Uploaded May 2026 | Updated September 2026, 2 weeks ago
This suppose to be my alternate take because I got in it and started going for fancy fills. I thought I flubbed the first fill so I just let go the rest of the song and played as many fills and licks as I could think of and it was cool, but maybe over the top. But sometimes “over the top” is very cool and as I listened to this one the next day, I realized this was in the pocket and very cool to me. So I’m choosing to let you see me having fun with classic simple groove song! I have other subdued takes, but this one stood out! Enjoy!
“Son of a Preacher Man" is a song written and composed by American songwriters John Hurley and Ronnie Wilkins and recorded by British singer Dusty Springfield in September 1968 for the album Dusty in Memphis.
Springfield's version was produced by Jerry Wexler, Tom Dowd, and Arif Mardin for her first album for the Atlantic Records label. The single, released in late 1968 and credited as "Son-of-a Preacher Man" on UK, US and other releases, became an international hit, reaching No. 9 in the UK singles chart and No. 10 on Billboard's Hot 100 in January 1969. The album Dusty in Memphis was released in stereo, though its singles were remixed and released in mono.
"Son of a Preacher Man" was Springfield's last Top 30 hit until 1987, when her collaboration with UK synthpop duo the Pet Shop Boys yielded the huge hit "What Have I Done to Deserve This?". "Son of a Preacher Man" found a new audience when it was included on the soundtrack of Quentin Tarantino's 1994 film Pulp Fiction; a re-release of the single reached number one in Iceland in 1995.
Origins
In 1968, songwriters John Hurley and Ronnie Wilkins (who had recently had a hit with "Love of the Common People") wrote the song with Aretha Franklin in mind, according to a 2009 interview with Wilkins. Atlantic Records producer and co-owner Jerry Wexler, who was recording Dusty Springfield's first Atlantic album in Memphis at the time, liked the song and suggested it to Springfield for the Dusty in Memphis album.
Following Springfield's top-10 single release, the song was recorded in 1969 by Franklin for her This Girl's in Love with You album. Franklin's version also appeared as the B-side of her hit single "Call Me". Franklin's older sister Erma Franklin also recorded the song and included it on her 1969 Brunswick album Soul Sister.
Cash Box said that Springfield "shows a new soul" and that the song is "brim-full of the special southern-combo sound and a vocal strongly influenced by Aretha [Franklin]."
The writers of Rolling Stone magazine placed Dusty Springfield's recording at number 77 among "The 100 Best Singles of the Last 25 Years" in 1987. The record was placed at number 43 among the "Greatest Singles of All Time" by the writers of New Musical Express in 2002, and in 2004, the song was on the Rolling Stone list of "The 500 Greatest Songs of All Time".[5]
In 1994, the song was featured in a scene of the film Pulp Fiction.[6] "Son of a Preacher Man" helped to sell more than two million units of the film's soundtrack and to help it reach number six on the charts, according to SoundScan. Quentin Tarantino has been quoted, on the "Collectors Edition" DVD of Pulp Fiction, as saying that he probably would not have filmed the scene in which the song is featured had he not been able to use it.
In 2001, Emma Wilkinson's UK television performance of "Son of a Preacher Man" won the Grand Final of the talent show Stars in Their Eyes garnering the most votes from 15 million television viewers.
Samples from "Son of a Preacher Man" were used on Cypress Hill's "Hits from the Bong" on their album Black Sunday. The song is also featured in the 2016 video game Mafia III.
Gretsch - 14x20, 8x12, 10x14, 16x16
Ludwig Black Beauty - 6.5x14
Zildjian 14" Armand Hi Hats
Paiste - 12" 2002 Splash, 16" 2002 Thin Crash (2), 24" Giant Beat, 18" Giant Beat, 18" PSTX.Medium
Avenir WackStack Alloy Clap Effect Cymbal Stack 11/13/15
Logic Pro X
Focusrite 18i20
Behringer ADA 8200
Seventh Circle Audio Preamps (J-99 (2), N-72, A-12)
Now available Earldrum's Spring Store
https://my-store-d51346.creator-sprin...
Please check out my series on how to make a drum cover in this playlist
• How I Make A Drum Cover (Series)
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.
No Copyright Infringement Intended. All copyrighted material remains the property of the respective copyright owner(s).
This suppose to be my alternate take because I got in it and started going for fancy fills. I thought I flubbed the first fill so I just let go the rest of the song and played as many fills and licks as I could think of and it was cool, but maybe over the top. But sometimes “over the top” is very cool and as I listened to this one the next day, I realized this was in the pocket and very cool to me. So I’m choosing to let you see me having fun with classic simple groove song! I have other subdued takes, but this one stood out! Enjoy!
“Son of a Preacher Man" is a song written and composed by American songwriters John Hurley and Ronnie Wilkins and recorded by British singer Dusty Springfield in September 1968 for the album Dusty in Memphis.
Springfield's version was produced by Jerry Wexler, Tom Dowd, and Arif Mardin for her first album for the Atlantic Records label. The single, released in late 1968 and credited as "Son-of-a Preacher Man" on UK, US and other releases, became an international hit, reaching No. 9 in the UK singles chart and No. 10 on Billboard's Hot 100 in January 1969. The album Dusty in Memphis was released in stereo, though its singles were remixed and released in mono.
"Son of a Preacher Man" was Springfield's last Top 30 hit until 1987, when her collaboration with UK synthpop duo the Pet Shop Boys yielded the huge hit "What Have I Done to Deserve This?". "Son of a Preacher Man" found a new audience when it was included on the soundtrack of Quentin Tarantino's 1994 film Pulp Fiction; a re-release of the single reached number one in Iceland in 1995.
Origins
In 1968, songwriters John Hurley and Ronnie Wilkins (who had recently had a hit with "Love of the Common People") wrote the song with Aretha Franklin in mind, according to a 2009 interview with Wilkins. Atlantic Records producer and co-owner Jerry Wexler, who was recording Dusty Springfield's first Atlantic album in Memphis at the time, liked the song and suggested it to Springfield for the Dusty in Memphis album.
Following Springfield's top-10 single release, the song was recorded in 1969 by Franklin for her This Girl's in Love with You album. Franklin's version also appeared as the B-side of her hit single "Call Me". Franklin's older sister Erma Franklin also recorded the song and included it on her 1969 Brunswick album Soul Sister.
Cash Box said that Springfield "shows a new soul" and that the song is "brim-full of the special southern-combo sound and a vocal strongly influenced by Aretha [Franklin]."
The writers of Rolling Stone magazine placed Dusty Springfield's recording at number 77 among "The 100 Best Singles of the Last 25 Years" in 1987. The record was placed at number 43 among the "Greatest Singles of All Time" by the writers of New Musical Express in 2002, and in 2004, the song was on the Rolling Stone list of "The 500 Greatest Songs of All Time".[5]
In 1994, the song was featured in a scene of the film Pulp Fiction.[6] "Son of a Preacher Man" helped to sell more than two million units of the film's soundtrack and to help it reach number six on the charts, according to SoundScan. Quentin Tarantino has been quoted, on the "Collectors Edition" DVD of Pulp Fiction, as saying that he probably would not have filmed the scene in which the song is featured had he not been able to use it.
In 2001, Emma Wilkinson's UK television performance of "Son of a Preacher Man" won the Grand Final of the talent show Stars in Their Eyes garnering the most votes from 15 million television viewers.
Samples from "Son of a Preacher Man" were used on Cypress Hill's "Hits from the Bong" on their album Black Sunday. The song is also featured in the 2016 video game Mafia III.
Gretsch - 14x20, 8x12, 10x14, 16x16
Ludwig Black Beauty - 6.5x14
Zildjian 14" Armand Hi Hats
Paiste - 12" 2002 Splash, 16" 2002 Thin Crash (2), 24" Giant Beat, 18" Giant Beat, 18" PSTX.Medium
Avenir WackStack Alloy Clap Effect Cymbal Stack 11/13/15
Logic Pro X
Focusrite 18i20
Behringer ADA 8200
Seventh Circle Audio Preamps (J-99 (2), N-72, A-12)
Now available Earldrum's Spring Store
https://my-store-d51346.creator-sprin...
Please check out my series on how to make a drum cover in this playlist
• How I Make A Drum Cover (Series)
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.
No Copyright Infringement Intended. All copyrighted material remains the property of the respective copyright owner(s).




![Girls Just Want to Have Fun - Cyndi Lauper (Drum Cover) (AKA, Earl Just Wants to Have Fun)
I saw my friend @waltonbrownlostambores playing a great Latin inspired shirt of this song and thought it might be fun to let this one go today. I also thought about calling this “Earl Just Wants To Have Fun” 😂😂😂😂 Anyhow, enjoy the Simmons drums!
“Girls Just Want to Have Fun is a single written in 1979 by Robert Hazard and made famous in 1983 by the American singer-songwriter Cyndi Lauper, who changed some of the lyrics. It was released by Portrait Records as Laupers debut single from her first solo album, Shes So Unusual (1983), which was released four days earlier. Laupers version gained recognition as a feminist anthem and was promoted by an MTV Video Music Award–winning music video directed by Edd Griles. It has been covered by more than 30 other artists.
The single was Laupers breakthrough hit, reaching No. 2 on the US Billboard Hot 100 chart and becoming a worldwide hit throughout late 1983 and early 1984. It is considered one of Laupers signature songs and was a popular song during the 1980s.
The lists Rolling Stone and MTV: 100 Greatest Pop Songs: 1–50, Rolling Stone: The 100 Top Music Videos and VH1: 100 Greatest Videos ranked the song at No. 22, No. 39 and No. 45, respectively.[9][10][11] The song received Grammy nominations for Record of the Year and Best Female Pop Vocal Performance at the 27th Annual Grammy Awards.
Lauper released a new version, Hey Now (Girls Just Want to Have Fun), as the first single from her 1994 compilation album Twelve Deadly Cyns...and Then Some. It reached the top 10 in several countries. In 2013, Girls Just Want to Have Fun was remixed by Yolanda Be Cool for the 30th-anniversary reissue of Shes So Unusual.
The song was written in 1979 by rock musician Robert Hazard, who performed it with various bands in the Philadelphia area, and enjoyed some local college radio airplay with a demo recording he made. Hazard wrote it as a rock song coming from the male perspective. Hazards friend, producer Rick Chertoff, brought it to Cyndi Lauper to record as a pop-electronic song. Lauper flipped the script and made it carry a feminist attitude by subtly changing some of the lyrics at the suggestion of Chertoff, and she had her own suggestions about how her version should sound. For the recording sessions, Chertoff brought in two longtime musician friends from the Hooters: keyboardist Rob Hyman and guitarist Eric Bazilian. Lauper later said that the Hooters were my band before I had a band. The song appeared on Laupers 1983 debut record Shes So Unusual.
The track is a synthesizer-backed anthem, from a feminist perspective, conveying the point that all women really want is to have the same experiences that men can have. Gillian G. Gaar, author of Shes a Rebel: The History of Women in Rock & Roll (2002), described the single and corresponding video as a strong feminist statement, an anthem of female solidarity and a playful romp celebrating female camaraderie. The song is in the key of F♯ major.
The songs success overshadowed Hazards own music career. His 1984 album Wing of Fire was a sales disappointment at the same time that Laupers version of Girls Just Want to Have Fun was going Gold, making him a millionaire. After Lauper claimed in interviews to have co-written the song, Hazard served her with a cease and desist letter. He was able to buy a New Jersey lake house and a horse farm from the songs royalties, although he said that federal taxes took most of the money.
Now available Earldrums Spring Store
https://my-store-d51346.creator-spring.com/
Basic Equipment:
Gretsch - 14x22
Ludwig Black Beauty - 6.5x14 Snare Drum
Simmons Drum Pads
SPDSX Sample Pad for SDS V Samples
Paiste - 14 505 Medium Bottom/2000 Regular SE Bottom HH, 16” 2002 crash, 20 Giant Beat, 22 2002 Big Beat, 18 Giant Beat Thin, 18 2002 China
Logic Pro X
Focusrite 18i20 Interface
Please check me out on Instagram @earldrum
Please check out my series on how to make a drum cover in this playlist https://youtube.com/playlist?list=PLGfPcwZGZAaWPBcf94n4py0UWD-RyyF2o
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.
No Copyright Infringement Intended. All copyrighted material remains the property of the respective copyright owner(s). Girls Just Want to Have Fun - Cyndi Lauper (Drum Cover) (AKA, Earl Just Wants to Have Fun)](https://i.ytimg.com/vi/zqIiEkKVBhQ/mqdefault.jpg)