![The River Kwai March / Colonel Bogey March [Mastered for HDR] @VideoFunForAll](https://i.ytimg.com/vi/RHfbc1FJSEA/maxresdefault.jpg)
Uploaded February 2018 | Updated September 2026, 2 weeks ago
The River Kwai March / Colonel Bogey March from The Bridge on the River Kwai (1957).
"The River Kwai March" is a march composed by Malcolm Arnold in 1957. It was written as an orchestral counter-march to the "Colonel Bogey March", which is whistled by the soldiers entering the prisoner camp in the film The Bridge on the River Kwai and again near the end of the film when the bridge is formally dedicated. The Arnold march re-appears (without the "Colonel Bogey March") several times in the film and is repeated at the finale.
The two marches have been recorded together by Mitch Miller as "March from the River Kwai - Colonel Bogey". Due to this, the "Colonel Bogey March" is often mis-credited as "River Kwai March".
The River Kwai March / Colonel Bogey March from The Bridge on the River Kwai (1957).
"The River Kwai March" is a march composed by Malcolm Arnold in 1957. It was written as an orchestral counter-march to the "Colonel Bogey March", which is whistled by the soldiers entering the prisoner camp in the film The Bridge on the River Kwai and again near the end of the film when the bridge is formally dedicated. The Arnold march re-appears (without the "Colonel Bogey March") several times in the film and is repeated at the finale.
The two marches have been recorded together by Mitch Miller as "March from the River Kwai - Colonel Bogey". Due to this, the "Colonel Bogey March" is often mis-credited as "River Kwai March".
![The River Kwai March / Colonel Bogey March [Mastered for HDR]](https://i.ytimg.com/vi/RHfbc1FJSEA/mqdefault.jpg "The River Kwai March / Colonel Bogey March [Mastered for HDR]
The River Kwai March / Colonel Bogey March from The Bridge on the River Kwai (1957).
The River Kwai March is a march composed by Malcolm Arnold in 1957. It was written as an orchestral counter-march to the Colonel Bogey March, which is whistled by the soldiers entering the prisoner camp in the film The Bridge on the River Kwai and again near the end of the film when the bridge is formally dedicated. The Arnold march re-appears (without the Colonel Bogey March) several times in the film and is repeated at the finale.
The two marches have been recorded together by Mitch Miller as March from the River Kwai - Colonel Bogey. Due to this, the Colonel Bogey March is often mis-credited as River Kwai March.")
![Carole King - (You Make Me Feel Like) A Natural Woman (1971) [Restored]](https://i.ytimg.com/vi/RQ8C-_GQzbQ/mqdefault.jpg "Carole King - (You Make Me Feel Like) A Natural Woman (1971) [Restored]
(You Make Me Feel Like) A Natural Woman is a 1967 single released by American soul singer Aretha Franklin on the Atlantic label. The song was co-written by Carole King and Gerry Goffin, with input from Atlantic producer Jerry Wexler. Written for Franklin, the record was a big hit reaching number 8 on the Billboard Hot 100, and became one of her signature songs. It made history in the UK singles chart a week after her death, finally becoming a hit almost 51 years after it was first released entering at #79. Franklin also included a live recording on the album Aretha in Paris in 1968. Carole King has performed and recorded a version of the song along with Mary J. Blige, Celine Dion, and many others. At the 2015 Kennedy Center Honors, Aretha Franklin performed the song to honor award-recipient Carole King.")
![Carpenters - Top of the World (1974) [Digitally Enhanced]](https://i.ytimg.com/vi/SKyrZiKVRvU/mqdefault.jpg "Carpenters - Top of the World (1974) [Digitally Enhanced]
Top of the World is a 1972 song written and composed by Richard Carpenter and John Bettis and first recorded by American pop duo Carpenters. It was a Billboard Hot 100 No. 1 hit for the duo for two consecutive weeks in 1973. Carpenters originally intended the song to be only an album cut.
Source: Wikipedia")
![Chuck Mangione - Feels So Good (Cannes, 1989) [Restored]](https://i.ytimg.com/vi/TgjqsK45tFE/mqdefault.jpg "Chuck Mangione - Feels So Good (Cannes, 1989) [Restored]
Chuck Mangione: Flugelhorn & keyboards
Gordon Johnson: Bass
Mark Manetta: Guitars
Joe Bonadio: Drums
Rob Mathes: Guitar, keyboard & vocals
Billy Martin: Percussion
Feels So Good is the title of an instrumental composition by the American flugelhorn player Chuck Mangione. It was written and produced by Mangione, and is the title track from his 1977 album.
The album version of Feels So Good runs almost ten minutes, but an edited (3 min 28 sec) version was released as a single in early 1978, which reached #4 on the Billboard Hot 100 chart in June of that year after spending a week atop the Billboard easy listening chart in May. The recording was also nominated for a Grammy Award for Record of the Year at the ceremony held in 1979, losing out to Billy Joels Just the Way You Are. Mangione re-recorded the tune (as a slow ballad, and with lyrics sung by Don Potter) for his 1982 album 70 Miles Young.
Mangione was quoted describing the editing of the original version of the track as major surgery.")
![The Mamas & the Papas - California Dreamin (1966) [ Restored]](https://i.ytimg.com/vi/U7ksuwUxo4I/mqdefault.jpg "The Mamas & the Papas - California Dreamin (1966) [ Restored]
California Dreamin is a song written by John Phillips and Michelle Phillips and was first recorded by Barry McGuire. However, the best known version is by The Mamas & the Papas, who sang backup on the original version and released as a single in 1965. The song is #89 in Rolling Stones list of the 500 Greatest Songs of All Time. The lyrics of the song express the narrators longing for the warmth of Los Angeles during a cold winter in New York City.
The song became a signpost of the California Myth and the arrival of the nascent counterculture era.
California Dreamin was certified as a Gold Record (single) by the RIAA in June 1966[8] and was inducted into the Grammy Hall of Fame in 2001.[9]")
![Erroll Garner - Misty (1963) [Restored]](https://i.ytimg.com/vi/UNviDvzRpn4/mqdefault.jpg "Erroll Garner - Misty (1963) [Restored]
Misty is a jazz standard written in 1954 by the pianist Erroll Garner. Originally composed as an instrumental following the traditional 32-bar format and first recorded for Garners 1955 album Contrasts, the tune was later paired with lyrics by Johnny Burke and became the signature song of Johnny Mathis, appearing on his 1959 album Heavenly and reaching number 12 on the U.S. Pop Singles chart later that year. Country and pop singer Ray Stevens had a number 14 hit with his cover version of Misty in 1975 on the Billboard Hot 100. The song has been recorded many times, including versions by such artists as Frank Sinatra, Aretha Franklin, Ella Fitzgerald and Sarah Vaughan.")
![Willeke Alberti - Spiegelbeeld [Restored]](https://i.ytimg.com/vi/Uos3AbrRX-s/mqdefault.jpg "Willeke Alberti - Spiegelbeeld [Restored]
Willeke Alberti - Spiegelbeeld [Restored]")
![Charles Aznavour - Yesterday When I Was Young [Restored]](https://i.ytimg.com/vi/UsePtX_7vEk/mqdefault.jpg "Charles Aznavour - Yesterday When I Was Young [Restored]
Hier encore, whose original French title translates to Just yesterday or Not so long ago, is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964
French version: https://youtu.be/GftJvYqCzBk
Lyrics:
[Verse 1]
Yesterday when I was young
The taste of life was sweet as rain upon my tongue
I teased at life as if it were a foolish game
The way the evening breeze may tease a candle flame
The thousand dreams I dreamed, the splendid things I planned
I always built, alas, on weak and shifting sand
I lived by night and shunned the naked light of day
And only now I see how the years ran away
[Verse 2]
Yesterday, when I was young
So many drinking songs were waiting to be sung
So many wayward pleasures lay in store for me
And so much pain my dazzled eyes refused to see
I ran so fast that time and youth at last ran out
I never stopped to think what life was all about
And every conversation I can now recall
Concerned itself with me, me and nothing else at all
[Verse 3]
Yesterday the moon was blue
And every crazy day brought something new to do
I used my magic age as if it were a wand
And never saw the waste and emptiness beyond
The game of love I played with arrogance and pride
And every flame I lit too quickly, quickly died
The friends I made all seemed somehow to drift away
And only I am left on stage to end the play
[Outro]
There are so many songs in me that wont be sung
I feel the bitter taste of tears upon my tongue
The time has come for me to pay for yesterday
When I was young
Young, young...")
![Marvin Gaye & Tammi Terrell - Aint No Mountain High Enough (1967) [Restored]](https://i.ytimg.com/vi/V50CguYgHqM/mqdefault.jpg "Marvin Gaye & Tammi Terrell - Aint No Mountain High Enough (1967) [Restored]
Aint No Mountain High Enough is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Rosss first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.")
