Uploaded January 2026 | Updated September 2026, 2 days ago
Track List: 4-7 (requested by @Rollerman1979)
4. The Boys Are Back In Town (0:00)
5. Don't Believe A Word (4:26)
6. Dancing In The Moonlight (It's Caught Me In Its Spotlight) (6:45)
7. Waiting For An Alibi (10:09)
Part 1. youtu.be/549ACCNtDzU
Part 2. youtu.be/RGQwGbEofDg
Part 3. youtu.be/dGjUNEcsAFs
Playlist: youtube.com/playlist?list=PLkWvh9BoHZBpBjqkcPlvxDYNBDuJ26IOr
Review by OzzyApu, December 27th, 2010:
Lizzy had more than enough to release another compilation in a long line of compilations already before and after. This one appeared in 1981, when there already existed, well, two compilations. Two prior compilations don’t sound like a lot to complain about, but how necessary were they? The band had a lot of albums out by then, yes, but compared to some of the compilations that came out after this, it really puts those to shame. This one was the first of the 1980s to show up, and there would be a whole hell of a lot to follow.
Anyway, this compilation, while not containing a lot of my personal favorites of mine up to this point, does showcase variety. It skips a few albums (the earliest being “Whisky In The Jar” from Vagabonds…). From there up to Chinatown, they pull through with a few decent grabs. While I’d go for showing a newcomer one of the main full-lengths, I guess this compilation could barely pass with being a good introduction for a new fan. For casual ones or heavy listeners, then this is a needless cash-in. You get the big hits like “Jailbreak” and “The Boys Are Back In Town”, rusty rockers like “Wild One” and “Chinatown”, upbeat jingles like “Do Anything You Want To”, and others from ballads to pop tunes. Eleven tracks and it’s a decent round-up of Lizzy’s career that I can’t really call a disappointment.
I like all of these tracks on one level or another. Time-wise, the forty minute range is pretty good, with the longest track being the somber “Whisky In The Jar”, but none of these songs goes on longer than they should. All of these tracks contain Lizzy-esque production and nothing’s out of left-field like some oddball tracks from the single-releases. Warm production, clear instruments, blubbery bass, thick yelling / crooning / speaking from Lynott, and twin-leads on the heavier tracks by Lynott and… well, whoever else was playing guitar during the time periods of these tracks (or Bell by himself on “Whisky…”).
Anyway, this compilation is a throwaway for most, although if you happen to come across it, have no knowledge of Thin Lizzy, and have nothing else better to look for, then it’s not a terrible bargain. Just don’t press your hopes solely on this and figure if the band can’t write anything better than these, then they aren’t worth the time. I can assure you they have the capacity to blow your mind.
Track List: 4-7 (requested by @Rollerman1979)
4. The Boys Are Back In Town (0:00)
5. Don't Believe A Word (4:26)
6. Dancing In The Moonlight (It's Caught Me In Its Spotlight) (6:45)
7. Waiting For An Alibi (10:09)
Part 1. youtu.be/549ACCNtDzU
Part 2. youtu.be/RGQwGbEofDg
Part 3. youtu.be/dGjUNEcsAFs
Playlist: youtube.com/playlist?list=PLkWvh9BoHZBpBjqkcPlvxDYNBDuJ26IOr
Review by OzzyApu, December 27th, 2010:
Lizzy had more than enough to release another compilation in a long line of compilations already before and after. This one appeared in 1981, when there already existed, well, two compilations. Two prior compilations don’t sound like a lot to complain about, but how necessary were they? The band had a lot of albums out by then, yes, but compared to some of the compilations that came out after this, it really puts those to shame. This one was the first of the 1980s to show up, and there would be a whole hell of a lot to follow.
Anyway, this compilation, while not containing a lot of my personal favorites of mine up to this point, does showcase variety. It skips a few albums (the earliest being “Whisky In The Jar” from Vagabonds…). From there up to Chinatown, they pull through with a few decent grabs. While I’d go for showing a newcomer one of the main full-lengths, I guess this compilation could barely pass with being a good introduction for a new fan. For casual ones or heavy listeners, then this is a needless cash-in. You get the big hits like “Jailbreak” and “The Boys Are Back In Town”, rusty rockers like “Wild One” and “Chinatown”, upbeat jingles like “Do Anything You Want To”, and others from ballads to pop tunes. Eleven tracks and it’s a decent round-up of Lizzy’s career that I can’t really call a disappointment.
I like all of these tracks on one level or another. Time-wise, the forty minute range is pretty good, with the longest track being the somber “Whisky In The Jar”, but none of these songs goes on longer than they should. All of these tracks contain Lizzy-esque production and nothing’s out of left-field like some oddball tracks from the single-releases. Warm production, clear instruments, blubbery bass, thick yelling / crooning / speaking from Lynott, and twin-leads on the heavier tracks by Lynott and… well, whoever else was playing guitar during the time periods of these tracks (or Bell by himself on “Whisky…”).
Anyway, this compilation is a throwaway for most, although if you happen to come across it, have no knowledge of Thin Lizzy, and have nothing else better to look for, then it’s not a terrible bargain. Just don’t press your hopes solely on this and figure if the band can’t write anything better than these, then they aren’t worth the time. I can assure you they have the capacity to blow your mind.
![Melissa Manchester - Midnight (Midnite) Blue (1975) Single
Track List:
1. Midnight (Midnite) Blue (Album Version) (0:00)
2. I Got Eyes (3:56)
From Wikipedia, the free encyclopedia:
Midnight Blue is a song by American singer and songwriter Melissa Manchester, written by herself alongside Carole Bayer Sager and produced by Vini Poncia with an executive production by Richard Perry. It was released in April 1975 as the first single from Manchesters third studio album, Melissa (1975).
The song was described by Billboard magazine as a classically elegant quiet ballad about a pair of longtime lovers putting aside their current aggravations until the dawn in order to try making it one more time in memory of all their old times together.
In the United States, the single became her first top ten entry on the Billboard Hot 100 chart, peaking at number six. Additionally, it peaked at number one on the Adult Contemporary chart.
The song had been written by Manchester in 1973 as her first collaboration with Carole Bayer Sager, who would be Manchesters regular lyricist over the next five years; Manchester would recall: the songs that I wrote with Carole... all came out of conversations. Therefore the tone of the songs was very conversational. The listener always feels like they are in the moment when that first line is uttered. According to Manchester the genesis of Midnight Blue was a conversation she and Bayer Sager had about our young husbands, and how as young women we didnt know how to get through the hard times that every relationship has; the song was essentially finished but still lacking a title when either Manchester or Bayer Sager said: Midnight Blue which Manchester opines was the perfect fit for the [songs] overall feeling.
After meeting Manchester backstage after Bette Midlers Carnegie Hall concert of 23 June 1972 Bayer Sager suggested she and Manchester write a song to cut as a demo, the result being Midnight Blue.
Personnel:
Melissa Manchester - piano, vocals
Vini Poncia - backing vocals
David Wolfert - acoustic guitar, electric guitar
Cooker Lo Presti - bass
James Newton Howard - electric piano
Kirk Bruner - drums
Trevor Lawrence - strings arrangement Melissa Manchester - Midnight (Midnite) Blue (1975) Single](https://i.ytimg.com/vi/RJM3B_AUCgM/mqdefault.jpg)
![Bob Marley & The Wailers - Legend (1984) 4/4
Track List: 11-14 (requested by @ashetochishi1200)
11. Redemption Song (0:00)
12. Satisfy My Soul (3:49)
13. Exodus (8:16)
14. Jamming (15:55)
Part 1. https://youtu.be/EiTavCv_ivQ
Part 2. https://youtu.be/acjVAZ2HAWI
Part 3. https://youtu.be/ei_turswKBE
Part 4. https://youtu.be/RfPu32Q7MbM
Playlist: https://www.youtube.com/playlist?list=PLkWvh9BoHZBpBjqkcPlvxDYNBDuJ26IOr
Playlist: https://www.youtube.com/playlist?list=PLkWvh9BoHZBqqOvvWygFj0w3C7mEcGsk6
From Wikipedia, the free encyclopedia:
Legend is a compilation album by Bob Marley and the Wailers. It was released on 7 May 1984 by Island Records. It is a greatest hits collection of singles in its original vinyl format and is the best-selling reggae album of all time, with more than 18 million copies sold in the US, more than 3.3 million in the UK (where it is the 17th-best-selling album[3]) and an estimated 25 million copies sold globally. In 2003, the album was ranked number 46 in Rolling Stone magazines list of the 500 Greatest Albums of All Time and maintained the ranking in a 2012 revised list.
As of December 2025, Legend has spent a total of 916 nonconsecutive weeks on the US Billboard 200 albums chart—the second-longest run in the charts history. Also, as of December 2025, it has spent 1,215 weeks in the top 100 of the UK Albums Chart—the third-longest run in that charts history.
The album contains all ten of Bob Marleys Top 40 hit singles in the UK up to the time, plus three songs from the original Wailers with Peter Tosh and Bunny Livingston in Stir It Up, I Shot the Sheriff and Get Up, Stand Up, along with Redemption Song, the closing song from the album Uprising. Of the original tracks, only four date from prior to the Exodus album. Bob Marley & The Wailers - Legend (1984) 4/4](https://i.ytimg.com/vi/RfPu32Q7MbM/mqdefault.jpg)

![Barry Manilow - Bonus Tracks Album 3/3
Track List: 7-10
7. Rosalie Rosie (0:00)
8. No Love for Jenny (2:28)
9. Star Children (5:13)
10. Lets Take Some Time to Say Goodbye (8:30)
Part 1. https://youtu.be/nzus_HEW3o0
Part 2. https://youtu.be/E 6gDb0oXI
Part 3. https://youtu.be/SohsokY_Wqc
Playlist: https://www.youtube.com/playlist?list=PLkWvh9BoHZBpl0-x5f0IB60uat60vgV3t
From These Albums:
Barry Manilow I [Bonus Tracks] 2,7,9,10
Barry Manilow II [Bonus Tracks] 1,3
Tryin to Get the Feeling [Bonus Tracks] 4,6
One Voice [Bonus Track] 5
Even Now [Bonus Track] 8 Barry Manilow - Bonus Tracks Album 3/3](https://i.ytimg.com/vi/SohsokY_Wqc/mqdefault.jpg)


![Aerosmith - Aerosmiths Greatest Hits (1980) 2/3
Track List: 4-6 (Best of) Australia
4. Walk This Way [Edit] (0:00)
5. Last Child (3:31)
6. Back In The Saddle (6:58)
Part 1. https://youtu.be/38xzcmT-TtQ
Part 2. https://youtu.be/TbnyH5AEsO4
Part 3. https://youtu.be/DQlfAHshu9g
Playlist: https://www.youtube.com/playlist?list=PLkWvh9BoHZBpBjqkcPlvxDYNBDuJ26IOr
From Wikipedia, the free encyclopedia:
Greatest Hits, later re-released as Greatest Hits 1973–1988, is the first greatest hits compilation album by American hard rock band Aerosmith, released by Columbia Records on November 11, 1980.
Although the official website for Aerosmith lists the release for Greatest Hits as October 1980, and the album was originally scheduled for release on October 24, 1980, it was delayed until November 11, 1980.
Some of the tracks were significantly edited from their original versions. The single version of Same Old Song and Dance was used, and was edited down almost a full minute. It also contained an alternate lyric which was not heard on Get Your Wings. The original lyric was Gotcha with the cocaine, found with your gun. The alternate lyric, included on the compilation, was You shady lookin loser, you played with my gun. Sweet Emotion also used the single version; it begins with the first chorus, cutting out the now famous talk box intro and the coda was replaced with a repeating chorus and fades out. Kings and Queens was also edited down, cutting the intro and certain other parts. Walk This Way was edited slightly, chanting the first chorus once instead of twice. The other remaining tracks were kept intact.
On April 21, 1997, a slightly revised version, Greatest Hits 1973–1988, was released outside the US, with the ten tracks in their edited versions retained, with five additional songs from the same era added, plus the 1991 version of Sweet Emotion and a live version of One Way Street.
Greatest Hits is the bands highest RIAA certified album in the United States, having been certified 12× Platinum in 2021.
Personnel:
Steven Tyler – lead vocals, harmonica, percussion, producer, arrangement
Joe Perry – lead guitar, rhythm guitar, backing vocals, arrangement
Brad Whitford – rhythm and lead guitar, producer, arrangement
Tom Hamilton – bass guitar, producer, arrangement
Joey Kramer – drums, producer, arrangement
Additional musicians:
Randy Brecker – trumpet on Same Old Song and Dance
Stan Bronstein – baritone saxophone on Same Old Song and Dance
Jon Pearson – trombone on Same Old Song and Dance
Jay Messina – bass marimba on Sweet Emotion
Production:
Jack Douglas – producer, arrangement
Adrian Barber – producer
George Martin – producer
Ray Colcord – producer
Jay Messina – engineer
Vic Anesini – remastering
Janet Perr – cover concept
John Berg – design Aerosmith - Aerosmiths Greatest Hits (1980) 2/3](https://i.ytimg.com/vi/TbnyH5AEsO4/mqdefault.jpg)



