![TENGGER - Ajari [Official Video] @3EYOND](https://i.ytimg.com/vi/ZRYRPhWi_FY/maxresdefault.jpg)
Uploaded May 2019 | Updated September 2026, 1 week ago
"Spiritual 2" (out June 7): tenggerbbib.bandcamp.com/album/spiritual-2-pre-order
TENGGER is a traveling musical family, made up of Pan-Asian couple, itta and Marqido, who create their brand of psychedelic New-Age drone magic through the use of harmonium, voice, and toy instruments (played by itta) and analogue synths (played by Marqido). The duo originally started out with the moniker “10” but since the birth of their son RAAI (who joins them on tour and often on stage) in 2012, have called themselves TENGGER (meaning ‘unlimited expanse of sky’ in Mongolian) to mark the expansion of the family. It also means ‘huge sea’ in Hungarian.
Travel, as spiritual experience in real environments, and the sound between the space and the audience have been central themes of their works. The family’s yearly pilgrimages inform every aspect of their art. Fans of Cluster, Laraaji, Emerald, and Neu! will find lots to love in the music of TENGGER.
“Spiritual 2” was created with this simple ancient Asian philosophy in mind: if you’re looking at something, you should recognize that there is something invisible behind it. The cover art is from Mt. Ishizuchi in Shikoku, Japan. Ishizuchi is a symbolic, holy mountain. There is an old shrine near the top and there’s a small mirror at the shrine which reveals the peak of the Ishizuchi.
Beyond Beyond is Beyond is honored to be the mirror for you to reflect the beauty, strength, and power of TENGGER’s brand-new masterwork, “Spiritual 2”.
"Spiritual 2" (out June 7): tenggerbbib.bandcamp.com/album/spiritual-2-pre-order
TENGGER is a traveling musical family, made up of Pan-Asian couple, itta and Marqido, who create their brand of psychedelic New-Age drone magic through the use of harmonium, voice, and toy instruments (played by itta) and analogue synths (played by Marqido). The duo originally started out with the moniker “10” but since the birth of their son RAAI (who joins them on tour and often on stage) in 2012, have called themselves TENGGER (meaning ‘unlimited expanse of sky’ in Mongolian) to mark the expansion of the family. It also means ‘huge sea’ in Hungarian.
Travel, as spiritual experience in real environments, and the sound between the space and the audience have been central themes of their works. The family’s yearly pilgrimages inform every aspect of their art. Fans of Cluster, Laraaji, Emerald, and Neu! will find lots to love in the music of TENGGER.
“Spiritual 2” was created with this simple ancient Asian philosophy in mind: if you’re looking at something, you should recognize that there is something invisible behind it. The cover art is from Mt. Ishizuchi in Shikoku, Japan. Ishizuchi is a symbolic, holy mountain. There is an old shrine near the top and there’s a small mirror at the shrine which reveals the peak of the Ishizuchi.
Beyond Beyond is Beyond is honored to be the mirror for you to reflect the beauty, strength, and power of TENGGER’s brand-new masterwork, “Spiritual 2”.
![TENGGER - Ajari [Official Video]](https://i.ytimg.com/vi/ZRYRPhWi_FY/mqdefault.jpg "TENGGER - Ajari [Official Video]
Spiritual 2 (out June 7): https://tenggerbbib.bandcamp.com/album/spiritual-2-pre-order
TENGGER is a traveling musical family, made up of Pan-Asian couple, itta and Marqido, who create their brand of psychedelic New-Age drone magic through the use of harmonium, voice, and toy instruments (played by itta) and analogue synths (played by Marqido). The duo originally started out with the moniker “10” but since the birth of their son RAAI (who joins them on tour and often on stage) in 2012, have called themselves TENGGER (meaning ‘unlimited expanse of sky’ in Mongolian) to mark the expansion of the family. It also means ‘huge sea’ in Hungarian.
Travel, as spiritual experience in real environments, and the sound between the space and the audience have been central themes of their works. The family’s yearly pilgrimages inform every aspect of their art. Fans of Cluster, Laraaji, Emerald, and Neu! will find lots to love in the music of TENGGER.
“Spiritual 2” was created with this simple ancient Asian philosophy in mind: if you’re looking at something, you should recognize that there is something invisible behind it. The cover art is from Mt. Ishizuchi in Shikoku, Japan. Ishizuchi is a symbolic, holy mountain. There is an old shrine near the top and there’s a small mirror at the shrine which reveals the peak of the Ishizuchi.
Beyond Beyond is Beyond is honored to be the mirror for you to reflect the beauty, strength, and power of TENGGER’s brand-new masterwork, “Spiritual 2”.")
![TENGGER - Achime [Official Video]](https://i.ytimg.com/vi/aIC_KkUzn2Y/mqdefault.jpg "TENGGER - Achime [Official Video]
From TENGGERs 2020 album, Nomad, on Beyond Beyond is Beyond: https://beyondbeyondisbeyondrecords.bandcamp.com/
It’s fitting that the latest album from TENGGER is entitled Nomad. The South Korean/Japanese couple at the core of the group have built their ethos around a life lived in thrall to the road — making yearly pilgrimages to dazzling locales, recording their music among unfamiliar cultures and environments, and in turn creating sounds imbued with a lush environmental thrum. The band considers this travel the spiritual center to their works, and that mindset is reflected in their adopted name, TENGGER, meaning “unlimited expanse of sky in Mongolian and also “huge sea” in Hungarian. The grandeur reflected in their name radiates from every lingering note of their Earthsong sojourns. The band has harnessed and channeled a clutch of cosmic and Terran harmonics alike over their decade plus of growth — with notable releases on Guruguru Brain and Extra Noir — and now they return to Beyond Beyond is Beyond, after the success of 2019’s Spiritual 2 on BBiB, for their most enigmatic turn yet.
Dive into Nomad and there’s a feeling of constant motion. Not the rushed or hurried motion that comes from being crushed into a throng of workers on their way to a day’s wage, but a more natural sense of order and flow. Within pieces like the Krautrock-flecked “Eurasia,” the quivering opener “Achime,” and the aptly-titled closer “Flow,” the band adopts the serene sweep of trickling waters and the precise yet natural movement of molecules. They tap the pulse of plasma rippling through the body and set it aloft on their own stretches of synth. The duo finds the interconnective tissue between Neu, Popul Vuh, the vocal sculptures of Julianna Barwick, and the sunset strains of Harmonia, suturing the stitches with each influence’s most natural impulses. With layers of voice hovering above the harmonics, TENGGER bring about the kind of meditative calm that’s often attached to the New Age, but they lift the genre off of the thrift store shelves and yoga studio tape decks and elevate its bliss into a new era of Kosmiche transcendence.")
![Wax Machine - Shade [Official Video]](https://i.ytimg.com/vi/bT8p0usbbA8/mqdefault.jpg "Wax Machine - Shade [Official Video]
From Wax Machines debut LP Earthsong of Silence, out March 20, 2020: https://beyondbeyondisbeyondrecords.bandcamp.com/
Video by Gabriela Bran
Brighton’s Wax Machine are a band so steeped in the kernel of psychedelic seep that there’s every indication they may have slipped through a side door in space-time and sprouted anew a few years back on the UK coast. However, for all intents and purposes it’s best to believe that they truly sprang from the fertile mind of Brazilian-born, Italian/English-raised Lau Ro (Guitar/Vocals). Lau’s international upbringing served as the wellspring for some of the eclectic taste that informs the core of Wax Machine’s sound. On Earthsong of Silence, that eclecticism incorporates Spiritual Jazz, Krautrock, Tropicália and Library Music while filtering them all through a psychedelic lens. Per Lau, “The album is an exploration into paradoxes, meditation and magic, predicated on the underlying idea of becoming one with nature and in harmony with the environment.” It borrows from dreams and trances to give life to a psychedelic experience that feels hauntingly familiar, yet strikingly new. On his journey Lau met up with fellow Brighton musicians and birthed Wax Machine with members from local bands Rokurokubi, Hill, Strange Cages and singer-songwriter Woody Green. Ro’s fellow travelers include Isobel Jones, who adds soaring vocals and provides Wax Machine’s entrancing flute work alongside Toma Sapir who locks down a groove on the kit that keeps Earthsong of Silence from floating into the ether.
The band’s laid down a couple of great EPs over the last couple of years, awash in the same smoke curls that surrounded Ivory, Fifty Foot Hose, and The United States of America — a distinctly more nuanced niche than most of their peers are filling. They pick up right where their last EP’s title track, “Mind Palace,” left them —growing into the mossy eiderdown of the English countryside, delightfully dosed and drenched in the sun that filters through the trees. The flutes, wandering guitars, and jazz touches come rising through the mists once again, but this time they’ve given the album an aura of mystique not quite present in their early offerings. Along with a guiding hand from Kikagaku Moyo’s Go Kurasawa behind the boards, they add a new dimension to their sound, further exploring both their English psych-folk roots and mining a deeper appreciation for a West Coast sound dipped in sun, peace and serenity. They add splashes of Serpent Power’s quieter moments to the languid grooves of “Sun Dance,” channel the mystic melancholy of Susan Christie on “Birdsong” and tap into the sunshower psych of Sapphire Thinkers and Sarofeen & Smoke on “Truth.” Their love of lush arrangements brings to mind The Millennium and The End in subconscious snatches. Wax Machine aren’t passing travelers on the path to psychedelic oblivion, they are full-fledged guides, so maybe take a few notes.
There’s a wealth of lost bands that outpaced their more high-profile brethren from the era of brotherly love, but fate and fortune lost them to time until a voracious reissue market snatched them back from the brink of obscurity. Wax Machine lives in the creases and cracks between these reinvigorated volumes, tripping easily among the children of the sun without ever feeling like tourists. They are kindred spirits, or perhaps the channeled chosen brought back to life for a new era. Their sound coalesces within Earthsong of Silence. They skirt the blade like full force psych-folk warriors, but also skitter through more OUT territory — clattering odysseys that resolve to map nowhere and everywhere are nestled next to propulsive grooves that lap at head-nodding ecstasy. As they slide into the second half of the album they infuse the turbulent “Turiya” with the spirit of Hapshash & The Coloured Coat if they’d been produced by Joe Byrd. Wax Machine are on both sides of the mirror, and with Earthsong of Silence they’re showing the rest of us the way through. The only question remains if you’ll follow them.")
![Wax Machine - Truth [Official Video]](https://i.ytimg.com/vi/c7YtOuPr9NI/mqdefault.jpg "Wax Machine - Truth [Official Video]
From Wax Machines debut LP Earthsong of Silence, out March 20, 2020: https://beyondbeyondisbeyondrecords.bandcamp.com/
**Video by Jamie Brogan (@_jamie.brogan.art_ )
https://www.facebook.com/waxmachine/
https://ffm.to/earthsong
https://waxmachine.bandcamp.com
https://www.instagram.com/waxmachinemusic/
https://twitter.com/wax_machine
Brighton’s Wax Machine are a band so steeped in the kernel of psychedelic seep that there’s every indication they may have slipped through a side door in space-time and sprouted anew a few years back on the UK coast. However, for all intents and purposes it’s best to believe that they truly sprang from the fertile mind of Brazilian-born, Italian/English-raised Lau Ro (Guitar/Vocals). Lau’s international upbringing served as the wellspring for some of the eclectic taste that informs the core of Wax Machine’s sound. On Earthsong of Silence, that eclecticism incorporates Spiritual Jazz, Krautrock, Tropicália and Library Music while filtering them all through a psychedelic lens. Per Lau, “The album is an exploration into paradoxes, meditation and magic, predicated on the underlying idea of becoming one with nature and in harmony with the environment.” It borrows from dreams and trances to give life to a psychedelic experience that feels hauntingly familiar, yet strikingly new. On his journey Lau met up with fellow Brighton musicians and birthed Wax Machine with members from local bands Rokurokubi, Hill, Strange Cages and singer-songwriter Woody Green. Ro’s fellow travelers include Isobel Jones, who adds soaring vocals and provides Wax Machine’s entrancing flute work alongside Toma Sapir who locks down a groove on the kit that keeps Earthsong of Silence from floating into the ether.
The band’s laid down a couple of great EPs over the last couple of years, awash in the same smoke curls that surrounded Ivory, Fifty Foot Hose, and The United States of America — a distinctly more nuanced niche than most of their peers are filling. They pick up right where their last EP’s title track, “Mind Palace,” left them —growing into the mossy eiderdown of the English countryside, delightfully dosed and drenched in the sun that filters through the trees. The flutes, wandering guitars, and jazz touches come rising through the mists once again, but this time they’ve given the album an aura of mystique not quite present in their early offerings. Along with a guiding hand from Kikagaku Moyo’s Go Kurasawa behind the boards, they add a new dimension to their sound, further exploring both their English psych-folk roots and mining a deeper appreciation for a West Coast sound dipped in sun, peace and serenity. They add splashes of Serpent Power’s quieter moments to the languid grooves of “Sun Dance,” channel the mystic melancholy of Susan Christie on “Birdsong” and tap into the sunshower psych of Sapphire Thinkers and Sarofeen & Smoke on “Truth.” Their love of lush arrangements brings to mind The Millennium and The End in subconscious snatches. Wax Machine aren’t passing travelers on the path to psychedelic oblivion, they are full-fledged guides, so maybe take a few notes.
There’s a wealth of lost bands that outpaced their more high-profile brethren from the era of brotherly love, but fate and fortune lost them to time until a voracious reissue market snatched them back from the brink of obscurity. Wax Machine lives in the creases and cracks between these reinvigorated volumes, tripping easily among the children of the sun without ever feeling like tourists. They are kindred spirits, or perhaps the channeled chosen brought back to life for a new era. Their sound coalesces within Earthsong of Silence. They skirt the blade like full force psych-folk warriors, but also skitter through more OUT territory — clattering odysseys that resolve to map nowhere and everywhere are nestled next to propulsive grooves that lap at head-nodding ecstasy. As they slide into the second half of the album they infuse the turbulent “Turiya” with the spirit of Hapshash & The Coloured Coat if they’d been produced by Joe Byrd. Wax Machine are on both sides of the mirror, and with Earthsong of Silence they’re showing the rest of us the way through. The only question remains if you’ll follow them.")
