Uploaded March 2026 | Updated September 2026, 2 weeks ago
Examine three embroidered badges from China’s Qing dynasty (1644–1912) with us. We go over what various details symbolize, from the wearer’s rank to references to cosmic order. Plus, we get up close to admire the detailed stitching techniques and unique materials, such as threads with gold foil and peacock feather filaments.
Pair of Leopard Rank Badges for Third-rank Military Official (for front and back of coat), late 17th–early 18th century (Qing dynasty, China), silk, gold, peacock feather, 27.9 x 29.8 cm (gift of Shirley Z. Johnson, National Museum of Asian Art, Smithsonian Institution, Washington, D.C., F2022.1.11.1-2) and Crane Badge for First-rank Civil Official, c. 1680 (Qing dynasty, China), silk, gold, peacock feathers, 34.9 x 31.1 cm (gift of Shirley Z. Johnson, National Museum of Asian Art, Smithsonian Institution, Washington, D.C., F2022.1.21). Speakers: Jan Stuart, Melvin R. Seiden Curator of Chinese Art, National Museum of Asian Art, Smithsonian Institution, and Beth Harris, Smarthistory
Examine three embroidered badges from China’s Qing dynasty (1644–1912) with us. We go over what various details symbolize, from the wearer’s rank to references to cosmic order. Plus, we get up close to admire the detailed stitching techniques and unique materials, such as threads with gold foil and peacock feather filaments.
Pair of Leopard Rank Badges for Third-rank Military Official (for front and back of coat), late 17th–early 18th century (Qing dynasty, China), silk, gold, peacock feather, 27.9 x 29.8 cm (gift of Shirley Z. Johnson, National Museum of Asian Art, Smithsonian Institution, Washington, D.C., F2022.1.11.1-2) and Crane Badge for First-rank Civil Official, c. 1680 (Qing dynasty, China), silk, gold, peacock feathers, 34.9 x 31.1 cm (gift of Shirley Z. Johnson, National Museum of Asian Art, Smithsonian Institution, Washington, D.C., F2022.1.21). Speakers: Jan Stuart, Melvin R. Seiden Curator of Chinese Art, National Museum of Asian Art, Smithsonian Institution, and Beth Harris, Smarthistory
