Uploaded June 2020 | Updated September 2026, 1 week ago
American baritone Thomas Buckner, who specialises in the performance of contemporary and improvised music, joins Philip Thomas to discuss his history performing and interpreting the music of Robert Ashley over the last 50 years.
thomasbuckner.com
cerenem.org
/// ABSTRACT
Thomas Buckner is one of the most renowned and versatile singers working within experimental music today. Perhaps best known for his roles in the operas and music dramas of Robert Ashley – a selection of which he will perform in concert later on the same day – he has also premiered music by LeRoy Jenkins, Annea Lockwood, Roscoe Mitchell, Phill Niblock, Christian Wolff, and many others. In this session Thomas will be in conversation with Philip Thomas about his life in music, and specifically about approaches to the repertoire he performs, focussing upon the operas of Robert Ashley and the performance practices that have developed from these.
/// CREDITS
This interview took place as part of the Music Research Seminar, facilitated by Igor Contreras-Zubillaga and Mia Pistorius.
Recorded and edited by Sam Gillies.
American baritone Thomas Buckner, who specialises in the performance of contemporary and improvised music, joins Philip Thomas to discuss his history performing and interpreting the music of Robert Ashley over the last 50 years.
thomasbuckner.com
cerenem.org
/// ABSTRACT
Thomas Buckner is one of the most renowned and versatile singers working within experimental music today. Perhaps best known for his roles in the operas and music dramas of Robert Ashley – a selection of which he will perform in concert later on the same day – he has also premiered music by LeRoy Jenkins, Annea Lockwood, Roscoe Mitchell, Phill Niblock, Christian Wolff, and many others. In this session Thomas will be in conversation with Philip Thomas about his life in music, and specifically about approaches to the repertoire he performs, focussing upon the operas of Robert Ashley and the performance practices that have developed from these.
/// CREDITS
This interview took place as part of the Music Research Seminar, facilitated by Igor Contreras-Zubillaga and Mia Pistorius.
Recorded and edited by Sam Gillies.






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http://www.tutschku.com/
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