Uploaded May 2026 | Updated September 2026, 2 weeks ago
Timestamps:
00:00 - Intro
02:28 - The beat explosion & Blue Boar Services
05:48 - No stages
13:42 - Student audiences
20:37 - The importance of the Ents Sec
26:07 - What caused the scene's eclipse?
33:11 - The Electric Ballroom Circuit
40:29 - Incidents and altercations
44:03 - The most dependable act
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Help us to keep The Longest Continuous Conversation In Rock going: patreon.com/wordinyourear
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Cheap tickets, warm beer, draughty halls and refectories, a whole new cobbled-together rock circuit was born in the ‘60s for an audience who watched and listened intently. Which allowed the music to take a different route. Paul Sexton spoke to Mark Knopfler, Nick Mason, Justin Hayward, Phil Manzanera and many others to piece together ‘Rock Goes To College: the Campus Music Scene That Shaped A Generation’ and talks to us here about the fans and amateurs who ran it and the lost world of motorway caffs and Ford Transits, stopping off at …
… Hendrix, Fairport, Free, Queen, Dire Straits: tales of the campus gig foot-soldiers
… no security, no lightshow, no seat, no stage: how the idea of live entertainment changed in 50 years
… Pink Floyd not being allowed front-of house in Top Rank theatres without a tie
… the Stranglers and the Damned refusing to play college shows “unless townies were allowed in”
… the “chart clause” - £50 extra if a band’s in the Top 3!
… the Stones playing an Oxford ball
… bands market-researching songs before recording them
… why Leeds could afford the Who and Leonard Cohen
… what Harvey Goldsmith, Paul Conroy and Chris Wright learnt from booking bands
… why Wings chose the college circuit
… and the arrival of DJs and disco that put a nail in the college gig coffin, “a golden age with nothing like it before or after”.
Order ‘Rock Goes To College’ here: amazon.co.uk/Rock-Goes-College-campus-generation/dp/0008722412/ref=tmm_hrd_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.EWpbXfJjfIq6DOGDGU8HMQMTbZ6fxtMSFJLLqnswcYo.7mGYWOOBglb6F5p42gs88d1lJ0uLxzWS4w3W0vPrwN0&qid=1775764128&sr=1-1
Timestamps:
00:00 - Intro
02:28 - The beat explosion & Blue Boar Services
05:48 - No stages
13:42 - Student audiences
20:37 - The importance of the Ents Sec
26:07 - What caused the scene's eclipse?
33:11 - The Electric Ballroom Circuit
40:29 - Incidents and altercations
44:03 - The most dependable act
----
Help us to keep The Longest Continuous Conversation In Rock going: patreon.com/wordinyourear
----
Cheap tickets, warm beer, draughty halls and refectories, a whole new cobbled-together rock circuit was born in the ‘60s for an audience who watched and listened intently. Which allowed the music to take a different route. Paul Sexton spoke to Mark Knopfler, Nick Mason, Justin Hayward, Phil Manzanera and many others to piece together ‘Rock Goes To College: the Campus Music Scene That Shaped A Generation’ and talks to us here about the fans and amateurs who ran it and the lost world of motorway caffs and Ford Transits, stopping off at …
… Hendrix, Fairport, Free, Queen, Dire Straits: tales of the campus gig foot-soldiers
… no security, no lightshow, no seat, no stage: how the idea of live entertainment changed in 50 years
… Pink Floyd not being allowed front-of house in Top Rank theatres without a tie
… the Stranglers and the Damned refusing to play college shows “unless townies were allowed in”
… the “chart clause” - £50 extra if a band’s in the Top 3!
… the Stones playing an Oxford ball
… bands market-researching songs before recording them
… why Leeds could afford the Who and Leonard Cohen
… what Harvey Goldsmith, Paul Conroy and Chris Wright learnt from booking bands
… why Wings chose the college circuit
… and the arrival of DJs and disco that put a nail in the college gig coffin, “a golden age with nothing like it before or after”.
Order ‘Rock Goes To College’ here: amazon.co.uk/Rock-Goes-College-campus-generation/dp/0008722412/ref=tmm_hrd_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.EWpbXfJjfIq6DOGDGU8HMQMTbZ6fxtMSFJLLqnswcYo.7mGYWOOBglb6F5p42gs88d1lJ0uLxzWS4w3W0vPrwN0&qid=1775764128&sr=1-1
