Uploaded November 2013 | Updated September 2026, 3 weeks ago
October 24, 2013
The Villa Savoye, one of the most recognizable and renowned examples of the international style of architecture, was built by Le Corbusier between 1921 and 1931 as the weekend home for the Savoye family. Often referred to as a "box in the air," the Villa exemplifies Corbusier's set of architectural principles, Five Points of New Architecture.
During WWII, the Villa was occupied by both German and Allied troops, causing extensive damage. In 1958, the town of Poissy, France bought the property eventually giving it to the French state in 1962. Growing awareness of the Villa's universal value led to its restoration between 1963 and 1997 and its designation as a historic monument during Le Corbusier's lifetime.
Pierre-Antoine Gatier, architecte en chef de Monuments Historiques, France, discussed the conservation management plan for the house and site. As part of his presentation Gatier drew on works of modern architecture such as Maison La Roche, which has recently undergone conservation treatments and is home to the Foundation Le Corbusier in Paris.
About the Speaker
Pierre-Antoine Gatier is one of the most prominent architects for historic preservation in France. In addition to his work for the French Ministry of Culture as the architect en chef de Monuments Historiques, he is also the president of ICOMOS, France, a Richard Morris Hunt fellow of the American Architectural Foundation, and teaches at the Centre des Hautes Etudes de Chaillot, Paris and the Ecole Nationale Supérieure d'Architecture de Paris.
October 24, 2013
The Villa Savoye, one of the most recognizable and renowned examples of the international style of architecture, was built by Le Corbusier between 1921 and 1931 as the weekend home for the Savoye family. Often referred to as a "box in the air," the Villa exemplifies Corbusier's set of architectural principles, Five Points of New Architecture.
During WWII, the Villa was occupied by both German and Allied troops, causing extensive damage. In 1958, the town of Poissy, France bought the property eventually giving it to the French state in 1962. Growing awareness of the Villa's universal value led to its restoration between 1963 and 1997 and its designation as a historic monument during Le Corbusier's lifetime.
Pierre-Antoine Gatier, architecte en chef de Monuments Historiques, France, discussed the conservation management plan for the house and site. As part of his presentation Gatier drew on works of modern architecture such as Maison La Roche, which has recently undergone conservation treatments and is home to the Foundation Le Corbusier in Paris.
About the Speaker
Pierre-Antoine Gatier is one of the most prominent architects for historic preservation in France. In addition to his work for the French Ministry of Culture as the architect en chef de Monuments Historiques, he is also the president of ICOMOS, France, a Richard Morris Hunt fellow of the American Architectural Foundation, and teaches at the Centre des Hautes Etudes de Chaillot, Paris and the Ecole Nationale Supérieure d'Architecture de Paris.




![Understanding the Chemo-Mechanical Response of Oil Paint: An Integrated Numerical-Experimental Study
Full Lecture Title — Advancing Our Understanding of the Chemo-Mechanical Response of Oil
Paint(ings): an Integrated Numerical-Experimental Study
Presenter: Emanuela Bosco, Eindhoven University of Technology
Abstract:
Oil paintings age and degrade over time due to complex chemical and physical processes, affecting their appearance and longevity. This research aims to improve our understanding of the chemo-mechanical behavior of oil paintings through an integrated numerical-experimental approach. This presentation focuses on two main topics.
First, the formation and growth of metal soaps and their consequences on the mechanical response of oil paint are investigated through a coupled chemo-mechanical damage model [1]. The model is applied to analyze two case studies representative of typical metal soap-related degradation processes observed in oil paintings, revealing the influence of the growth of crystalline metal soap on the deformation of the paint surface and the consequent development of cracking and delamination patterns.
Second, to provide accurate input parameters for the model, a new experimental methodology is proposed to characterize the time-dependent mechanical and chemical properties of small-scale paint samples subjected to natural and artificial aging. This methodology combines micro-tensile testing [2] with real-time in-situ microscopic inspections based on digital image correlation. Chemical analyses of the paint samples finally provide insights into the relation between the chemical and mechanical responses.
References
1. Eumelen, G.J.A.M., Bosco, E., Suiker, A.S.J., Hermans, J.J. (2023). Chemo-mechanical model for degradation of oil paintings by amorphous and crystalline metal soaps. European Journal of Mechanics/A Solids. 97, 104827.
2. Maraghechi S., Bosco E., Suiker A.S.J. and Hoefnagels J.P.M. (2023). Experimental characterization of the mechanical response of natural fibres: an in-situ micro-profilometry approach. Cellulose. 30, 7, p. 4225-4245.
This presentation was part of the Mechanical Insights: Shaping the Future of Museum Collection Symposium. View details and the full symposium program here: https://www.getty.edu/projects/mechanical-characterization-historic-artistic-materials/mechanical-insights-symposium/
Part of Getty Conservation Institute’s Managing Collection Environment Initiative: https://www.getty.edu/projects/managing-collection-environments-initiative/ Understanding the Chemo-Mechanical Response of Oil Paint: An Integrated Numerical-Experimental Study](https://i.ytimg.com/vi/yglIuV-ElUw/mqdefault.jpg)

![Keynote, Authorship/Documentation, and Artists Panel Sessions I May 7, 2024
Recorded sessions from the symposium, “Public Art Inside Out,” co-organized with Museo delle Culture (MUDEC), Milan, held May 7–8, 2024 in Milan.
Agenda:
*KEYNOTE SPEECH*
• Hamza Walker, Laxart, USA. _Thinking about MONUMENTS_
*AUTHORSHIP/DOCUMENTATION*
• *Konstantinos Avramidis,* University of Cyprus, Cyprus. _[De/Re-]Situation
Matters: Athenian Graffiti From The Streets To Museum Walls And to the
Pages Of An Atlas_
• *Srushti Goud,* Kore University of Enna, Italy. _Recounting the Ephemeral -
Documenting and Conserving the Public Art of the Festivals in India_
• *Chiara Fabbri* and *Ilaria Saccani,* Italy. _The Intervention of Blues
Artwork inside the Woodpecker_
• *Ana Lizeth Mata Delgado,* Escuela Nacional de Conservación,
Restauración y Museografia, Institute Nactional de Antropologia
e Historia, Mexico. _URBARTE: Documenting to Preserve Memory_
*ARTISTS PANEL*
• *Alexandre Arrechea,* Cuba. _From Temporary to Permanent and Back
Again: Reflections on Process, Sculpture, and Social Engagement_
• *Dread Scott,* USA. _Slave Rebellion Reenactment_
• *Sara Leghissa,* Italy. _Visibility/Invisibility in the Public Space_
“Public Art Inside and Out” took place in a hybrid format and included a wide variety of professionals to exchange ideas—from practitioners to researchers and academics, artists, art historians, curators, conservators, architects, city planners, policy makers, collectors, benefactors and institutions procuring public art.
View details and the symposium schedule, which included keynotes speeches, themed sessions, and an artist panel: https://www.getty.edu/projects/modern-contemporary-art-research-initiative/public-art-inside-out-symposium/
Part of Getty Conservation Institute’s Modern and Contemporary Art Research Initiative: https://www.getty.edu/projects/modern-contemporary-art-research-initiative/ Keynote, Authorship/Documentation, and Artists Panel Sessions I May 7, 2024](https://i.ytimg.com/vi/zVKnfz_2L8I/mqdefault.jpg)
