Uploaded March 2024 | Updated September 2026, 3 weeks ago
L.Torres
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Take a walk through a virtual pine garden in Unreal Engine 5! #UE5 #nature #hiking
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![I remade a Dragon Age Level in Unreal Engine 5: The Crow Fens Pt.2 in [UE5]](https://i.ytimg.com/vi/X80oR1u8k6g/mqdefault.jpg "I remade a Dragon Age Level in Unreal Engine 5: The Crow Fens Pt.2 in [UE5]
And we’re back! I haven’t touched this Dragon Age Inquisition in Unreal Engine 5 series in a while – so on we go for the new year! I thought it was nice to go back to the first cinematic I did for this and do a slightly different part – further back as you walk into Ghilannains Grove in the Exalted Plains.
A combination of Quixel Megascans assets, MAWI assets and personal modelling make up this scene.
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This is for my ‘Thedas Magic Mystery World Tour’ where I’m re-creating ... spiritual re-imaginings in the form of little cinematics from the game Dragon Age: Inquisition (originally Frostbite 3) in Unreal Engine 5! Mostly because it’s a more fun way of learning UE5 and getting the hang of the new features like Lumen and Nanite.
With everything I’ve learned using UE5 in the past … wow – seven months? Hard to believe the early access has only been out for less than a year – I’ve gone back and optimised the workflow – all the little tips and tricks that Unreal 5 brings to the table – including all the bugs and quirks of Nanite and Lumen!
Speaking of quirks - this is the early access build so there are definitely plenty of hurdles - like Lumen GI and reflections not fully supporting translucent materials - and RTX effects not playing very nice with Nanite - things that should be fixed with the final release ... All things considered though, its been really fun to get to play with such new technologies - cant wait for the full release!
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Please NOTE: I am not affiliated with Bioware in any way. This is a FANMADE cinematic tech DEMO inspired by Dragon Age Inquisition - it does not use any assets from the game itself, and as such, does not - and is not supposed to - match up one-to-one to the original.
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#UnrealEngine5 #UE5 #Lumen #Quixel #DragonAge")
![Cliffside Terrarium in UNREAL ENGINE 5 - Forest in A Bottle [UE5 Preview 2] Nanite, Lumen](https://i.ytimg.com/vi/XDU2yYbJc6Y/mqdefault.jpg "Cliffside Terrarium in UNREAL ENGINE 5 - Forest in A Bottle [UE5 Preview 2] Nanite, Lumen
A little indoor rain garden terrarium featuring a slice of cliffside, rendered in real-time using Unreal Engine 5 Preview 2, using Nanite for meshes and Lumen for global illumination.
If you enjoy my content and want to help support the channel, you can buy me a coffee! https://ko-fi.com/liontowers3d
So! First project I’ve done in the new Unreal Engine 5 Preview 2 – finally got my old projects imported and all the shaders compiled … This was done using Nanite and Lumen – and gotta say – vast improvements across the board – especially with foliage and translucent surfaces now being supported by Lumen! The new TSR AA is also very nice and crispy – compliments the high detail that Nanite brings to the table.
A combination of self modelled assets and Quixel Megascans, along with a re-done, higher resolution water sim using Blender dynamic paint vertex displacement, exported out as an alembic geometry cache. Scenes like this in particular are always useful as a test bench of sorts for new features – is very contained, but high detail so you can really test and fine-tune settings and try to push boundaries where you can!
Still a few kinks to be ironed out though – some bugs with the movie render queue for starters… but overall, it seems to be shaping up nicely for final release! If you liked this video, check out the rest of this series!
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#UnrealEngine5 #UE5 #Lumen #Nanite #Quixel")
![A Monument to Hushed Whispers: Museum Arch-Viz in Unreal Engine 5 [Nanite, Lumen]](https://i.ytimg.com/vi/Xhm6u39sP2I/mqdefault.jpg "A Monument to Hushed Whispers: Museum Arch-Viz in Unreal Engine 5 [Nanite, Lumen]
An interior arch-viz museum scene in Unreal Engine 5.
There was a very specific mood I was trying to capture with this piece which is hard to articulate: the sense of grandeur and awe in your chest when you walk into a cathedral; the stillness and hyperfocus of an empty museum; the way that even plain marble can come alive in the right lighting – hard to put into words – easier to show I suppose… hence … this.
This also doubled as an advanced test for Lumen – UE5’s real-time global illumination – this was all dynamic lighting – no bakes – utilising a combination of spotlights, area lights and emissive materials. Tricky to light a scene when its the GI that’s doing the heavy lifting – but Lumen handled it like a champ. Compositionally, chiaroscuro was the name of the game – it was fun to play around and find the most dramatic lighting possible for each statue to capture the story and the overall vibe of each piece.
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Lion Crushing a Serpent (https://skfb.ly/68s9T) by Rigsters is licensed under Creative Commons Attribution (http://creativecommons.org/licenses/by/4.0/).
Statue Panthere - Anspach fountain (https://skfb.ly/6xvKU) by Geoffrey Marchal is licensed under Creative Commons Attribution-NonCommercial (http://creativecommons.org/licenses/by-nc/4.0/).
Statue of Emperor Trajan (Tower Hill, London) (https://skfb.ly/6sUQO) by nate_siddle is licensed under Creative Commons Attribution-NonCommercial (http://creativecommons.org/licenses/by-nc/4.0/).
Albert Memorial Europe Statue (https://skfb.ly/6Z9uJ) by artfletch is licensed under Creative Commons Attribution (http://creativecommons.org/licenses/by/4.0/).
Tolerance Statue (https://skfb.ly/6ryZw) by 3dhdscan is licensed under Creative Commons Attribution (http://creativecommons.org/licenses/by/4.0/).")
![Mass Effect: Omega in UNREAL ENGINE 5! [UE5] [4K]](https://i.ytimg.com/vi/XzPK-DpoP1M/mqdefault.jpg "Mass Effect: Omega in UNREAL ENGINE 5! [UE5] [4K]
A small section from the lawless, hollowed-out asteroid city space station ‘Omega’ from Mass Effect, remade in Unreal Engine 5.0. This is a fully dynamically lit scene – no light bakes – using Nanite for the meshes and Lumen for reflections and global illumination.
This wasnt based off any specific scene from the game itself - rather the overall atmosphere of the cities on Omega - and it primarily serves as a chance to demo and showcase the latest, official stable version of UE5, given I was curious how the gameplay elements would handle a complex, fully dynamic world - and so far - it seems pretty solid with only minor hiccups!
At this point I dont think its been confirmed yet that Mass Effect 4 (5?) is going to be in UE5 - but ... maybe? Hopefully? Dont quote me on that.
A good chunk of assets I modelled and textured using Blender; other assorted supplementary set pieces came from Quixel Megascans, the Kitbash3D Neo Cities pack and Epic Games Marketplace content ‘Soul City’. Character from the Paragon pack ‘Lt. Belica’.
In terms of performance, this was running on an RTX 3060, with the gameplay section running at 60fps on the ‘High’ quality setting in native 1080p (upscaled to match the cinematics) and the cinematic sections were rendered out in the ‘Cinematic’ quality setting at native 4K (deferred rendering).
If you enjoyed this content and want to see more - please consider giving me a like and subscribe!
Please NOTE: I am not affiliated with Bioware in any way. This is a FANMADE cinematic tech DEMO inspired by Mass Effect- it is not a remaster - it does not use any assets from the game itself, and as such, does not - and is not supposed to - match up one-to-one to the original. And its definately not a publishable game!
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#UnrealEngine5 #MassEffect #UE5
0:00 Cinematic
1:22 Gameplay")
![Rain Garden in UNREAL ENGINE 5 | Forest in A Bottle [A UE5 Cinematic, Lumen, Nanite]](https://i.ytimg.com/vi/Yeld1YxYrDo/mqdefault.jpg "Rain Garden in UNREAL ENGINE 5 | Forest in A Bottle [A UE5 Cinematic, Lumen, Nanite]
A cinematic animation of a relaxing indoor rain garden terrarium, rendered in real-time using Unreal Engine 5. There’s just something about nature and the sound of falling water that’s so calming. This is more Japanese inspired - with the bamboo and the lanterns...
If you enjoy my content and want to help support the channel, you can buy me a coffee! https://ko-fi.com/liontowers3d
This is a rework of an old project, originally started in Blender Eevee as a test of what real-time rendering was capable of. Previous version here: https://youtu.be/zX9SpXj5nHk
But with the release of Unreal Engine 5 Early Access – the game changed. With Nanite and especially Lumen – UE5’s dynamic global illumination system – what previously would have been impossible even in UE4 – is now simply breathtakingly easy. Photorealism in realtime has never been quite this easy...
Even using Eevee – Blender’s internal real-time engine – (which is no slouch) I was getting a render time of around 4-5 mins per frame at a 2K resolution – with a single Nvidia 1060 Max-Q graphics card. With Unreal Engine 5, using far higher poly meshes and on the same card – it was averaging at around half-a-second to 1 second per frame – at 4K resolution with almost zero noise! It’s simply on another level. Believe the hype, people.
A combination of Blender modelled + textured meshes, Quixel Megascans and free online models were used – along with some photoscans from Ian Hubert’s pateron.
The water was done in Blender using dynamic paint and a particle system to create an animated displacement. This was then bought into UE5 using the Alembic geometry cache export and simulated within sequencer. This allowed for a relatively lightweight, stable and controllable water simulation that displaced over the rocks for a more realistic result – not just a flipbook animation here.
The rain was a simple Niagara particle system with a masked texture of a raindrop created in Blender and rendered with a cubemap of the scene – this allowed for cheaper reflections and less flickering with the fast moving objects.
All that said, this is still the Early Access – and there are plenty of bugs and issues that cropped up – most notably the flickering reflections and inconstancies with translucency with Lumen – something that should be fixed with the final release.
If you enjoyed this content and want to see more - please consider giving me a like and subscribe! It really helps my channel out!
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#UnrealEngine5 #UE5 #Lumen #Nanite #Blender")
![Two Years in Unreal Engine 5 | Realtime Environment Art Showreel [UE5] [2K]](https://i.ytimg.com/vi/ZbuRpdFeIuM/mqdefault.jpg "Two Years in Unreal Engine 5 | Realtime Environment Art Showreel [UE5] [2K]
I’ve just realised that it’s been over two years ago that I started this channel, just posting some short clips of personal work I’d been doing, playing around with the early access of Unreal Engine 5 – and now I’ve just hit over 24k subscribers, had a few videos do quite well and ended up actually using UE5 in my freelance work.
This channel has been instrumental in not just showcasing my work, but also helping me find clients for work (or helping clients find me!) And of course, for opening up a new avenue of artistic expression that I’ve thoroughly enjoyed learning about and using. The speed at which I can take something in my head and translate it into something other people can see has been incredibly gratifying.
I just want to thank everyone who watched my videos, liked or subscribed. It means a lot that you’re following along and I thank you for taking a few minutes out of your day to watch my work.
Again, I’d just like to say: thank you so much! And I’ll see you in the next one!
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Some of my favourite personal work, updated with some shots from the past few months! [As of November 2023] Rendered using a mix of Unreal Engine 5.0 – 5.3.1
Using a mix of third party models and custom assets modelled and textured in Blender. Nanite was used for all models and foliage; Lumen for global illumination and reflections. Some shots used an experimental workflow combining RTX translucency with Lumen reflections.
Some simulation work was done in Blender using FLIP and Geometry Nodes and bought into UE using alembic geometry cache.
All final-pixel shots were rendered real-time in-engine using the ‘Cinematic’ quality preset. No path tracer was used. All shots use the default Temporal Super Resolution for Anti-Aliasing.
Check out the rest of my channel for the full videos – and my ArtStation for more in-depth breakdowns and further details!
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#UE5 #UnrealEngine5 #Showreel")
