Uploaded March 2013 | Updated September 2026, 6 hours ago
The Lights
(Short feature, 2002, running time: 37 minutes)
Two fun-loving, co-eds from James Madison University head for Lost River, West Virginia for a long weekend. They are staying at a secluded farmhouse on Big Ridge above the Lost River Valley. Christine and Krista are invited to attend a pig roast in the Upper Cove attended by locals and Harley bikers. They are told about "the lights" that can be seen from atop North Mountain zigzagging across the sky above the Shenandoah Valley. They are also told about a dark pond in the forest that has unusual appeal to the deer. But that's just the beginning.
Reviews
The Lights
Special Recognition, West Virginia Filmmaker's Film Festival, 2002
Included on "The Ten Most Psychotronic Films Made in West Virginia" and "The Ten Best Indie Feature Films Made in West Virginia"
--compiled by Steve Fesenmaier, film critic, Graffiti Magazine.
"WV's first 'meta-film' in the tradition of French master Jean-Luc Godard but best know in America as shown in the film, 'The Blair Witch Project'."
--Steve Fesenmaier, film critic, Graffiti Magazine.
The Lights
(Short feature, 2002, running time: 37 minutes)
Two fun-loving, co-eds from James Madison University head for Lost River, West Virginia for a long weekend. They are staying at a secluded farmhouse on Big Ridge above the Lost River Valley. Christine and Krista are invited to attend a pig roast in the Upper Cove attended by locals and Harley bikers. They are told about "the lights" that can be seen from atop North Mountain zigzagging across the sky above the Shenandoah Valley. They are also told about a dark pond in the forest that has unusual appeal to the deer. But that's just the beginning.
Reviews
The Lights
Special Recognition, West Virginia Filmmaker's Film Festival, 2002
Included on "The Ten Most Psychotronic Films Made in West Virginia" and "The Ten Best Indie Feature Films Made in West Virginia"
--compiled by Steve Fesenmaier, film critic, Graffiti Magazine.
"WV's first 'meta-film' in the tradition of French master Jean-Luc Godard but best know in America as shown in the film, 'The Blair Witch Project'."
--Steve Fesenmaier, film critic, Graffiti Magazine.
