Uploaded October 2016 | Updated September 2026, 2 weeks ago
Released in 1995, In the Hand of the Inevitable is the most curious of all of the James Taylor Quartet's recordings. After helping to usher in the acid jazz movement on recordings like 1987's Money Spyder, with its spy/noir-ish soundtrack feel equally influenced by Lalo Schifrin and the Ventures, and the masterpiece that is the band's 1989 effort, Get Organized (their first to employ vocals -- in a truly soulful jazz scat style), they moved to the center, becoming more a house music soundtrack act with diva-like vocals (sometimes male-centric as well with Noel McCoy watering down the earlier gains they'd made musically). In the Hand of the Inevitable, issued stateside by Hollywood's Acid Jazz imprint, is a transition album. In its native U.K., this set is regarded as a classic meld of the band's earlier style and the more soul and house approach of the immediately preceding albums, Supernatural Feeling (1993) and Do Your Own Thing (1991). Here, it's regarded as a bit more ho-hum, generic safe-stepping period album. It's neither. In the Hand of the Inevitable is another singular moment for the JTQ, where the integration of modern British soul and the big-beat intensity of being a jazz group began to form a new identity for the band, which was equally at home in a sweaty club or a concert hall. In fact, if this set owes to anything, it's a deep nod to Brian Auger's Oblivion Express. Check the funky, horn-driven riffing on "3 Mile Island," the upscale, jazzed-up soul in "Keep on Moving," and the burning organ acid boil on the closing title track for evidence of Auger's lineage firmly imprinted on these cuts' DNA. On the other hand, the mod, wild-style rave-up organ groove -- patented in the sound lab by one Georgie Fame -- is readily apparent in the band's killer reading of Led Zeppelin's "Whole Lotta Love." But then there is the house-soul model too, evidenced by the beautiful vocal interplay of "Love Will Keep Us Together" (no, not the Captain & Tennille hit) as well as Gary Crockett's euphoric, jazzed-up anthem "Sounds of Freedom." If In the Hand of the Inevitable sounds like anything, it sounds like a band whose members have so many possibilities at hand that they can't focus on any one for too long, making for a thoroughly exhilarating listen.
1. Love Will Keep Us Together
2. 3 Mile Island
3. Free Your Mind
4. Haitian Breakdown
5. Good Thing
6. Let's Get Together
7. Segue No. 1
8. Stepping into My Life
9. Whole Lotta Love
10. Journey
11. Sounds of Freedom
12. Keep on Moving
13. In the Hand of the Inevitable
Released in 1995, In the Hand of the Inevitable is the most curious of all of the James Taylor Quartet's recordings. After helping to usher in the acid jazz movement on recordings like 1987's Money Spyder, with its spy/noir-ish soundtrack feel equally influenced by Lalo Schifrin and the Ventures, and the masterpiece that is the band's 1989 effort, Get Organized (their first to employ vocals -- in a truly soulful jazz scat style), they moved to the center, becoming more a house music soundtrack act with diva-like vocals (sometimes male-centric as well with Noel McCoy watering down the earlier gains they'd made musically). In the Hand of the Inevitable, issued stateside by Hollywood's Acid Jazz imprint, is a transition album. In its native U.K., this set is regarded as a classic meld of the band's earlier style and the more soul and house approach of the immediately preceding albums, Supernatural Feeling (1993) and Do Your Own Thing (1991). Here, it's regarded as a bit more ho-hum, generic safe-stepping period album. It's neither. In the Hand of the Inevitable is another singular moment for the JTQ, where the integration of modern British soul and the big-beat intensity of being a jazz group began to form a new identity for the band, which was equally at home in a sweaty club or a concert hall. In fact, if this set owes to anything, it's a deep nod to Brian Auger's Oblivion Express. Check the funky, horn-driven riffing on "3 Mile Island," the upscale, jazzed-up soul in "Keep on Moving," and the burning organ acid boil on the closing title track for evidence of Auger's lineage firmly imprinted on these cuts' DNA. On the other hand, the mod, wild-style rave-up organ groove -- patented in the sound lab by one Georgie Fame -- is readily apparent in the band's killer reading of Led Zeppelin's "Whole Lotta Love." But then there is the house-soul model too, evidenced by the beautiful vocal interplay of "Love Will Keep Us Together" (no, not the Captain & Tennille hit) as well as Gary Crockett's euphoric, jazzed-up anthem "Sounds of Freedom." If In the Hand of the Inevitable sounds like anything, it sounds like a band whose members have so many possibilities at hand that they can't focus on any one for too long, making for a thoroughly exhilarating listen.
1. Love Will Keep Us Together
2. 3 Mile Island
3. Free Your Mind
4. Haitian Breakdown
5. Good Thing
6. Let's Get Together
7. Segue No. 1
8. Stepping into My Life
9. Whole Lotta Love
10. Journey
11. Sounds of Freedom
12. Keep on Moving
13. In the Hand of the Inevitable








![75 MODern Sounds [part 1]
Tracklistings
1. Burnt Biscuits - The Triumphs
2. Ill Go Crazy - James Brown
3. Sweets For My Sweet - The Drifters
4. Some Other Guy - Richie Barrett
5. Shop Around - The Miracles
6. Big Boss Man - Jimmy Reed
7. Unchain My Heart - Ray Charles
8. Im A King Bee - Slim Harpo
9. Boys - The Shirelles
10. (I Do The) Shimmy Shimmy - Bobby Freeman
11. Please Mr. Postman - The Marvelettes
12. Louie, Louie - Richard Berry
13. Hey Little Girl - Dee Clark
14. Boom Boom - John Lee Hooker
15. Last Night - The Mar-Keys
16. Money, Thats What I Want - Barrett Strong
18. Spoonful - Howlin Wolf
19. Youve Really Got A Hold On Me - The Miracles
20. (Baby) Hully Gully - The Olympics
21. Twistin The Night Away - Sam Cooke
22. Good Morning Little Schoolgirl - Don & Bob
23. My Boy Lollipop - Barbie Gaye
24. Twist 62 - Jerry McCain
25. I Dont Want To Cry - Chuck Jackson 75 MODern Sounds [part 1]](https://i.ytimg.com/vi/BairVf4PQW8/mqdefault.jpg)

