Uploaded April 2013 | Updated September 2026, 3 hours ago
Celtic music - Crann Na Beatha (with Adrian von Ziegler)
Get his Music here: adrianvonziegler.bandcamp.com
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The Celtic tribes:
The earliest archaeological culture that may justifiably be considered as Proto-Celtic is the Late Bronze Age Urnfield culture of central Europe from the last quarter of the second millennium BC.
Their fully Celtic descendants in central Europe were the people of the Iron Age Hallstatt culture (c. 800--450 BC) named for the rich grave finds in Hallstatt, Austria.
By the later La Tène period (c. 450 BC up to the Roman conquest), this Celtic culture had expanded over a wide range of regions, whether by diffusion or migration: to the British Isles (Insular Celts), France and The Low Countries (Gauls), Bohemia, Poland and much of Central Europe, the Iberian Peninsula (Celtiberians, Celtici and Gallaeci) and northern Italy (Golaseccans and Cisalpine Gauls) and following the Gallic invasion of the Balkans in 279 BC as far east as central Anatolia (Galatians).
Celtic music - Crann Na Beatha (with Adrian von Ziegler)
Get his Music here: adrianvonziegler.bandcamp.com
itunes.apple.com/artist/adrian-von-ziegler/id445469270
cdbaby.com/Artist/AdrianvonZiegler
Facebook / Twitter / Merchandise:
facebook.com/AdrianvonZiegler
twitter.com/AdrianVZiegler
adrianvonziegler.spreadshirt.com
The Celtic tribes:
The earliest archaeological culture that may justifiably be considered as Proto-Celtic is the Late Bronze Age Urnfield culture of central Europe from the last quarter of the second millennium BC.
Their fully Celtic descendants in central Europe were the people of the Iron Age Hallstatt culture (c. 800--450 BC) named for the rich grave finds in Hallstatt, Austria.
By the later La Tène period (c. 450 BC up to the Roman conquest), this Celtic culture had expanded over a wide range of regions, whether by diffusion or migration: to the British Isles (Insular Celts), France and The Low Countries (Gauls), Bohemia, Poland and much of Central Europe, the Iberian Peninsula (Celtiberians, Celtici and Gallaeci) and northern Italy (Golaseccans and Cisalpine Gauls) and following the Gallic invasion of the Balkans in 279 BC as far east as central Anatolia (Galatians).







![The legend of Sigurd the dragon slayer plus the Sigurd stones
The Sigurd stones form a group of seven or eight runestones and one image stone that depict imagery from the legend of Sigurd the dragon slayer. They were made during the Viking Age and they constitute the earliest Norse representations of the matter of the Nibelungenlied and the Sigurd legends in the Poetic Edda, the Prose Edda and the Völsunga saga.
Sigurd (Old Norse: Sigurðr) is a legendary hero of Norse mythology, as well as the central character in the Völsunga saga. The earliest extant representations for his legend come in pictorial form from seven runestones in Sweden[1] and most notably the Ramsund carving (c. 1000) and the Gök Runestone (11th century).
As Siegfried, he is the hero in the German Nibelungenlied, and Richard Wagners operas Siegfried and Götterdämmerung.
Sigurd Fafnesbane, eller Sigurd Völsung, är en hjälte i nordisk mytologi, son till Sigmund och Hjördis. Han var gift med Gudrun Gjukedotter, och tillsammans fick de en son. Sigurd förälskade sig sedan i Brynhild och tillsammans med henne fick han dottern Aslög. Legenden om Sigurd ingår i den nordiska Völsungasagan och den tyska motsvarigheten Nibelungenlied, som Richard Wagner baserade Nibelungens ring på. The legend of Sigurd the dragon slayer plus the Sigurd stones](https://i.ytimg.com/vi/OLtD34cpx5c/mqdefault.jpg)


