Uploaded February 2019 | Updated September 2026, 3 weeks ago
Tres Moutarde or Too Much Mustard from 1911 is performed here by the Jazz Repertory Company Orchestra at 2018’s EFG London Jazz Festival at London’s Cadogan Hall. Displaying the latest dance moves (which no doubt shocked the great and the good of the time) are Nikki Santilli and Patrick Hood. The show “The World Gone Mad” featured a mix of British and American music from 1899 to 1919 – the period just before jazz. The show was conceived and directed by guitar and banjo maestro Martin Wheatley and produced by Richard Pite, who performed on tuba. The ensemble featured jazz luminaries such as pianist and musical director Keith Nichols, trombonist Andy Flaxman, cornetists Jim Davison and Tom Dennis, clarinettists Richard Exall and David Horniblow and not one, not two but three banjoists! Matt Redman, Thomas “Spats” Langham and the aforementioned Martin Wheatley.
Tres Moutarde or Too Much Mustard from 1911 is performed here by the Jazz Repertory Company Orchestra at 2018’s EFG London Jazz Festival at London’s Cadogan Hall. Displaying the latest dance moves (which no doubt shocked the great and the good of the time) are Nikki Santilli and Patrick Hood. The show “The World Gone Mad” featured a mix of British and American music from 1899 to 1919 – the period just before jazz. The show was conceived and directed by guitar and banjo maestro Martin Wheatley and produced by Richard Pite, who performed on tuba. The ensemble featured jazz luminaries such as pianist and musical director Keith Nichols, trombonist Andy Flaxman, cornetists Jim Davison and Tom Dennis, clarinettists Richard Exall and David Horniblow and not one, not two but three banjoists! Matt Redman, Thomas “Spats” Langham and the aforementioned Martin Wheatley.
