Uploaded April 2019 | Updated September 2026, 1 week ago

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Here is one of the more evident example on Howard Shore’s use of leitmotifs and themes: The Heroics of Aragorn is intertwined in a new melodic line with the Good and the Evil leitmotifs during all the battle at Parth Galen and all are played over the Isengard Five Beat Pattern with its five quarters rythm.
This particular construction of melodic lines made by “crossing” themes is recurrent during all the trilogy, giving the soundtrack a great complexity