Uploaded December 2022 | Updated September 2026, 3 weeks ago
This lecture brings together the themes from the seminars via the prism of what is referred to as ‘Havana Syndrome’, or the alleged sonic attacks on the US Embassy in Havana, Cuba dating from 2016 onwards.
How did the uncertainty regarding these ‘health incidents’ accelerate speculation on the methods and causes of the so-called ‘attacks’ about inaudible vibration or unsound, and what does this teach us about the affective and epistemological dimensions of the sonic ecology of war.
About Steve Goodman
Steve Goodman, known as Kode9 (born 1973) is a Glasgow-born, London-based electronic music artist, DJ, and owner of the Hyperdub record label. An MC, The Spaceape, is a frequent collaborator.
Initially inspired by what he calls the “hardcore continuum”, he also draws on dub reggae, and was one of the founding members of the early dubstep scene (which he views as a continuation of developments originally stemming from UK Hardcore).
He appeared on the Grime compilation on Rephlex, and released two full-length albums: Memories of the Future and Black Sun (both featuring the Spaceape) on his own label Hyperdub.
Kode9 has a Ph.D. in philosophy from the University of Warwick and has published a book, Sonic Warfare: Sound, Affect, and the Ecology of Fear.
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This lecture brings together the themes from the seminars via the prism of what is referred to as ‘Havana Syndrome’, or the alleged sonic attacks on the US Embassy in Havana, Cuba dating from 2016 onwards.
How did the uncertainty regarding these ‘health incidents’ accelerate speculation on the methods and causes of the so-called ‘attacks’ about inaudible vibration or unsound, and what does this teach us about the affective and epistemological dimensions of the sonic ecology of war.
About Steve Goodman
Steve Goodman, known as Kode9 (born 1973) is a Glasgow-born, London-based electronic music artist, DJ, and owner of the Hyperdub record label. An MC, The Spaceape, is a frequent collaborator.
Initially inspired by what he calls the “hardcore continuum”, he also draws on dub reggae, and was one of the founding members of the early dubstep scene (which he views as a continuation of developments originally stemming from UK Hardcore).
He appeared on the Grime compilation on Rephlex, and released two full-length albums: Memories of the Future and Black Sun (both featuring the Spaceape) on his own label Hyperdub.
Kode9 has a Ph.D. in philosophy from the University of Warwick and has published a book, Sonic Warfare: Sound, Affect, and the Ecology of Fear.
Stay connected: icamia.org/subscribe
Plan your visit: icamia.org/visit
Watch more on ICA Channel: icamia.org/channel
Membership means more at ICA Miami. Join today for expanded access to a world of innovative art and ideas: icamia.org/support
#icamiami

![The Paintings of Donald Judd
“Not too much should be read into some kind of narrative because [Donald Judd] was trying to escape the narrative to begin with.” Curator and writer Flavin Judd ruminates on the significance of paintings made by his internationally renowned sculptor father. This video is presented on the occasion of “Donald Judd: Paintings” at ICA Miami, the first museum exhibition dedicated to 14 rarely exhibited paintings created by Judd from 1959 to 1961.
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Plan your visit: https://icamia.org/visit
Watch more on ICA Channel: https://icamia.org/channel
Membership means more at ICA Miami. Join today for expanded access to a world of innovative art and ideas: https://icamia.org/support
#icamiami #donaldjudd #donaldjuddpaintings #painting #contemporaryart #juddfoundation #flavinjudd #sculpture #artmuseum #marfa The Paintings of Donald Judd](https://i.ytimg.com/vi/Ds0hn_HRoKM/mqdefault.jpg)








