Uploaded April 2026 | Updated September 2026, 3 days ago
You don’t need Pro-Q 3 or 4 to get clean, professional EQ results.
There’s a free option most people completely overlook:
Ozone’s EQ (free) can handle way more than you’d expect. You’ve got your standard bell and shelf curves, mid/side processing, and automatic gain compensation, which already covers most real-world use cases.
But what’s interesting is that it actually goes further in some areas. The transient/sustain control lets you shape the tone based on how a sound evolves over time, not just where it sits in the frequency spectrum. That’s something you don’t get in most stock EQs.
In practice, you can get very close to the same results as FabFilter’s Pro-Q.
The takeaway is simple. It’s not about the plugin, it’s about how you think about EQ.
Follow for more production tricks like this.
You don’t need Pro-Q 3 or 4 to get clean, professional EQ results.
There’s a free option most people completely overlook:
Ozone’s EQ (free) can handle way more than you’d expect. You’ve got your standard bell and shelf curves, mid/side processing, and automatic gain compensation, which already covers most real-world use cases.
But what’s interesting is that it actually goes further in some areas. The transient/sustain control lets you shape the tone based on how a sound evolves over time, not just where it sits in the frequency spectrum. That’s something you don’t get in most stock EQs.
In practice, you can get very close to the same results as FabFilter’s Pro-Q.
The takeaway is simple. It’s not about the plugin, it’s about how you think about EQ.
Follow for more production tricks like this.
