Uploaded August 2025 | Updated September 2026, 1 week ago
🎛️ The Thursday Mixdown – Weekly Live Mixing Sessions
📅 Live Every Thursday ⏰ 8 PM CET on this YouTube channel
🎧 Focus: Real-world mixing, session breakdowns, honest plug-in use
Welcome to The Thursday Mixdown – a weekly live stream where I mix real music from real artists and students, in real time.
Every Thursday at 8 PM CET, I dive into mixing and music production: session workflow, technical decisions, plug-in experimentation, and how to make tracks translate, emotionally and sonically.
This isn't about chasing the newest plug-in for clicks – it's about honest, transparent mixing using tools that serve the music. Sometimes that means trying out new software; sometimes it means pulling out tried-and-true gear and showing why it still works.
Whether you're a producer, engineer, student, or just curious about how records are made, you're welcome here.
👥 Community:
I often work with multi-tracks provided by students, independent artists, and collaborators. If you'd like to submit your music for a future episode, feel free to reach out via my Patreon or socials.
🧰 Tools & Plugins:
When I feature a new plug-in during the stream, it's always in the context of a real mix, not just a demo reel. Sponsors are not involved in the final judgment. I show what works, what doesn't, and what I honestly think. Views are my own.
🎸 Credits:
There's No Going Back (2022, Subscotia Records)
Composed by Drew Patrick Campbell
Produced by Drew Patrick Campbell @ Subscotia Sound, NL
Grant Tuffs - Vocals, Drew Campbell - All instruments, Lisa Ann Swain - Lyrics
👉 https://push.fm/fl/ihbbefxh
👉 subscotia.net/sleepsunderbeams
❤️ Support:
👉 My Patreon: patreon.com/arizzoschettino
👉 My PayPal Donation Link: paypal.com/donate/?hosted_button_id=RBZZT9P9RX9HQ
📜 I am a composer, pianist/keyboardist, and music producer. After running a recording studio for over 15 years, I have gone back to writing original music, mostly for video games and TV, with some of my compositions getting licensed by companies like Netflix, Fox News, Ubisoft, and Audi. I am passionate about knowledge sharing and education, and I have been running this music education project online since 2020.
💫 Follow:
👉 Bandcamp: albertorizzoschettino.bandcamp.com
👉 Spotify: bit.ly/46DBNoY
👉 Twitter/X: https://x.com/arizzoschettino
👉 Mastodon: corteximplant.com/@arizzoschettino
👉 Instagram: instagram.com/arizzoschettino
👨🚀 About:
👉 Web: albertorizzoschettino.net
👉 Links: lnk.to/arizzoschettino
🤖 Hashtags:
#musician #composer #producer #piano #synth #synthesizer #gameaudio #gamedev #gamemusic #filmmusic #originalsoundtrack #soundtrack #scifi #dystopian #cyberpunk #postapocalyptic #postrock #breakbeat #world #electronica #ambient
🎛️ The Thursday Mixdown – Weekly Live Mixing Sessions
📅 Live Every Thursday ⏰ 8 PM CET on this YouTube channel
🎧 Focus: Real-world mixing, session breakdowns, honest plug-in use
Welcome to The Thursday Mixdown – a weekly live stream where I mix real music from real artists and students, in real time.
Every Thursday at 8 PM CET, I dive into mixing and music production: session workflow, technical decisions, plug-in experimentation, and how to make tracks translate, emotionally and sonically.
This isn't about chasing the newest plug-in for clicks – it's about honest, transparent mixing using tools that serve the music. Sometimes that means trying out new software; sometimes it means pulling out tried-and-true gear and showing why it still works.
Whether you're a producer, engineer, student, or just curious about how records are made, you're welcome here.
👥 Community:
I often work with multi-tracks provided by students, independent artists, and collaborators. If you'd like to submit your music for a future episode, feel free to reach out via my Patreon or socials.
🧰 Tools & Plugins:
When I feature a new plug-in during the stream, it's always in the context of a real mix, not just a demo reel. Sponsors are not involved in the final judgment. I show what works, what doesn't, and what I honestly think. Views are my own.
🎸 Credits:
There's No Going Back (2022, Subscotia Records)
Composed by Drew Patrick Campbell
Produced by Drew Patrick Campbell @ Subscotia Sound, NL
Grant Tuffs - Vocals, Drew Campbell - All instruments, Lisa Ann Swain - Lyrics
👉 https://push.fm/fl/ihbbefxh
👉 subscotia.net/sleepsunderbeams
❤️ Support:
👉 My Patreon: patreon.com/arizzoschettino
👉 My PayPal Donation Link: paypal.com/donate/?hosted_button_id=RBZZT9P9RX9HQ
📜 I am a composer, pianist/keyboardist, and music producer. After running a recording studio for over 15 years, I have gone back to writing original music, mostly for video games and TV, with some of my compositions getting licensed by companies like Netflix, Fox News, Ubisoft, and Audi. I am passionate about knowledge sharing and education, and I have been running this music education project online since 2020.
💫 Follow:
👉 Bandcamp: albertorizzoschettino.bandcamp.com
👉 Spotify: bit.ly/46DBNoY
👉 Twitter/X: https://x.com/arizzoschettino
👉 Mastodon: corteximplant.com/@arizzoschettino
👉 Instagram: instagram.com/arizzoschettino
👨🚀 About:
👉 Web: albertorizzoschettino.net
👉 Links: lnk.to/arizzoschettino
🤖 Hashtags:
#musician #composer #producer #piano #synth #synthesizer #gameaudio #gamedev #gamemusic #filmmusic #originalsoundtrack #soundtrack #scifi #dystopian #cyberpunk #postapocalyptic #postrock #breakbeat #world #electronica #ambient
![Like its Call of Duty, with a KORG SQ-64 – Modular Mondays [EP. 08]](https://i.ytimg.com/vi/HeFRFb2LqVc/mqdefault.jpg "Like its Call of Duty, with a KORG SQ-64 – Modular Mondays [EP. 08]
🎛️ Modular Mondays: Worlds in Sound — Music for Imaginary Video Games
📆 Every Monday ⏰ 8 PM CET on this YouTube channel
🎧 Focus: We make music for games and film, with modular synthesizers
Each week, I’ll create music for an imaginary video game, using a visual prompt, narrative idea, or cue. The entire soundtrack will be built live using modular synthesizers — software, hardware, or both. The only core principles are: improvisation and sonic storytelling.
🌀 We’ll explore modular synthesis together
🎚️ Test out software & hardware modules
🧠 Dive into my creative process as a composer
✨ Blend ambient, electronica, techno, cinematic, acid, post-rock, breakbeat, and more
The music we record will evolve into a digital album, available on Bandcamp and as exclusive content for my Patreon, including loops, stems, and samples.
🎮 Indie game devs: you’re welcome to use the tracks in your projects — get in touch!
Whether you’re a synth nerd, game composer, ambient music fan, or just want to unwind and get inspired, I have a seat for you on the spaceship to join me on this journey.
❤️ Support:
👉 My Patreon: https://patreon.com/arizzoschettino
👉 My PayPal Donation Link: https://www.paypal.com/donate/?hosted_button_id=RBZZT9P9RX9HQ
💫 Follow:
👉 Bandcamp: https://albertorizzoschettino.bandcamp.com
👉 Spotify: https://bit.ly/46DBNoY
👉 Twitter/X: https://x.com/arizzoschettino
👉 Mastodon: https://corteximplant.com/@arizzoschettino
👉 Instagram: https://instagram.com/arizzoschettino
👨🚀 About:
👉 Web: https://www.albertorizzoschettino.net
👉 Links: https://lnk.to/arizzoschettino
📜 I am a composer, pianist/keyboardist, and music producer. After running a recording studio for over 15 years, I have gone back to writing original music, mostly for video games and TV, with some of my compositions getting licensed by companies like Netflix, Fox News, Ubisoft, and Audi. I am passionate about knowledge sharing and education, and I have been running this music education project, online, since 2020.
🤖 Hashtags:
#musician #composer #producer #piano #synth #synthesizer #gameaudio #gamedev #gamemusic #filmmusic #originalsoundtrack #soundtrack #scifi #dystopian #cyberpunk #postapocalyptic #postrock #breakbeat #world #electronica #ambient")
