Uploaded September 2023 | Updated September 2026, 2 weeks ago
"The Tears of a Clown" is a song written by Hank Cosby, Smokey Robinson, and Stevie Wonder and originally recorded by Smokey Robinson & the Miracles for the Tamla Records label subsidiary of Motown, first appearing on the 1967 album Make It Happen. The track was re-released in the United Kingdom as a single in July 1970, and it became a #1 hit on the UK Singles Chart for the week ending 12 September 1970. Subsequently, Motown released a partially re-recorded and completely remixed version as a single in the United States as well, where it quickly became a #1 hit on both the Billboard Hot 100 and R&B Singles charts.
This song is an international multi-million seller and a 2002 Grammy Hall of Fame inductee. Its success led Miracles lead singer, songwriter, and producer Smokey Robinson, who had announced plans to leave the act, to stay until 1972.
Stevie Wonder (who was discovered by Miracles member Ronnie White) and his producer Hank Cosby wrote the music for the song, and Cosby produced the instrumental track recording. Wonder brought the instrumental track to the 1966 Motown Christmas party because he could not come up with a lyric to fit the instrumental. Wonder wanted to see what Robinson could come up with for the track. Robinson, who remarked that the song's distinctive calliope motif "sounded like a circus," provided lyrics that reflected his vision and sang lead vocal. In the song, his character, sad because a woman has left him, compares himself to the characters in the opera Pagliacci, comedians/clowns who hide their hurt and anger behind empty smiles. He had used this comparison before: the line "just like Pagliacci did/I'll try to keep my sadness hid" appears in this song as well as in "My Smile Is Just A Frown (Turned Upside Down)", which he had written in 1964 for Motown artist Carolyn Crawford. The record is one of the few hit pop singles to feature the bassoon, which was played by Charles R. Sirard.
"The Tears of a Clown" was an album track on 1967's Make It Happen but was not released as a single. "The Tears of a Clown" on the monaural version of Make It Happen contains an alternate lead vocal with a slightly different verse melody. By 1969, Robinson had become tired of constantly touring with the Miracles, and wanted to remain home in Detroit, Michigan, with his wife Claudette and their two children, Berry and Tamla (both named after aspects of the Motown corporation). Robinson informed his groupmates Pete Moore, Bobby Rogers, and best friend Ronald White that he would be retiring from the act to concentrate on his duties as vice-president of Motown Records.
In 1970, to capitalize on the Miracles' success, and due to a lack of new material from the group, Motown Britain selected "The Tears of a Clown" from the group's catalog for single release. One account suggests it was Karen Spreadbury, head of the British division of the Motown Fan Club, who first recommended the track to John Reid, then UK manager for the American Tamla Motown label, who went on to manage Elton John and Queen, when he asked her which track she'd favor as a single from the 1967 album. Reid reportedly then gave the go ahead for “Tears of A Clown” to be issued as the single. The record became a #1 hit in the UK seven weeks after its July release.
This newfound popularity prompted Motown to release the song as a single in the United States, using a new mix of the song made in February 1970 (whereas the UK release had used the original 1967 stereo mix from the Make It Happen LP). Cash Box said of the US single release that it was a "brilliant return to the heyday sound of the Miracles," calling it "bright blues rock that hasn't been heard here for a long while." It became a #1 hit on both the pop and R&B charts within two months of its release. Despite the fact that the Miracles had been one of Motown's premier acts in the early and mid-1960s and its first successful group act, "The Tears of a Clown" was their first and only #1 hit while Smokey Robinson was lead singer. (The Miracles hit #1 again several years later with the smash hit "Love Machine", but by that time Smokey had long since left the group, replaced by Billy Griffin. "Shop Around" had hit #1 on the Cash Box Pop Chart, but only #2 on Billboard's.)
The 45 single was issued with two different B-sides: the first pressing had an alternate version of the 1967 Miracles Top 20 hit single "The Love I Saw in You Was Just a Mirage;" the second had a new Miracles song, "Promise Me". Motown released a Tears of a Clown LP in 1970 as well, which was essentially a re-packaging of the Miracles' 1967 Make It Happen. It was included again on the group's 1971 LP One Dozen Roses, which used a new stereo mix.
New remaster of the original 1967 stereo mix.
"The Tears of a Clown" is a song written by Hank Cosby, Smokey Robinson, and Stevie Wonder and originally recorded by Smokey Robinson & the Miracles for the Tamla Records label subsidiary of Motown, first appearing on the 1967 album Make It Happen. The track was re-released in the United Kingdom as a single in July 1970, and it became a #1 hit on the UK Singles Chart for the week ending 12 September 1970. Subsequently, Motown released a partially re-recorded and completely remixed version as a single in the United States as well, where it quickly became a #1 hit on both the Billboard Hot 100 and R&B Singles charts.
This song is an international multi-million seller and a 2002 Grammy Hall of Fame inductee. Its success led Miracles lead singer, songwriter, and producer Smokey Robinson, who had announced plans to leave the act, to stay until 1972.
Stevie Wonder (who was discovered by Miracles member Ronnie White) and his producer Hank Cosby wrote the music for the song, and Cosby produced the instrumental track recording. Wonder brought the instrumental track to the 1966 Motown Christmas party because he could not come up with a lyric to fit the instrumental. Wonder wanted to see what Robinson could come up with for the track. Robinson, who remarked that the song's distinctive calliope motif "sounded like a circus," provided lyrics that reflected his vision and sang lead vocal. In the song, his character, sad because a woman has left him, compares himself to the characters in the opera Pagliacci, comedians/clowns who hide their hurt and anger behind empty smiles. He had used this comparison before: the line "just like Pagliacci did/I'll try to keep my sadness hid" appears in this song as well as in "My Smile Is Just A Frown (Turned Upside Down)", which he had written in 1964 for Motown artist Carolyn Crawford. The record is one of the few hit pop singles to feature the bassoon, which was played by Charles R. Sirard.
"The Tears of a Clown" was an album track on 1967's Make It Happen but was not released as a single. "The Tears of a Clown" on the monaural version of Make It Happen contains an alternate lead vocal with a slightly different verse melody. By 1969, Robinson had become tired of constantly touring with the Miracles, and wanted to remain home in Detroit, Michigan, with his wife Claudette and their two children, Berry and Tamla (both named after aspects of the Motown corporation). Robinson informed his groupmates Pete Moore, Bobby Rogers, and best friend Ronald White that he would be retiring from the act to concentrate on his duties as vice-president of Motown Records.
In 1970, to capitalize on the Miracles' success, and due to a lack of new material from the group, Motown Britain selected "The Tears of a Clown" from the group's catalog for single release. One account suggests it was Karen Spreadbury, head of the British division of the Motown Fan Club, who first recommended the track to John Reid, then UK manager for the American Tamla Motown label, who went on to manage Elton John and Queen, when he asked her which track she'd favor as a single from the 1967 album. Reid reportedly then gave the go ahead for “Tears of A Clown” to be issued as the single. The record became a #1 hit in the UK seven weeks after its July release.
This newfound popularity prompted Motown to release the song as a single in the United States, using a new mix of the song made in February 1970 (whereas the UK release had used the original 1967 stereo mix from the Make It Happen LP). Cash Box said of the US single release that it was a "brilliant return to the heyday sound of the Miracles," calling it "bright blues rock that hasn't been heard here for a long while." It became a #1 hit on both the pop and R&B charts within two months of its release. Despite the fact that the Miracles had been one of Motown's premier acts in the early and mid-1960s and its first successful group act, "The Tears of a Clown" was their first and only #1 hit while Smokey Robinson was lead singer. (The Miracles hit #1 again several years later with the smash hit "Love Machine", but by that time Smokey had long since left the group, replaced by Billy Griffin. "Shop Around" had hit #1 on the Cash Box Pop Chart, but only #2 on Billboard's.)
The 45 single was issued with two different B-sides: the first pressing had an alternate version of the 1967 Miracles Top 20 hit single "The Love I Saw in You Was Just a Mirage;" the second had a new Miracles song, "Promise Me". Motown released a Tears of a Clown LP in 1970 as well, which was essentially a re-packaging of the Miracles' 1967 Make It Happen. It was included again on the group's 1971 LP One Dozen Roses, which used a new stereo mix.
New remaster of the original 1967 stereo mix.
![The Mamas & the Papas - Go Where You Wanna Go (2024 Stereo Mix) [Reupload]](https://i.ytimg.com/vi/ZLJBfnsD9xo/mqdefault.jpg "The Mamas & the Papas - Go Where You Wanna Go (2024 Stereo Mix) [Reupload]
Go Where You Wanna Go is a 1965 song written by John Phillips. It was originally recorded by the Mamas & the Papas on their LP If You Can Believe Your Eyes and Ears and given limited release as a single. However, the record was withdrawn, and its A-side was reassigned to California Dreamin. Go Where You Wanna Go later became a hit for the 5th Dimension.
P.F. Sloan played guitar on the song. John Phillips said that he wrote it about Michelle Phillipss affair with Russ Titelman, a songwriter and record producer.")
![The Beatles - Soldier of Love [Live At The BBC] (2023 Stereo Mix) [CHECK DESCRIPTION]](https://i.ytimg.com/vi/aLDxplpSj8w/mqdefault.jpg "The Beatles - Soldier of Love [Live At The BBC] (2023 Stereo Mix) [CHECK DESCRIPTION]
FLAC DOWNLOAD: https://drive.google.com/file/d/1SzRiCsLf2PwnWIrFniYzcQeYVqlENJ88/view?usp=sharing
New DES (Digitally-Extracted Stereo) mix, remastered.
Soldier of Love (Lay Down Your Arms), also known as Soldiers of Love, is a 1962 song written by Buzz Cason and Tony Moon. It was originally recorded by soul artist Arthur Alexander and released as a B-side of the single Where Have You Been (All My Life), which reached #58 in the Billboard Hot 100 in June 1962. The song was later covered by The Beatles during a 1963 session at the BBC, released on the 1994 album Live at the BBC
As early as 1962, The Beatles had been playing live versions of the songs on both sides of Alexanders single, with Where Have You Been (All My Life) being unofficially recorded at the Star-Club in December that year. They recorded a cover of Soldier of Love on July 2, 1963, the day after recording the She Loves You/Ill Get You single. Unterberger rates the Beatles performance of the song as fabulous, calling it probably the greatest gem on Live at the BBC. Unterberger enumerates a number of ways in which the Beatles recording differs from the original, such as the Beatles playing the main riff on guitar, while on Alexanders recording the riff was played on piano. The Beatles also add vocal harmonies, which Unterberger describes as excellent, and eliminate Alexanders somber violins.
Unterberger states that the cumulative effect of the differences is to make the Beatles version exuberant, compared to Alexanders sad version, claiming that it sounds as if the Beatles expected to win over the woman as a matter of course, whereas there was a sense of desperate last-hope begging in Alexanders vocal. Critic Robert Christgau calls it one of the Beatles greatest covers. Rolling Stone critic Anthony DeCurtis uses John Lennons crooning on the song as an example of why Lennon was a great rock n roll singer. Author Ian MacDonald describes it as an ideal vehicle for Lennon, who sings the lead vocal. MacDonald also suggests that three songs from the Beatles 1963 album With the Beatles—Not a Second Time, It Wont Be Long and All Ive Got to Do—were influenced by Soldier of Love (Lay Down Your Arms).")
