Uploaded September 2025 | Updated September 2026, 18 hours ago
The Dreadful Wind and Rain / The Cruel Sister / The Two Sisters / Bow Down / There Lived an Old Lord / Binnorie / Swan Swims so Bonnie / Twa Sisters (Child No. 10) - Performed by John Kilby Snow (1905–1980) with autoharp accompaniment at the University of Washington Music Building, Seattle, Washington, USA. He was originally from Grayson County, Virginia. Filmed by Mike Seeger (of the New Lost City Ramblers) and The University of Washington Ethnomusicology Archives on February 21, 1970. My thanks go to Perkdawg for sharing the digitised Betacam SP video reel which had not been available to the public previously.
Notes by Kevin W.:
Kilby Snow was a virtuoso autoharpist with a fine repertoire of tunes and songs. He was left-handed which contributed to his unique "drag note" playing style. He only recorded a single album but frequently performed at festivals and on radio and his style is revered by autoharp fans to this day. He told Mike Seeger that he learned Wind and Rain from his great-grandfather Thomas Snow (1812-1916), or Tom Big Bear, who was Cherokee and lived to a 104 years. Kilby learned it around 1913 when Tom was 95 and he was about 8, and then remembered it many years later. He decided to start singing it, because "you just got to sing it or it keeps haunting you."
The first half of Kilby's version comes from a different song, "The Bloody Miller / Knoxville Girl" (Roud 263). Kilby Snow and Daniel "Dan" Wyatt Tate (1895–1990) of Fancy Gap, Carroll County, Va., who also sang Wind and Rain, were near neighbours and their versions might go back to a common earlier source.
Wind and Rain is a rare version of an old British traditional ballad known to scholars as The Twa Sisters (Child 10). In the present form it has only been heard from singers in Virginia and W. Virginia.
The refrain actually reminds me of "with hey, ho, the wind and the rain" (Twelfth Night, Epilogue, sung by the Clown; King Lear, The Fool's Song, III, 21 74, ff.), one of Shakespeare's songs that may have been based on a traditional song.
This version of Child 10 may have been brought over from Ireland, although it has never been reported from there. Given how fragmented the texts are while still preserving the supernatural instrument made from the drowned sister's hair and bones they must've circulated in oral tradition for a long time.
Bob Dylan's Percy's Song from 1963 takes its melody from Wind and Rain. Dylan heard it sung by Paul Clayton Worthington who went on field recording trips with George Foss who recorded the song from Dan Tate in 1962.
Song transcription:
It was early one morning in the month of May
Oh the wind and rain
Two lovers went a-fishing on a hot summer day
A-crying the dreadful wind and rain
He said to the maiden "Won't you marry me?"
Oh the wind and rain
"Then my little wife you'll always be,"
A-crying the dreadful wind and rain.
She said, "Oh no, that'll never do,"
Oh the wind and rain
I love you but I can't marry you,"
A-crying the dreadful wind and rain
Then he knocked her down and he kicked her around
Oh the wind and rain
Hit her in the head with a battering ram
A-crying the dreadful wind and rain
Then he threw her in the river to drown
Oh the wind and rain
Watched her as she floated down
A-crying the dreadful wind and rain
She floated on down to the miller's mill pond
Oh the wind and rain
Floated on down to the miller's mill pond
A-crying the dreadful wind and rain
The miller fished her out with a long fishing line
Oh the wind and rain
Miller fished her out with a long fishing line
A-crying the dreadful wind and rain
And he made fiddle pegs of her little finger bones
Oh the wind and rain
Made fiddle pegs of her little finger bones
A-crying the dreadful wind and rain
Then he made a fiddle bow of her long curly hair
Oh the wind and rain
Made a fiddle bow of her long curly hair
A-crying the dreadful wind and rain
Now the only tune that fiddle would play,
Was oh the wind and rain
Only tune that fiddle would play,
Was crying the dreadful wind and rain
The Dreadful Wind and Rain / The Cruel Sister / The Two Sisters / Bow Down / There Lived an Old Lord / Binnorie / Swan Swims so Bonnie / Twa Sisters (Child No. 10) - Performed by John Kilby Snow (1905–1980) with autoharp accompaniment at the University of Washington Music Building, Seattle, Washington, USA. He was originally from Grayson County, Virginia. Filmed by Mike Seeger (of the New Lost City Ramblers) and The University of Washington Ethnomusicology Archives on February 21, 1970. My thanks go to Perkdawg for sharing the digitised Betacam SP video reel which had not been available to the public previously.
Notes by Kevin W.:
Kilby Snow was a virtuoso autoharpist with a fine repertoire of tunes and songs. He was left-handed which contributed to his unique "drag note" playing style. He only recorded a single album but frequently performed at festivals and on radio and his style is revered by autoharp fans to this day. He told Mike Seeger that he learned Wind and Rain from his great-grandfather Thomas Snow (1812-1916), or Tom Big Bear, who was Cherokee and lived to a 104 years. Kilby learned it around 1913 when Tom was 95 and he was about 8, and then remembered it many years later. He decided to start singing it, because "you just got to sing it or it keeps haunting you."
The first half of Kilby's version comes from a different song, "The Bloody Miller / Knoxville Girl" (Roud 263). Kilby Snow and Daniel "Dan" Wyatt Tate (1895–1990) of Fancy Gap, Carroll County, Va., who also sang Wind and Rain, were near neighbours and their versions might go back to a common earlier source.
Wind and Rain is a rare version of an old British traditional ballad known to scholars as The Twa Sisters (Child 10). In the present form it has only been heard from singers in Virginia and W. Virginia.
The refrain actually reminds me of "with hey, ho, the wind and the rain" (Twelfth Night, Epilogue, sung by the Clown; King Lear, The Fool's Song, III, 21 74, ff.), one of Shakespeare's songs that may have been based on a traditional song.
This version of Child 10 may have been brought over from Ireland, although it has never been reported from there. Given how fragmented the texts are while still preserving the supernatural instrument made from the drowned sister's hair and bones they must've circulated in oral tradition for a long time.
Bob Dylan's Percy's Song from 1963 takes its melody from Wind and Rain. Dylan heard it sung by Paul Clayton Worthington who went on field recording trips with George Foss who recorded the song from Dan Tate in 1962.
Song transcription:
It was early one morning in the month of May
Oh the wind and rain
Two lovers went a-fishing on a hot summer day
A-crying the dreadful wind and rain
He said to the maiden "Won't you marry me?"
Oh the wind and rain
"Then my little wife you'll always be,"
A-crying the dreadful wind and rain.
She said, "Oh no, that'll never do,"
Oh the wind and rain
I love you but I can't marry you,"
A-crying the dreadful wind and rain
Then he knocked her down and he kicked her around
Oh the wind and rain
Hit her in the head with a battering ram
A-crying the dreadful wind and rain
Then he threw her in the river to drown
Oh the wind and rain
Watched her as she floated down
A-crying the dreadful wind and rain
She floated on down to the miller's mill pond
Oh the wind and rain
Floated on down to the miller's mill pond
A-crying the dreadful wind and rain
The miller fished her out with a long fishing line
Oh the wind and rain
Miller fished her out with a long fishing line
A-crying the dreadful wind and rain
And he made fiddle pegs of her little finger bones
Oh the wind and rain
Made fiddle pegs of her little finger bones
A-crying the dreadful wind and rain
Then he made a fiddle bow of her long curly hair
Oh the wind and rain
Made a fiddle bow of her long curly hair
A-crying the dreadful wind and rain
Now the only tune that fiddle would play,
Was oh the wind and rain
Only tune that fiddle would play,
Was crying the dreadful wind and rain







![Fair Maid on the Shore / The Sea Captain (Child 43 Appendix) - W. R. Lowers
Fair Maid on the Shore / The Sea Captain (Roud No. 181) / Broomfield Wager / The Broomfield Hill (Child No. 43) - Sung by Mr. W. R. Lowers of Ivydale, Clay County, West Virginia, USA. Recorded by Prof. Louis Watson Chappell on August 17, 1939.
Link to original recording: https://folkmusic.lib.wvu.edu/catalog/Chappell_30_Lowers_E_SeaCaptain
Notes by Kevin W.:
This song must go back to a British broadside as all traditional texts are very similar, but so far none has come to light. It has rarely been found in America but enjoyed some popularity in Canadas maritime provinces.
It is a retelling of The Broomfield Wager or Broomfield Hill (Child 43) in which a knight makes a bet that a girl wont be able to come to him in the fields and return back a virgin. An old witch advises her to use the magical properties of the broom flowers to put him to sleep which she does. She places a ring on his finger and leaves, thus proving that shed been there and won the wager.
In the last stanza of this recording I hear weep. But it really should be sleep. In the complete song she sings them to sleep, then takes the captains gold, his broadsword and a small boat and rows back to the shore.
Song transcription:
There was a fair damsel crossed in love
Her heart sunk down in despair-o
And all she could find to ease her sweet mind
Was standing alone on the shore-o, shore
Was standing alone on the shore
There was a sea captain sailing that day
The wind blew high and fairly
Ill die, Ill die the sea captain did cry
If I dont gain that maid on the shore-o, shore
If I dont gain that maid on the shore
I have gold and I have jewels
And I have costly ware-o
And all will I give to the jolly sea boys
If theyll bring me that maid on the shore-o, shore
If theyll gain me that maid on the shore
With many persuations they got her on board
The captain he set her a chair-o
Invited her down to the cabin below
Saying fare you well sorrow and care-o, care
Saying fare you well sorrow and care
Ill sing you a song if you dont think its long
The captain and sailors did stare-o
She sang it so sweet, so neat and complete
Till the captain and sailors did weep-o, weep
Till the captain and sailors did weep
She...
(There should be more of the song. Unfortunately the recording ends here)
[ She robbed them of jewels, she robbed them of gold,
She robbed them of costly array O.
Of the captains broad sword she made her an oar,
And she paddled her boat to the shore, O shore,
And she paddled her boat to the shore.
O were my men sleeping, or were my men mad,
Or were they all sunk in despair O?
She deluded yourself, myself also,
And again shes a maid on the shore, O shore,
And again shes a maid on the shore.
Your men were not sleeping, your men were not mad.
Nor were they sunk in despair O.
I deluded your men and yourself also,
And again Im a maid on the shore, O shore,
And again Im a maid on the shore. ] [*]
[*] The missing ending stanzas as found in a similar text in Ballads and Songs from Utah (1961) by Lester A. Hubbard, as collected from Mr. James Jepson of Hurricane, Washington County, Utah, USA, on August 11, 1947. Fair Maid on the Shore / The Sea Captain (Child 43 Appendix) - W. R. Lowers](https://i.ytimg.com/vi/hD2PCLNHU3Y/mqdefault.jpg)

![The Swan Swims Sae Bonnie-o (Child 10) - Johnnie Whyte
Swan Sweems sae Bonnie-O / The Swan Swims So Bonnie, O / The Cruel Sister / The Two Sisters / Bow Down / There Lived An Old Lord / Binnorie / Minorie /The Twa Sisters (Child No. 10) - Sung by Johnnie Whyte, a Traveller at Laurencekirk, Angus, Scotland. He learned the song from his mother. Recorded by Dr. Linda Williamson on November 13, 1976.
The original recording can be listened to here:
https://www.tobarandualchais.co.uk/track/33039?l=en
Compare this to a more complete text sung by his father Jock Whyte who was recorded by Hamish Henderson in 1953: https://www.youtube.com/watch?v=FGMju9Zo0RI
A biography of Linda Williamson along with many further sound recordings can be found here:
https://www.tobarandualchais.co.uk/person/4291?l=en
Linda Williamsons thesis on Scottish Traveller singing can be read here, it is well worth your time if you are interested in Johnnie Whytes song repertoire: https://era.ed.ac.uk/handle/1842/8223
If youre interested I put together a composite of the Whyte and Stewart Traveller family version of the song, I cherry picked my favourite lines from all the various singers whod been recorded singing it:
https://www.youtube.com/post/Ugkx_xh1PqMEzXbbjG2wYRO3AVOkvqWBWCxV
Song transcription:
Dear sisterie, dear sisterie, are you going for a walk,
Hy-ie-o, sae bonnie-o;
And Ill show you wonderies before we turn home,
And the swan at sweems sae bonnie-o.
Dear sisterie, dear sisterie, well go for a walk,
Hy-ie-o, sae bonnie-o;
If you show me that wonderie before we turn home,
And the swan at sweems sae bonnie-o.
Dear sisterie, dear sisterie, put your foot on the marble stone,
Hy-ie-o, sae bonnie-o;
And Ill show you the wonderie before we turn home,
And the swan at sweems sae bonnie-o.
Dear sisterie, dear sisterie, I put my foot on the marble stone,
Hy-ie-o, sae bonnie-o;
But sly she throwed her-ie against the stream,
And the swan at sweems sae bonnie-o.
Dear sisterie, dear sisterie, will you catch my handie?
Hy-ie-o, sae bonnie-o;
And Ill make you mistress of all my fathers land,
And the swan at sweems sae bonnie-o.
Sometime she sunk now, other time she swum,
Hy-ie-o, sae bonnie-o;
Till last she came to the milleries dam,
And the swan at sweems sae bonnie-o.
The milleries maid now was out for some waterie,
He-ie-o, sae bonnie-o;
I spy a maiden or a white milk swan,
And the swan at sweems sae bonnie-o.
Dear millerie, dear millerie, will you dry up your dam,
Hy-ie-o, sae bonnie-o;
Then he did took her-ie and hang her out to dry,
And the swan at sweems sae bonnie-o.
There was three fiddleries passing by
Hy-ie-o, sae bonnie-o;
And one o them he took the locks of her hair-ie,
For to make some fiddle stringies
The other one he took her middle finger-ie
For-ie to make some fiddle pinies
And the other one took her breast bone
For to make a fiddle that would play a tune its lone
And the swan at sweems sae bonnie-o.
Then the three fiddleries they went on their way,
Hy-ie-o, sae bonnie-o;
Till last they came to the high castle wall-ie
And the swan at sweems sae bonnie-o.
(Now this is what the fiddle is supposed to say:)
There goes now my father the King
Hy-ie-o, sae bonnie-o;
And likewise now my mother the Queen,
And the swan at sweems sae bonnie-o.
There now sits my false sister Jean,
[1st refrain omited]
Who slyly throwed me against the stream,
And the swan at sweems sae bonnie-o.
Linda Williamson asks if there was anything mentioned of a punishment for the bad sister in the song which Johnnie Whyte says is implied but the song doesnt have it. His father did have a verse about the punishment that has been lost.
Betsy Whyte says that her version has two verses about True Lover John which Johnnie didnt sing. Johnnie says hes never heard those verses in his life. Linda then asks why one sister drowns the other to which Johnnie replies the 2nd oldest sister was jealous of the oldest inheriting all their fathers land. Ill make you mistress of all my fathers land he explains, thats why she threw her into the stream. The Swan Swims Sae Bonnie-o (Child 10) - Johnnie Whyte](https://i.ytimg.com/vi/i0Jhe5T45w8/mqdefault.jpg)
![Gentle Fair Jenny (Child 277) (1961) - Jean Ritchie
Dandoo / The Wee Cooper o Fife / The Scolding Wife / Gentle Fair Jenny / Jennifer Gentle / As the Dew Flies over the Green Vallee / Robin-a-Thrush / Rissolty Rossolty / Hobblety Bobblety / Nickety Nackety / The Wife Wrapt in Wethers Skin (Child No. 277) (1961) - Sung by Jean Ritchie of Viper, Kentucky, USA. From British Traditional Ballads in the Southern Mountains, Vol. 2 (1961).
Song transcription:
I married me a wife and took her home,
Gentle fair Jenny, fair Rosy Marie,
I ofttimes wished that Id let her alone
As the dew flies over the green valley.
All in my kitchen she would not use,
For fear of spoiling her new cloth shoes.
First day at noon I come in from the plow,
My dearest wife is my dinner ready now.
Theres a little piece of corn bread layin on the shelf,
If you want anymore you can cook it yourself.
Second day at noon I come in from the plow,
My dearest wife, is my dinner ready now.
Get out of here you dirty thief, [usually elf]
If you want any dinner you can cook it yourself.
I got my knife and went out to the barn,
I cut me a hickory as long as my arm.
I took my limb and I bent back,
Around her back I made it crack.
Ill tell my father and all of my kin,
You whupped me with a hickory limb.
You can tell your father and all your kin
I whupped you once and Ill whup you again. Gentle Fair Jenny (Child 277) (1961) - Jean Ritchie](https://i.ytimg.com/vi/iEDPjBJW1Gs/mqdefault.jpg)