The composers vantage point vs. the directors @ScoringArts
The composers vantage point vs. the directors @ScoringArts
Uploaded October 2023 | Updated September 2026, 2 weeks ago
scoringarts.com -- This clip comes from a September 30, 2023 Career Symposium hosted by the Society of Composers & Lyricists at Vanderbilt University in Nashville, TN. ASA President David Das interviewed award-winning composer Mark Isham on his 2006 film noir score to Brian De Palma's The Black Dahlia.

This video is an excerpt from that conversation. The full video is available to ASA and SCL members at both scoringarts.com and https://thescl.com.
The composers vantage point vs. the directorsTchaikovskys use of accentsHow John William uses harmony in Indiana Jones to create tensionConceptualizing the sound of Coming 2 America, with composer Jermaine StegallHow Back to the Future is summarized in three notesThe Score to Independence Day: Arrival PointsThe use of modes in How to Train Your DragonThe history of The Twilight Zone themeDeveloping the theme music for Ginny & GeorgiaThe major-ness of the Superman themeHow Alan Silvestri reused thematic material in Back to the FutureA slowed-down excerpt from John Williamss Superman score
Scoring Arts (Academy of Scoring Arts) |

The composer's vantage point vs. the director's

SHARE TO X SHARE TO REDDIT SHARE TO FACEBOOK WALLPAPER