The Art of Steadicam Operating in Cinema @CookeOptics
The Art of Steadicam Operating in Cinema  @CookeOptics
Uploaded May 2020 | Updated September 2026, 13 hours ago
Peter Robertson is one of the world's most distinguished Steadicam operators, receiving the 'historical shot' award for the Dunkirk Beach steadicam sequence on “Atonement”. In this episode, he discusses his philosophy behind what makes a successful steadicam shot and when to use it effectively.

---
Cooke Optics TV
cookeoptics.tv

Website cookeoptics.com
Facebook facebook.com/cookeoptics
Twitter twitter.com/cooke_optics
Instagram instagram.com/cookeoptics
Linkedin: linkedin.com/company-beta/2831810

Thank you to the British Society of Cinematographers (BSC). bscine.com

Filmed with a Sony FS5 and Cooke Mini S4/i Lenses.
Produced by ImageNova. http://www.imagenova.co.uk.
Email cathy@cookeoptics.com for enquires or leave a comment!
The Art of Steadicam Operating in CinemaCreating Cooke LensesWhat Is The Future of Cinematography? || SpotlightCooke India - ShowreelMarvel Cinematography Masterclass Part 2 || Ben Davis || MasterclassRobert Yeoman - The Visual Grammar of FilmBritish Cinematographer interview Cooke Varotal/i FFSP3 Lens AestheticCinematography Masterclass: Filming Daytime Exteriors | RoundtableThe Art Direction of Aliens || Terry Ackland-Snow || SpotlightThe Shape of Water scene deconstruction || Dan Laustsen || Case StudyBilly Williams Cinematography Inspirations
Cooke Optics |

The Art of Steadicam Operating in Cinema

SHARE TO X SHARE TO REDDIT SHARE TO FACEBOOK WALLPAPER