Uploaded August 2024 | Updated September 2026, 2 hours ago

Thank you for listening to the Following Films podcast today I’m joined by Uwe Boll. I had him on the show to talk about his latest film, First Shift.

First Shift is a 2024 American crime drama (en.wikipedia.org/wiki/Crime_drama) centered on an NYPD officer (en.wikipedia.org/wiki/New_York_Police_Department) who is forced to team up with a new recruit. First Shift is currently available on VOD

$Jennifer E. Montgomery on This Tempting Madness, Scoring a Film with Simone Ashley’s Voice, and T... Welcome back to the podcast, everyone. Today, we are examining the architecture of memory, trauma, and the blurred lines of reality. Hitting theaters and VOD on June 12, 2026, is a film that I promise is going to get under your skin. It’s called This Tempting Madness, a breathtakingly tense psychological thriller that marks the feature directorial debut of Jennifer E. Montgomery. Now, if you think you’ve seen all sides of Bridgerton superstar Simone Ashley, think again. She delivers a raw, bold, and genuinely transformative performance as Mia, a woman who awakens from a coma with a fractured memory, a grievously injured body, and the devastating realization that the man she loves is completely missing. Alongside an incredible supporting cast, the film takes us directly inside Mias disoriented mind as she tries to piece together a past she can no longer trust. But what makes This Tempting Madness truly unforgettable is where the story came from. This isnt just a Hollywood script; it is deeply inspired by a harrowing true story. Director Jennifer E. Montgomery wrote the film with her longtime collaborator and spouse, Andrew M. Davis, after living through her own firsthand tragedy. Years ago, Montgomery watched her own best friends life quietly collapse over a period of six months—culminating in an act of severe violence. When her friend finally woke from a coma, those entire six months of memory were completely gone. Instead of making a straightforward documentary, Jennifer and Andrew built an immersive cinematic landscape that mirrors how trauma actually works—in loops, contradictions, and shifting colors. From a custom score built literally out of Simone Ashley’s own vocal tones to vintage Panavision lenses that make the frames feel like unpredictable memories, every single detail of this film was crafted to make us question what is real right along with Mia. We are incredibly lucky to have the mastermind behind this phenomenal film with us today. Joining me to talk about the immense responsibility of turning personal trauma into art, pushing cinematic boundaries, and running towards the fire of complex storytelling... please welcome the director and co-writer of This Tempting Madness, Jennifer E. Montgomery!$

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