Uploaded November 2008 | Updated September 2026, 2 weeks ago
First obligatory 'boss' stage. Playing on different character than I usually do here. On this stage it's suggestable to take the longer route. As long as you keep moving you shouldn't really run out of time but on many runs I've ran out of time while fighting the boss and it can be really a pain in the ass having to deal with the extra spawn.
I don't do much graze leveling anymore on this stage because it's not worth it anymore and it's better just to get to next stage with full health than risking your butt for few extra levels. As for this character she's pretty good at taking boss monsters down fast specially with the secondary attack but in general the turret lollipop girl is better, mostly because you can abuse shooting through walls levelling on her. In the end I go searching around if I can find something new since I had extra time so it was really nothing intelligent.
I had trouble with the audio while recording this so I added external audio, I hope it's still watchable.
First obligatory 'boss' stage. Playing on different character than I usually do here. On this stage it's suggestable to take the longer route. As long as you keep moving you shouldn't really run out of time but on many runs I've ran out of time while fighting the boss and it can be really a pain in the ass having to deal with the extra spawn.
I don't do much graze leveling anymore on this stage because it's not worth it anymore and it's better just to get to next stage with full health than risking your butt for few extra levels. As for this character she's pretty good at taking boss monsters down fast specially with the secondary attack but in general the turret lollipop girl is better, mostly because you can abuse shooting through walls levelling on her. In the end I go searching around if I can find something new since I had extra time so it was really nothing intelligent.
I had trouble with the audio while recording this so I added external audio, I hope it's still watchable.
