FPN – History & Culture Documentaries | Templo Coricancha | Mysterious Ancient Megalithic Site | Qorikancha | Cusco, Peru 🇵🇪 @Freedompressnews-Documentaries | Uploaded May 2022 | Updated October 2024, 57 minutes ago.
Qorikancha is an ancient megalithic temple in Cusco Peru,
In Inca times, Qorikancha (Quechua for 'Golden Courtyard') was literally covered with gold. The temple walls were lined with some 700 solid-gold sheets. The religious complex of Coricancha (Qorikancha) in the Inca capital at Cuzco contained the Temple of the Sun which was not only the most sacred site or huaca in the Inca religion but was considered the very center of the Inca world.
Originally named Intikancha or Intiwasi, t was dedicated to Inti, and is located at the former Inca capital of Cusco. Most of the temple was destroyed after the 16th-century war with the Spanish conquistadors, as settlers also took it apart to build their own churches and residences. Much of its stonework was used as the foundation for the seventeenth-century Santo Domingo Convent. It was built after the 1650 earthquake destroyed the first Dominican convent. To construct Coricancha, the Inca used ashlar masonry, building from the placement of similarly sized cuboid stones that they had cut and shaped for this purpose. The use of ashlar masonry made the temple much more difficult to construct, as the Inca did not use any stone with a slight imperfection or break. By choosing this masonry type, the Inca intentionally demonstrated the importance of the building through the extent of the labor necessary to build the structure. Through the arduous labor needed to construct buildings with ashlar masonry, this form of construction came to signify the Inca's imperial power to mobilize and direct local labor forces. The replication throughout Andean South America of Inca architectural techniques, such as those employed at Coricancha, expressed the extent of Inca control over a vast geographic region. Pachakutiq Inca Yupanqui rebuilt Cusco and the House of the Sun, enriching it with more oracles and edifices, and adding plates of fine gold. He provided vases of gold and silver for the Mama-cunas, nuns or cloistered women, to use in the veneration services. Finally, he took the bodies of the seven deceased Incas and adorned them with masks, head-dresses, medals, bracelets, and scepters of gold, placing them on a golden bench. The walls were once covered in sheets of gold, and the adjacent courtyard was filled with golden statues. Spanish reports tell of an opulence that was "fabulous beyond belief". When the Spanish in 1533 required the Inca to raise a ransom in gold for the life of their leader Atahualpa, most of the gold was collected from Coricancha. The Spanish colonists built the Convent of Santo Domingo on the site, demolishing the temple and using its foundations for the cathedral. They also used parts of the building for other churches and residences. Construction took most of a century. This is one of numerous sites where the Spanish incorporated Inca stonework into the structure of a colonial building. Major earthquakes severely damaged the church, but the Inca stone walls, built out of huge, tightly interlocking blocks of stone, still stand due to their sophisticated stone masonry.
Mystic Places, Magical Mystery Tour - Documentary Series 2012-2022
(Jonathan W. Alexander; Photography & Production) #cusco #Coricancha #peru #Enigmas
#megaliths
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Qorikancha is an ancient megalithic temple in Cusco Peru,
In Inca times, Qorikancha (Quechua for 'Golden Courtyard') was literally covered with gold. The temple walls were lined with some 700 solid-gold sheets. The religious complex of Coricancha (Qorikancha) in the Inca capital at Cuzco contained the Temple of the Sun which was not only the most sacred site or huaca in the Inca religion but was considered the very center of the Inca world.
Originally named Intikancha or Intiwasi, t was dedicated to Inti, and is located at the former Inca capital of Cusco. Most of the temple was destroyed after the 16th-century war with the Spanish conquistadors, as settlers also took it apart to build their own churches and residences. Much of its stonework was used as the foundation for the seventeenth-century Santo Domingo Convent. It was built after the 1650 earthquake destroyed the first Dominican convent. To construct Coricancha, the Inca used ashlar masonry, building from the placement of similarly sized cuboid stones that they had cut and shaped for this purpose. The use of ashlar masonry made the temple much more difficult to construct, as the Inca did not use any stone with a slight imperfection or break. By choosing this masonry type, the Inca intentionally demonstrated the importance of the building through the extent of the labor necessary to build the structure. Through the arduous labor needed to construct buildings with ashlar masonry, this form of construction came to signify the Inca's imperial power to mobilize and direct local labor forces. The replication throughout Andean South America of Inca architectural techniques, such as those employed at Coricancha, expressed the extent of Inca control over a vast geographic region. Pachakutiq Inca Yupanqui rebuilt Cusco and the House of the Sun, enriching it with more oracles and edifices, and adding plates of fine gold. He provided vases of gold and silver for the Mama-cunas, nuns or cloistered women, to use in the veneration services. Finally, he took the bodies of the seven deceased Incas and adorned them with masks, head-dresses, medals, bracelets, and scepters of gold, placing them on a golden bench. The walls were once covered in sheets of gold, and the adjacent courtyard was filled with golden statues. Spanish reports tell of an opulence that was "fabulous beyond belief". When the Spanish in 1533 required the Inca to raise a ransom in gold for the life of their leader Atahualpa, most of the gold was collected from Coricancha. The Spanish colonists built the Convent of Santo Domingo on the site, demolishing the temple and using its foundations for the cathedral. They also used parts of the building for other churches and residences. Construction took most of a century. This is one of numerous sites where the Spanish incorporated Inca stonework into the structure of a colonial building. Major earthquakes severely damaged the church, but the Inca stone walls, built out of huge, tightly interlocking blocks of stone, still stand due to their sophisticated stone masonry.
Mystic Places, Magical Mystery Tour - Documentary Series 2012-2022
(Jonathan W. Alexander; Photography & Production) #cusco #Coricancha #peru #Enigmas
#megaliths
WATCH MORE VIDEOS IN FULL PLAYLIST HERE- youtube.com/playlist?list=PLCgRVEVbkQbIq6ToAnwN326_bIfyAHZfg
Please remember to LIKE, SUBSCRIBE & SHARE!
Subscribe On YouTube:
youtube.com/channel/UCgP86FkihBQwYrNdnOZze1Q/?sub_confirmation=1
Donate with PayPal: paypal.com/donate?hosted_button_id=EJHB5JGT5BHSN
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All material appearing on the Mystic Places, Magical Mystery Tour website, Facebook/Meta pages, Tweets and Freedompressnews International YouTube Chanel (“content”) is protected by copyright under Copyright laws and is the property of Jonathan Wade Alexander or the party credited as the provider of the content. You may not copy, reproduce, distribute, publish, display, perform, modify, create derivative works, transmit, or in any way exploit any such content, nor may you distribute any part of this content over any network, including a local area network, sell or offer it for sale, or use such content to construct any kind of database. You may not alter or remove any watermark or copyright or other notice from copies of the content on 'Mystic Places, Magical Mystery Tour' or the Freedompressnews International websites. Copying or storing any content except as provided above is expressly prohibited without prior written permission of Jonathan Wade Alexander or the copyright holder identified in the individual content’s copyright notice. For permission to use the content of ´Mystic Places, Magical Mystery Tour´ or the Freedompressnews International websites, please contact freedompressnews@gmail.com
