Uploaded August 2026 | Updated September 2026, 1 week ago
You don’t need a big chord shape to build a solid funk part.
Chris Buono works through two bars in F using dyads, simple two-note shapes, along with grace notes and a few chromatic moves to give the rhythm some character.
The notes are compact, but the timing still has to be tight. That’s where the groove comes from.
Explore Chris Buono’s lessons on TrueFire:
truefire.com/educators/chris-buono/e4184
Which part would you work on first: the dyads, the grace notes, or the chromatic movement?
#ChrisBuono #FunkGuitar #Dyads #RhythmGuitar #16thNoteRhythm #GuitarLesson #TrueFire #Shorts
You don’t need a big chord shape to build a solid funk part.
Chris Buono works through two bars in F using dyads, simple two-note shapes, along with grace notes and a few chromatic moves to give the rhythm some character.
The notes are compact, but the timing still has to be tight. That’s where the groove comes from.
Explore Chris Buono’s lessons on TrueFire:
truefire.com/educators/chris-buono/e4184
Which part would you work on first: the dyads, the grace notes, or the chromatic movement?
#ChrisBuono #FunkGuitar #Dyads #RhythmGuitar #16thNoteRhythm #GuitarLesson #TrueFire #Shorts
