Uploaded October 2025 | Updated September 2026, 3 weeks ago
An NYFF63 selection, The Love That Remains opens at Film at Lincoln Center on January 30. Learn more: filmlinc.org/films/the-love-that-remains
Charting the gradual evolution of a family in the midst of an irreparable fracture, The Love That Remains is a poignant, crisply pointillistic domestic drama that observes life’s changes with humor and whimsy, set against the majestic, ever-shifting Icelandic landscape. Visual artist Anna (Saga Garðarsdóttir) and fisherman Magnús (Sverrir Guðnason) were teenage sweethearts but have recently grown apart, and Magnús has moved out of the house. As long as the newly estranged parents put on a good face, the children—and their adorable sheepdog Panda (who won the prestigious Palme Dog award at Cannes)—seem to take the split in stride. Yet as Magnús becomes increasingly alienated from his domestic life, harsh reality can’t help but bubble to the surface. Hlynur Pálmason’s follow-up to his austere 19th-century drama Godland is a constantly surprising film with an immaculate sense of framing and pacing—and an evocative, dulcet piano score by Harry Hunt—dotted with idiosyncratic flights of fancy that never detract from the central emotional authenticity. A Janus Films release.
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An NYFF63 selection, The Love That Remains opens at Film at Lincoln Center on January 30. Learn more: filmlinc.org/films/the-love-that-remains
Charting the gradual evolution of a family in the midst of an irreparable fracture, The Love That Remains is a poignant, crisply pointillistic domestic drama that observes life’s changes with humor and whimsy, set against the majestic, ever-shifting Icelandic landscape. Visual artist Anna (Saga Garðarsdóttir) and fisherman Magnús (Sverrir Guðnason) were teenage sweethearts but have recently grown apart, and Magnús has moved out of the house. As long as the newly estranged parents put on a good face, the children—and their adorable sheepdog Panda (who won the prestigious Palme Dog award at Cannes)—seem to take the split in stride. Yet as Magnús becomes increasingly alienated from his domestic life, harsh reality can’t help but bubble to the surface. Hlynur Pálmason’s follow-up to his austere 19th-century drama Godland is a constantly surprising film with an immaculate sense of framing and pacing—and an evocative, dulcet piano score by Harry Hunt—dotted with idiosyncratic flights of fancy that never detract from the central emotional authenticity. A Janus Films release.
Subscribe: youtube.com/subscription_center?add_user=filmlincdotcom
Showtimes and tickets: filmlinc.org
Follow on X: http://x.com/filmlinc
Follow on Instagram: instagram.com/filmlinc
Follow on Facebook: facebook.com/filmlinc
