 04A6 Stumbling 12:24B1 Banjo Medley 15:01 a) Camptown Races, b) Ring, Ring, Ring The Banjo c) Little Brown Jug 15:03B2 Vocal Medley 17:32 a) Dixie b) Oh! Susanna c) Our Boys Will Shine Tonight d) Hand Me Down My Walking Cane B3 Soft Shoe Medley 19:20 a) Teasin' b) On The Banks Of The WabashB4 Orchestra Medley 21:17 a) Little Lisa Jane b) Polly Wolly Doodle c) Belle Of BaltimoreB5 Orchestral Parade Medley 23.33 a) King Cotton b) Washington PostB6 Vocal Medley 25:05 a) Hello My Baby b) Oh Dem Golden Slippers c) My Old Kentucky Home d) Goodnight LadiesWoodward's Stores Ltd. was a department store chain that operated in Western Canada for over 100 years. Charles Woodward established the first Woodward store at the corner of Main and Georgia Streets in Vancouver in 1892. Over the next decades Woodward's opened many new stores and expanded to be a central feature of the retail scene in British Columbia and Alberta. During the 1980s, Woodward's failed to pace with the changing retail landscape, and was forced to file for bankruptcy protection in December 1992. In June 1993, Hudson's Bay Company acquired 21 of the total 25 remaining Woodward's locations in a 235 $millions takeover.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
TIME CAPSULE March 19, 1953 KOY Radio, Phoenix, Arizona - A. G. Stores Hawaiian Contest Winners 78 RPM Records 2024-03-19 | Interview of two couples who were the "lucky winners" of a trip to Hawaii. This is an unusual find within the Bowness Arts collection of vintage records. Recorded at 33 1/3 speed, this 10-inch record plays from the inside track out (not from the outside track in). Using Audacity, the audio has been digitally transferred. So, for the first time in 71 years, you can hear this vintage interview showcasing what people thought about Hawaii and airplane travel in 1953.Created for the use of KOY Radio of Phoenix, Arizona, the record holds a March 19th, 1953, on-site interview of two lucky couples who have won an all-expense paid 10-day trip to Honolulu, Hawaii. The contest was promoted by the C&H Sugar Company and AG Stores, a chain of independently owned groceries stores which operated in Arizona during this time. At the time of this interview, the era of tourist air travel was still in its infancy. This recording provides a glimpse into the thoughts and attitudes of that time.Brief history of KOY Radio:Arizona's first radio station signed on in 1921 from Phoenix as an amateur radio station. In 1922, it received a commercial license as KFCB. The station became KOY in 1929 and began broadcasting with 500 watts. By 1948, it was broadcasting at 5,000 watts. From 1932 to 1949, it was the CBS affiliate in Phoenix. When KOOL took the CBS affiliation in 1949, KOY became a mutual affiliate. Its sister FM station, KRFM, was launched in 1963. It is today known as KYOT-FM.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1920 PAUL BIESE TRIO Pebbles ORIGINAL EARLY JAZZ RECORDING - 78 RPM Record 78 RPM Records 2024-03-18 | Paul Biese Trio – Pebbles Medley Fox-Trot Dance Music Introducing "Beautiful Annabelle Lee" Written by James L. Shearer and George W. Meyer78 RPM audio transfer from the Bowness Arts' collection of vintage records.Paul Biese Trio – Fandango / PebblesLabel: Columbia – A3368Format: Shellac, 78 RPM, 10"Recorded: December 8, 1920 in New York CityReleased: 1921Genre: JazzStyle: InstrumentalOther side of this record: Fandangoyoutu.be/5n5OwReaSSgPaul Biese is the stage name for Percy Hawthorne Sudborough,. He was born April 11, 1885 in St. Joseph, Michigan, but raised in Bristol, Indiana. He was an American orchestra leader, saxophone player and composer. His father died while he was young, and his mother remarried Carl A. Biese, thus giving the surname. He wrote ragtime pieces and developed skill on the saxophone. By 1913, while living in Chicago, he had teamed up with composer Frank Henri Klickmann. Biese was soon established as a bandleader of both a trio and a small dance orchestra, playing mostly venues in the Midwest. As leader of the Paul Biese Trio he had several highly popular recordings in the early 1920s. At this time Biese worked regularly at the Edgewater Beach Hotel, a stylish Chicago venue. Biese's final recordings were made in 1924. He died October 27, 1925 at the age of 40.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1945 BING CROSBY Dear Old Donegal - St. Patricks Day Album - 78 RPM Record 78 RPM Records 2024-03-17 | Bing Crosby And The Jesters – Dear Old Donegal With Bob Haggart And His Orchestra Written by Steve Graham Recorded December 6, 1945 78 RPM audio transfer from the Bowness Arts' collection of vintage records.Bing Crosby – St. Patrick's DayLabel: Decca – A-495 (Canada)Series: Personality SeriesFormat: 5 x Shellac, 10", 78 RPM, AlbumReleased: 1947Genre: PopStyle: VocalTracklist: Side 1: MacNamara's Band youtu.be/H6sb1YJBLt4 Side 2: Dear Old Donegal youtu.be/WgmTJu5gmM0Side 3: Who Threw The Overalls In Mrs. Murphy's ChowderSide 4: It's The Same Old ShillelaghSide 5: Did Your Mother Come From Ireland?Side 6: Where The River Shannon FlowsSide 7: The Rose Of TraleeSide 8: When Irish Eyes Are SmilingSide 9: Too-ra-loo-ra-loo-ral (That's An Irish Lullaby)Side 10: I'll Take You Home Again, KathleenBing Crosby Playlist: youtube.com/playlist?list=PLDfizUThCDSVpxfkp_RKVs1YDxgMK3C3DHarry Lillis "Bing" Crosby Jr. was born May 3, 1903 in Tacoma, Washington. He was an American singer and actor. Crosby had a passion for music from a young age and began singing in local theaters and churches in Spokane. In 1925, he formed a duo with Al Rinker and they moved to Los Angeles to pursue a career in show business. They were eventually joined by Harry Barris, forming the trio that became known as The Rhythm Boys. In 1931, Crosby began his solo career and signed with Brunswick Records. He became known for his smooth, crooning voice. Some of his most popular songs include "White Christmas," "Swinging on a Star," and "Pennies from Heaven." Crosby also found success in the film industry. He was also a regular on radio and television, hosting his own shows and making numerous guest appearances. Crosby's personal life was marked by tragedy, including the deaths of two of his sons. He was married twice in his life, first to Dixie Lee and later to Kathryn Grant. Throughout his career, Bing Crosby was the recipient of numerous prestigious awards. Among these were the following: In 1944, he won the Grammy Award for Record of the Year for his iconic rendition of "White Christmas." The following year, in 1945, Crosby was honored with the Academy Award for Best Actor for his standout performance in "Going My Way." Crosby's contributions to radio broadcasting were also recognized, as he was awarded the Peabody Award in 1946. In 1955, Crosby won the Golden Globe for Best Actor in a Motion Picture - Musical or Comedy for his role in "The Country Girl." In 1962, he received the Grammy Lifetime Achievement Award, acknowledging his significant impact on the music industry. Crosby was also successful in the realm of television, winning two Emmy Awards for his television specials: "An Hour with Bing Crosby" in 1962 and "Bing Crosby's Merrie Olde Christmas" in 1977. Though Crosby passed away on October 14, 1977, at the age of 74, his legacy lived on. In 1978, he was recognized as one of the honorees at the Kennedy Center Honors, which celebrated his contributions to the performing arts.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1947 BING CROSBY MacNamaras Band - St. Patricks Day Album - 78 RPM Record 78 RPM Records 2024-03-16 | Bing Crosby And The Jesters – MacNamara's Band With Bob Haggart And His Orchestra Written by Thomas O'Connor, John J. Stamford, Dwight Latham, Wamp Carlson and Guy Bonham 78 RPM audio transfer from the Bowness Arts' collection of vintage records.Bing Crosby – St. Patrick's DayLabel: Decca – A-495 (Canada)Series: Personality SeriesFormat: 5 x Shellac, 10", 78 RPM, AlbumReleased: 1947Genre: PopStyle: VocalTracklist: Side 1: MacNamara's Band youtu.be/H6sb1YJBLt4 Side 2: Dear Old Donegal youtu.be/WgmTJu5gmM0Side 3: Who Threw The Overalls In Mrs. Murphy's ChowderSide 4: It's The Same Old ShillelaghSide 5: Did Your Mother Come From Ireland?Side 6: Where The River Shannon FlowsSide 7: The Rose Of TraleeSide 8: When Irish Eyes Are SmilingSide 9: Too-ra-loo-ra-loo-ral (That's An Irish Lullaby)Side 10: I'll Take You Home Again, KathleenBing Crosby Playlist: youtube.com/playlist?list=PLDfizUThCDSVpxfkp_RKVs1YDxgMK3C3DHarry Lillis "Bing" Crosby Jr. was born May 3, 1903 in Tacoma, Washington. He was an American singer and actor. Crosby had a passion for music from a young age and began singing in local theaters and churches in Spokane. In 1925, he formed a duo with Al Rinker and they moved to Los Angeles to pursue a career in show business. They were eventually joined by Harry Barris, forming the trio that became known as The Rhythm Boys. In 1931, Crosby began his solo career and signed with Brunswick Records. He became known for his smooth, crooning voice. Some of his most popular songs include "White Christmas," "Swinging on a Star," and "Pennies from Heaven." Crosby also found success in the film industry. He was also a regular on radio and television, hosting his own shows and making numerous guest appearances. Crosby's personal life was marked by tragedy, including the deaths of two of his sons. He was married twice in his life, first to Dixie Lee and later to Kathryn Grant. Throughout his career, Bing Crosby was the recipient of numerous prestigious awards. Among these were the following: In 1944, he won the Grammy Award for Record of the Year for his iconic rendition of "White Christmas." The following year, in 1945, Crosby was honored with the Academy Award for Best Actor for his standout performance in "Going My Way." Crosby's contributions to radio broadcasting were also recognized, as he was awarded the Peabody Award in 1946. In 1955, Crosby won the Golden Globe for Best Actor in a Motion Picture - Musical or Comedy for his role in "The Country Girl." In 1962, he received the Grammy Lifetime Achievement Award, acknowledging his significant impact on the music industry. Crosby was also successful in the realm of television, winning two Emmy Awards for his television specials: "An Hour with Bing Crosby" in 1962 and "Bing Crosby's Merrie Olde Christmas" in 1977. Though Crosby passed away on October 14, 1977, at the age of 74, his legacy lived on. In 1978, he was recognized as one of the honorees at the Kennedy Center Honors, which celebrated his contributions to the performing arts.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 rotations per minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1920 PAUL BIESE TRIO Fandango ORIGINAL EARLY JAZZ RECORDING - 78 RPM Record 78 RPM Records 2024-03-15 | Paul Biese Trio – Fandango Fox-Trot Dance Music Written by Christopher Smith78 RPM audio transfer from the Bowness Arts' collection of vintage records.Paul Biese Trio – Fandango / PebblesLabel: Columbia – A3368Format: Shellac, 78 RPM, 10"Recorded: December 8, 1920 in New York CityReleased: 1921Genre: JazzStyle: InstrumentalOther side of this record: Pebblesyoutu.be/tQfpxJ6kTs0 Paul Biese is the stage name for Percy Hawthorne Sudborough,. He was born April 11, 1885 in St. Joseph, Michigan, but raised in Bristol, Indiana. He was an American orchestra leader, saxophone player and composer. His father died while he was young, and his mother remarried Carl A. Biese, thus giving the surname. He wrote ragtime pieces and developed skill on the saxophone. By 1913, while living in Chicago, he had teamed up with composer Frank Henri Klickmann. Biese was soon established as a bandleader of both a trio and a small dance orchestra, playing mostly venues in the Midwest. As leader of the Paul Biese Trio he had several highly popular recordings in the early 1920s. At this time Biese worked regularly at the Edgewater Beach Hotel, a stylish Chicago venue. Biese's final recordings were made in 1924. He died October 27, 1925 at the age of 40.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1929 JULES ALLEN Punchin The Dough CLASSIC COUNTRY - 78 RPM Record 78 RPM Records 2024-03-14 | Jules Allen, the Singing Cowboy – Punchin' The Dough Written by Jules Allen and Henry Herbert Knibbs 78 RPM audio transfer from Bowness Arts' collection of vintage records Jules Allen – When The Work's All Done This Fall / Punchin' The DoughLabel: Victor – V-40263 (Canada)Format: Shellac, 10", 78 RPMRecorded: April 27, 1929 in Culver City, California Released: 1930Genre: Folk, World, & CountryStyle: Classic Country, Golden Age of CountryOther side of this record: When The Work's All Done This Fallyoutu.be/UfmpZsS03Hk Jules Verne Allen was an American cowboy singer and author from Waxahachie, Texas. He was born April 1, 1883, and he lived the words he sang about. Allen started working with cattle when he was just ten years old in Jack County, Texas. In the 1890s, he was a horse wrangler, crossing the plains five times. He worked cattle from the Rio Grande border to the Montana line. He was a "rough string rider" and "bronco buster" fourteen years. While not in the ranches and prairies, he also grew up with a guitar and music. He recorded for the RCA Victor label, and made credible claims that he was the Original Singing Cowboy". Allen volunteered to serve his country in WWI, and was a member of both the Disabled American Veterans and American Legion. He wrote the book "Cowboy Lore", published in 1933, to hand down to the glamour and glory of the southwest to history for others to learn what life was like in those years. Jules Allen died July 10, 1945.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1948 Mary Had A Little Lamb - Rare Childrens Recording - 78 RPM Record 78 RPM Records 2024-03-12 | Mary Had A Little Lamb Arranged and recorded by VOCO, Inc. Written by Sarah Josepha Hale and Edwin Pearce Christy Performer unknown. 78 RPM audio transfer from Bowness Arts' collection of vintage records Unknown Artist – Mary Had A Little Lamb Label: Voco – 513, Voco – 613Format: Flexi-disc, 7", 78 RPM, Card Backed, Picture Disc (Canada)Released: 1948Genre: Children's SongStyle: Nursery RhymesOther side of this record: Nellie Neatyoutu.be/wxpoxtnADi8This rare find is a 7-inch 78 RPM picture disc made in 1948 by VOCO, Inc. It is is a two-sided record made of cardboard laminated between two layers of clear plastic "flexi-disc". Voco, Inc. was a New York City-based company. The company was launched in 1946 by Cy Leslie, who released the unusual cardboard-backed recorded greeting cards. His company also began producing elborately designed children's picture discs with cardboard backings, and eventually multi-coloured vinyl records. The label ceased to exist in 1952 when the company reorganized into Pickwick Sales Corp."Mary Had a Little Lamb" is an English language nursery rhyme of nineteenth-century American origin, first published by American writer Sarah Josepha Hale in 1830. In the 1830s, Lowell Mason set the nursery rhyme to a melody. However, Mason's version is not the one commonly sung today. Today, it is commonly sung to the same tune as the chorus of "Goodnight, Ladies", with repetition in the verses. "Goodnight, Ladies" is a folk song attributed to Edwin Pearce Christy, which was first published in 1867. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1948 Nellie Neat - Rare Childrens Recording - 78 RPM Record 78 RPM Records 2024-03-11 | Nellie Neat Arranged and recorded by VOCO, Inc. Performer unknown. Written by unknown. 78 RPM audio transfer from Bowness Arts' collection of vintage records Unknown Artist – Mary Had A Little Lamb Label: Voco – 513, Voco – 613Format: Flexi-disc, 7", 78 RPM, Card Backed, Picture Disc (Canada)Released: 1948Genre: Children's SongStyle: Nursery RhymesOther side of this record: Mary Had A Little Lambyoutu.be/F8-WsgXjHR0This rare find is a 7" 78 RPM picture disc made in 1948 by VOCO, Inc. It is is a two-sided record made of cardboard laminated between two layers of clear plastic "flexi-disc". Voco, Inc. was a New York City-based company. The company was launched in 1946 by Cy Leslie, who released the unusual cardboard-backed recorded greeting cards. His company also began producing elborately designed children's picture discs with cardboard backings, and eventually multi-coloured vinyl records. The label ceased to exist in 1952 when the company reorganized into Pickwick Sales Corp.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
ROSS ALLEN Memories Of Hank Williams (1959) Full Album 78 RPM Records 2024-03-10 | Ramblin' Ross Allen – Memories Of Hank Williams Vinyl rip audio transfer from the Bowness Arts collection of vintage records. Label: Arc Records – ARC 501 (Canada)Format: Vinyl, LP, Album, MonoReleased: 1959Genre: Folk, World, & CountryStyle: CountryThis was the first record released by Arc Records.Allen's name is misspelled "Allan" on sleeve front.Tracklist: A1 I Could Never Be Ashamed Of You 0:01A2 Your Cheating Heart 2:49A3 Moanin' The Blues 5:51A4 Jambolaya 8:31A5 Mansion On The Hill 11:04A6 Mind Your Own Business 13:46B1 Nobody's Lonesome For Me 16:22B2 Baby We're Really In Love 19:01B3 Two Different Worlds 21:41B4 Why Don't You Love Me 24:41B5 I'll Never Get Out Of This World Alive 27:08B6 Wedding Bells 29:43Record Company – Arc Sound Ltd.Pressed By – Quality Records LimitedTitle on sleeve front: Memories Of Hank Williams As Sung By Ross AllanTitle on sleeve back: Memories Of Hank Williams As Sung By Ramblin Ross Title on record labels: Memories Of Hank Williams As Sung By Ramblin' Ross AllenRoss James Allen, born February 27, 1937 in Toronto, Ontario, is a Canadian country music singer, songwriter, guitarist, producer. Also known as Ramblin' Ross Allen, in 1959 he was the first artist to release a record on Arc Records. In 1975 he founded Jennie Records and Jennie Music Publishing Company. In 1992 he founded Hillcrest Music. He has produced for many labels and has also been active in Nashville.cmaontario.ca/ontarios-country-music-pioneers-ross-allenHank Williams, born Hiram King Williams on September 17, 1923, was an influential American singer-songwriter and musician who left an indelible mark on country music. Despite his tragically short life, he achieved remarkable success and became a legendary figure in the genre. Williams was born in Mount Olive, Alabama. He developed a passion for music at a young age, learning to play the guitar and honing his songwriting skills. In the late 1930s, he began performing on local radio stations, gaining recognition for his soulful vocals and heartfelt lyrics. His breakthrough came in the late 1940s when he signed with MGM Records and released a string of hit songs, including "Lovesick Blues," "Hey, Good Lookin'," and "I'm So Lonesome I Could Cry." Williams' unique blend of honky-tonk, blues, and folk elements resonated with audiences, earning him widespread popularity and establishing him as one of country music's leading figures. Tragically, Williams battled personal demons, including alcohol and drug addiction, throughout his career. These struggles affected his health and led to a decline in his performances. On January 1, 1953, while being driven to Canton, Ohio, for a New Year's Day concert, Williams died in West Virginia due to heart failure at the age of 29. His untimely death left a void in the music industry and among his devoted fans. Despite his brief career, Hank Williams' impact on country music cannot be overstated. His heartfelt, emotionally charged songs spoke to the common experiences of ordinary people. Williams' influence extended beyond his own era, inspiring countless musicians in subsequent generations. His songs have become enduring classics and have been covered by a wide range of artists across various genres. Williams' poignant storytelling, distinctive vocal style, and songwriting prowess have cemented his legacy as one of the greatest and most influential figures in country music history. Today, Hank Williams is remembered as an icon whose contributions continue to shape the genre. His music remains timeless, captivating audiences with its raw authenticity and emotional depth. From his birth in Alabama to his untimely death, his remarkable career and lasting legacy are a testament to his enduring impact on country music and his status as a true legend.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1940s OSCAR OPHEIM 20 Minutes of Easy Listening Instrumental Music on Home Recorded Audiodisc 78 RPM Records 2024-03-09 | Oscar Opheim – AudiodiskThis curious record was found within the Bowness Arts collection of vintage records. The only information included with the record is the name "Oscar Opheim" handwritten in script on the Side A label, and that it hails from "The Hi-Fi House" in Saskatoon, Saskatchewan, Canada. The record contains ten tracks on each side, but is so badly warped that only the inner five tracks from each side (ten tracks in total) are playable. Any information about the performer, performance, recording, or songs is appreciated. Label: Audiodisc Format: ActetateReleased: circa1945Genre: Popular InstrumentalStyle: Easy ListeningTracklist:1. Unidentified Instrumental 0:042. Unidentified Instrumental 1:313. Five Foot Two 3:084. Unidentified Instrumental 4:445. Unidentified Instrumental 7:256. Unidentified Instrumental 9:027. (Won't You Come Home) Bill Bailey 10:558. Alexander's Ragtime Band 12:309. Unidentified Instrumental 14:1710. Unidentified Instrumental 15:35Audiodisc was an American brand of blank acetate discs made by Audio Devices, Inc., USA under license from Pyral France, the inventor of the lacquer disc. Professional Audiodisc acetates were sold to the recording industry, and commercial versions were marketed to home users and hobbyists from the 1940s on. Acetate lacquer discs are used for instantaneous playback records and master discs for manufacture of records. Blank discs are placed on the turntable of the disc cutting lathe and a music groove is cut into the blank surface. Prior to widespread usage of magnetic tape, radio stations and studios all used disc cutting lathes. It was not unusual for an artist to leave the recording studio with an "acetate" under their arm or record company staff to have a few discs cut to rush them to radio stations for promotional use. "Actetates" are lathe-cut records. They are not record pressings and they have never seen the inside of a record press.
1946 BENNY GOODMAN Rachels Dream SWING JAZZ Instrumental - 78 RPM Record 78 RPM Records 2024-03-08 | Benny Goodman And His Orchestra – Shine Fox-Trot Written by Benny Goodman 78 RPM audio transfer from the Bowness Arts' collection of vintage records.Benny Goodman Sextet – Benny Goodman Sextet SessionLabel: Columbia – A31 (Canada)Format: 4 x Shellac, 10", 78 RPM, AlbumReleased: 1946Genre: JazzStyle: Dixieland, SwingTracklist;pSide 1 Tiger RagSide 2 Ain't Misbehavin'Side 3 's Funny That WaySide 4 I Got RhythmSide 5 Just One Of Those ThingsSide 6 China BoySide 7 Shine youtu.be/gXv1jYY2WRUSide 8 Rachel's Dream youtu.be/Cc0Jpv4_xZY Benjamin David Goodman was born May 30, 1909 in Chicago, Illinois. He was an American clarinetist and bandleader known as the "King of Swing". Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his quartet and quintet. He performed nearly to the end of his life while exploring an interest in classical music. He died in New York City on June 13, 1986 at the age of 77.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1946 BENNY GOODMAN Shine SWING JAZZ Instrumental - 78 RPM Record 78 RPM Records 2024-03-07 | Benny Goodman And His Orchestra – Shine Fox-Trot Written by Cecil Mack, Lew Brown and Ford Dabney 78 RPM audio transfer from the Bowness Arts collection of vintage records.Benny Goodman Sextet – Benny Goodman Sextet SessionLabel: Columbia – A31 (Canada)Format: 4 x Shellac, 10", 78 RPM, AlbumReleased: 1946Genre: JazzStyle: Dixieland, SwingTracklist;pSide 1 Tiger RagSide 2 Ain't Misbehavin'Side 3 's Funny That WaySide 4 I Got RhythmSide 5 Just One Of Those ThingsSide 6 China BoySide 7 Shine youtu.be/gXv1jYY2WRUSide 8 Rachel's DreamBenjamin David Goodman was born May 30, 1909 in Chicago, Illinois. He was an American clarinetist and bandleader known as the "King of Swing". Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his quartet and quintet. He performed nearly to the end of his life while exploring an interest in classical music. He died in New York City on June 13, 1986 at the age of 77.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1947 DAVID BROOKS & MARION BELL From This Day On / Brigadoon ORIGINAL BROADWAY CAST - 78 RPM Record 78 RPM Records 2024-03-06 | "Brigadoon" Original Broadway Cast - From This Day On / Brigadoon David Brooks and Marion Bell with Brigadoon Chorus and Orchestra conducted by Franz Allers From Cheryl Crawford's Production "Brigadoon" Written by Alan Jay Lerner and Frederick Loewe 78 RPM audio transfer from the Bowness Arts collection of vintage records.The Members Of The Original Cast – BrigadoonLabel: RCA Victor – P 178Format: 5 x Shellac, 10", 78 RPM, AlbumOriginal Release: April 1947Re-release: 1951 (Canada)Genre: Stage & ScreenStyle: Soundtrack, MusicalTrack list:Side 1 Overture / Once In The Highlands / Brigadoon youtu.be/RqFlEyYIFz4 Side 2 Down On MacConnachy Square youtu.be/mZdI6ytnkRA Side 3 Waitin' For My Dearie youtu.be/IMLGG4XFujI Side 4 I'll Go Home With Bonnie Jean youtu.be/gYyEcB_GoC8 Side 5 The Heather On The Hill youtu.be/rSwjqt-eeFw Side 6 Come To Me, Bend To Me youtu.be/WFrc9pqqD1Y Side 7 Almost Like Being In Love youtu.be/8Ai1sbbNDJ8 Side 8 There But For You Go I youtu.be/34fXmb4mpMA Side 9 My Mother's Wedding Day youtu.be/2hhNdZvRwQMSide 10 From This Day On / Brigadoon youtu.be/epRgRl6yb0Y Presenting songs from Brigadoon as recorded by the original cast on RCA Victor records. David Brooks as Tommy Albright; Marion Bell as Fiona MacLaren; Pamela Britton as Meg Brockie; Lee Sulivan as Charlie Dalrymple.Act OneBrigadoon is the story of two Americans, Tommy and Jeff, who are lost in the Scottish Highlands and stumble upon a village, not on the map, called “Brigadoon”. At the village fair that sunny May morning, “Down On MacConnachy Square”, Tommy meets a pert and lovely lass named Fiona MacLaren, who is busy today helping her sister prepare for her wedding to young Charlie Dalrymple, which is to take place that evening. Fiona, the older, is not married but is, as she says, “Waitin' For My Dearie”. The men arrive at he square and hear Charlie tell of his feelings about his approaching marriage in “I'll Go Home With Bonnie Jean”. Tommy, intrigued by the talk of a miracle and the odd quaintness of the town and his sudden attraction to Fiona, decides to stay the day out. And he and Fiona go off to gather heather for the wedding, to “The Heather On The Hill”. Later that day, at the MacLaren house, Charlie arrives to sign the family Bible and, because of the old superstition preventing the bride and groom from seeing each other the day of the wedding, sings to her through the closed door “Come To Me, Bend To Me”. Now Tommy and Fiona return from a lovely day together and tell Jeff they find it's “Almost Like Being In Love”. But Tommy presses her to explain the mystery of the village, and Fiona takes them to visit the schoolmaster of the town who reveals that Brigadoon was miraculously blessed two hundred years ago, and that it lapses into a sleep from which it awakens only one day in every hundred years. No villager is allowed to leave, or the enchantment will be broken and the town will disappear forever. A stranger, however, can stay if he falls in love. Now all go down to the church yard for the wedding. Following the simple ceremony, the bride's broken-hearted suitor decides to run away and destroy the town. As he runs from the church yard, the curtain falls for the end of Act One.Act TwoThe men, in a chase through the forest, succeed in stopping the runaway, but only when he is found dead, seemingly from having struck his head on a rock. Back in the glen, Tommy tells Fiona he is in love with her, in “There But For You Go I”, and makes up his mind to stay in Brigadoon with her. Meanwhile, a lass of the village, Meg Brockie, entertains the wedding guests with “My Mother's Wedding Day”.Now Tommy tells Jeff of his decision to stay. But then he discovers that Jeff was the inadvertent killer of the runaway. The shock of his friend's confession, and Jeff's persuasion that the place is a dream, makes him doubt Fiona and the town. So as the day ends, he leaves her, in “From This day On”. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1947 PAMELA BRITTON My Mothers Wedding Day BRIGADOON ORIGINAL BROADWAY CAST - 78 RPM Record 78 RPM Records 2024-03-05 | "Brigadoon" Original Broadway Cast - My Mother's Wedding Day Pamela Britton with Brigadoon Chorus and Orchestra conducted by Franz Allers From Cheryl Crawford's Production "Brigadoon" Written by Alan Jay Lerner and Frederick Loewe 78 RPM audio transfer from the Bowness Arts collection of vintage records.The Members Of The Original Cast – BrigadoonLabel: RCA Victor – P 178Format: 5 x Shellac, 10", 78 RPM, AlbumOriginal Release: April 1947Re-release: 1951 (Canada)Genre: Stage & ScreenStyle: Soundtrack, MusicalTrack list:Side 1 Overture / Once In The Highlands / Brigadoon youtu.be/RqFlEyYIFz4 Side 2 Down On MacConnachy Square youtu.be/mZdI6ytnkRA Side 3 Waitin' For My Dearie youtu.be/IMLGG4XFujI Side 4 I'll Go Home With Bonnie Jean youtu.be/gYyEcB_GoC8 Side 5 The Heather On The Hill youtu.be/rSwjqt-eeFw Side 6 Come To Me, Bend To Me youtu.be/WFrc9pqqD1Y Side 7 Almost Like Being In Love youtu.be/8Ai1sbbNDJ8 Side 8 There But For You Go I youtu.be/34fXmb4mpMA Side 9 My Mother's Wedding Day youtu.be/2hhNdZvRwQMSide 10 From This Day On / Brigadoon youtu.be/epRgRl6yb0Y Presenting songs from Brigadoon as recorded by the original cast on RCA Victor records. David Brooks as Tommy Albright; Marion Bell as Fiona MacLaren; Pamela Britton as Meg Brockie; Lee Sulivan as Charlie Dalrymple.Act OneBrigadoon is the story of two Americans, Tommy and Jeff, who are lost in the Scottish Highlands and stumble upon a village, not on the map, called “Brigadoon”. At the village fair that sunny May morning, “Down On MacConnachy Square”, Tommy meets a pert and lovely lass named Fiona MacLaren, who is busy today helping her sister prepare for her wedding to young Charlie Dalrymple, which is to take place that evening. Fiona, the older, is not married but is, as she says, “Waitin' For My Dearie”. The men arrive at he square and hear Charlie tell of his feelings about his approaching marriage in “I'll Go Home With Bonnie Jean”. Tommy, intrigued by the talk of a miracle and the odd quaintness of the town and his sudden attraction to Fiona, decides to stay the day out. And he and Fiona go off to gather heather for the wedding, to “The Heather On The Hill”. Later that day, at the MacLaren house, Charlie arrives to sign the family Bible and, because of the old superstition preventing the bride and groom from seeing each other the day of the wedding, sings to her through the closed door “Come To Me, Bend To Me”. Now Tommy and Fiona return from a lovely day together and tell Jeff they find it's “Almost Like Being In Love”. But Tommy presses her to explain the mystery of the village, and Fiona takes them to visit the schoolmaster of the town who reveals that Brigadoon was miraculously blessed two hundred years ago, and that it lapses into a sleep from which it awakens only one day in every hundred years. No villager is allowed to leave, or the enchantment will be broken and the town will disappear forever. A stranger, however, can stay if he falls in love. Now all go down to the church yard for the wedding. Following the simple ceremony, the bride's broken-hearted suitor decides to run away and destroy the town. As he runs from the church yard, the curtain falls for the end of Act One.Act TwoThe men, in a chase through the forest, succeed in stopping the runaway, but only when he is found dead, seemingly from having struck his head on a rock. Back in the glen, Tommy tells Fiona he is in love with her, in “There But For You Go I”, and makes up his mind to stay in Brigadoon with her. Meanwhile, a lass of the village, Meg Brockie, entertains the wedding guests with “My Mother's Wedding Day”.Now Tommy tells Jeff of his decision to stay. But then he discovers that Jeff was the inadvertent killer of the runaway. The shock of his friend's confession, and Jeff's persuasion that the place is a dream, makes him doubt Fiona and the town. So as the day ends, he leaves her, in “From This day On”. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1947 DAVID BROOKS There But For You Go I BRIGADOON ORIGINAL BROADWAY CAST - 78 RPM Record 78 RPM Records 2024-03-04 | "Brigadoon" Original Broadway Cast - There But For You Go I David Brooks with Brigadoon Chorus and Orchestra conducted by Franz Allers From Cheryl Crawford's Production "Brigadoon" Written by Alan Jay Lerner and Frederick Loewe 78 RPM audio transfer from the Bowness Arts collection of vintage records.The Members Of The Original Cast – BrigadoonLabel: RCA Victor – P 178Format: 5 x Shellac, 10", 78 RPM, AlbumOriginal Release: April 1947Re-release: 1951 (Canada)Genre: Stage & ScreenStyle: Soundtrack, MusicalTrack list:Side 1 Overture / Once In The Highlands / Brigadoon youtu.be/RqFlEyYIFz4 Side 2 Down On MacConnachy Square youtu.be/mZdI6ytnkRA Side 3 Waitin' For My Dearie youtu.be/IMLGG4XFujI Side 4 I'll Go Home With Bonnie Jean youtu.be/gYyEcB_GoC8 Side 5 The Heather On The Hill youtu.be/rSwjqt-eeFw Side 6 Come To Me, Bend To Me youtu.be/WFrc9pqqD1Y Side 7 Almost Like Being In Love youtu.be/8Ai1sbbNDJ8 Side 8 There But For You Go I youtu.be/34fXmb4mpMA Side 9 My Mother's Wedding Day youtu.be/2hhNdZvRwQMSide 10 From This Day On / Brigadoon youtu.be/epRgRl6yb0Y Presenting songs from Brigadoon as recorded by the original cast on RCA Victor records. David Brooks as Tommy Albright; Marion Bell as Fiona MacLaren; Pamela Britton as Meg Brockie; Lee Sulivan as Charlie Dalrymple.Act OneBrigadoon is the story of two Americans, Tommy and Jeff, who are lost in the Scottish Highlands and stumble upon a village, not on the map, called “Brigadoon”. At the village fair that sunny May morning, “Down On MacConnachy Square”, Tommy meets a pert and lovely lass named Fiona MacLaren, who is busy today helping her sister prepare for her wedding to young Charlie Dalrymple, which is to take place that evening. Fiona, the older, is not married but is, as she says, “Waitin' For My Dearie”. The men arrive at he square and hear Charlie tell of his feelings about his approaching marriage in “I'll Go Home With Bonnie Jean”. Tommy, intrigued by the talk of a miracle and the odd quaintness of the town and his sudden attraction to Fiona, decides to stay the day out. And he and Fiona go off to gather heather for the wedding, to “The Heather On The Hill”. Later that day, at the MacLaren house, Charlie arrives to sign the family Bible and, because of the old superstition preventing the bride and groom from seeing each other the day of the wedding, sings to her through the closed door “Come To Me, Bend To Me”. Now Tommy and Fiona return from a lovely day together and tell Jeff they find it's “Almost Like Being In Love”. But Tommy presses her to explain the mystery of the village, and Fiona takes them to visit the schoolmaster of the town who reveals that Brigadoon was miraculously blessed two hundred years ago, and that it lapses into a sleep from which it awakens only one day in every hundred years. No villager is allowed to leave, or the enchantment will be broken and the town will disappear forever. A stranger, however, can stay if he falls in love. Now all go down to the church yard for the wedding. Following the simple ceremony, the bride's broken-hearted suitor decides to run away and destroy the town. As he runs from the church yard, the curtain falls for the end of Act One.Act TwoThe men, in a chase through the forest, succeed in stopping the runaway, but only when he is found dead, seemingly from having struck his head on a rock. Back in the glen, Tommy tells Fiona he is in love with her, in “There But For You Go I”, and makes up his mind to stay in Brigadoon with her. Meanwhile, a lass of the village, Meg Brockie, entertains the wedding guests with “My Mother's Wedding Day”.Now Tommy tells Jeff of his decision to stay. But then he discovers that Jeff was the inadvertent killer of the runaway. The shock of his friend's confession, and Jeff's persuasion that the place is a dream, makes him doubt Fiona and the town. So as the day ends, he leaves her, in “From This day On”. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1947 DAVID BROOKS and MARION BELL Almost Like Being In Love BRIGADOON BROADWAY CAST - 78 RPM Record 78 RPM Records 2024-03-03 | "Brigadoon" Original Broadway Cast - Almost Like Being In Love David Brooks and Marion Bell with Brigadoon Chorus and Orchestra conducted by Franz Allers From Cheryl Crawford's Production "Brigadoon" Written by Alan Jay Lerner and Frederick Loewe 78 RPM audio transfer from the Bowness Arts collection of vintage records.The Members Of The Original Cast – BrigadoonLabel: RCA Victor – P 178Format: 5 x Shellac, 10", 78 RPM, AlbumOriginal Release: April 1947Re-release: 1951 (Canada)Genre: Stage & ScreenStyle: Soundtrack, MusicalTrack list:Side 1 Overture / Once In The Highlands / Brigadoon youtu.be/RqFlEyYIFz4 Side 2 Down On MacConnachy Square youtu.be/mZdI6ytnkRA Side 3 Waitin' For My Dearie youtu.be/IMLGG4XFujI Side 4 I'll Go Home With Bonnie Jean youtu.be/gYyEcB_GoC8 Side 5 The Heather On The Hill youtu.be/rSwjqt-eeFw Side 6 Come To Me, Bend To Me youtu.be/WFrc9pqqD1Y Side 7 Almost Like Being In Love youtu.be/8Ai1sbbNDJ8 Side 8 There But For You Go I youtu.be/34fXmb4mpMA Side 9 My Mother's Wedding Day youtu.be/2hhNdZvRwQMSide 10 From This Day On / Brigadoon youtu.be/epRgRl6yb0Y Presenting songs from Brigadoon as recorded by the original cast on RCA Victor records. David Brooks as Tommy Albright; Marion Bell as Fiona MacLaren; Pamela Britton as Meg Brockie; Lee Sulivan as Charlie Dalrymple.Act OneBrigadoon is the story of two Americans, Tommy and Jeff, who are lost in the Scottish Highlands and stumble upon a village, not on the map, called “Brigadoon”. At the village fair that sunny May morning, “Down On MacConnachy Square”, Tommy meets a pert and lovely lass named Fiona MacLaren, who is busy today helping her sister prepare for her wedding to young Charlie Dalrymple, which is to take place that evening. Fiona, the older, is not married but is, as she says, “Waitin' For My Dearie”. The men arrive at he square and hear Charlie tell of his feelings about his approaching marriage in “I'll Go Home With Bonnie Jean”. Tommy, intrigued by the talk of a miracle and the odd quaintness of the town and his sudden attraction to Fiona, decides to stay the day out. And he and Fiona go off to gather heather for the wedding, to “The Heather On The Hill”. Later that day, at the MacLaren house, Charlie arrives to sign the family Bible and, because of the old superstition preventing the bride and groom from seeing each other the day of the wedding, sings to her through the closed door “Come To Me, Bend To Me”. Now Tommy and Fiona return from a lovely day together and tell Jeff they find it's “Almost Like Being In Love”. But Tommy presses her to explain the mystery of the village, and Fiona takes them to visit the schoolmaster of the town who reveals that Brigadoon was miraculously blessed two hundred years ago, and that it lapses into a sleep from which it awakens only one day in every hundred years. No villager is allowed to leave, or the enchantment will be broken and the town will disappear forever. A stranger, however, can stay if he falls in love. Now all go down to the church yard for the wedding. Following the simple ceremony, the bride's broken-hearted suitor decides to run away and destroy the town. As he runs from the church yard, the curtain falls for the end of Act One.Act TwoThe men, in a chase through the forest, succeed in stopping the runaway, but only when he is found dead, seemingly from having struck his head on a rock. Back in the glen, Tommy tells Fiona he is in love with her, in “There But For You Go I”, and makes up his mind to stay in Brigadoon with her. Meanwhile, a lass of the village, Meg Brockie, entertains the wedding guests with “My Mother's Wedding Day”.Now Tommy tells Jeff of his decision to stay. But then he discovers that Jeff was the inadvertent killer of the runaway. The shock of his friend's confession, and Jeff's persuasion that the place is a dream, makes him doubt Fiona and the town. So as the day ends, he leaves her, in “From This day On”. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1947 LEE SULLIVAN Come To Me, Bend To Me BRIGADOON ORIGINAL BROADWAY CAST - 78 RPM Record 78 RPM Records 2024-03-02 | "Brigadoon" Original Broadway Cast - Come To Me, Bend To Me Lee Sullivan with Brigadoon Chorus and Orchestra conducted by Franz Allers From Cheryl Crawford's Production "Brigadoon" Written by Alan Jay Lerner and Frederick Loewe 78 RPM audio transfer from the Bowness Arts collection of vintage records.The Members Of The Original Cast – BrigadoonLabel: RCA Victor – P 178Format: 5 x Shellac, 10", 78 RPM, AlbumOriginal Release: April 1947Re-release: 1951 (Canada)Genre: Stage & ScreenStyle: Soundtrack, MusicalTrack list:Side 1 Overture / Once In The Highlands / Brigadoon youtu.be/RqFlEyYIFz4 Side 2 Down On MacConnachy Square youtu.be/mZdI6ytnkRA Side 3 Waitin' For My Dearie youtu.be/IMLGG4XFujI Side 4 I'll Go Home With Bonnie Jean youtu.be/gYyEcB_GoC8 Side 5 The Heather On The Hill youtu.be/rSwjqt-eeFw Side 6 Come To Me, Bend To Me youtu.be/WFrc9pqqD1Y Side 7 Almost Like Being In Love youtu.be/8Ai1sbbNDJ8 Side 8 There But For You Go I youtu.be/34fXmb4mpMA Side 9 My Mother's Wedding Day youtu.be/2hhNdZvRwQMSide 10 From This Day On / Brigadoon youtu.be/epRgRl6yb0Y Presenting songs from Brigadoon as recorded by the original cast on RCA Victor records. David Brooks as Tommy Albright; Marion Bell as Fiona MacLaren; Pamela Britton as Meg Brockie; Lee Sulivan as Charlie Dalrymple.Act OneBrigadoon is the story of two Americans, Tommy and Jeff, who are lost in the Scottish Highlands and stumble upon a village, not on the map, called “Brigadoon”. At the village fair that sunny May morning, “Down On MacConnachy Square”, Tommy meets a pert and lovely lass named Fiona MacLaren, who is busy today helping her sister prepare for her wedding to young Charlie Dalrymple, which is to take place that evening. Fiona, the older, is not married but is, as she says, “Waitin' For My Dearie”. The men arrive at he square and hear Charlie tell of his feelings about his approaching marriage in “I'll Go Home With Bonnie Jean”. Tommy, intrigued by the talk of a miracle and the odd quaintness of the town and his sudden attraction to Fiona, decides to stay the day out. And he and Fiona go off to gather heather for the wedding, to “The Heather On The Hill”. Later that day, at the MacLaren house, Charlie arrives to sign the family Bible and, because of the old superstition preventing the bride and groom from seeing each other the day of the wedding, sings to her through the closed door “Come To Me, Bend To Me”. Now Tommy and Fiona return from a lovely day together and tell Jeff they find it's “Almost Like Being In Love”. But Tommy presses her to explain the mystery of the village, and Fiona takes them to visit the schoolmaster of the town who reveals that Brigadoon was miraculously blessed two hundred years ago, and that it lapses into a sleep from which it awakens only one day in every hundred years. No villager is allowed to leave, or the enchantment will be broken and the town will disappear forever. A stranger, however, can stay if he falls in love. Now all go down to the church yard for the wedding. Following the simple ceremony, the bride's broken-hearted suitor decides to run away and destroy the town. As he runs from the church yard, the curtain falls for the end of Act One.Act TwoThe men, in a chase through the forest, succeed in stopping the runaway, but only when he is found dead, seemingly from having struck his head on a rock. Back in the glen, Tommy tells Fiona he is in love with her, in “There But For You Go I”, and makes up his mind to stay in Brigadoon with her. Meanwhile, a lass of the village, Meg Brockie, entertains the wedding guests with “My Mother's Wedding Day”.Now Tommy tells Jeff of his decision to stay. But then he discovers that Jeff was the inadvertent killer of the runaway. The shock of his friend's confession, and Jeff's persuasion that the place is a dream, makes him doubt Fiona and the town. So as the day ends, he leaves her, in “From This day On”. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1947 DAVID BROOKS The Heather On The Hill MARION BELL BRIGADOON BROADWAY CAST - 78 RPM Record 78 RPM Records 2024-03-01 | "Brigadoon" Original Broadway Cast - The Heather On The Hill David Brooks and Marion Be with Brigadoon Chorus and Orchestra conducted by Franz Allers From Cheryl Crawford's Production "Brigadoon" Written by Alan Jay Lerner and Frederick Loewe 78 RPM audio transfer from the Bowness Arts collection of vintage records.The Members Of The Original Cast – BrigadoonLabel: RCA Victor – P 178Format: 5 x Shellac, 10", 78 RPM, AlbumOriginal Release: April 1947Re-release: 1951 (Canada)Genre: Stage & ScreenStyle: Soundtrack, MusicalTrack list:Side 1 Overture / Once In The Highlands / Brigadoon youtu.be/RqFlEyYIFz4 Side 2 Down On MacConnachy Square youtu.be/mZdI6ytnkRA Side 3 Waitin' For My Dearie youtu.be/IMLGG4XFujI Side 4 I'll Go Home With Bonnie Jean youtu.be/gYyEcB_GoC8 Side 5 The Heather On The Hill youtu.be/rSwjqt-eeFw Side 6 Come To Me, Bend To Me youtu.be/WFrc9pqqD1Y Side 7 Almost Like Being In Love youtu.be/8Ai1sbbNDJ8 Side 8 There But For You Go I youtu.be/34fXmb4mpMA Side 9 My Mother's Wedding Day youtu.be/2hhNdZvRwQMSide 10 From This Day On / Brigadoon youtu.be/epRgRl6yb0Y Presenting songs from Brigadoon as recorded by the original cast on RCA Victor records. David Brooks as Tommy Albright; Marion Bell as Fiona MacLaren; Pamela Britton as Meg Brockie; Lee Sulivan as Charlie Dalrymple.Act OneBrigadoon is the story of two Americans, Tommy and Jeff, who are lost in the Scottish Highlands and stumble upon a village, not on the map, called “Brigadoon”. At the village fair that sunny May morning, “Down On MacConnachy Square”, Tommy meets a pert and lovely lass named Fiona MacLaren, who is busy today helping her sister prepare for her wedding to young Charlie Dalrymple, which is to take place that evening. Fiona, the older, is not married but is, as she says, “Waitin' For My Dearie”. The men arrive at he square and hear Charlie tell of his feelings about his approaching marriage in “I'll Go Home With Bonnie Jean”. Tommy, intrigued by the talk of a miracle and the odd quaintness of the town and his sudden attraction to Fiona, decides to stay the day out. And he and Fiona go off to gather heather for the wedding, to “The Heather On The Hill”. Later that day, at the MacLaren house, Charlie arrives to sign the family Bible and, because of the old superstition preventing the bride and groom from seeing each other the day of the wedding, sings to her through the closed door “Come To Me, Bend To Me”. Now Tommy and Fiona return from a lovely day together and tell Jeff they find it's “Almost Like Being In Love”. But Tommy presses her to explain the mystery of the village, and Fiona takes them to visit the schoolmaster of the town who reveals that Brigadoon was miraculously blessed two hundred years ago, and that it lapses into a sleep from which it awakens only one day in every hundred years. No villager is allowed to leave, or the enchantment will be broken and the town will disappear forever. A stranger, however, can stay if he falls in love. Now all go down to the church yard for the wedding. Following the simple ceremony, the bride's broken-hearted suitor decides to run away and destroy the town. As he runs from the church yard, the curtain falls for the end of Act One.Act TwoThe men, in a chase through the forest, succeed in stopping the runaway, but only when he is found dead, seemingly from having struck his head on a rock. Back in the glen, Tommy tells Fiona he is in love with her, in “There But For You Go I”, and makes up his mind to stay in Brigadoon with her. Meanwhile, a lass of the village, Meg Brockie, entertains the wedding guests with “My Mother's Wedding Day”.Now Tommy tells Jeff of his decision to stay. But then he discovers that Jeff was the inadvertent killer of the runaway. The shock of his friend's confession, and Jeff's persuasion that the place is a dream, makes him doubt Fiona and the town. So as the day ends, he leaves her, in “From This day On”. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1947 LEE SULIVAN Ill Go Home With Bonnie Jean BRIGADOON ORIGINAL BROADWAY CAST - 78 RPM Record 78 RPM Records 2024-02-29 | "Brigadoon" Original Broadway Cast - I'll Go Home With Bonnie Jean Lee Sullivan with Brigadoon Chorus and Orchestra conducted by Franz Allers From Cheryl Crawford's Production "Brigadoon" Written by Alan Jay Lerner and Frederick Loewe 78 RPM audio transfer from the Bowness Arts collection of vintage records.The Members Of The Original Cast – BrigadoonLabel: RCA Victor – P 178Format: 5 x Shellac, 10", 78 RPM, AlbumOriginal Release: April 1947Re-release: 1951 (Canada)Genre: Stage & ScreenStyle: Soundtrack, MusicalTrack list:Side 1 Overture / Once In The Highlands / Brigadoon youtu.be/RqFlEyYIFz4 Side 2 Down On MacConnachy Square youtu.be/mZdI6ytnkRA Side 3 Waitin' For My Dearie youtu.be/IMLGG4XFujI Side 4 I'll Go Home With Bonnie Jean youtu.be/gYyEcB_GoC8 Side 5 The Heather On The Hill youtu.be/rSwjqt-eeFw Side 6 Come To Me, Bend To Me youtu.be/WFrc9pqqD1Y Side 7 Almost Like Being In Love youtu.be/8Ai1sbbNDJ8 Side 8 There But For You Go I youtu.be/34fXmb4mpMA Side 9 My Mother's Wedding Day youtu.be/2hhNdZvRwQMSide 10 From This Day On / Brigadoon youtu.be/epRgRl6yb0Y Presenting songs from Brigadoon as recorded by the original cast on RCA Victor records. David Brooks as Tommy Albright; Marion Bell as Fiona MacLaren; Pamela Britton as Meg Brockie; Lee Sulivan as Charlie Dalrymple.Act OneBrigadoon is the story of two Americans, Tommy and Jeff, who are lost in the Scottish Highlands and stumble upon a village, not on the map, called “Brigadoon”. At the village fair that sunny May morning, “Down On MacConnachy Square”, Tommy meets a pert and lovely lass named Fiona MacLaren, who is busy today helping her sister prepare for her wedding to young Charlie Dalrymple, which is to take place that evening. Fiona, the older, is not married but is, as she says, “Waitin' For My Dearie”. The men arrive at he square and hear Charlie tell of his feelings about his approaching marriage in “I'll Go Home With Bonnie Jean”. Tommy, intrigued by the talk of a miracle and the odd quaintness of the town and his sudden attraction to Fiona, decides to stay the day out. And he and Fiona go off to gather heather for the wedding, to “The Heather On The Hill”. Later that day, at the MacLaren house, Charlie arrives to sign the family Bible and, because of the old superstition preventing the bride and groom from seeing each other the day of the wedding, sings to her through the closed door “Come To Me, Bend To Me”. Now Tommy and Fiona return from a lovely day together and tell Jeff they find it's “Almost Like Being In Love”. But Tommy presses her to explain the mystery of the village, and Fiona takes them to visit the schoolmaster of the town who reveals that Brigadoon was miraculously blessed two hundred years ago, and that it lapses into a sleep from which it awakens only one day in every hundred years. No villager is allowed to leave, or the enchantment will be broken and the town will disappear forever. A stranger, however, can stay if he falls in love. Now all go down to the church yard for the wedding. Following the simple ceremony, the bride's broken-hearted suitor decides to run away and destroy the town. As he runs from the church yard, the curtain falls for the end of Act One.Act TwoThe men, in a chase through the forest, succeed in stopping the runaway, but only when he is found dead, seemingly from having struck his head on a rock. Back in the glen, Tommy tells Fiona he is in love with her, in “There But For You Go I”, and makes up his mind to stay in Brigadoon with her. Meanwhile, a lass of the village, Meg Brockie, entertains the wedding guests with “My Mother's Wedding Day”.Now Tommy tells Jeff of his decision to stay. But then he discovers that Jeff was the inadvertent killer of the runaway. The shock of his friend's confession, and Jeff's persuasion that the place is a dream, makes him doubt Fiona and the town. So as the day ends, he leaves her, in “From This day On”. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1947 MARION BELL Waitin For My Dearie BRIGADOON ORIGINAL BROADWAY CAST - 78 RPM Record 78 RPM Records 2024-02-28 | "Brigadoon" Original Broadway Cast - Waitin' For My Dearie Marion Bell with Girls and Brigadoon Chorus and Orchestra conducted by Franz Allers From Cheryl Crawford's Production "Brigadoon" Written by Alan Jay Lerner and Frederick Loewe 78 RPM audio transfer from the Bowness Arts collection of vintage records.The Members Of The Original Cast – BrigadoonLabel: RCA Victor – P 178Format: 5 x Shellac, 10", 78 RPM, AlbumOriginal Release: April 1947Re-release: 1951 (Canada)Genre: Stage & ScreenStyle: Soundtrack, MusicalTrack list:Side 1 Overture / Once In The Highlands / Brigadoon youtu.be/RqFlEyYIFz4 Side 2 Down On MacConnachy Square youtu.be/mZdI6ytnkRA Side 3 Waitin' For My Dearie youtu.be/IMLGG4XFujI Side 4 I'll Go Home With Bonnie Jean youtu.be/gYyEcB_GoC8 Side 5 The Heather On The Hill youtu.be/rSwjqt-eeFw Side 6 Come To Me, Bend To Me youtu.be/WFrc9pqqD1Y Side 7 Almost Like Being In Love youtu.be/8Ai1sbbNDJ8 Side 8 There But For You Go I youtu.be/34fXmb4mpMA Side 9 My Mother's Wedding Day youtu.be/2hhNdZvRwQMSide 10 From This Day On / Brigadoon youtu.be/epRgRl6yb0Y Presenting songs from Brigadoon as recorded by the original cast on RCA Victor records. David Brooks as Tommy Albright; Marion Bell as Fiona MacLaren; Pamela Britton as Meg Brockie; Lee Sulivan as Charlie Dalrymple.Act OneBrigadoon is the story of two Americans, Tommy and Jeff, who are lost in the Scottish Highlands and stumble upon a village, not on the map, called “Brigadoon”. At the village fair that sunny May morning, “Down On MacConnachy Square”, Tommy meets a pert and lovely lass named Fiona MacLaren, who is busy today helping her sister prepare for her wedding to young Charlie Dalrymple, which is to take place that evening. Fiona, the older, is not married but is, as she says, “Waitin' For My Dearie”. The men arrive at he square and hear Charlie tell of his feelings about his approaching marriage in “I'll Go Home With Bonnie Jean”. Tommy, intrigued by the talk of a miracle and the odd quaintness of the town and his sudden attraction to Fiona, decides to stay the day out. And he and Fiona go off to gather heather for the wedding, to “The Heather On The Hill”. Later that day, at the MacLaren house, Charlie arrives to sign the family Bible and, because of the old superstition preventing the bride and groom from seeing each other the day of the wedding, sings to her through the closed door “Come To Me, Bend To Me”. Now Tommy and Fiona return from a lovely day together and tell Jeff they find it's “Almost Like Being In Love”. But Tommy presses her to explain the mystery of the village, and Fiona takes them to visit the schoolmaster of the town who reveals that Brigadoon was miraculously blessed two hundred years ago, and that it lapses into a sleep from which it awakens only one day in every hundred years. No villager is allowed to leave, or the enchantment will be broken and the town will disappear forever. A stranger, however, can stay if he falls in love. Now all go down to the church yard for the wedding. Following the simple ceremony, the bride's broken-hearted suitor decides to run away and destroy the town. As he runs from the church yard, the curtain falls for the end of Act One.Act TwoThe men, in a chase through the forest, succeed in stopping the runaway, but only when he is found dead, seemingly from having struck his head on a rock. Back in the glen, Tommy tells Fiona he is in love with her, in “There But For You Go I”, and makes up his mind to stay in Brigadoon with her. Meanwhile, a lass of the village, Meg Brockie, entertains the wedding guests with “My Mother's Wedding Day”.Now Tommy tells Jeff of his decision to stay. But then he discovers that Jeff was the inadvertent killer of the runaway. The shock of his friend's confession, and Jeff's persuasion that the place is a dream, makes him doubt Fiona and the town. So as the day ends, he leaves her, in “From This day On”. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1947 BRIGADOON Down On MacConnachy Square ORIGINAL BROADWAY CAST - 78 RPM Record 78 RPM Records 2024-02-27 | "Brigadoon" Original Broadway Cast - Down On MacConnachy Square Soloists: Jeffrey Warren, Earl Redding, Shirley Robbins and Hayes Gordon Brigadoon Chorus and Orchestra, conducted by Franz Allers From Cheryl Crawford's Production "Brigadoon" Written by Alan Jay Lerner and Frederick Loewe 78 RPM audio transfer from the Bowness Arts collection of vintage records.The Members Of The Original Cast – BrigadoonLabel: RCA Victor – P 178Format: 5 x Shellac, 10", 78 RPM, AlbumOriginal Release: April 1947Re-release: 1951 (Canada)Genre: Stage & ScreenStyle: Soundtrack, MusicalTrack list:Side 1 Overture / Once In The Highlands / Brigadoon youtu.be/RqFlEyYIFz4 Side 2 Down On MacConnachy Square youtu.be/mZdI6ytnkRA Side 3 Waitin' For My Dearie youtu.be/IMLGG4XFujI Side 4 I'll Go Home With Bonnie Jean youtu.be/gYyEcB_GoC8 Side 5 The Heather On The Hill youtu.be/rSwjqt-eeFw Side 6 Come To Me, Bend To Me youtu.be/WFrc9pqqD1Y Side 7 Almost Like Being In Love youtu.be/8Ai1sbbNDJ8 Side 8 There But For You Go I youtu.be/34fXmb4mpMA Side 9 My Mother's Wedding Day youtu.be/2hhNdZvRwQMSide 10 From This Day On / Brigadoon youtu.be/epRgRl6yb0Y Presenting songs from Brigadoon as recorded by the original cast on RCA Victor records. David Brooks as Tommy Albright; Marion Bell as Fiona MacLaren; Pamela Britton as Meg Brockie; Lee Sulivan as Charlie Dalrymple.Act OneBrigadoon is the story of two Americans, Tommy and Jeff, who are lost in the Scottish Highlands and stumble upon a village, not on the map, called “Brigadoon”. At the village fair that sunny May morning, “Down On MacConnachy Square”, Tommy meets a pert and lovely lass named Fiona MacLaren, who is busy today helping her sister prepare for her wedding to young Charlie Dalrymple, which is to take place that evening. Fiona, the older, is not married but is, as she says, “Waitin' For My Dearie”. The men arrive at he square and hear Charlie tell of his feelings about his approaching marriage in “I'll Go Home With Bonnie Jean”. Tommy, intrigued by the talk of a miracle and the odd quaintness of the town and his sudden attraction to Fiona, decides to stay the day out. And he and Fiona go off to gather heather for the wedding, to “The Heather On The Hill”. Later that day, at the MacLaren house, Charlie arrives to sign the family Bible and, because of the old superstition preventing the bride and groom from seeing each other the day of the wedding, sings to her through the closed door “Come To Me, Bend To Me”. Now Tommy and Fiona return from a lovely day together and tell Jeff they find it's “Almost Like Being In Love”. But Tommy presses her to explain the mystery of the village, and Fiona takes them to visit the schoolmaster of the town who reveals that Brigadoon was miraculously blessed two hundred years ago, and that it lapses into a sleep from which it awakens only one day in every hundred years. No villager is allowed to leave, or the enchantment will be broken and the town will disappear forever. A stranger, however, can stay if he falls in love. Now all go down to the church yard for the wedding. Following the simple ceremony, the bride's broken-hearted suitor decides to run away and destroy the town. As he runs from the church yard, the curtain falls for the end of Act One.Act TwoThe men, in a chase through the forest, succeed in stopping the runaway, but only when he is found dead, seemingly from having struck his head on a rock. Back in the glen, Tommy tells Fiona he is in love with her, in “There But For You Go I”, and makes up his mind to stay in Brigadoon with her. Meanwhile, a lass of the village, Meg Brockie, entertains the wedding guests with “My Mother's Wedding Day”.Now Tommy tells Jeff of his decision to stay. But then he discovers that Jeff was the inadvertent killer of the runaway. The shock of his friend's confession, and Jeff's persuasion that the place is a dream, makes him doubt Fiona and the town. So as the day ends, he leaves her, in “From This day On”. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1947 BRIGADOON Overture / Once In The Highlands / Brigadoon ORIGINAL BROADWAY CAST - 78 RPM Record 78 RPM Records 2024-02-26 | "Brigadoon" Original Broadway Cast - Overture / Once In The Highlands / Brigadoon Brigadoon Orchestra and Chorus with Delbert Anderson, conducted by Franz Allers From Cheryl Crawford's Production "Brigadoon" Written by Alan Jay Lerner and Frederick Loewe 78 RPM audio transfer from the Bowness Arts collection of vintage records.The Members Of The Original Cast – BrigadoonLabel: RCA Victor – P 178Format: 5 x Shellac, 10", 78 RPM, AlbumOriginal Release: April 1947Re-release: 1951 (Canada)Genre: Stage & ScreenStyle: Soundtrack, MusicalTrack list:Side 1 Overture / Once In The Highlands / Brigadoon youtu.be/RqFlEyYIFz4 Side 2 Down On MacConnachy Square youtu.be/mZdI6ytnkRA Side 3 Waitin' For My Dearie youtu.be/IMLGG4XFujI Side 4 I'll Go Home With Bonnie Jean youtu.be/gYyEcB_GoC8 Side 5 The Heather On The Hill youtu.be/rSwjqt-eeFw Side 6 Come To Me, Bend To Me youtu.be/WFrc9pqqD1Y Side 7 Almost Like Being In Love youtu.be/8Ai1sbbNDJ8 Side 8 There But For You Go I youtu.be/34fXmb4mpMA Side 9 My Mother's Wedding Day youtu.be/2hhNdZvRwQMSide 10 From This Day On / Brigadoon youtu.be/epRgRl6yb0Y Presenting songs from Brigadoon as recorded by the original cast on RCA Victor records. David Brooks as Tommy Albright; Marion Bell as Fiona MacLaren; Pamela Britton as Meg Brockie; Lee Sulivan as Charlie Dalrymple.Act OneBrigadoon is the story of two Americans, Tommy and Jeff, who are lost in the Scottish Highlands and stumble upon a village, not on the map, called “Brigadoon”. At the village fair that sunny May morning, “Down On MacConnachy Square”, Tommy meets a pert and lovely lass named Fiona MacLaren, who is busy today helping her sister prepare for her wedding to young Charlie Dalrymple, which is to take place that evening. Fiona, the older, is not married but is, as she says, “Waitin' For My Dearie”. The men arrive at he square and hear Charlie tell of his feelings about his approaching marriage in “I'll Go Home With Bonnie Jean”. Tommy, intrigued by the talk of a miracle and the odd quaintness of the town and his sudden attraction to Fiona, decides to stay the day out. And he and Fiona go off to gather heather for the wedding, to “The Heather On The Hill”. Later that day, at the MacLaren house, Charlie arrives to sign the family Bible and, because of the old superstition preventing the bride and groom from seeing each other the day of the wedding, sings to her through the closed door “Come To Me, Bend To Me”. Now Tommy and Fiona return from a lovely day together and tell Jeff they find it's “Almost Like Being In Love”. But Tommy presses her to explain the mystery of the village, and Fiona takes them to visit the schoolmaster of the town who reveals that Brigadoon was miraculously blessed two hundred years ago, and that it lapses into a sleep from which it awakens only one day in every hundred years. No villager is allowed to leave, or the enchantment will be broken and the town will disappear forever. A stranger, however, can stay if he falls in love. Now all go down to the church yard for the wedding. Following the simple ceremony, the bride's broken-hearted suitor decides to run away and destroy the town. As he runs from the church yard, the curtain falls for the end of Act One.Act TwoThe men, in a chase through the forest, succeed in stopping the runaway, but only when he is found dead, seemingly from having struck his head on a rock. Back in the glen, Tommy tells Fiona he is in love with her, in “There But For You Go I”, and makes up his mind to stay in Brigadoon with her. Meanwhile, a lass of the village, Meg Brockie, entertains the wedding guests with “My Mother's Wedding Day”.Now Tommy tells Jeff of his decision to stay. But then he discovers that Jeff was the inadvertent killer of the runaway. The shock of his friend's confession, and Jeff's persuasion that the place is a dream, makes him doubt Fiona and the town. So as the day ends, he leaves her, in “From This day On”. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute (RPM) as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1928 ERNEST LOUGH I Know That My Redeemer Liveth (1st & 2nd Record) G. THALBEN BALL - 78 RPM Record 78 RPM Records 2024-02-25 | Master Ernest Lough & George Thalben-Ball – I Know That My Redeemer Liveth (First and Second Record) Boy Soprano in English with Organ by George Thalben-Ball Composed by Georg Friedrich Händel 78 RPM audio transfer from Bowness Arts' collection of vintage recordsMaster E. Lough & G. Thalben Ball – I Know That My Redeemer LivethLabel: His Master's Voice – B.2656 (UK)Format: Shellac, 78 RPM, 10"Released: 1928Genre: Classical GospelStyle: Oratorio, VocalOther side of this record: Hark! Hark! The Larkyoutu.be/vpwmb4wmkPMErnest Arthur Lough was a British chorister who was billed on his recordings as the "Boy Soprano". Born on November 17, 1911 in Forest Gate, Essex, England, Lough gained recognition at the age of 14 when he recorded Hear My Prayer and O, For The Wings Of A Dove (Mendelssohn), for the label HMV (released 1927), and it became one of the first classical records to sell a million copies. His rendition of "O for the Wings of a Dove" remains an enduring contribution to classical and religious music. Ernest Lough died on February 22, 2000, age 88, in Watford, Hertfordshire, England.Sir George Thomas Thalben-Ball (1896–1987) was an English organist, conductor, and composer. Born on June 18, 1896, in Sydney, Australia, he moved to England as a child. Thalben-Ball served as the organist and choirmaster at the Temple Church in London from 1923 to 1982, earning acclaim for his musical contributions. He held the post of Birmingham City Organist from 1937 to 1987, becoming a prominent figure in the British musical scene. Thalben-Ball was appointed a Commander of the Order of the British Empire (CBE) in 1967 and was knighted in 1982. He died on January 18, 1987, in England, at the age of 90.George Frideric Handel (February 23, 1685 – April 14, 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1948 RECORD GUILD OF AMERICA A Dillar A Dollar / To Market To Market - 78 RPM Record 78 RPM Records 2024-02-24 | The Record Guild Of America – A Dillar A Dollar / To Market To Market Performed by Aunt Chris and Sherm 78 RPM audio transfer from Bowness Arts' collection of vintage records The Record Guild Of America – Hot Cross Buns, Baa Baa Black Sheep / A Dillar A Dollar, To Market To MarketLabel: The Record Guild Of America, Inc. – S 2015Format: Flexi-disc, 6½", 78 RPM, Card Backed, Picture DiscReleased: 1948Genre: Children's SongStyle: Nursery RhymesOther side of this record: Hot Cross Buns / Baa Baa Black Sheepyoutu.be/nzaTZW5dRoY This rare find is a 6-1/2" 78 RPM picture disc made circa 1948 by The Record Guild of America. It is is a two-sided record made of cardboard laminated between two layers of clear plastic "flexi-disc". The Record Guild Of America was a children's music label, based in Farmingdale, New York, that was active during the 1940s and 50s. A primary reason for its success was due to their releasing 78 RPM full color picture discs - a novel product for the times. These discs were released in a variety of sizes: 6 1/2", 7", 10" and 12 inch vinyl. Some releases even included 'flexi-discs'. The label later introduced a series of regular vinyl LPs for children branded as "Simon Says". Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1948 RECORD GUILD OF AMERICA Hot Cross Buns / Baa Baa Black Sheep - 78 RPM Record 78 RPM Records 2024-02-23 | The Record Guild Of America – Hot Cross Buns / Baa Baa Black Sheep Performed by Aunt Chris and Sherm 78 RPM audio transfer from Bowness Arts' collection of vintage records The Record Guild Of America – Hot Cross Buns, Baa Baa Black Sheep / A Dillar A Dollar, To Market To MarketLabel: The Record Guild Of America, Inc. – S 2015Format: Flexi-disc, 6½", 78 RPM, Card Backed, Picture DiscReleased: 1948Genre: Children's SongStyle: Nursery RhymesOther side of this record: A Dillar A Dollar / To Market To Marketyoutu.be/VgxMx7sBkFE This rare find is a 6-1/2" 78 RPM picture disc made circa 1948 by The Record Guild of America. It is is a two-sided record made of cardboard laminated between two layers of clear plastic "flexidisc". The Record Guild Of America was a children's music label, based in Farmingdale, New York, that was active during the 1940s and 50s. A primary reason for its success was due to their releasing 78 RPM full color picture discs - a novel product for the times. These discs were released in a variety of sizes: 6 1/2", 7", 10" and 12 inch vinyl. Some releases even included 'flexi-discs'. The label later introduced a series of regular vinyl LPs for children branded as "Simon Says". Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1937 JUSSI BJÖRLING Land, Du Välsignade (Land, Thou Blessed One) SWEDISH TENOR - 78 RPM Record 78 RPM Records 2024-02-22 | Jussi Björling – Land, Du Välsignade (Land, Thou Blessed One) Written by Ragnar Althén and Elisabet Björklund 78 RPM audio transfer from the Bowness Arts' collection of vintage recordsJussi Björling – Sverige / Land Du VälsignadeLabel: His Master's Voice – X.4777 (UK)Format: Shellac, 10", 78 RPMGenre: Classical, WorldStyle: Swedish OperaOther side of this record: Sverige youtu.be/mVO_ePa7IPw Johan Jonatan "Jussi" Björling was born on February 5, 1911, in Stora Tuna, Borlänge, Dalarna, Sweden. He was a Swedish tenor and one of the leading operatic singers of the 20th century. Björling appeared for many years at the Metropolitan Opera in New York City and, less frequently, at major European opera houses, including the Royal Opera House in London and La Scala in Milan. He sang the Italian, French, and Russian opera repertory with taste. On March 15, 1960, Björling suffered a heart attack before a performance of La Bohème at Covent Garden. Despite his condition, he insisted on singing, and continued to make performances until his death. On September 9, 1960, aged 49, he died due to heart-related issues. He was survived by his wife of 35 years, Anna-Lisa Björling, a Swedish opera singer and actress. Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1937 JUSSI BJÖRLING Sverige (Sweden) SWEDISH TENOR - 78 RPM Record 78 RPM Rekord 78 RPM Records 2024-02-21 | Jussi Björling – Sverige (Sweden) Written by Wilhelm Stenhammar and Verner Von Heidenstam 78 RPM audio transfer from the Bowness Arts' collection of vintage recordsSkriven av Wilhelm Stenhammar och Verner Von Heidenstam 78 RPM ljudöverföring från Bowness Arts samling av vintageskivorJussi Björling – Sverige / Land Du VälsignadeLabel: His Master's Voice – X.4777 (UK)Format: Shellac, 10", 78 RPMGenre: Classical, WorldStyle: Swedish OperaOther side of this record: Land Du Välsignadeyoutu.be/6X_Quhd5Q8k Johan Jonatan "Jussi" Björling was born on February 5, 1911, in Stora Tuna, Borlänge, Dalarna, Sweden. He was a Swedish tenor and one of the leading operatic singers of the 20th century. Björling appeared for many years at the Metropolitan Opera in New York City and, less frequently, at major European opera houses, including the Royal Opera House in London and La Scala in Milan. He sang the Italian, French, and Russian opera repertory with taste. On March 15, 1960, Björling suffered a heart attack before a performance of La Bohème at Covent Garden. Despite his condition, he insisted on singing, and continued to make performances until his death. On September 9, 1960, aged 49, he died due to heart-related issues. He was survived by his wife of 35 years, Anna-Lisa Björling, a Swedish opera singer and actress. Johan Jonatan "Jussi" Björling föddes den 5 februari 1911 i Stora Tuna, Borlänge, Dalarna, Sverige. Han var en svensk tenor och en av 1900-talets ledande operasångare. Björling framträdde under många år på Metropolitan Opera i New York City och, mer sällan, på stora europeiska operahus, inklusive Royal Opera House i London och La Scala i Milano. Han sjöng den italienska, franska och ryska opera repertoaren med smak. Den 15 mars 1960 drabbades Björling av en hjärtattack innan en föreställning av La Bohème på Covent Garden. Trots sitt tillstånd insisterade han på att sjunga och fortsatte att spela fram till sin död. Den 9 september 1960, 49 år gammal, dog han på grund av hjärtrelaterade problem. Han efterlevde sin hustru sedan 35 år, Anna-Lisa Björling, en svensk operasångerska och skådespelerska.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1948 THE MARLIN SISTERS The Man On The Carrousel - 78 RPM Record 78 RPM Records 2024-02-20 | The Marlin Sisters – The Man On The Carrousel Accompanied by The Columbians Written by James Cavanaugh and Dick Charles 78 RPM audio transfer from the Bowness Arts' collection of vintage recordsThe Marlin Sisters – My Happiness / The Man On The CarrouselLabel: Columbia – C1107 (Canada)Format: Shellac, 10", 78 RPMReleased: 1948Genre: PopStyle: VocalOther side of this record: My Happinessyoutu.be/lwhMYRreZus The Marlin Sisters were an American vocal duo consisting of sisters, Gittele (Trudy) and Goldele (Gloria) Malavsky. They were daughters of the well-known Cantor Samuel Malavsky (1894–1985). Goldie and Gittele performed as the Marlin Sisters, recording over fourty records, and collaborating with Guy Mitchell, Eddie Fisher, Ted Steele and others. They had several charting hits on their own including "Toolie Oolie Doolie (The Yodel Polka)", "My Happiness". They also provided vocals for a number of other charting tracks including Eddie Fisher's "You Can't Be True, Dear", Frankie Yankovic's "Blue Skirt Waltz", and the Pinetoppers' "Lonely Little Robin". In addition to popular music they also recorded Yiddish, Cantorial and Liturgical music as a duo and as part of The Malavsky Family Choir.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1948 THE MARLIN SISTERS My Happiness - 78 RPM Record 78 RPM Records 2024-02-19 | The Marlin Sisters – My Happiness Accompanied by The Columbians Written by Betty Peterson and Borney Bergantine 78 RPM audio transfer from Bowness Arts' collection of vintage recordsThe Marlin Sisters – My Happiness / The Man On The CarrouselLabel: Columbia – C1107 (Canada)Format: Shellac, 10", 78 RPMReleased: 1948Genre: PopStyle: VocalOther side of this record: The Man On The Carrouselyoutu.be/SzpSPsczsh4 The Marlin Sisters were an American vocal duo consisting of sisters, Gittele (Trudy) and Goldele (Gloria) Malavsky. They were daughters of the well-known Cantor Samuel Malavsky (1894–1985). Goldie and Gittele performed as the Marlin Sisters, recording over fourty records, and collaborating with Guy Mitchell, Eddie Fisher, Ted Steele and others. They had several charting hits on their own including "Toolie Oolie Doolie (The Yodel Polka)", "My Happiness". They also provided vocals for a number of other charting tracks including Eddie Fisher's "You Can't Be True, Dear", Frankie Yankovic's "Blue Skirt Waltz", and the Pinetoppers' "Lonely Little Robin". In addition to popular music they also recorded Yiddish, Cantorial and Liturgical music as a duo and as part of The Malavsky Family Choir.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1932 RICHARD CROOKS Gipsy Moon TENOR with Orchestra - 78 RPM Record 78 RPM Records 2024-02-18 | Richard Crooks – Gipsy Moon Tenor in English with Orchestra Written by Igor Borganoff 78 RPM audio transfer from the Bowness Arts collection of vintage recordsRichard Crooks – Just To Linger In Your Arms / Gipsy MoonLabel: His Master's Voice – D.A.1283 (UK)Format: Shellac, 10", 78 RPMReleased: 1932Genre: Pop, ClassicalStyle: VocalOther side of this record: Just To Linger In Your Armsyoutu.be/x-FNzfFVii8Richard Alexander Crooks, an American tenor and a leading singer at the New York Metropolitan Opera, was born on June 26, 1900, in Trenton, New Jersey. Following several concert seasons as an oratorio and song recital specialist, including the American premiere of Mahler's Das Lied von der Erde, he traveled to Germany where he made his operatic debut in Hamburg as Cavaradossi in Puccini's Tosca in 1927. After touring other European cities, Crooks returned to the United States and made his American debut in 1930 in Philadelphia. He became a star of the Metropolitan Opera, specializing in French and Italian operas. From 1928 to 1945, Crooks was the host of "The Voice of Firestone" radio broadcasts, in which he sang operatic arias, patriotic songs, folk songs, and popular hits such as "People Will Say We're in Love" from Rodgers and Hammerstein's Oklahoma! in 1943. Health problems forced Crooks to retire in early 1945. However, he continued to sing at his church and elsewhere, with some of his performances being taped. He had married his childhood sweetheart and spent his later years in Portola Valley, California. Diagnosed with cancer in the mid-1960s, he battled the disease until his death on September 29, 1972, in Portola Valley, California, at the age of 72.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1932 RICHARD CROOKS Just To Linger In Your Arms TENOR with Orchestra - 78 RPM Record 78 RPM Records 2024-02-17 | Richard Crooks – Just To Linger In Your Arms Tenor in English with Orchestra Written by Ernst Arnold 78 RPM audio transfer from the Bowness Arts collection of vintage recordsRichard Crooks – Just To Linger In Your Arms / Gipsy MoonLabel: His Master's Voice – D.A.1283 (UK)Format: Shellac, 10", 78 RPMReleased: 1932Genre: Pop, ClassicalStyle: VocalOther side of this record: Gipsy Moonyoutu.be/9MVKRzKPvw8Richard Alexander Crooks, an American tenor and a leading singer at the New York Metropolitan Opera, was born on June 26, 1900, in Trenton, New Jersey. Following several concert seasons as an oratorio and song recital specialist, including the American premiere of Mahler's Das Lied von der Erde, he traveled to Germany where he made his operatic debut in Hamburg as Cavaradossi in Puccini's Tosca in 1927. After touring other European cities, Crooks returned to the United States and made his American debut in 1930 in Philadelphia. He became a star of the Metropolitan Opera, specializing in French and Italian operas. From 1928 to 1945, Crooks was the host of "The Voice of Firestone" radio broadcasts, in which he sang operatic arias, patriotic songs, folk songs, and popular hits such as "People Will Say We're in Love" from Rodgers and Hammerstein's Oklahoma! in 1943. Health problems forced Crooks to retire in early 1945. However, he continued to sing at his church and elsewhere, with some of his performances being taped. He had married his childhood sweetheart and spent his later years in Portola Valley, California. Diagnosed with cancer in the mid-1960s, he battled the disease until his death on September 29, 1972, in Portola Valley, California, at the age of 72.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1950 Will Glahé Und Sein Orchester Mandolino—Mandolino (In Santa Lucia) - 78 RPM Record 78 RPM Records 2024-02-16 | Will Glahé Und Sein Orchester – Mandolino—Mandolino (In Santa Lucia) Gesang von O. G. Fischer Geschrieben von Gerhard Winkler und Ralph Maria Siegel 78-U/min-Audioübertragung aus der Vintage-Schallplattensammlung von Bowness Arts.Will Glahe And His Orchestra – Wie Der Schönste Traum / Mandolino—MandolinoEtikett: London Records – P.18132Format: Schellack, 10", 78 U/minVeröffentlicht: ca. 1950Stil: Deutscher GesangAndere Seite dieser Aufzeichnung: Wie Der Schönste Traumyoutu.be/KVgg8PmjoA0 Will GlahéEchter Name: Gustav Adolf Wilhelm GlahéDeutscher Akkordeonist, Komponist und Bandleader, geboren am 12. Februar 1902 in Elberfeld (heute Wuppertal), Deutschland – gestorben am 21. November 1989 in Rheinbreitbach, Deutschland. In den 30er Jahren einer der erfolgreichsten Akkordeonisten Deutschlands. Ab 1932 leitete er sein eigenes Orchester. Eines seiner berühmtesten Lieder in Deutschland war seine Aufnahme von „Rosamunde“ aus dem Jahr 1936, einer Coverversion des Liedes „Škoda lásky“ („Verschwendete Liebe“) von Jaromir Vejvoda. Unter dem Titel „Beer Barrel Polka“ landete das Lied 1939 in den Vereinigten Staaten auf Platz 1 der Hitparade. Nach dem Zweiten Weltkrieg war er in den USA als „Polka King“ bekannt und machte sowohl Big-Band- als auch Folk-Musik Arrangements mit seinem Orchester. Seine „Liechtensteiner Polka“ war auch in den USA ein Hit und erreichte 1957 Platz 16 der Billboard Hot 100.Hinweis: Die erste Schallplatte mit 78 U/min entstand um 1894, und 1912 führte die Gramophone Company 78 Umdrehungen pro Minute als Aufnahmestandard ein. Die Produktion von Schellack-Schallplatten wurde während der gesamten 78-U/min-Ära fortgesetzt, wobei in den 1940er-Jahren „unzerbrechliche“ 78-U/min-Schallplatten eingeführt wurden. Die Popularität der 1948 erstmals veröffentlichten „Long Play“-Schallplatte mit 33 1/3 U/min führte dazu, dass die 78-U/min-Schallplatte noch vor Ende der 1950er Jahre obsolet wurde. Da diese 78-U/min-Aufnahmen ziemlich alt sind, können sie abfällige Sprache und/oder negative Stereotypen enthalten. Es ist wichtig, solche Aufnahmen in ihrem historischen Kontext zu bewerten und sie als Spiegelbild der damals vorherrschenden Einstellungen zu betrachten. Diese Aufnahmen sind ein integraler Bestandteil der historischen Aufzeichnungen und geben nicht die Ansichten dieses Posters, Kanals oder von Bowness Arts wieder.
1950 Will Glahé Und Sein Orchester Wie Der Schonste Traum - 78 RPM Record 78 RPM Records 2024-02-15 | Will Glahé Und Sein Orchester – Wie Der Schönste Traum Gesang von O. C. Fischer Geschrieben von Ernst Heubner 78-U/min-Audioübertragung aus der Vintage-Schallplattensammlung von Bowness Arts.Will Glahe And His Orchestra – Wie Der Schönste Traum / Mandolino—MandolinoEtikett: London Records – P.18132Format: Schellack, 10", 78 U/minVeröffentlicht: ca. 1950Stil: Deutscher GesangAndere Seite dieser Aufzeichnung: Mandolino—Mandolino (In Santa Lucia)youtu.be/s_OEe6wLSY0 Will GlahéEchter Name: Gustav Adolf Wilhelm GlahéDeutscher Akkordeonist, Komponist und Bandleader, geboren am 12. Februar 1902 in Elberfeld (heute Wuppertal), Deutschland – gestorben am 21. November 1989 in Rheinbreitbach, Deutschland. In den 30er Jahren einer der erfolgreichsten Akkordeonisten Deutschlands. Ab 1932 leitete er sein eigenes Orchester. Eines seiner berühmtesten Lieder in Deutschland war seine Aufnahme von „Rosamunde“ aus dem Jahr 1936, einer Coverversion des Liedes „Škoda lásky“ („Verschwendete Liebe“) von Jaromir Vejvoda. Unter dem Titel „Beer Barrel Polka“ landete das Lied 1939 in den Vereinigten Staaten auf Platz 1 der Hitparade. Nach dem Zweiten Weltkrieg war er in den USA als „Polka King“ bekannt und machte sowohl Big-Band- als auch Folk-Musik Arrangements mit seinem Orchester. Seine „Liechtensteiner Polka“ war auch in den USA ein Hit und erreichte 1957 Platz 16 der Billboard Hot 100.Hinweis: Die erste Schallplatte mit 78 U/min entstand um 1894, und 1912 führte die Gramophone Company 78 Umdrehungen pro Minute als Aufnahmestandard ein. Die Produktion von Schellack-Schallplatten wurde während der gesamten 78-U/min-Ära fortgesetzt, wobei in den 1940er-Jahren „unzerbrechliche“ 78-U/min-Schallplatten eingeführt wurden. Die Popularität der 1948 erstmals veröffentlichten „Long Play“-Schallplatte mit 33 1/3 U/min führte dazu, dass die 78-U/min-Schallplatte noch vor Ende der 1950er Jahre obsolet wurde. Da diese 78-U/min-Aufnahmen ziemlich alt sind, können sie abfällige Sprache und/oder negative Stereotypen enthalten. Es ist wichtig, solche Aufnahmen in ihrem historischen Kontext zu bewerten und sie als Spiegelbild der damals vorherrschenden Einstellungen zu betrachten. Diese Aufnahmen sind ein integraler Bestandteil der historischen Aufzeichnungen und geben nicht die Ansichten dieses Posters, Kanals oder von Bowness Arts wieder.
1947 BING CROSBY Silver Threads Among The Gold KEN DARBY CHOIR - 78 RPM Record 78 RPM Records 2024-02-14 | Bing Crosby With Ken Darby Choir – Silver Threads Among The Gold Written by Hart Pease Danks and Eben E. Rexford 78 RPM audio transfer from the Bowness Arts' collection of vintage records.Bing Crosby With Ken Darby Choir – Now Is The Hour / Silver Threads Among The GoldLabel: Decca – 24279 (Canada)Format: Shellac, 10", 78 RPMReleased: 1947Genre: PopStyle: VocalOther side of this record: Now Is The Hour (Maori Farewell Song)youtu.be/Rn1XjBH6M2Y Bing Crosby Playlist: youtube.com/playlist?list=PLDfizUThCDSVpxfkp_RKVs1YDxgMK3C3DHarry Lillis "Bing" Crosby Jr. was born May 3, 1903 in Tacoma, Washington. He was an American singer and actor. Crosby had a passion for music from a young age and began singing in local theaters and churches in Spokane. In 1925, he formed a duo with Al Rinker and they moved to Los Angeles to pursue a career in show business. They were eventually joined by Harry Barris, forming the trio that became known as The Rhythm Boys. In 1931, Crosby began his solo career and signed with Brunswick Records. He became known for his smooth, crooning voice. Some of his most popular songs include "White Christmas," "Swinging on a Star," and "Pennies from Heaven." Crosby also found success in the film industry. He was also a regular on radio and television, hosting his own shows and making numerous guest appearances. Crosby's personal life was marked by tragedy, including the deaths of two of his sons. He was married twice in his life, first to Dixie Lee and later to Kathryn Grant. Throughout his career, Bing Crosby was the recipient of numerous prestigious awards. Among these were the following: In 1944, he won the Grammy Award for Record of the Year for his iconic rendition of "White Christmas." The following year, in 1945, Crosby was honored with the Academy Award for Best Actor for his standout performance in "Going My Way." Crosby's contributions to radio broadcasting were also recognized, as he was awarded the Peabody Award in 1946. In 1955, Crosby won the Golden Globe for Best Actor in a Motion Picture - Musical or Comedy for his role in "The Country Girl." In 1962, he received the Grammy Lifetime Achievement Award, acknowledging his significant impact on the music industry. Crosby was also successful in the realm of television, winning two Emmy Awards for his television specials: "An Hour with Bing Crosby" in 1962 and "Bing Crosby's Merrie Olde Christmas" in 1977. Though Crosby passed away on October 14, 1977, at the age of 74, his legacy lived on. In 1978, he was recognized as one of the honorees at the Kennedy Center Honors, which celebrated his contributions to the performing arts.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1947 BING CROSBY Now Is The Hour (Maori Farewell Song) KEN DARBY CHOIR - 78 RPM Record 78 RPM Records 2024-02-13 | Bing Crosby With Ken Darby Choir – Now Is The Hour (Maori Farewell Song) Written by Maewa Kaihau, Clement Scott and Dorothy Stewart 78 RPM audio transfer from the Bowness Arts' collection of vintage records.Bing Crosby With Ken Darby Choir – Now Is The Hour / Silver Threads Among The GoldLabel: Decca – 24279 (Canada)Format: Shellac, 10", 78 RPMReleased: 1947Genre: PopStyle: VocalOther side of this record: Silver Threads Among The Goldyoutu.be/VJgGEpbO6Xo Bing Crosby Playlist: youtube.com/playlist?list=PLDfizUThCDSVpxfkp_RKVs1YDxgMK3C3DHarry Lillis "Bing" Crosby Jr. was born May 3, 1903 in Tacoma, Washington. He was an American singer and actor. Crosby had a passion for music from a young age and began singing in local theaters and churches in Spokane. In 1925, he formed a duo with Al Rinker and they moved to Los Angeles to pursue a career in show business. They were eventually joined by Harry Barris, forming the trio that became known as The Rhythm Boys. In 1931, Crosby began his solo career and signed with Brunswick Records. He became known for his smooth, crooning voice. Some of his most popular songs include "White Christmas," "Swinging on a Star," and "Pennies from Heaven." Crosby also found success in the film industry. He was also a regular on radio and television, hosting his own shows and making numerous guest appearances. Crosby's personal life was marked by tragedy, including the deaths of two of his sons. He was married twice in his life, first to Dixie Lee and later to Kathryn Grant. Throughout his career, Bing Crosby was the recipient of numerous prestigious awards. Among these were the following: In 1944, he won the Grammy Award for Record of the Year for his iconic rendition of "White Christmas." The following year, in 1945, Crosby was honored with the Academy Award for Best Actor for his standout performance in "Going My Way." Crosby's contributions to radio broadcasting were also recognized, as he was awarded the Peabody Award in 1946. In 1955, Crosby won the Golden Globe for Best Actor in a Motion Picture - Musical or Comedy for his role in "The Country Girl." In 1962, he received the Grammy Lifetime Achievement Award, acknowledging his significant impact on the music industry. Crosby was also successful in the realm of television, winning two Emmy Awards for his television specials: "An Hour with Bing Crosby" in 1962 and "Bing Crosby's Merrie Olde Christmas" in 1977. Though Crosby passed away on October 14, 1977, at the age of 74, his legacy lived on. In 1978, he was recognized as one of the honorees at the Kennedy Center Honors, which celebrated his contributions to the performing arts.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 Rotations Per Minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1951 LES PAUL Little Rock Getaway GUITAR Instrumental - 78 RPM Record 78 RPM Records 2024-02-12 | Les Paul – Little Rock Getaway Instrumental Written by Joe Sullivan 78 RPM audio transfer from the Bowness Arts collection of vintage records.Les Paul – Tennessee Waltz / Little Rock GetawayLabel: Capitol Records – C-560 (Canada)Format: Shellac, 10", 78 RPMReleased: 1951Genre: Jazz, PopStyle: InstrumentalOther side of this record: Tennessee Waltzyoutu.be/hoq4eRK5T_wLes Paul was born Lester William Polsfuss on June 9, 1915 in Waukesha, Wisconsin. He was an American jazz, country, and blues guitarist, songwriter, luthier, and inventor. He was one of the pioneers of the solid-body electric guitar, and his prototype, called the Log, served as inspiration for the Gibson Les Paul. Paul taught himself how to play guitar, and while he is mainly known for jazz and popular music, he had an early career in country music. In the 1950s, he and his wife, singer and guitarist Mary Ford, recorded numerous records, selling millions of copies. Paul is credited with many recording innovations. His early experiments with overdubbing (also known as sound on sound), delay effects such as tape delay, phasing, and multitrack recording were among the first to attract widespread attention. His licks, trills, chording sequences, fretting techniques, and timing set him apart from his contemporaries and inspired many guitarists of the present day. Paul is one of a handful of artists with a permanent exhibit in the Rock and Roll Hall of Fame. He is prominently named by the music museum on its website as an "architect" and a "key inductee" with Sam Phillips and Alan Freed. Paul is the only inductee in both the Rock and Roll Hall of Fame and the National Inventors Hall of Fame. Paul died on August 12, 2009, aged 94, in White Plains, New York.Les Paul and Mary Ford were a popular 1950s husband-and-wife musical duo who performed and recorded during 1945–1963. They both sang and played guitars. The couple were introduced to each other by Gene Autry in 1945 and were married on December 31, 1949. They first appeared in the pop charts in 1950. Between the years 1950 and 1954, Les Paul and Mary Ford had 16 top-ten hits including "Tennessee Waltz", "Mockin' Bird Hill", "How High the Moon", "The World Is Waiting for the Sunrise", "Whispering", "My Baby's Coming Home", "Lady of Spain", "Bye Bye Blues", "I'm Sitting on Top of the World", "Vaya Con Dios" and "I'm a Fool to Care". Paul and Ford are famous for creating a makeshift recording studio in their garage where they used multitrack recording to record many of their hits including ‘Lover’, ‘Nola’, ‘Brazil’ and ‘Whispering' with only the two of them. Paul and Ford divorced acrimoniously in December 1964, which also ended the collaboration between the two. The duo have a star in the Recording section of the Hollywood Walk of Fame, and in 2009, they were inducted into the Hit Parade Hall of Fame.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 rotations per minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
1951 LES PAUL Tennessee Waltz MARY FORD vocals - 78 RPM Record 78 RPM Records 2024-02-11 | Les Paul – Tennessee Waltz Vocal Duet by Mary Ford Written by Redd Stewart and Pee Wee King 78 RPM audio transfer from the Bowness Arts collection of vintage records.Les Paul – Tennessee Waltz / Little Rock GetawayLabel: Capitol Records – C-560 (Canada)Format: Shellac, 10", 78 RPMReleased: 1951Genre: Country, PopStyle: VocalOther side of this record: Little Rock Getawayyoutu.be/7RCuMsikOJILes Paul was born Lester William Polsfuss on June 9, 1915 in Waukesha, Wisconsin. He was an American jazz, country, and blues guitarist, songwriter, luthier, and inventor. He was one of the pioneers of the solid-body electric guitar, and his prototype, called the Log, served as inspiration for the Gibson Les Paul. Paul taught himself how to play guitar, and while he is mainly known for jazz and popular music, he had an early career in country music. In the 1950s, he and his wife, singer and guitarist Mary Ford, recorded numerous records, selling millions of copies. Paul is credited with many recording innovations. His early experiments with overdubbing (also known as sound on sound), delay effects such as tape delay, phasing, and multitrack recording were among the first to attract widespread attention. His licks, trills, chording sequences, fretting techniques, and timing set him apart from his contemporaries and inspired many guitarists of the present day. Paul is one of a handful of artists with a permanent exhibit in the Rock and Roll Hall of Fame. He is prominently named by the music museum on its website as an "architect" and a "key inductee" with Sam Phillips and Alan Freed. Paul is the only inductee in both the Rock and Roll Hall of Fame and the National Inventors Hall of Fame. Paul died on August 12, 2009, aged 94, in White Plains, New York.Les Paul and Mary Ford were a popular 1950s husband-and-wife musical duo who performed and recorded during 1945–1963. They both sang and played guitars. The couple were introduced to each other by Gene Autry in 1945 and were married on December 31, 1949. They first appeared in the pop charts in 1950. Between the years 1950 and 1954, Les Paul and Mary Ford had 16 top-ten hits including "Tennessee Waltz", "Mockin' Bird Hill", "How High the Moon", "The World Is Waiting for the Sunrise", "Whispering", "My Baby's Coming Home", "Lady of Spain", "Bye Bye Blues", "I'm Sitting on Top of the World", "Vaya Con Dios" and "I'm a Fool to Care". Paul and Ford are famous for creating a makeshift recording studio in their garage where they used multitrack recording to record many of their hits including ‘Lover’, ‘Nola’, ‘Brazil’ and ‘Whispering' with only the two of them. Paul and Ford divorced acrimoniously in December 1964, which also ended the collaboration between the two. The duo have a star in the Recording section of the Hollywood Walk of Fame, and in 2009, they were inducted into the Hit Parade Hall of Fame.Note: The first 78 RPM record came into existence around 1894, and in 1912 the Gramophone Company established 78 rotations per minute as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.
