Mute | These Immortal Souls - Bad (Remastered) (Offiicial Audio) @themutechannel | Uploaded 5 months ago | Updated 26 minutes ago
These Immortal Souls - Bad. Taken from EXTRA, a brand new album of unearthed live recordings and remastered tracks. Available now: mute.ffm.to/theseimortalsouls-24
This record includes extensive sleeve notes by original member Harry Howard and is released alongside the 2024 remaster editions of their debut album, Get Lost (Don’t Lie!), and their second album I’m Never Gonna Die Again. The tracklist for this record features their visceral, propulsive reimagining of Alice Cooper’s 1972 track ‘Luney Tune’, as well as covers of ‘Open Up and Bleed’ by Iggy Pop & James Williamson, ‘Some Velvet Morning’ written by Lee Hazlewood, which lead singer Rowland S. Howard notably covered with Lydia Lynch, and ‘Hey! Little Child’ written by Alex Chilton.
The band consisted of Australian-born Rowland S. Howard, who rose to prominence as Nick Cave's collaborator in the Birthday Party, his bass-playing brother Harry Howard, drummer Epic Soundtracks (formerly of Swell Maps and Jacobites), and keyboardist Genevieve McGuckin. They came together 1987, after Soundtracks and the Howard brothers split from Crime & the City Solution and were joined by McGuckin to form These Immortal Souls in London.
These Immortal Souls - Bad. Taken from EXTRA, a brand new album of unearthed live recordings and remastered tracks. Available now: mute.ffm.to/theseimortalsouls-24
This record includes extensive sleeve notes by original member Harry Howard and is released alongside the 2024 remaster editions of their debut album, Get Lost (Don’t Lie!), and their second album I’m Never Gonna Die Again. The tracklist for this record features their visceral, propulsive reimagining of Alice Cooper’s 1972 track ‘Luney Tune’, as well as covers of ‘Open Up and Bleed’ by Iggy Pop & James Williamson, ‘Some Velvet Morning’ written by Lee Hazlewood, which lead singer Rowland S. Howard notably covered with Lydia Lynch, and ‘Hey! Little Child’ written by Alex Chilton.
The band consisted of Australian-born Rowland S. Howard, who rose to prominence as Nick Cave's collaborator in the Birthday Party, his bass-playing brother Harry Howard, drummer Epic Soundtracks (formerly of Swell Maps and Jacobites), and keyboardist Genevieve McGuckin. They came together 1987, after Soundtracks and the Howard brothers split from Crime & the City Solution and were joined by McGuckin to form These Immortal Souls in London.
![CAN - Eins [Live in Aston 1977]](https://i.ytimg.com/vi/mw6pxVS_TIc/hqdefault.jpg "CAN - Eins [Live in Aston 1977]
The acclaimed CAN live series continues with the release of LIVE IN ASTON 1977, available via Mute and Future Days (the new EU label created by Spoon Records) on vinyl and CD: https://mute.ffm.to/can_lia77
The series was overseen by founding member Irmin Schmidt and producer/engineer René Tinner, who delicately worked on restoring the archival recordings to the best quality for current modern technology. This record captures the band’s 1977 performance in Aston and features Schmidt (keyboard & synths), Jaki Liebezeit (drums), Michael Karoli (guitars), Holger Czukay (wave receiver & spec.sounds), plus Rosko Gee (bass), who appears for the first time in the series.
This release features sleeve notes by former Sex Pistol, Glen Matlock, sharing his first-hand experience of witnessing CANs live show.
LIVE IN ASTON follows the release of LIVE IN PARIS 1973, the first in the series to feature Damo Suzuki’s vocals [“…among the greatest documents of their untouchable alchemy…” – Record Collector 5*]; LIVE IN BRIGHTON 1975 [“Pure dynamite… keep them coming” – MOJO]; LIVE IN STUTTGART 1975, [Uncut’s Reissue of the Year, #2 in MOJO’s Reissues of the Year, #7 in The Wire’s Archive Reissues of the Year plus more]; and LIVE IN CUXHAVEN 1976, which again featured heavily in the Reissues of the Year.
Video & Artworks by Uschi Siebauer, http://haendehoch.com")
![CAN - Vier [Live in Aston 1977]](https://i.ytimg.com/vi/nQT7pzCkwZA/hqdefault.jpg "CAN - Vier [Live in Aston 1977]
The acclaimed CAN live series continues with the release of LIVE IN ASTON 1977, available via Mute and Future Days (the new EU label created by Spoon Records) on vinyl and CD on 31st May: https://mute.ffm.to/can_lia77
The series was overseen by founding member Irmin Schmidt and producer/engineer René Tinner, who delicately worked on restoring the archival recordings to the best quality for current modern technology. This record captures the band’s 1977 performance in Aston and features Schmidt (keyboard & synths), Jaki Liebezeit (drums), Michael Karoli (guitars), Holger Czukay (wave receiver & spec.sounds), plus Rosko Gee (bass), who appears for the first time in the series.
This release features sleeve notes by former Sex Pistol, Glen Matlock, sharing his first-hand experience of witnessing CANs live show.
LIVE IN ASTON follows the release of LIVE IN PARIS 1973, the first in the series to feature Damo Suzuki’s vocals [“…among the greatest documents of their untouchable alchemy…” – Record Collector 5*]; LIVE IN BRIGHTON 1975 [“Pure dynamite… keep them coming” – MOJO]; LIVE IN STUTTGART 1975, [Uncut’s Reissue of the Year, #2 in MOJO’s Reissues of the Year, #7 in The Wire’s Archive Reissues of the Year plus more]; and LIVE IN CUXHAVEN 1976, which again featured heavily in the Reissues of the Year.
Video & Artworks by Uschi Siebauer, http://haendehoch.com")
