Uploaded November 2023 | Updated September 2026, 1 day ago
Talia Goddess knows that taste is eternal. It’s something you’re born with, but also something you finesse. Brought up in Brooklyn, part of a huge Black Caribbean family (she’s got nine siblings), Talia was raised around barbecues, house parties, and makeshift sound systems. Uncovering the secrets of production, she was broadly self-taught - “YouTube university, for sure! I’m a fast learner” – before winning a scholarship to the prestigious LaGuardia High School. “It was such a culture shock,” she gasps. “Going from a Black Caribbean community to meet white, Asian, Latin people, all with their own skills. It helped me define myself in a much wider context.”
Blossoming, she took this inspiration and reinforced her DIY goals. Following the release of her debut EP she began to spend more time in London – short spells at first, before making the trans-Atlantic switch. There’s something about the eclecticism of the nightlife, the multi-faceted culture that feels welcoming. “I really like the DJ culture here,” she says. “It works as a stepping stone towards creative communities more generally. I feel like the attention to detail, and the ethos, is really potent here. There’s so much to engage with, especially for Black queer youth.”
With her second EP incoming, it’s clear that Talia Goddess is here to stay. An emphatic talent who matches complexity to immediacy, her DIY roots are mirrored by her colossal ambitions. “At the end of the day it all comes down to the music, and being able to move people,” she says. “Never stay in a box and keep things unpredictable.”
Talia Goddess knows that taste is eternal. It’s something you’re born with, but also something you finesse. Brought up in Brooklyn, part of a huge Black Caribbean family (she’s got nine siblings), Talia was raised around barbecues, house parties, and makeshift sound systems. Uncovering the secrets of production, she was broadly self-taught - “YouTube university, for sure! I’m a fast learner” – before winning a scholarship to the prestigious LaGuardia High School. “It was such a culture shock,” she gasps. “Going from a Black Caribbean community to meet white, Asian, Latin people, all with their own skills. It helped me define myself in a much wider context.”
Blossoming, she took this inspiration and reinforced her DIY goals. Following the release of her debut EP she began to spend more time in London – short spells at first, before making the trans-Atlantic switch. There’s something about the eclecticism of the nightlife, the multi-faceted culture that feels welcoming. “I really like the DJ culture here,” she says. “It works as a stepping stone towards creative communities more generally. I feel like the attention to detail, and the ethos, is really potent here. There’s so much to engage with, especially for Black queer youth.”
With her second EP incoming, it’s clear that Talia Goddess is here to stay. An emphatic talent who matches complexity to immediacy, her DIY roots are mirrored by her colossal ambitions. “At the end of the day it all comes down to the music, and being able to move people,” she says. “Never stay in a box and keep things unpredictable.”

![Mnelia | Next Wave 125
“For the average lover, heartbreak isn’t a stranger.” It’s with this sentiment that Mnelia created her latest EP, ‘Closure Tapes’, her “heartbreak bible.” While the record was born out of a period of intense pain and grief for the artist, her focus has always been on what the music would do for others; her own healing secondary. “When I decided to become vulnerable within my artistry, it was more of a choice for the people that were supporting me than for myself,” Mnelia explains. “My favourite artists are the sacrificial ones. They’re the ones that put it all in because they care more about what it’s doing for the world. There’s so much more reward in giving than there is in taking.”
Five years on from her first release, and three years since her single ‘Say Yeah’ put Mnelia on the map, ‘Closure Tapes’ arrives after a deeply reflective time. “It’s been a rollercoaster but everything’s happened exactly how it needed to,” Mnelia ruminates. She looks back fondly on her musical roadmap, cherishing the lessons she’s learned along the way.
The EP features a number of collaborations, from South London Drill artist Kwengface to American R&B dynamo, Jayla Darden. Closest to Mnelia’s heart, however, is a link up for the remix of ‘Genesis’ with three of her best friends, Miraa May, Joyce Wrice and Bellah. “The whole project is about personal experiences, so if I was to bring anybody in [for the remix], it’s going to be these girls, without a shadow of a doubt,” Mnelia says. “In my personal life, they’ve been my pillars of support, but it’s also such a privilege to have friends that do the same thing as you in terms of career.”
Read the full interview: https://www.clashmusic.com/next-wave/next-wave-1130-mnelia/ Mnelia | Next Wave 125](https://i.ytimg.com/vi/uQF1RDyhj9M/mqdefault.jpg)








