Uploaded February 2026 | Updated September 2026, 5 hours ago
Shimbol's M5 is the perfect budget 5.5 inch HDR on camera monitor. At only $160 I couldn't find a better option.
I have been using now for a couple of months and have tested and compared it against my Ninja V, Shimbol Memory1, Hollyland 7", Marshall 7" and various other monitors from Viltrox - and the M5 now lives on my rig.
The M56 is a 4K HDR video on the M5 5.5" 3D LUT 4K HDMI Touchscreen Monitor by Shimbol with its 1200 nit brightness, 1000:1 contrast ratio IPS screen with viewing angles up to 160 degrees, and built-in HLG mode and PQ support. The M5 monitor is calibrated to cover 100% of the Rec. 709 color space with a low Delta E of 0.6 for color accurate monitoring, supports resolutions up to DCI 4K25 or UHD 4K30, and features extensive monitoring tools such as 17- and 33-cube 3D LUT monitoring. The aluminum housing encloses a passively cooled design, which is possible due to its low power consumption of 3.5 to 6.5W, for a lightweight, quiet, and capable on-camera monitor.
Professional Monitoring Tools
In the scope menu, find your waveform, RGB parade, histogram, and vectorscope to facilitate color and exposure monitoring of your scene.
In the focus menu, find adjustable peaking and zoom functions to assist with focus.
Load 17- or 33-cube 3D LUTs in the color menu through the SD card, adjust your gamma from 2.2 to 2.6, toggle HLG mode or PQ for HDR monitoring, and adjust the color temperature.
False color allows for quick and accurate exposure adjustments.
The mask feature provides aspect ratio guides.
Buttons and Ports
The top of the monitor features a power button and three programmable function buttons for your most used monitoring tools.
On the left are two HDMI 1.4 ports, one input, and one output, as well as a DC input for extended power.
On the right is an SD card slot used to load up to 99 custom LUTs in addition to the eight log-monitoring LUTs included. A 1/4"-20 mounting thread below gives vertical or side-mounting options, and a 3.5mm input allows for audio monitoring. Levels are displayed on the monitor as well.
Another 1/4"-20 thread on the bottom is for conventional on-camera mounting. The adjacent USB-C port facilitates firmware updates.
At the rear is an L-Series/F970 battery plate for mobile power.
At Cine, we’re all about budget-friendly cameras, lenses, and techniques. We focus on providing honest, unbiased technical reviews, with a sprinkling of Resolve training to up your post game.
Everything we review or feature is something we’ve bought with our money, and is gear we genuinely use ourselves. Our opinions are not for sale and will never be influenced by brands or product offers — that’s how we roll.
If you'd really like to help us create more content, please consider supporting us with a SUPER THANKS or using our only affiliate link: angelbird.com/cne
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You do not have permission to use our content under any circumstance.
You do not have our permission to train AI models with our content, or use our voices or likeness for any purpose, non commercial or otherwise.
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Made with:
DaVinci Resolve 19 Studio
BMD Cameras and Canon Cameras with Cine Primes
Sound mixed in Fairlight
VFX DaVinci Resolve Fusion
#cinechimp #shimbolm5 #cameramonitor
Foley Sound Effects Created on location
Music Copyright Supplied by Audiio Sound or Written, Produced and Owned by us.
#cinechimp #shimbol #cameramonitor
Shimbol's M5 is the perfect budget 5.5 inch HDR on camera monitor. At only $160 I couldn't find a better option.
I have been using now for a couple of months and have tested and compared it against my Ninja V, Shimbol Memory1, Hollyland 7", Marshall 7" and various other monitors from Viltrox - and the M5 now lives on my rig.
The M56 is a 4K HDR video on the M5 5.5" 3D LUT 4K HDMI Touchscreen Monitor by Shimbol with its 1200 nit brightness, 1000:1 contrast ratio IPS screen with viewing angles up to 160 degrees, and built-in HLG mode and PQ support. The M5 monitor is calibrated to cover 100% of the Rec. 709 color space with a low Delta E of 0.6 for color accurate monitoring, supports resolutions up to DCI 4K25 or UHD 4K30, and features extensive monitoring tools such as 17- and 33-cube 3D LUT monitoring. The aluminum housing encloses a passively cooled design, which is possible due to its low power consumption of 3.5 to 6.5W, for a lightweight, quiet, and capable on-camera monitor.
Professional Monitoring Tools
In the scope menu, find your waveform, RGB parade, histogram, and vectorscope to facilitate color and exposure monitoring of your scene.
In the focus menu, find adjustable peaking and zoom functions to assist with focus.
Load 17- or 33-cube 3D LUTs in the color menu through the SD card, adjust your gamma from 2.2 to 2.6, toggle HLG mode or PQ for HDR monitoring, and adjust the color temperature.
False color allows for quick and accurate exposure adjustments.
The mask feature provides aspect ratio guides.
Buttons and Ports
The top of the monitor features a power button and three programmable function buttons for your most used monitoring tools.
On the left are two HDMI 1.4 ports, one input, and one output, as well as a DC input for extended power.
On the right is an SD card slot used to load up to 99 custom LUTs in addition to the eight log-monitoring LUTs included. A 1/4"-20 mounting thread below gives vertical or side-mounting options, and a 3.5mm input allows for audio monitoring. Levels are displayed on the monitor as well.
Another 1/4"-20 thread on the bottom is for conventional on-camera mounting. The adjacent USB-C port facilitates firmware updates.
At the rear is an L-Series/F970 battery plate for mobile power.
At Cine, we’re all about budget-friendly cameras, lenses, and techniques. We focus on providing honest, unbiased technical reviews, with a sprinkling of Resolve training to up your post game.
Everything we review or feature is something we’ve bought with our money, and is gear we genuinely use ourselves. Our opinions are not for sale and will never be influenced by brands or product offers — that’s how we roll.
If you'd really like to help us create more content, please consider supporting us with a SUPER THANKS or using our only affiliate link: angelbird.com/cne
▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
You do not have permission to use our content under any circumstance.
You do not have our permission to train AI models with our content, or use our voices or likeness for any purpose, non commercial or otherwise.
▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
Made with:
DaVinci Resolve 19 Studio
BMD Cameras and Canon Cameras with Cine Primes
Sound mixed in Fairlight
VFX DaVinci Resolve Fusion
#cinechimp #shimbolm5 #cameramonitor
Foley Sound Effects Created on location
Music Copyright Supplied by Audiio Sound or Written, Produced and Owned by us.
#cinechimp #shimbol #cameramonitor


![Angelbird V4 CFexpress Type B 256GB - Is LESS MORE in 2026?
Can a 256GB card handle high-end cinema workflows? In this review, I’m putting the **Angelbird AV PRO SE CFexpress Type B (V4)** to the ultimate test. With memory prices doubling, I wanted to see if these more affordable 256GB cards could actually keep up with 12K RAW and 8K workflows without dropping frames.
** Iused an industry-standard random pattern generator to push the data rates to their absolute breaking point. Here’s how it performed:**
* Blackmagic Pyxis 12K: Handled 12K B-RAW torture tests with zero dropped frames.
* **Canon R5:** Flawless 8K RAW recording.
* **Lumix GH7:** 5.7K ProRes RAW recorded perfectly until the card was full.
**What we cover in this video:**
* **Thermal Management:** Why these cards stayed at a cool 38°C even under heavy 12K stress.
* **The Handshake Advantage:** Testing the speed benefits of using the Angelbird card reader.
* **Real-World Record Times:** A breakdown of how much footage you can actually fit on a 256GB card.
**Sony & Professional Camera Compatibility:**
While I focused on the Pyxis and Canon in this test, these cards are a top-tier choice for the high-bitrate demands of the Sony ecosystem. They are fully compatible and recommended for:
* **Sony A7S V (A7S5):** Perfect for handling the highest internal recording settings.
* **Sony A1 & A7R V:** Reliable for high-speed bursts and 8K video.
* **Sony FX3 & FX30:** A great professional alternative for the CFexpress Type A/B hybrid workflow.
* **Other compatible bodies:** RED V-RAPTOR, Komodo X, Canon C300 mkiii, Fujifilm X-H2S, and the Nikon Z series.
As a cinematographer, reliability is my first priority. If youre looking for professional-grade media that wont break the bank, the Angelbird V4 series is a serious contender.
**Whats your go-to media card for professional work? Let me know in the comments!**
**CHAPTERS:**
0:00 Can a 256GB Card Handle High-End Workflows?
0:44 Why Reliability is My #1 Priority
1:12 The Impact of Doubling Memory Prices
2:15 Stress Testing with a Random Pattern Generator
2:56 5.7K, 8K, & 12K RAW Torture Tests
3:49 Test Results: Blackmagic Pyxis, Canon R5, & Lumix GH7
4:37 Thermal Management & Avoiding Thermal Throttling
5:18 The Handshake Advantage: Angelbird Card Reader Test
6:18 Record Time Breakdown: RAW vs. Compressed Codecs
7:19 My Recommendation for Professional Use
8:22 More Pro Media Tips & Playlists
**TECHNICAL SPECS (V4 SE):**
* **Interface:** CFexpress v4, PCIe 4.0 x2
* **Max. Read Speed:** 3700 MB/s
* **Max. Write Speed:** 550 MB/s
* **Sustained Read Speed:** 2500 MB/s
* **Sustained Write Speed:** 500 MB/s
* **Features:** Overload protection, TRIM, ECC, ESD Protection, Temperature Sensor, Magnetic/X-ray proof.
**WATCH MORE FROM CINE:**
* [The BEST CFexpress Type B cards are...]https://youtu.be/5vku6qyh0ug
* [ANGELBIRD VPG400 CFexpress TypeA 1TB Review] https://youtu.be/Z0r3J8pq16g
* [Best Memory Card for Sony Cameras?] https://youtu.be/_B-PVtXv1t0
* [Angelbird CFexpress 1TB for Canon R5] https://youtu.be/Wubn7CYDmNM
* [Is the Angelbird Media Tank Indestructible?] https://youtu.be/LqsAkUV4kd8
* [Why you shouldnt buy Sony CFexpress Type A Tough cards] https://youtu.be/LLOEzgTpNQ4
* [The Best Memory card for Sony A7S III, FX6, FX3 and FX30] https://youtube.com/shorts/aYF8N47rLWY
**GEAR USED IN THIS RIG:**
* **Media:** Angelbird AV PRO SE
* **Filters:** Freewell Filters
* **Cage & Rigging:** SmallRig R50V Cage, Power Plate, Mattebox
* **Support:** SmallRig Monopod, Top Handle
**ETHICAL STATEMENT:**
We value our audience over money or products. All equipment featured on our channel has been purchased with our own money to remain unbiased.
**Partnerships:** Contract signed with a brand for this video: No.
#cinechimp #angelbird #mediacards #filmmaking #cinematography Angelbird V4 CFexpress Type B 256GB - Is LESS MORE in 2026?](https://i.ytimg.com/vi/PWRbBIfZJPk/mqdefault.jpg)



![Nikon Buys RED DIGITAL CINEMA - Industry CHANGING NEWS!
NIKON buys RED
Nikon Corporation hereby announces its entry into an agreement to acquire 100% of the outstanding membership interests of RED.com, LLC (RED) whereby RED will become a wholly-owned subsidiary of Nikon, pursuant to a Membership Interest Purchase Agreement with Mr. James Jannard, its founder, and Mr. Jarred Land, its current President, subject to the satisfaction of certain closing conditions thereunder.
Since its establishment in 2005, RED has been at the forefront of digital cinema cameras, introducing industry-defining products such as the original RED ONE 4K to the cutting-edge V-RAPTOR [X] with its proprietary RAW compression technology. RED’s contributions to the film industry have not only earned it an Academy Award but have also made it the camera of choice for numerous Hollywood productions, celebrated by directors and cinematographers worldwide for its commitment to innovation and image quality optimized for the highest levels of filmmaking and video production.
This agreement was reached as a result of the mutual desires of Nikon and RED to meet the customers’ needs and offer exceptional user experiences that exceed expectations, merging the strengths of both companies. Nikon’s expertise in product development, exceptional reliability, and know-how in image processing, as well as optical technology and user interface along with RED’s knowledge in cinema cameras, including unique image compression technology and color science, will enable the development of distinctive products in the professional digital cinema camera market.
Nikon will leverage this acquisition to expand the fast-growing professional digital cinema camera market, building on both companies’ business foundations and networks, promising an exciting future of product development that will continue to push the boundaries of what is possible in film and video production.
ReD Digital Cinema Announces it will be Acquired by Nikon Corporation
HOLLYWOOD (March 6, 2024) – In a landmark move, RED Digital Cinema (RED.com, LLC), is excited to announce it will be acquired by Nikon Corporation (Nikon). The agreement with Nikon, reached with RED’s Founder Jim Jannard and President Jarred Land, signifies a new era of innovation and excellence in the professional filmmaking sector.
This strategic partnership brings together Nikon’s extensive history and expertise in product development, know-how in image processing, as well as optical technology and user interface, with RED’s revolutionary digital cinema cameras and award-winning technologies.
Our Filters: https://freewellgear.com/?sca_ref=10804985.tdIIo7enmNO9vLlO
Our media cards: https://www.angelbird.com/cne/
R50V cage: https://smallrig.com/r/FO4RI0
SMALLRIG products: https://smallrig.com/r/8RDRIX
SMALLRIG POWER PLATE: https://smallrig.com/r/STAUC8
Monitor mount: https://smallrig.com/r/QI6U66
Pocket 4/6k Cage: https://smallrig.com/r/3UQEW0
Pocket 6K FF cage: https://smallrig.com/r/HCFAPW
Record Trigger Side Handle: https://smallrig.com/r/DMZHDS
Mattebox: https://smallrig.com/r/5NWZXJ
HDMI adapter lock: https://smallrig.com/r/WARTCP
Top handle: https://smallrig.com/r/BO4VRK
Rod clamp: https://smallrig.com/r/T8636D
15mm Rods: https://smallrig.com/r/UQKVUD
15mm Nato rod clamp: https://smallrig.com/r/FBDYKM
Panasonic batteries: https://smallrig.com/r/VEQ7VI
Canon LPE6 Battery: https://smallrig.com/r/WNC0XP
Monopod: https://smallrig.com/r/SYPY9H
Join this channel to get access to perks:
https://www.youtube.com/channel/UCXsER7CJsWAIH2JXp9w98og/join
The media cards I recommend (non affiliate links):
Angelbird AV PRO CFExpress
https://www.angelbird.com/prod/av-pro-cf-1350/?category=235
Angelbird PRO SD MK2 V90 (SDXC UHSII)
https://www.angelbird.com/prod/av-pro-sd-v90-mk2-2400/?category=286
Angelbird SSD2GO PKT MK2 1TB
At Cine, we’re all about budget-friendly cameras, lenses, and techniques. We focus on providing honest, unbiased technical reviews, with a sprinkling of Resolve training to up your post game.
Everything we review or feature is something we’ve bought with our money, and is gear we genuinely use ourselves. Our opinions are not for sale and will never be influenced by brands or product offers — that’s how we roll.
If youd really like to help us create more content, please consider supporting us with a SUPER THANKS or using our only affiliate link: https://www.angelbird.com/cne/
▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
You do not have permission to use our content under any circumstance.
You do not have our permission to train AI models with our content, or use our voices or likeness for any purpose, non commercial or otherwise.
▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
VFX DaVinci Resolve Fusion
Foley Sound Effects Created on location
Music Copyright Supplied by Audiio Sound
#cinechimp #reddigitalcinema #Nikon #komodox Nikon Buys RED DIGITAL CINEMA - Industry CHANGING NEWS!](https://i.ytimg.com/vi/Q_MpvkK_T5k/mqdefault.jpg)



