Uploaded January 2026 | Updated September 2026, 2 weeks ago
Bold, unpredictable, and deeply expressive, Wilhelm Friedemann Bach stands as one of the most fascinating figures of the Bach family. Living between the Baroque and Classical eras, he forged a musical voice marked by emotional intensity, striking contrasts, and daring harmonic imagination. His sinfonias in particular reveal a composer unafraid to challenge expectations, blending dramatic gestures with refined craftsmanship and a uniquely personal sense of expression.
Below, you’ll find detailed background on the works featured in this recording and the remarkable circumstances surrounding their survival and reconstruction:
The eldest of Johann Sebastian Bach's many sons, Wilhelm Friedemann Bach was very possibly the most gifted of them all. Trained by his father, he cultivated a highly sensitive and refined musical language, as well as a bold and inventive style that was far ahead of his time. Yet his music is often misunderstood and underappreciated. As conductor Hartmut Haenchen explains in his liner notes, one of the reasons for this is that much of W.F. Bach's output has been destroyed or lost. This disc includes three world premiere recordings of sinfonias from Wilhelm Friedemann's cantatas, reconstructed and arranged by Haenchen after meticulous research into the whereabouts and condition of the original manuscripts.
The works recorded here are a showcase for W.F. Bach's astonishing versatility and the variety of musical idioms that he employs. The 'Dissonant' Sinfonia and the sinfonia from the cantata Fk88, for example, demonstrate a daring and unprecedented approach to harmony and counterpoint, while the sinfonia from Fk92 is more subtle and restrained, reminiscent of C.P.E. Bach's early Berlin Symphonies, but with a far more sophisticated harmonic structure. Also featured is the Suite in G minor, originally attributed to Johann Sebastian Bach.
🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto, YouTube Music): brilliant-classics.lnk.to/WFBachSinfonias
🎬These tracks are available for sync licensing in videos, films, TV Shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
*Background Image: Waldlandschaft mit Sonnenaufgang (1809) By Joseph Rebell
Tracklist:
Composer: Wilhelm Friedemann Bach
Artists: Kammerorchester C.P.E. Bach, Hartmut Haenchen (conductor)
00:00:00 Sinfonia in F Major, Fk 67 “Dissonant”: I. Vivace
00:04:19 Sinfonia in F Major, Fk 67 “Dissonant”: II. Andante
00:07:25 Sinfonia in F Major, Fk 67 “Dissonant”: III. Allegro
00:10:50 Sinfonia in F Major, Fk 67 “Dissonant”: IV. Menuet No. 1 - Menuet No. 2
00:13:24 Sinfonia in F Major, Fk 88 (Un poco allegro)
00:21:01 Sinfonia in D Minor, Fk 65 (Adagio – Allegro e forte)
00:30:24 Sinfonia in D Major, Fk 64: I. Allegro e maestoso
00:34:06 Sinfonia in D Major, Fk 64: II. Andante
00:36:46 Sinfonia in D Major, Fk 64: III. Vivace
00:39:52 Sinfonia in D Major, Fk 91
00:43:14 Sinfonia in G Major, Fk 92 (Allegro assai)
00:46:27 Suite in G Minor, BWV 1070: I. Larghetto - Un poco allegro
00:51:17 Suite in G Minor, BWV 1070: II. Torneo
00:53:30 Suite in G Minor, BWV 1070: III. Aria. Adagio
00:56:43 Suite in G Minor, BWV 1070: IV. Menuetto alternativo - Trio
01:01:22 Suite in G Minor, BWV 1070: V. Capriccio
Explore even more music: youtube.com/playlist?list=PL_qM1lclHDwXIxlaa1jDtslnFCEN846rm
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#bach #brilliantclassics #sinfonia
Bold, unpredictable, and deeply expressive, Wilhelm Friedemann Bach stands as one of the most fascinating figures of the Bach family. Living between the Baroque and Classical eras, he forged a musical voice marked by emotional intensity, striking contrasts, and daring harmonic imagination. His sinfonias in particular reveal a composer unafraid to challenge expectations, blending dramatic gestures with refined craftsmanship and a uniquely personal sense of expression.
Below, you’ll find detailed background on the works featured in this recording and the remarkable circumstances surrounding their survival and reconstruction:
The eldest of Johann Sebastian Bach's many sons, Wilhelm Friedemann Bach was very possibly the most gifted of them all. Trained by his father, he cultivated a highly sensitive and refined musical language, as well as a bold and inventive style that was far ahead of his time. Yet his music is often misunderstood and underappreciated. As conductor Hartmut Haenchen explains in his liner notes, one of the reasons for this is that much of W.F. Bach's output has been destroyed or lost. This disc includes three world premiere recordings of sinfonias from Wilhelm Friedemann's cantatas, reconstructed and arranged by Haenchen after meticulous research into the whereabouts and condition of the original manuscripts.
The works recorded here are a showcase for W.F. Bach's astonishing versatility and the variety of musical idioms that he employs. The 'Dissonant' Sinfonia and the sinfonia from the cantata Fk88, for example, demonstrate a daring and unprecedented approach to harmony and counterpoint, while the sinfonia from Fk92 is more subtle and restrained, reminiscent of C.P.E. Bach's early Berlin Symphonies, but with a far more sophisticated harmonic structure. Also featured is the Suite in G minor, originally attributed to Johann Sebastian Bach.
🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto, YouTube Music): brilliant-classics.lnk.to/WFBachSinfonias
🎬These tracks are available for sync licensing in videos, films, TV Shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
*Background Image: Waldlandschaft mit Sonnenaufgang (1809) By Joseph Rebell
Tracklist:
Composer: Wilhelm Friedemann Bach
Artists: Kammerorchester C.P.E. Bach, Hartmut Haenchen (conductor)
00:00:00 Sinfonia in F Major, Fk 67 “Dissonant”: I. Vivace
00:04:19 Sinfonia in F Major, Fk 67 “Dissonant”: II. Andante
00:07:25 Sinfonia in F Major, Fk 67 “Dissonant”: III. Allegro
00:10:50 Sinfonia in F Major, Fk 67 “Dissonant”: IV. Menuet No. 1 - Menuet No. 2
00:13:24 Sinfonia in F Major, Fk 88 (Un poco allegro)
00:21:01 Sinfonia in D Minor, Fk 65 (Adagio – Allegro e forte)
00:30:24 Sinfonia in D Major, Fk 64: I. Allegro e maestoso
00:34:06 Sinfonia in D Major, Fk 64: II. Andante
00:36:46 Sinfonia in D Major, Fk 64: III. Vivace
00:39:52 Sinfonia in D Major, Fk 91
00:43:14 Sinfonia in G Major, Fk 92 (Allegro assai)
00:46:27 Suite in G Minor, BWV 1070: I. Larghetto - Un poco allegro
00:51:17 Suite in G Minor, BWV 1070: II. Torneo
00:53:30 Suite in G Minor, BWV 1070: III. Aria. Adagio
00:56:43 Suite in G Minor, BWV 1070: IV. Menuetto alternativo - Trio
01:01:22 Suite in G Minor, BWV 1070: V. Capriccio
Explore even more music: youtube.com/playlist?list=PL_qM1lclHDwXIxlaa1jDtslnFCEN846rm
📲 Follow us on Social media: @BrilliantClassics
Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel.
#bach #brilliantclassics #sinfonia



![Schaffrath: XII Soli per il Cembalo
Discover Christoph Schaffrath’s 12 Soli per il Cembalo, elegant keyboard works poised between Baroque refinement and early Classical grace. Performed by Marius Bartoccini on harpsichord and clavichord, this Brilliant Classics recording reveals the expressive charm of a composer who helped shape the path toward C.P.E. Bach and Haydn.
Composer: Christoph Schaffrath
Artist: Marius Bartoccini (harpsichord & clavichord)
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): https://brilliant-classics.lnk.to/SchaffrathXIISoliID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
Christoph Schaffrath (1709–1763) was a German composer, harpsichordist, and organist active during the transition from the late Baroque to the early Classical period. Born in Hohnstein near Dresden, he studied at the University of Leipzig and later competed for the position of organist at the Sophienkirche in Dresden, though he lost to Wilhelm Friedemann Bach. Despite this setback, Schaffrath went on to build a solid career in Berlin, serving first as harpsichordist to Crown Prince Frederick (later Frederick the Great) and later as court musician to Princess Anna Amalia of Prussia. His role in these circles placed him in the heart of the north German Empfindsamer Stil, a style characterized by expressive melodies, sudden contrasts, and sensitivity to affect.
Among Schaffrath’s surviving works, the 12 Soli per il Cembalo hold a special place. This collection, composed for solo harpsichord, shows his ability to merge Baroque contrapuntal traditions with the emerging galant idiom. Each of the twelve pieces demonstrates clarity of texture, graceful melodic invention, and a keen sense of ornamentation appropriate for the keyboard. Unlike the dense polyphony of J.S. Bach, Schaffrath’s Soli often feature a singing upper line supported by transparent accompaniment, making them more accessible to performers and audiences of his time.
The sonatas show Schaffrath’s sensitivity to the harpsichord’s timbre and expressive limits, favoring elegance over virtuosic display. Today, the 12 Soli per il Cembalo offer valuable insight into mid-18th-century keyboard practice and exemplify the stylistic currents that paved the way for Haydn, C.P.E. Bach, and Mozart.
Played by Marius Bartoccini, a keyboard player who performed as a soloist with Sigiswald Kuijken and Federico Maria Sardelli. On this recording he plays an harpsichord and clavichord. He recorded to great critical acclaim for Brilliant Classics works by Dussek, Myslivecek and Kozeluch.
Tracklist:
Sonata No. 1 in C Major:
0:00:00 I. [Without Tempo Indication]
0:04:49 II. Poco andante
0:09:58 III. Allegro
Sonata No. 2 in A Minor:
0:16:47 I. [Without Tempo Indication]
0:22:19 II. Poco andante
0:26:19 III. Allegro
Sonata No. 3 in G Major:
0:31:11 I. Allegro
0:37:02 II. Poco adagio
0:41:57 III. Allegro
Sonata No. 4 in E Minor:
0:45:20 I. Allegro assai
0:52:30 II. Poco adagio
0:56:49 III. Allegro
Sonata No. 5 in D Major:
1:00:34 I. Allegro
1:05:11 II. Andante
1:10:25 III. Allegro
Sonata No. 6 in B Minor:
1:15:41 I. Allegro
1:21:03 II. Poco adagio
1:26:24 III. Allegro
Sonata No. 7 in A Major:
1:30:39 I. Allegretto
1:38:39 II. Poco andante
1:43:16 III. Allegro assai (With Completion by M. Bartoccini from 2’12)
Sonata No. 9 in B-Flat Major:
1:46:34 I. Allegro
1:51:38 II. Adagio
1:56:05 III. Allegro
Sonata No. 12 D Minor:
2:00:33 I. Allegro
2:06:19 II. Poco adagio
2:10:48 III. Allegro assai
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#Schaffrath #SoliPerIlCembalo #Harpsichord #Clavichord #Sonata #ClassicalMusic #BrilliantClassics Schaffrath: XII Soli per il Cembalo](https://i.ytimg.com/vi/o8bv6wO_Pro/mqdefault.jpg)






