The Met | The New Negro | Episode 1 | Harlem Is Everywhere @metmuseum | Uploaded February 2024 | Updated October 2024, 1 hour ago.
What was the Harlem Renaissance? During the Great Migration, major cities across America proved fertile ground for artists and intellectuals fleeing the Jim Crow South. In this episode we hear about Alain Locke’s famous anthology The New Negro: An Interpretation, which gathered some of the best of fiction, poetry, and essays on the art and literature emerging from these communities. Locke’s anthology demonstrated the diverse approaches to portraying modern Black life that came to characterize the “New Negro”—and embodied some of the highest ideals of the era.
Learn more about The Met's exhibition at metmuseum.org/HarlemRenaissance
Objects featured in this episode:
Samuel Joseph Brown, Jr., Self-Portrait, ca. 1941 (43.46.4): metmuseum.org/art/collection/search/488109
Winold Reiss, Roland Hayes, cover of Survey Graphic, March 1925 (F128.9.N3 H35 1925): metmuseum.org/art/collection/search/855857
Aaron Douglas, Aspects of Negro Life: From Slavery to Reconstruction, 1934: digitalcollections.nypl.org/items/634ad849-7832-309e-e040-e00a180639bb
Guests:
Denise Murrell, curator of Merryl H. and James S. Tisch Curator at Large, Modern and Contemporary Art, The Metropolitan Museum of Art
Richard J. Powell, John Spencer Bassett Professor of Art and Art History and professor of African/African American Studies at Duke University, Durham, North Carolina; distinguished scholar in the Leonard A. Lauder Research Center for Modern Art at The Metropolitan Museum of Art, Fall 2023
Monica L. Miller, Ann Whitney Olin Professor of English and Africana Studies, Barnard College, Columbia University
Bridget R. Cooks, Chancellor’s Fellow and professor of art history and African American studies at the University of California, Irvine
Mary Schmidt Campbell, former president of Spelman College; former executive director and chief curator emerita, The Studio Museum in Harlem
For a transcript of this episode, visit metmuseum.org/perspectives/articles/2024/02/harlem-is-everywhere-introduction#transcript
#HarlemIsEverywhere
Harlem Is Everywhere is produced by The Metropolitan Museum of Art in collaboration with Audacy's Pineapple Street Studios.
Subscribe to Harlem Is Everywhere wherever you listen to podcasts.
Apple Podcasts: podcasts.apple.com/us/podcast/harlem-is-everywhere/id1728487836
Spotify: open.spotify.com/show/2VEDHRO7B5hX6Ol8isMnH7
Google Podcasts: podcasts.google.com/feed/aHR0cHM6Ly93d3cub21ueWNvbnRlbnQuY29tL2QvcGxheWxpc3QvZjM1ZDNmZmUtMWQ2OS00NmQ2LTg5ZTctYjEwMDAwZWQ0MTQ4L2YxMTEwZWI1LWRiODItNDE3Yy1iMTVkLWIxMDYwMTVmNTVhZi9kNmFjN2E4ZC1lMDFlLTRjZmItODdhMS1iMTA4MDEwOGZmMjEvcG9kY2FzdC5yc3M
Amazon Music: music.amazon.com/podcasts/4eda2f97-0639-44a6-8809-4c67f54110ad/harlem-is-everywhere
Subscribe for new content from The Met: youtube.com/user/metmuseum
#TheMet #Art #TheMetropolitanMuseumofArt #Museum #HarlemIsEverywhere #HarlemRenaissance #podcast
© 2024 The Metropolitan Museum of Art
What was the Harlem Renaissance? During the Great Migration, major cities across America proved fertile ground for artists and intellectuals fleeing the Jim Crow South. In this episode we hear about Alain Locke’s famous anthology The New Negro: An Interpretation, which gathered some of the best of fiction, poetry, and essays on the art and literature emerging from these communities. Locke’s anthology demonstrated the diverse approaches to portraying modern Black life that came to characterize the “New Negro”—and embodied some of the highest ideals of the era.
Learn more about The Met's exhibition at metmuseum.org/HarlemRenaissance
Objects featured in this episode:
Samuel Joseph Brown, Jr., Self-Portrait, ca. 1941 (43.46.4): metmuseum.org/art/collection/search/488109
Winold Reiss, Roland Hayes, cover of Survey Graphic, March 1925 (F128.9.N3 H35 1925): metmuseum.org/art/collection/search/855857
Aaron Douglas, Aspects of Negro Life: From Slavery to Reconstruction, 1934: digitalcollections.nypl.org/items/634ad849-7832-309e-e040-e00a180639bb
Guests:
Denise Murrell, curator of Merryl H. and James S. Tisch Curator at Large, Modern and Contemporary Art, The Metropolitan Museum of Art
Richard J. Powell, John Spencer Bassett Professor of Art and Art History and professor of African/African American Studies at Duke University, Durham, North Carolina; distinguished scholar in the Leonard A. Lauder Research Center for Modern Art at The Metropolitan Museum of Art, Fall 2023
Monica L. Miller, Ann Whitney Olin Professor of English and Africana Studies, Barnard College, Columbia University
Bridget R. Cooks, Chancellor’s Fellow and professor of art history and African American studies at the University of California, Irvine
Mary Schmidt Campbell, former president of Spelman College; former executive director and chief curator emerita, The Studio Museum in Harlem
For a transcript of this episode, visit metmuseum.org/perspectives/articles/2024/02/harlem-is-everywhere-introduction#transcript
#HarlemIsEverywhere
Harlem Is Everywhere is produced by The Metropolitan Museum of Art in collaboration with Audacy's Pineapple Street Studios.
Subscribe to Harlem Is Everywhere wherever you listen to podcasts.
Apple Podcasts: podcasts.apple.com/us/podcast/harlem-is-everywhere/id1728487836
Spotify: open.spotify.com/show/2VEDHRO7B5hX6Ol8isMnH7
Google Podcasts: podcasts.google.com/feed/aHR0cHM6Ly93d3cub21ueWNvbnRlbnQuY29tL2QvcGxheWxpc3QvZjM1ZDNmZmUtMWQ2OS00NmQ2LTg5ZTctYjEwMDAwZWQ0MTQ4L2YxMTEwZWI1LWRiODItNDE3Yy1iMTVkLWIxMDYwMTVmNTVhZi9kNmFjN2E4ZC1lMDFlLTRjZmItODdhMS1iMTA4MDEwOGZmMjEvcG9kY2FzdC5yc3M
Amazon Music: music.amazon.com/podcasts/4eda2f97-0639-44a6-8809-4c67f54110ad/harlem-is-everywhere
Subscribe for new content from The Met: youtube.com/user/metmuseum
#TheMet #Art #TheMetropolitanMuseumofArt #Museum #HarlemIsEverywhere #HarlemRenaissance #podcast
© 2024 The Metropolitan Museum of Art
