Uploaded September 2024 | Updated September 2026, 2 weeks ago
Join us for a conversation with Victoria Reed, Senior Curator for Provenance at Museum of Fine Arts, Boston, and Johns Hopkins faculty member Stephanie Brown as they discuss a particular art history mystery.
Victoria Reed is Senior Curator for Provenance at Museum of Fine Arts, Boston. Trained as a Renaissance art historian, she has been conducting provenance research in art museums for over 20 years. At the Museum of Fine Arts, Boston, she oversees provenance research and documentation, responds to ownership claims, and coordinates and implements due diligence policies and practices for the curatorial division. Reed’s scholarly interests include the collecting histories of stolen artwork (particularly looted art that came to America after World War II), the development of museum ethics in the U.S., and the iconography of decapitation in medieval and early modern Europe.
Stephanie Brown is Assistant Director and Senior Lecturer in the Johns Hopkins MA in Museum Studies program. She is the author of The Case of the Disappearing Gauguin: A Study of Authenticity and the Art Market (Rowman & Littlefield / Bloomsbury, 2024).
Learn more about the JHU MA in Museum Studies program:
https://advanced.jhu.edu/academics/graduate/ma-museum-studies/
Learn more about the JHU MA in Cultural Heritage Management program:
https://advanced.jhu.edu/academics/graduate/ma-cultural-heritage-management/
Join us for a conversation with Victoria Reed, Senior Curator for Provenance at Museum of Fine Arts, Boston, and Johns Hopkins faculty member Stephanie Brown as they discuss a particular art history mystery.
Victoria Reed is Senior Curator for Provenance at Museum of Fine Arts, Boston. Trained as a Renaissance art historian, she has been conducting provenance research in art museums for over 20 years. At the Museum of Fine Arts, Boston, she oversees provenance research and documentation, responds to ownership claims, and coordinates and implements due diligence policies and practices for the curatorial division. Reed’s scholarly interests include the collecting histories of stolen artwork (particularly looted art that came to America after World War II), the development of museum ethics in the U.S., and the iconography of decapitation in medieval and early modern Europe.
Stephanie Brown is Assistant Director and Senior Lecturer in the Johns Hopkins MA in Museum Studies program. She is the author of The Case of the Disappearing Gauguin: A Study of Authenticity and the Art Market (Rowman & Littlefield / Bloomsbury, 2024).
Learn more about the JHU MA in Museum Studies program:
https://advanced.jhu.edu/academics/graduate/ma-museum-studies/
Learn more about the JHU MA in Cultural Heritage Management program:
https://advanced.jhu.edu/academics/graduate/ma-cultural-heritage-management/
