Uploaded April 2025 | Updated September 2026, 2 weeks ago
Formed
1966, Windsor Locks, CT, United States
Disbanded
1971
Members
Al Anderson (guitar, vocals), Al Lepak Jnr. (drums), Andy Lepak (drums), Ray Zeiner (keyboards, vocals), Bob Dudek (bass, vocals), Martin "Skip" Yakaitis (percussion)
Related Artists
NRBQ
It's the stuff of pop music legend: in the late 60s, a young band with a scorching style and a regional number-one song drifted into obscurity. Meanwhile the band's frontman, then-teenage Al Anderson, went on to a highly visible career that includes a decades-long stint with the hugely popular band NRBQ. Anderson moved on to become one of the most sought after songwriters in Nashville, and he's still going strong after 40 years of musical adventures.
This is the tale of The Wildweeds, a band that by all accounts was always slightly out of step with prevailing musical fashions. In retrospect, the band seemed to exist to set the stage for Al Anderson's future. But, as this new collection from Confidential Recordings, "No Good To Cry: The Best of The Wildweeds," reveals and affirms, the music that the group produced stands on its merits as an important contribution to the pop lexicon.
The influences which made the band seem in the minority musically are today acknowledged as masters of soul. True the Beatles and the Stones popularized and emulated crossover rock and roll artists like Chuck Berry. But The Wildweeds worshipped the likes of Ray Charles, The Impressions and Billy Stewart. Perhaps The Weeds were ahead of their time. Listening to "No Good To Cry: The Best of The Wildweeds," a compilation of the band's singles and unreleased material, shows just how fresh that take is today.
By the late 50s/early 60s, rock and roll had moved out of the south, and was not strictly the domain of the big cities any more, so this group of Windsor, CT boys was able to follow their musical ideals with impunity.
The Hartford area had a strong music scene. The young players typically shifted in and out of various combos. Bands with names like The Blues Messengers, The Altones, The Six Packs and The Futuras shaped them. The Weeds finally gelled in late 1966. Shortly thereafter, the name was expanded to The Wildweeds.
While the band was still in its early stages, Andy Lepak's father, Alex Lepak Sr., a professional musician and teacher, started managing them. He provided a stabilizing influence, paying them a salary and instilling in them strong ideals about their music.
Wildweeds' sole album (they were no longer called "the" Wildweeds by the time it came out) was cut with assistance from top Nashville session men Charlie McCoy, Weldon Myrick, and David Briggs. This Akarma reissue adds three non-LP tracks from 1971 singles.
Discography
Albums
- Wildweeds (1970)
Singles & EPs
- Someday Morning / Can't You See That I'm Lonely (1967)
- It Was Fun (While It Lasted) / Sorrow's Anthem (1967)
- No Good to Cry / Never Mind (1967)
- I'm Dreaming / Happiness Is Just an Illusion (1968)
- And When She Smiles / Paint And Powder Ladies No. 2 (1970)
- Baby Please Don't Leave Me Today / Ain't No Woman Finer Lookin' (1971)
- Al Anderson With The Wildweeds - C'mon If You're Comin' / Goin' Back to Indiana (1972)
Compilations
- Greatest Hits...& More! (1988)
- The Best and Rare (2001)
- No Good to Cry - The Best of the Wildweeds (2002)
- I'm Dreaming (2024)
- In the Tall Grass - (a collection of rare trax and demos)
V/A Compilation
- 68 WRKO-Now Radio Boston: 30 Now Goldens (1968)
- WPOP's POP Explosion (1968)
- Dick Bartley Presents One Hit Wonders of the '60s, Vol. 2 (1990)
- Don't Press Your Luck! The IN Sound of 60's Connecticut (2008)
- Electric Sound Show: An Assortment of Antiquities for the Psychedelic Connoisseur (2011)
- Truckers, Kickers, Cowboy Angels - The Blissed-Out Birth of Country Rock, Vol. 3: 1970 (2015)
Bootleg / Unauthorized
- Various Artists - Appears on: US Psychedelics: Volume Three
Source
- discogs.com/artist/374807-The-Wildweeds
- therockasteria.blogspot.com/2012/11/wildweeds-wildweeds-1970-71-us-strong.html
- rateyourmusic.com/artist/the-wildweeds
Sites
- wildweeds.net
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Formed
1966, Windsor Locks, CT, United States
Disbanded
1971
Members
Al Anderson (guitar, vocals), Al Lepak Jnr. (drums), Andy Lepak (drums), Ray Zeiner (keyboards, vocals), Bob Dudek (bass, vocals), Martin "Skip" Yakaitis (percussion)
Related Artists
NRBQ
It's the stuff of pop music legend: in the late 60s, a young band with a scorching style and a regional number-one song drifted into obscurity. Meanwhile the band's frontman, then-teenage Al Anderson, went on to a highly visible career that includes a decades-long stint with the hugely popular band NRBQ. Anderson moved on to become one of the most sought after songwriters in Nashville, and he's still going strong after 40 years of musical adventures.
This is the tale of The Wildweeds, a band that by all accounts was always slightly out of step with prevailing musical fashions. In retrospect, the band seemed to exist to set the stage for Al Anderson's future. But, as this new collection from Confidential Recordings, "No Good To Cry: The Best of The Wildweeds," reveals and affirms, the music that the group produced stands on its merits as an important contribution to the pop lexicon.
The influences which made the band seem in the minority musically are today acknowledged as masters of soul. True the Beatles and the Stones popularized and emulated crossover rock and roll artists like Chuck Berry. But The Wildweeds worshipped the likes of Ray Charles, The Impressions and Billy Stewart. Perhaps The Weeds were ahead of their time. Listening to "No Good To Cry: The Best of The Wildweeds," a compilation of the band's singles and unreleased material, shows just how fresh that take is today.
By the late 50s/early 60s, rock and roll had moved out of the south, and was not strictly the domain of the big cities any more, so this group of Windsor, CT boys was able to follow their musical ideals with impunity.
The Hartford area had a strong music scene. The young players typically shifted in and out of various combos. Bands with names like The Blues Messengers, The Altones, The Six Packs and The Futuras shaped them. The Weeds finally gelled in late 1966. Shortly thereafter, the name was expanded to The Wildweeds.
While the band was still in its early stages, Andy Lepak's father, Alex Lepak Sr., a professional musician and teacher, started managing them. He provided a stabilizing influence, paying them a salary and instilling in them strong ideals about their music.
Wildweeds' sole album (they were no longer called "the" Wildweeds by the time it came out) was cut with assistance from top Nashville session men Charlie McCoy, Weldon Myrick, and David Briggs. This Akarma reissue adds three non-LP tracks from 1971 singles.
Discography
Albums
- Wildweeds (1970)
Singles & EPs
- Someday Morning / Can't You See That I'm Lonely (1967)
- It Was Fun (While It Lasted) / Sorrow's Anthem (1967)
- No Good to Cry / Never Mind (1967)
- I'm Dreaming / Happiness Is Just an Illusion (1968)
- And When She Smiles / Paint And Powder Ladies No. 2 (1970)
- Baby Please Don't Leave Me Today / Ain't No Woman Finer Lookin' (1971)
- Al Anderson With The Wildweeds - C'mon If You're Comin' / Goin' Back to Indiana (1972)
Compilations
- Greatest Hits...& More! (1988)
- The Best and Rare (2001)
- No Good to Cry - The Best of the Wildweeds (2002)
- I'm Dreaming (2024)
- In the Tall Grass - (a collection of rare trax and demos)
V/A Compilation
- 68 WRKO-Now Radio Boston: 30 Now Goldens (1968)
- WPOP's POP Explosion (1968)
- Dick Bartley Presents One Hit Wonders of the '60s, Vol. 2 (1990)
- Don't Press Your Luck! The IN Sound of 60's Connecticut (2008)
- Electric Sound Show: An Assortment of Antiquities for the Psychedelic Connoisseur (2011)
- Truckers, Kickers, Cowboy Angels - The Blissed-Out Birth of Country Rock, Vol. 3: 1970 (2015)
Bootleg / Unauthorized
- Various Artists - Appears on: US Psychedelics: Volume Three
Source
- discogs.com/artist/374807-The-Wildweeds
- therockasteria.blogspot.com/2012/11/wildweeds-wildweeds-1970-71-us-strong.html
- rateyourmusic.com/artist/the-wildweeds
Sites
- wildweeds.net
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![Гунеш (Gunesh Ensemble) - Байконур (Baikonur) (Turkmenistan Jazz Rock/Fusion 1984)
Formed
1970, Aşgabat, Aşgabat, Turkmenistan
Disbanded
1990, Moscow, Moscow, Russian Federation
Founded in 1970 in Ashkhabad, Turkmen SSR, Soviet Union
The band was established still in Soviet Turkmenistan as vocal band with some support musicians by Turkmenistan State Radio and TV company. Later more young musicians came to play and bands music became more modern. At that time characteristic style was formed as mix of traditional Central Asian mugams and jazz rock arrangements. With such music band participated in some popular festivals around Soviet Union, received some trophies and became popular. Their first LP was released in 1980 at soviet state label Melodyja and contained traditional central Asian music in jazz-rock arrangements plus Vietnamese singer. Second LP was released after 4 years. Music there was more modern, and it became very popular all around the country. Later these two LPs were re-released on Rishad Shafi presents Gunesh CD. Band participated in many jazz-festivals all around Eastern Europe, Africa and Central Asia. Second CD ( or third album) was recorded in 1990 only.
Line-up was changed many times, around 65 musicians have been a bands members in different time, and in fact soon became drummer Rishad Shafi and team of often changed musicians band.
Discography
Albums
- Гунеш (Gunesh) (1980)
- Вижу Землю (Looking At The Earth) (1984)
- Rishad Shafi & Gunesh: 45° in a Shadow (2000)
Singles & EPs
- Gunesh (Singles/EPs/Fan Club/Promo, released in 1979)
- Девушка/Обман (GIRL/CHEATING) (Singles/EPs/Fan Club/Promo, released in 1980)
- АББА (Abba) / Гунеш – Спасибо За Музыку / Я - Марионетка / Невестки / Девушка (1979)
- АББА (Abba) / Гунеш (1980)
- Вьетнамские Фрески (Vietnamese Frescoes) (2019)
Appears On
- Various Artists - С Новым годом! (1980)
Compilation
- Rishad Shafi Presents Gunesh (1999)
- Gunesh + Looking at the Earth (Unknown)
V/A Compilation
- Лауреаты фестиваля Весенние ритмы, Тбилиси-80 (1981)
- Международный музыкальный фестиваль: Алтын Алма-89 (1990)
Гунеш (Gunesh) (1980)
Tracklist
Side 1
-1. Байконур (Baikonur)
- 2. Бу Дерды (Bu Derdy) (Lyrics By – Махтумкули)
- 3. Восточный Экспресс (Oriental Express)
Side 2
- 4. Ритмы Кавказа (Rhythms Of The Caucasus)
- 5. Ветер С Берегов Ганга (Wind From The Gang)
- 6. Вьетнамские Фрески (Vietnamese Frescoes)
Credits
- Михаил Логунцов (Mikhail Loguntsov): Guitar, Instruments [Copus], Sitar [Hitar]
- Степан Степаньянц (Stepan Stepanyants): Keyboards [Keyboard]
- Олег Королев (Oleg Korolev): Keyboards [Keyboard], Leader [Leader Of The Group]
- Ришад Шафиев (Rishad Alekseyevich Shafi): Percussion
- Вахид Ризаев (Vakhid Rizaev): Soprano Saxophone, Alto Saxophone
- Станислав Морозов ( Stanislav Morozov): Tenor Saxophone
- Юсиф Алиев (Yusif Aliyev): Trombone
- Александр Стасюкевич (Alexander Stasukevich): Trumpet
- Шамиль Курманов ( Shamil Kurmanov): Trumpet
- Gassan Mamedov: Violin
- Владимир Белоусов: Bass Guitar
- Folk Tunes: Composed By
- Б. Столяров: Design [Cover Design]
- Мурад Садыков: Directed By [Art Director]
- Р. Рагимов: Engineer [Recording Engineer]
- В. Рыжиков: Supervised By [Editor]
- Gunesh: Arranged By
Official website
- http://www.gunesh.net/
Source
- https://www.discogs.com/artist/1600410-Gunesh
- https://www.discogs.com/master/767894-%D0%93%D1%83%D0%BD%D0%B5%D1%88-Gunesh-Ensemble-%D0%92%D0%B8%D0%B6%D1%83-%D0%97%D0%B5%D0%BC%D0%BB%D1%8E-Looking-At-The-Earth
- https://www.progarchives.com/artist.asp?id=1559
- https://www.progarchives.com/album.asp?id=29873
- https://rateyourmusic.com/artist/%D0%B3%D1%83%D0%BD%D0%B5%D1%88#google_vignette
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![Arte & Ofício - Turn The Light (Portugal Jazz-Rock, Jazz-Funk 1979)
Formed
1976, Porto, Porto, Portugal
Disbanded
1981
Members
- Sérgio Castro (bass, guitars, vocals)
- António Garcez (vocals, 1976-80)
- Álvaro Azevedo (drums, vocals)
- Fernando Nascimento (guitar)
- Sérgio Cordeiro [aka Serginho] (guitar, 1976-79)
- António Pinho Vargas (piano)
- André Sarbib (piano, vocals, 1976-81)
Related Artists
- Pentágono
- Psico
- Pop Five Music Incorporated
- Roxigénio
- Trabalhadores Do Comércio
Arte & Ofício were a Portuguese band from Oporto, found in the summer 75 by Antonio Garcez (vocals) and Sergio Castro (bass).They built a national status through various gigs and massive singles, recorded between 1976-78, and despite some line-up changes they made it to the end of the road, recording the full-length album Faces in 1979 (Discos Orfeu).Garcez and Castro were supported by original drummer Alvaro Azevedo, guitarists Fernando Nascimento, Sergio Cordeiro and keyboardist Antonio Pinho with thr help of Rui Cardoso on sax.Story says they were a pretty unique group, combining elements of Prog Rock, Jazz and Fusion into an attractive amalgam, but things are rather different, as exhibited on Faces.They shared a common love for Jazz, Pop and Funk and that does not necessarilly make their sound progressive.They were a rather radio-friendly band and the only proggy elements found in Faces are limited to some inspiring Gentle Giant-like tunes (as on the very good Lobster society) and most of them recall the wrong period of the band, same goes for some Premiata Forneria Marconi echoes circa-Passpartu.Actually the only consistent thing on this work are the excellent and clean English vocals, because the music is pretty commercial with short, vocal-driven pieces, showered by bluesy guitars, jazzy sax and electric piano and poppy melodies.When Cordeiro and Garcez left the band shortly afterwards, Arte & Ofício lost much of their popularity.Danza from 1981 was even more accesible and less inspiring and they disbanded a couple of years later, performing during the last years with a vastly different crew.
Discography
Albums
- Faces (1979)
- Danza (1981)
- aLive After 40 Years (2016)
Singles & EPs
- Festival / Let Yourself Be (1977)
- The Little Story Of Little Jimmy / Quibble (1977)
- Come Hear The Band / O Cargarejo Da Galinha (1978)
- Marijuana / That Guitar (1980)
V/A Compilation
- Biografia do Pop/Rock (1997)
Faces (1979)
Tracklist
- A1. Young Chicks
Written-By – Sérgio Castro
- A2. Contradiction
Written-By – Garcez, Castro
- A3. Follow Me Over Via Dover
Written-By – Garcez, Cordeiro
- A4. Lobster Society
Written-By – Sérgio Castro
- A5. All We Have To Do
Written-By – Garcez, Nascimento, Castro
- B1. Trip
Written-By – Fernando Nascimento
- B2. Turn The Light
Written-By – Garcez, Castro, Cordeiro, Azevedo
- B3. Endless Way
Written-By – Fernando Nascimento
- B4. Sea Of Monsters
Written-By – Garcez, Nascimento
- B5. Finally
Written-By – Garcez, Castro
Credits
- Arranged By – Arte & Ofício
- Backing Vocals – Dulce (tracks: A1, A5)
- Bass, Guitar, Percussion, Vocals – Sérgio Castro
- Drums – Álvaro Azevedo
- Guitar – Fernando Nascimento, Sérgio Cordeiro
- Mixed By – Manuel Cunha, Moreno Pinto, Sérgio Castro
- Photography By, Design – Fernando Aroso
- Piano, Electric Piano [Rhodes], Synthesizer [Mini-moog, Poly-moog] – António Pinho (tracks: A4, A5, B1, B2, B3, B4, B5)
- Recorded By – Jorge Barata, Manuel Cunha, Moreno Pinto
- Saxophone [Soprano] – Rui Cardoso (tracks: A3, A4, B2, B5)
- Vocals – António Garcez
Source
- https://rateyourmusic.com/artist/arte_and_oficio
- https://rateyourmusic.com/release/album/arte-and-oficio/faces/
- https://www.discogs.com/artist/1885246-Arte-Of%C3%ADcio
- https://www.discogs.com/release/2320024-Arte-Of%C3%ADcio-Faces
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![Dead Sea Fruit - Time Waits For No One (UK Psychedelic Pop, Beat 1967)
In April 1967, Record Mirrors Names & Faces column introduced Dead Sea Fruit. The Dead Sea Fruit used to be known as Some Sloane Squares, their first record is Kensington High Street / Put Another Record On, and theyre on the Camp label, it ran. So far, so good. They are gentlemen who met through an advertisement in the Times, no less. They worked the debutante circuit, making money, then went to the South of France. Theres an LP on the way by this rather unusually talented outfit, which comprises lead vocalist Clive Foster Kennedy, a Freeman of the City of London, lead guitarist David Lashmar, who started up with skiffle, Simon Winsloe Clifford, who plays organ and is a jazz fan, bassist Christopher Hall, who was once a solicitor, and drummer John Errington-Townsend, who used to go to Portsmouth Grammar School (where also went Paul Jones)?
The band had formed the previous year. After briefly being known as Some Sloane Squares, they adopted the more modish moniker Dead Sea Fruit, after a line in Thomas Moores 1817 romantic poem Lalla-Rookh: Like Dead Sea fruits, that tempt the eye / But turn to ashes on the lips! were promptly arrested for wearing carnival clothes on a non-carnival day – though I fact was just their standard hippie attire, Thereafter they found some success playing covers in local clubs, and more widely around; France, A good-humored, highly theatrical act more in the vein of the New Vaudeville Band than their more psychedelic peers, they recorded for the local Disquez A-Z label, and had a big hit with the old-timey Loulou, Put Another Record On To promote it, they made some TV appearances (which can be seen online), involving a strikingly long trumpet invented by Kennedy One appearance was with Salvador Dali.
Back in the UK in early 1967, they signed to the new Polydor offshoot label Camp, who put out their debut single in March. The disc c id not prove a hit, but an album ensued, which appeared in April Dead Sea Fruits first album chalks up the first LP release from Camp Records, and really they neednt have bothered, wrote Disc & Music Echo.
`Musically the group seem to fall somewhere East of Winchester Cathedral and considerably West of Waterloo and its sunsets. They should have got together before making any tapes, and decided what sort of music they were going to play. The album is further distinguished by a nauseatingly pretentious sleeve note. Sales were pool; and the release of their single in the US (on Atlantics Atco subsidiary) in June did nothing to alter their profile. On Friday 30th of that month they supported psychedelic legends Tomorrow at the UFO club in London (along with the Knack), but didnt play many gigs in the UK. They did, however, perform in front of Jimi Hendrix and Paul McCartney in their time. September saw the release of their second and final UK 45, Love At The Hippiedrome / My Naughty Bluebell. Around this time Hall departed, and was replaced by Arthur Marsh. Before long, Kennedy and Clifford decided to return to the UK from their French base, upon which Lashmar, Townsend and Marsh accepted a residency in a club in Dakar, Senegal. However, when it became clear that the club only wanted them to play covers, the band splintered.
Discography
Album
- Dead Sea Fruit (1967)
EP
- Loulou (Put Another Record On) (1967)
Single
- Kensington High Street / Put Another Record On (1967)
- Love at the Hippiedrome / My Naughty Bluebell (1967)
V/A Compilation
- Magic Spectacles (1999)
- Piccadilly Sunshine, Part Three: British Pop Psych and Other Flavours 1967-1970 (2010)
- Piccadilly Sunshine, Part Three: British Pop Psych and Other Flavours 1967-1970 (2010)
Dead Sea Fruit (1967)
Tracklist
- A1. The 8.15 And The 5.45
Written-By – Lashmar
- A2. Put Another Record On
Written-By – Kennedy
- A3. Psychiatric Case
Written-By – Hall
- A4. Mr. Barman
Written-By – Kennedy
- A5. Matters
Written-By – Lashmar
- A6. Seeds Of Discontent
Written-By – Lashmar
- B1. Ill Come With You
Written-By – Lashmar
- B2. Ive Been Away Too Long
Written-By – Kennedy
- B3. Mr. Coffee Pot
Written-By – Lashmar
- B4. Time Waits For No One
Written-By – Kennedy
- B5. I Should Have Guessed
Written-By – Kennedy
- B6. Kensington High Street
Written-By – Townsend
Credits
- Electric Bass [Electronic Bass], Guitar, Vocals – Christopher Hall
- Electric Guitar [Electronic Guitar], Vocals – David Lashmar
- Engineer – Noel Cantrill
- Grand Piano [Piano-forté], Organ [Electronic] – Si Clifford
- Percussion, Electric Bass [Electronic Bass], Vocals – John Townsend
- Producer – Parmenter, Collier
- Vocals – Clive Kennedy
Source
- https://rockasteria.blogspot.com/2023/12/dead-sea-fruit-dead-sea-fruit-1967-uk.html
- https://www.discogs.com/artist/1658871-Dead-Sea-Fruit
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![Antares - The Leaving (Italy Crossover Prog 1979)
Not to be confused with the German Symphonic group of the same name, ANTARES was a minor Italian band of the late-seventies that consisted of Marco Tessitore (keyboards, vocals), Joseph Kali (guitars), Ennio Barone (bass, vocals) and Lorenz Shulze (drums, effects, guitars). They released one album, Sea of Tranquillity (1979), a conceptual work based on the Apollo 11 moon landing. Very little is known of the musicians although Antonio Bartoccetti of ANTONIUS REX co-wrote two of the tracks and the album was actually recorded in Oslo. Its a largely instrumental work - the few lyrics are sung in English - that blends mainstream pop with spacey atmospheres and some electronics. Other than the Bartoccetti connection, ANTARES doesnt have a great deal in common with other Italian artists of the period and tends to draw comparisons with ELOY and PINK FLOYD. Sea of Tranquility was reissued on CD by Mellow in 1994.
seventhsojourn
Discography
Albums
- Sea Of Tranquillity (1979)
Singles & EPs
- The Leaving (Prima Parte) / The Leaving (Seconda Parte) (1980)
Sea Of Tranquillity (1979)
Tracklist
- A1. The Leaving
Written-By – Bullfrog , M. Tessitore
- A2. My Girl Friend
Written-By – A. Bartoccetto, Bullfrog , M. Tessitore
- A3. Apollo 11
Written-By – M. Tessitore
- B1. Galaxy
Written-By – A. Bartoccetti, Bullfrog , M. Tessitore
- B2. Running On The Meteors
Written-By – M. Tessitore
- 3. The Return
Written-By – Bullfrog , M. Tessitore
Credits
- Bass Guitar, Vocals [Vocal] – Ennio Barone
- Drums, Effects – Lorenz Shulze
- Guitar [Guitars] – Joseph Kali
- Keyboards, Vocals [Vocal] – Marco Tessitore
Source
- https://www.progarchives.com/artist.asp?id=6809
- https://www.discogs.com/release/3736398-Antares-Sea-Of-Tranquillity
- https://www.discogs.com/release/4836814-Antares-Sea-Of-Tranquillity
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![Jonathan - Stormy Days (Germany Progressive Electronic&Krautrock 1978)
JONATHAN is a Progressive Electronic band from Germany with one self titled album released in 1978 on Heinz Ulms AAR, and rereleased on Bellaphon Labels. The band consisted of Peter Garrattoni who played drums, and was accompanied by Helmut Grab who played keys and electronics. Helmut focussed on Minimoog, Rhodes, Roland, and Solina. Peter Garattoni also was a part of the project playing drums. They were accompanied by Emil Wirth on bass on Funkys Visit, and Uli Buehl played a Roland synth on Raising Winds, along with Fender Rhodes on Waters and also playing Grand Piano on Moved Earth.
The album is very obscure and has become a curiosity over the years with the front-side being colour artwork, and the backside of the cover being black and-white.
The band is instrumental with keyboards dominating and a synthesizer sound emanating, with some 70s fusion rhythms. The album was sought after by club DJs due to its incredible drum break, swirling Moogs and spacey atmospheres on Li Song.
Peter Garattoni was also a member of Krautrock band EULENSPYGEL, and later hard rockers REBEL and heavy metal outfit VETO, then went on to perform in many bands such as FLOATING OPERA, HARRY AB, LUXSTER, MANIAC, MAXWELL BLUES BAND, NEXUS, PASSENGER, and TOX.
Helmut Grab became a part of New Age artist FRIEDEMANN WITECKAs albums, The Beginning Of Hope (1979) and Voyager In Expanse (1983), and played keyboards & harp as a member of MATTER OF TASTE, with Uli Bühl on piano, synthesizer.
The music of JONATHAN is similar to SCHICKE, FUHRS & FROHLING, SIRIUS, ZYMA, OCTOPUS, STREETMARK, AGE and PYTHAGORAS, and therefore should appeal to those familiar with their artistry.
AtomicCrimsonRush (Scott Tuffnell)
Discography
Albums
- Jonathan (1978)
Jonathan (1978)
Tracklist
- 1. Li Song
- 2. Raising Winds (Synthesizer [Roland] – Uli Bühl)
- 3. Funkys Visit (Bass – Emil Wirth)
- 4. Waters (Electric Piano [Rhodes] – Uli Bühl)
- 5. Moved Earth (Grand Piano – Uli Bühl)
- 6. Stormy Days
- 7. Melotary
Credits
-Helmut Grab: Synthesizer [Minimoog, Roland, Solina], Electric Piano [Rhodes], Written -By
- Peter Garattoni: Drums, Written-By
- Franz Lutz: Design [Coverdesign]
- Christoph Weerts: Engineer
- Rainer Platen: Engineer
- SST: Lacquer Cut By
- Heinz Ulm: Producer
Notes
Recorded in May 1978
An Original AAR Production
Source
- http://www.progarchives.com/artist.asp?id=2112
- https://www.discogs.com/artist/622259-Jonathan-7
- https://www.discogs.com/release/1386623-Jonathan-Jonathan Jonathan - Stormy Days (Germany Progressive Electronic&Krautrock 1978)](https://i.ytimg.com/vi/qOYMZ5OF6EA/mqdefault.jpg)

![Rainbow - The Ballad Of Captain Bob And The Good Ship Venus (US Heavy Psych 1968)
Ritchie Blackmore may have gotten more mileage out of the band name, but the original Rainbows one album from 1968 shows that this quartet, completely unrelated to Blackmores outfit, had the idea for appropriate nomenclature first. That said, After the Storm is one of those releases that isnt deservedly obscure per se, but definitely doesnt deserve automatic kudos for being rare and therefore valuable for that reason alone. One of any number of L.A. groups of their time and place, Rainbow put together plenty that was in the air around them, from Loves amazing confections to the Byrds transmogrifications to Iron Butterflys keyboard-heavy explorations (perhaps no surprise given that bandleader/chief songwriter W. David Mohr played both organ and piano) to all sorts of electric blues the albums one cover is a take with saxophone of Willie Dixons I Just Want to Make Love to You. As an individual effort, though, its generally unremarkable if anything, its the odd little elements scattered throughout that give it any uniqueness, but thats not enough to sustain a full album. So theres the fragmentary Debbys Party, which starts the album, all cheers and party noise; what sounds like a door opening before the beginning of Love Allusions; the easygoing guitar introduction to Leaf Clover (very much a post-SMiLE Beach Boys song in feel); the chipmunk voice followed by the intentionally over the top introduction of Mohr on Does Your Head Need Straightening? good moments all. Otherwise theres a lot of bravura singing here and there, soothing background harmony singing thats pleasant but little more, and the general sense that these guys meant well cant knock that, but theres nothing much more to say. The 2008 reissue adds no bonus tracks but the reproduction of the album packaging is pleasant enough.
After the Storm Review by Ned Raggett
Discography
Albums
- After The Storm (1968)
Singles & EPs
- I Just Want To / Four Leaf Clover (1968)
- The Ballad Of Captain Bob And The Good Ship Venus (Written-By – Gay, Devlin) / Love Allusions (1968)
- Midnight Candle / I Just Want To Make Love To You (Unknown)
After The Storm (1968)
Tracklist
- A1. Debbys Party (Written-By – Debbys Friends)
- A2. The Ballad Of Captain Bob And The Good Ship Venus (Written-By – Gay, Devlin)
- A3. Love Allusions (Written-By – W. David Mohr)
- A4. Milk & Honey Lovin (Written-By – W. David Mohr)
- A5. I Just Want To Make Love To You (Written-By – Dixon)
- A6. 4 Leaf Clover (Written-By – W. David Mohr)
- A7. Prelude To The Music Makers Concerto (Written-By – W. David Mohr)
- B1. Does Your Head Need Straightening? (Written-By – W. David Mohr)
- B2. Midnight Candle (Written-By – W. David Mohr)
- B3. Mary Lou (Written-By – W. David Mohr)
- B4. Everythings Cool (Written-By – W. David Mohr)
- B5. After The Storm (Written-By – W. David Mohr)
Credits
- Bob Gay: Bass
- W. David Mohr: Organ, Piano, Flute, Trumpet, Vocals
- Barry Rillera: Saxophone (tracks: A5)
- Harry Varela: Vocals, Guitar
- Darrell Devlin: Vocals, Percussion
- The Harlequin: Design [Cover Design]
- Stan Ross: Engineer
- Rainbow: Producer
Source
- https://www.allmusic.com/album/after-the-storm-mw0000496105
- https://www.discogs.com/artist/946093-Rainbow-8
- https://www.discogs.com/release/1481673-Rainbow-After-The-Storm
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![Proto-Kaw - Hegemonium (US Symphonic Prog Recorded in late 1971 / Released 2002)
Proto-Kaw is an American progressive rock band. Featuring Kerry Livgren, the group is a reformation of a band formed in the early 1970s which served as the direct precursor to Kansas.
History
In the early 1970s, the band Kansas went through three incarnations, the common member in all three being composer, keyboardist and guitarist Kerry Livgren. The sound of the band changed along with the group members. Proto-Kaw is a modern name given to the second version of Kansas, whose arrangements prominently featured guitar, keyboards, and saxophone (an instrument not found in the following line-up.) The famous Kansas was actually the third edition of the band, and before a name change it was the third incarnation of Topeka band White Clover.
Formed in 1971 and disbanding in 1973, Kansas II played mostly original material written by Livgren. After Kansas II broke up, the group went their separate ways with Livgren reaching fame with the more-popular Kansas and the others assuming normal lives. Then in 2002, the bands demos saw release as Early Recordings from Kansas 1971-1973, which gave the band the new moniker Proto-Kaw. The name was derived from the words Proto (original), and Kaw (the root of the word Kansas, referring to a Native American tribe). Most members had not had any contact with each other for the intervening 30 years and many did not play music during this time. However, when they came together to celebrate the albums release, they rediscovered their old chemistry. Proto-Kaw reformed and at last got to record its first proper album, Before Became After (2004).
The band released its second new CD in February, 2006, titled The Wait of Glory which features 12 new original songs from writer Kerry Livgren. Coinciding with the album release the band embarked on a European tour, bringing it to four countries in seven days.
Disbanded
In May 2007, the band reported it had begun studio work on its next effort, a collection of new tracks coupled with several previously recorded Livgren tracks interpreted by Proto-Kaw. However, in early December 2008 Kerry Livgren confirmed that Proto Kaw was no longer together for a variety of external reasons. Several tracks of the pending album were worked on, but plans to include them on a Proto-Kaw album were scuttled. Livgren thought that they may appear within a solo work of Livgrens at some future, undetermined date.
Reunited again
Following Kerry Livgrens massive stroke, and partial recovery, he announced in late 2010 that Proto-Kaw was back together and at work on a new album, slated for January 2011 release.
The new album entitled Forth was released on Livgrens Numavox website in August 2011 and a CD release party was held in Kansas City.
Discography
Studio albums
- Early Recordings from Kansas 1971-1973 (2002)
- Before Became After (2004)
- The Wait of Glory (2006)
- Forth (2011)
Early Recordings from Kansas 1971–1973
Early Recordings from Kansas 1971–1973 is a collection of recordings made by the second edition of Kansas (Proto-Kaw) released in 2002 on Cuneiform Records. The songs contain numerous nods to the then-burgeoning scene of experimental progressive rock, often echoing the early work of luminaries King Crimson. The tracks Belexes and Incomudro were later recorded for the Kansas albums Kansas and Song for America, respectively.
Track listing
All tracks by Kerry Livgren
- 1. Hegemonium
- 2. Reunion in the Mountains of Sarne
- 3. Nactolos 21
- 4. Belexes
- 5. Totus Nemesis
-6. Greek Structure Sunbeam
- 7. Incomudro
- 8. Cyclopy (live)
- 9. Skont (live)
Credits
- Rod Mikinski: Bass
- Steven Feigenbaum: Coordinator [Release Co-ordination]
- Brad Schultz: Drums (tracks: 4, 5, 6, 7),
- Zeke Low: Drums (tracks: 1, 2, 3, 8, 9)
- Bill Ellsworth: Graphics [Graphic Design]
- Kerry Livgren: Guitar, Graphics [Graphic Design], Written By, Sleeve Notes
-Dan Wright: Organ [Hammond ], Electronics [Ring Modulator]
- Don Montre: Piano [RMI Piano], Flute, Alto Saxophone
- John Bolton: Saxophone [Electric Saxophone], Flute
- Lynn Meredith: Vocals
Notes
The first three tracks [...] were recorded in late 1971, literally in a cavern north of Kansas City.
Tracks 4-7 were recorded in late 72 in a small studio in Liberal, Kansas.
The Live Recordings
Both of these tracks were recorded live at the Red Dog Inn in Lawrence, Kansas, 1972.
Source
- https://en.wikipedia.org/wiki/Proto-Kaw
- https://en.wikipedia.org/wiki/Early_Recordings_from_Kansas_1971%E2%80%931973
- https://www.discogs.com/release/4241014-Proto-Kaw-Early-Recordings-From-Kansas-1971-1973
This video didnt upload for monetization. If you think this video violates the law of copyright please contact with me through email instead of contact with YouTube. Proto-Kaw - Hegemonium (US Symphonic Prog Recorded in late 1971 / Released 2002)](https://i.ytimg.com/vi/rMj4fOpz3us/mqdefault.jpg)
![Green - Just Try (US Psychedelic Pop & Psychedelic Rock 1969)
Psychedelic rock band from Texas, USA.
Certain members were from Denton, Texas, while Richard Gardzina (now a distinguished saxophonist and flautist) hailed from Manchester, New Hampshire. The group are thought to have coalesced at North Texas State University, and recorded four songs as demos in a local studio, which has appeared as an acetate. Their eventual debut, produced by veteran songwriter and composer Fred Darian, was released by ATCO and gained somewhat of an underground cult following over the years, but failed commercially. The 1971 follow up, also on ATCO, was less focused and didnt sell either, prompting the band to fall apart.
Discography
Albums
- Green (1969)
- To Help Somebody (1971)
Singles & EPs
- Big Dipper (Mono) / Big Dipper (Stereo) (1971)
- Big Dipper / All My Bells (1971)
V/A Compilation
- The Fabulous Atlantic Sound Vol. 4: Underground (1970)
Green (1969)
Tracklist
- A1. To Be
Written-By – John Martin
-A2. Where Have I Been
Written-By – John Martin
- A3. Sunrise #7
Written-By – Wilson Fisher
- A4. Just Try
Written-By – John Martin
- A5. Sparkle
Written-By – John Martin
- B1. Green
Written-By – Blood, Casebeer, Martin, Gardzina, Fisher
- B2. Footprints In The Snow
Written-By – John Martin
- B3. At The Time
Written-By – John Martin
- B4. RCMPB
Written-By – Wilson Fisher
- B5. Dont
Written-By – John Martin
- B6. Have You Ever
Written-By – John Martin , Richard Gardzina
Credits
- Co-producer – Irv Weinhaus
- Design – Haig Adishian
- Engineer – Stan Ross
- Percussion, Vocals, Brass, Keyboards – Gary Casebeer
- Photography By [Back] – Don Cropper
- Photography By [Front] – Fred Seligo
- Producer – Fred Darian
- Reeds, Vocals, Brass, Keyboards – James Neel, Richard Gardzina
- Strings, Vocals, Harmonica – Wilson Fisher
- Strings, Vocals, Keyboards – John Martin
Source
- https://www.discogs.com/artist/2531304-Green-29
- https://www.discogs.com/release/3418650-Green-Green
- https://rateyourmusic.com/artist/green_f1#google_vignette
This video didnt upload for monetization. If you think this video violates the law of copyright please contact with me through email instead of contact with YouTube. Green - Just Try (US Psychedelic Pop & Psychedelic Rock 1969)](https://i.ytimg.com/vi/rrQBGk4yyAA/mqdefault.jpg)