Today, July 1, on his birthday, Sufjan Stevens is releasing two alternate versions of his song, “Fourth of July” via Asthmatic Kitty Records.
The new versions are “Fourth of July (April Base Version)”, recorded in Eau Claire, WI at Justin Vernon’s April Base studio, and “Fourth of July (DUMBO Version)”, recorded in Sufjan’s old studio in Brooklyn, NY.
The original version of “Fourth of July” appeared on Sufjan’s album, Carrie & Lowell — a deeply personal album written to process his sorrow after the death of his mother, Carrie. Sufjan would work and rework, and record and re-record, trying to manage the grief. The refrain of the song, “We’re all gonna die,” became an anchor in each version he recorded. At the time of its release and when Sufjan would perform the song live on tour, this lyric and fact of life seemed to shock listeners. Yet its solemnity invited them to feel comfort, connection — even joy — wrought from great pain.
The song has recently had a resurgence with listeners — which may speak to a deep national grief and a yearning to heal. As we head into this Fourth of July weekend — a U.S. holiday marked by war (and death) — it seems the exact correct time to be sharing them.
A limited run physical 7" in red will be released in December 2022, which marks the 10-year anniversary of Carrie’s death.
***
Lyrics: The evil it spread like a fever ahead It was night when you died, my firefly What could I have said to raise you from the dead? Oh could I be the sky on the fourth of July?
“Well you do enough talk My little hawk, why do you cry? Tell me what did you learn from the Tillamook burn? Or the Fourth of July? We’re all gonna die.”
Sitting at the bed with the halo at your head Was it all a disguise, like Junior High Where everything was fiction, future, and prediction Now where am I? My fading supply
“Did you get enough love, my little dove Why do you cry? And I’m sorry I left, but it was for the best Though it never felt right My little Versailles.”
The hospital asked should the body be cast Before I say goodbye, my star in the sky Such a funny thought to wrap you up in cloth Do you find it all right, my dragonfly?
“Shall we look at the moon, my little loon Why do you cry? Make the most of your life, while it is rife While it is light
Well you do enough talk My little hawk, why do you cry? Tell me what did you learn from the Tillamook burn? Or the Fourth of July? We’re all gonna die.”
Today, July 1, on his birthday, Sufjan Stevens is releasing two alternate versions of his song, “Fourth of July” via Asthmatic Kitty Records.
The new versions are “Fourth of July (April Base Version)”, recorded in Eau Claire, WI at Justin Vernon’s April Base studio, and “Fourth of July (DUMBO Version)”, recorded in Sufjan’s old studio in Brooklyn, NY.
The original version of “Fourth of July” appeared on Sufjan’s album, Carrie & Lowell — a deeply personal album written to process his sorrow after the death of his mother, Carrie. Sufjan would work and rework, and record and re-record, trying to manage the grief. The refrain of the song, “We’re all gonna die,” became an anchor in each version he recorded. At the time of its release and when Sufjan would perform the song live on tour, this lyric and fact of life seemed to shock listeners. Yet its solemnity invited them to feel comfort, connection — even joy — wrought from great pain.
The song has recently had a resurgence with listeners — which may speak to a deep national grief and a yearning to heal. As we head into this Fourth of July weekend — a U.S. holiday marked by war (and death) — it seems the exact correct time to be sharing them.
A limited run physical 7" in red will be released in December 2022, which marks the 10-year anniversary of Carrie’s death.
***
Lyrics: The evil it spread like a fever ahead It was night when you died, my firefly What could I have said to raise you from the dead? Oh could I be the sky on the fourth of July?
“Well you do enough talk My little hawk, why do you cry? Tell me what did you learn from the Tillamook burn? Or the Fourth of July? We’re all gonna die.”
Sitting at the bed with the halo at your head Was it all a disguise, like Junior High Where everything was fiction, future, and prediction Now where am I? My fading supply
“Did you get enough love, my little dove Why do you cry? And I’m sorry I left, but it was for the best Though it never felt right My little Versailles.”
The hospital asked should the body be cast Before I say goodbye, my star in the sky Such a funny thought to wrap you up in cloth Do you find it all right, my dragonfly?
“Shall we look at the moon, my little loon Why do you cry? Make the most of your life, while it is rife While it is light
Well you do enough talk My little hawk, why do you cry? Tell me what did you learn from the Tillamook burn? Or the Fourth of July? We’re all gonna die.”APD SufjanStevens Silver&Gold CDBox VerticalSufjan Stevens2024-09-05 | Asthmatic Kitty Records announced the repressing of Sufjan Stevens’ Silver & Gold: Songs for Christmas, Vols. 6-10 LP box set. This collection compiles five EPs (6LPs) recorded between 2006 and 2010 and is available now for pre-order on vinyl for the first time since its original 2012 release.Sufjan Stevens - To Be Alone With You (Official Audio)Sufjan Stevens2024-06-21 | "To Be Alone With You" from Sufjan Stevens' ‘Seven Swans,' originally released on March 16, 2004.
~Video Credits~ Lyric Video by Rena Johnson Featuring artwork drawn by Marzuki Stevens & animated by Stephen Halker with calligraphy by Laura Normandin
~Lyrics~ I’d swim across Lake Michigan I’d sell my shoes I’d give my body to back again In the rest of room To be alone with you
You gave your body to the lonely They took your clothes You gave up a wife and family You gave your ghost To be alone with me To be alone with me You went up on a tree I’ve never met a man who loved meSufjan Stevens - The Dress Looks Nice on You (Official Audio)Sufjan Stevens2024-06-21 | "The Dress Looks Nice on You" from Sufjan Stevens' ‘Seven Swans,' originally released on March 16, 2004.
~Video Credits~ Lyric Video by Rena Johnson Featuring artwork drawn by Marzuki Stevens & animated by Stephen Halker with calligraphy by Laura Normandin
~Lyrics~ I can see a lot of life in you I can see a lot of bright in you And I think the dress looks nice on you I can see a lot of life in you
I can see a bed and make it too I can see a fireside turn blue And I can see the lot of life in Yes I can see a lot of life in you
When the world looks back When the face looks after that I can see a lot of life in you I can see a lot of life in you
I can see a lot of life in you I can see a bed and make it too And I think the dress looks nice on you Yes I can see a lot of life in youThe Official 2023 Sufjan Yule Log (All of Sufjans Christmas music)Sufjan Stevens2023-12-01 | Buy or listen to “Songs for Christmas” and “Silver & Gold” here. You can also check out a collection of Sufjan Christmas themed playlists: xmas.sufjan.com
Filmed & Edited by Brian Paccione Art Director - Jess Magee
Special Thanks To Charlie Bee Antiques, Accord NY, Amy Fritch, & Steph Edwards.
Track listing:
Noel: Songs for Christmas, Vol. I 00:00 1. Silent Night 00:43 2. O Come, O Come Emmanuel 04:43 3. We're Goin' to the Country! 07:00 4. Lo! How a Rose E'er Blooming 10:24 5. It's Christmas! Let's Be Glad! 12:19 6. Holy Holy, etc. 12:59 7. Amazing Grace
Hark!: Songs for Christmas, Vol. II 17:06 1. Angels We Have Heard on High 17:55 2. Put The Lights On The Tree 19:43 3. Come Thou Fount of Every Blessing 24:25 4. I Saw Three Ships 27:00 5. Only at Christmas Time 29:14 6. Once in Royal David's City 32:55 7. Hark! The Herald Angels Sing! 33:40 8. What Child Is This Anyway? 40:35 9. Bring a Torch, Jeanette, Isabella
Ding! Dong!: Songs for Christmas, Vol. III 42:05 1. O Come, O Come Emmanuel 43:12 2. Come On! Let's Boogey to the Elf Dance! 47:00 3. We Three Kings 50:00 4. O Holy Night 54:04 5. That Was the Worst Christmas Ever! 57:22 6. Ding! Dong! 58:18 7. All the King's Horns 1:01:17 8. The Friendly Beasts
Joy: Songs for Christmas, Vol. IV 1:05:00 1. The Little Drummer Boy 1:08:43 2. Away in a Manger 1:11:38 3. Hey Guys! It's Christmas Time! 1:16:18 4. The First Noel 1:17:10 5. Did I Make You Cry on Christmas? (Well, You Deserved It!) 1:20:34 6. The Incarnation 1:22:56 7. Joy to the World
Peace: Songs for Christmas, Vol. V 1:27:16 1. Once in Royal David's City 1:29:18 2. Get Behind Me, Santa! 1:33:07 3. Jingle Bells 1:33:43 4. Christmas in July 1:37:00 5. Lo! How a Rose E'er Blooming 1:38:46 6. Jupiter Winter 1:42:39 7. Sister Winter 1:47:40 8. O Come, O Come Emmanuel 1:48:46 9. Star of Wonder 1:55:55 10. Holy, Holy, Holy 1:59:44 11. The Winter Solstice
Gloria: Silver and Gold, Vol. VI 2:02:48 1. Silent Night 2:05:14 2. Lumberjack Christmas / No One Can Save You from Christmases Past 2:08:36 3. Coventry Carol 2:11:30 4. The Midnight Clear 2:14:19 5. Carol of St. Benjamin the Bearded One 2:17:51 6. Go Nightly Cares 2:19:35 7. Barcarola (You Must Be a Christmas Tree) 2:26:37 8. Auld Lang Syne
I Am Santa's Helper: Silver and Gold, Vol. VII 2:28:11 1. Christ the Lord Is Born 2:29:01 2. Christmas Woman 2:34:34 3. Break Forth O Beauteous Heavenly Light 2:35:43 4. Happy Family Christmas 2:37:07 5. Jingle Bells 2:38:25 6. Mysteries of the Christmas Mist 2:40:35 7. Lift Up Your Heads Ye Mighty Gates 2:41:55 8. We Wish You a Merry Christmas 2:43:11 9. Ah Holy Jesus 2:45:54 10. Behold! The Birth of Man, the Face of Glory 2:47:00 11. Ding-a-ling-a-ring-a-ling 2:48:52 12. How Shall I Fitly Meet Thee? 2:51:01 13. Mr. Frosty Man 2:52:50 14. Make Haste to See the Baby 2:54:13 15. Ah Holy Jesus (with reed organ) 2:55:42 16. Hark! The Herald Angels Sing 2:57:33 17. Morning (Sacred Harp) 3:00:02 18. Idumea (Sacred Harp) 3:03:52 19. Eternal Happiness or Woe 3:05:10 20. Ah Holy Jesus (a capella) 3:06:11 21. I Am Santa's Helper 3:08:02 22. Ma'oz Tzur (Rock of Ages) 3:08:44 23. Even the Earth Will Perish and the Universe Give Way
Christmas Infinity Voyage: Silver and Gold, Vol. VIII 3:10:45 1. Angels We Have Heard on High 3:14:49 2. Do You Hear What I Hear? 3:24:04 3. Christmas in the Room 3:28:26 4. It Came Upon the Midnight Clear 3:29:14 5. Good King Wenceslas 3:33:32 6. Alphabet St. 3:35:15 7. Particle Physics 3:36:11 8. Joy to the World 3:41:42 9. The Child with the Star on His Head
Let It Snow: Silver and Gold, Vol. IX 3:57:08 1. I'll Be Home for Christmas 4:00:35 2. Santa Claus Is Coming to Town 4:03:09 3. The Sleigh in the Moon 4:04:54 4. Sleigh Ride 4:07:22 5. Ave Maria 4:09:31 6. X-mas Spirit Catcher 4:13:01 7. Let It Snow! Let It Snow! Let It Snow! 4:15:19 8. A Holly Jolly Christmas 4:17:45 9. Christmas Face
Christmas Unicorn: Silver and Gold, Vol. X 4:18:25 1. Have Yourself a Merry Little Christmas 4:22:07 2. It Came Upon a Midnight Clear 4:22:46 3. Up on the Housetop 4:27:08 4. Angels We Have Heard on High 4:28:00 5. We Need a Little Christmas 4:30:03 6. Happy Karma Christmas 4:33:38 7. We Three Kings 4:34:30 8. Justice Delivers Its Death 4:37:47 9. Christmas UnicornSufjan Stevens - Genuflecting Ghost (Official Lyric Video)Sufjan Stevens2023-10-06 | Listen/Buy ‘Javelin’ here: sufjanstevens.lnk.to/javelin ‘Javelin’ by Sufjan Stevens, released on CD, LP & Digital October 6, 2023
Director, Producer, Animator, & Editor: Stephen Halker Featuring artwork by Sufjan Stevens
Lyrics: Give myself as a sacrifice Genuflecting ghost I kiss the floor Rise, my love, show me paradise Nothing seems so simple anymore Rest assured, words come easy Insecure, love and please me Sacred word, bind me, insult As I praise your name
Now we dance in our catastrophe Ramparts in the sky That flash with horror Let’s take these chances no more amnesty Nothing else remains as once before Rest assured, empires will fall Insecure, restless and small Sacred word, bind me, insult As I praise your name
Give myself as a sacrifice Genuflecting ghost I kiss no more
Credits: All instruments and lead vocals by Sufjan Stevens. Additional vocals by adrienne maree brown.Sufjan Stevens - Will Anybody Ever Love Me? (Official Lyric Video)Sufjan Stevens2023-10-06 | Listen/Buy ‘Javelin’ here: sufjanstevens.lnk.to/javelin ‘Javelin’ by Sufjan Stevens, released on CD, LP & Digital October 6, 2023
Video credits: Director, Producer, Animator, & Editor: Rena Johnson Featuring artwork by Sufjan Stevens
Lyrics: Chase away my heart and heartache Run me over, throw me over, cast me out Find a river running to the west wind Just above the shoreline You will see a cloud
Tie me to a tiny wooden raft Burn my body, point me to the undertow Push me off into the void at last Watch me drift and watch me struggle let me go... ’cause I really wanna know:
Will anybody ever love me? For good reasons Without grievance, not for sport Will anybody ever love me? In every season Pledge allegiance to my heart Pledge allegiance to my burning heart
Hello wildness please forgive me now For the heartache and the misery I create Take my suffering as I take my vow Wash me now, anoint me With that golden blade
Tie me to the final wooden stake Burn my body, celebrate the afterglow Wash away the summer sins I made Watch me drift and Watch me struggle, let me go ’cause I really wanna know:
Will anybody ever love me? For good reasons Without grievance, not for sport Will anybody ever love me? In every season Pledge allegiance to my heart Pledge allegiance to my burning heart
Credits: All instruments and lead vocal by Sufjan Stevens. Additional vocals by adrienne maree brown, Megan Lui, Hannah Cohen.Sufjan Stevens - Javelin (To Have And To Hold) (Official Lyric Video)Sufjan Stevens2023-10-06 | Listen/Buy ‘Javelin’ here: sufjanstevens.lnk.to/javelin ‘Javelin’ by Sufjan Stevens, released on CD, LP & Digital October 6, 2023
Director, Producer, Animator, & Editor: Stephen Halker Featuring artwork by Sufjan Stevens
Lyrics: Searching through snow For the javelin I had not Meant to throw right at you For if it had hit its mark There’d be blood in the place Where you stood It’s a terrible thought To have and hold It’s a terrible thought To have and hold
So here we stand in the dark My eyes travelling to the spot Where you’d thrown yourself Over the rocks For if you’d not been so fast There’d be blood in the place Where you stood It’s a terrible thought To have and hold It’s a terrible thought To have and hold It’s a terrible thought To have and hold
Video credits: Featuring artwork by Sufjan Stevens Director, Producer, Animator, & Editor: Stephen Halker Additional animation: Rena Johnson
Lyrics: I drink ’til it’s lost Drinking words within That spin down Pentecost Kiss me with the fire of gods Just say what you want Say it out within Without that funny little cough Simple minded, simple talk
Don’t start with your camouflage Spurning from within Jump in, my red little fox Rivers running through it all So kiss me as I am lost Kiss me from within Jump in, my red little fox Yellow paper folded off
My love, my queen, my broken Dreams come save me Kiss me like the wind Now I sing it won’t you Kiss me from within Now I sing it won’t you Kiss me like the wind that flows within your veins
Let’s not be for want Wanting is a sin I don’t want anything at all Yellow fever folded off Let’s drink ’til it’s Pentecost Drink unto the wind Jump in, my red little fox Kiss me with the fire of gods Let’s scream ’til it’s all forgot Screaming words within That spin without any cost Kiss me with the fire of gods
My love, my queen, my spoken Dreams come save me Kiss me like the wind Now I sing it won’t you Kiss me from within Now I sing it won’t you Kiss me like the wind that flows within your veins
00:00 Goodbye Evergreen 03:36 A Running Start 07:57 Will Anybody Ever Love Me? 12:06 Everything That Rises 17:05 Genuflecting Ghost 20:38 My Little Red Fox 24:21 So You Are Tired 29:11 Javelin (To Have And To Hold) 31:04 Shit Talk 39:35 There's A World
Video credits: "A Running Start," "Will Anybody Ever Love Me?" & "So You Are Tired" Featuring artwork by Sufjan Stevens Director, Producer, Animator, & Editor: Rena Johnson
"Goodbye Evergreen," "Everything That Rises," "Genuflecting Ghost," "My Little Red Fox," "Javelin (To Have And To Hold)," "Shit Talk," & "There's A World" Featuring artwork by Sufjan Stevens Director, Producer, Animator, & Editor: Stephen Halker Additional animation: Rena Johnson
adrienne maree brown: additional vocals on "Will Anybody Ever Love Me?" "Everything That Rises" "Genuflecting Ghost" "My Red Little Fox" "So You Are Tired" and "Javelin (To Have And To Hold)"
Nedelle Torrisi: additional vocals on "A Running Start"
Pauline Delassus: additional vocals on "Shit Talk"
Bryce Dessner: additional acoustic and electric guitars on "Shit Talk"
Megan Lui and Hannah Cohen: additional vocals on "Goodbye Evergreen" "A Running Start" "Will Anybody Ever Love Me?" "Everything That Rises" "My Red Little Fox" "So You Are Tired" "Javelin (To Have And To Hold)" "Shit Talk" and "There's A World"
This album was recorded, engineered, arranged, produced and mixed by Sufjan Stevens Mastered by Heba Kadry, NYC Vinyl mastering by Josh Bonati All original artwork, photography, typography, layout and design by Sufjan StevensSufjan Stevens - Shit Talk (Official Lyric Video)Sufjan Stevens2023-10-06 | Listen/Buy ‘Javelin’ here: sufjanstevens.lnk.to/javelin ‘Javelin’ by Sufjan Stevens, released on CD, LP & Digital October 6, 2023
Director, Producer, Animator, & Editor: Stephen Halker Featuring artwork by Sufjan Stevens
Lyrics: No more fighting No more talking shit Do as I say not as I give up Not as I’ve failed to live In the future there will be A terrible cost For all that we’ve left undone Deliver me from everything I’ve put off And all that we’ve lost I will always love you But I cannot live with you
No more fighting I’ve nothing left to give I’ve nothing but atrophy Did I cross you? Did I fail to believe In positive thoughts? Our romantic second chance is dead I buried it with the hatchet Quit your antics Put them at the foot of the bed And set it on fire I will always love you But I cannot look at you
Hold me closely Hold me tightly lest I fall.... Hold me closely Hold me tightly lest I fall.... No, I don’t wanna fight at all
Credits: All instruments and lead vocal by Sufjan Stevens. Additional vocals by Pauline Delassus. Additional acoustic and electric guitars by Bryce Dessner.Sufjan Stevens - Everything That Rises (Official Lyric Video)Sufjan Stevens2023-10-06 | Listen/Buy ‘Javelin’ here: sufjanstevens.lnk.to/javelin ‘Javelin’ by Sufjan Stevens, released on CD, LP & Digital October 6, 2023
Video credits: Featuring artwork by Sufjan Stevens Director, Producer, Animator, & Editor: Stephen Halker Additional animation: Rena Johnson
Lyrics: Can you lift me up to a higher place? Forget everything that was before Turn your face around Like the salted sphere Turn yourself around To see what once was there
Everything that rises must converge Everything that rises in a word Everything that rises must converge Everything that rises...
Jesus lift me up to a higher plane Can you come around before I go insane? Cast me not in hell Where the demons rage Turn yourself around To see what I can save
Everything that rises must converge Everything that rises in a word Everything that rises must converge Everything that rises....
Turn yourself away From the wickedness, I said Evil comes to play In the image of the dead
Everything rises, must converge Everything rises in a word Everything rises, must converge Everything rises....
Credits: All instruments and lead vocal by Sufjan Stevens. Additional vocals by adrienne maree brown, Megan Lui, and Hannah Cohen.Sufjan Stevens - Goodbye Evergreen (Official Lyric Video)Sufjan Stevens2023-10-06 | Listen/Buy ‘Javelin’ here: sufjanstevens.lnk.to/javelin ‘Javelin’ by Sufjan Stevens, released on CD, LP & Digital October 6, 2023
Video credits: Featuring artwork by Sufjan Stevens Director, Producer, Animator, & Editor: Stephen Halker Additional animation: Rena Johnson
Lyrics: Goodbye, Evergreen You know I love you But everything heaven-sent Must burn out in the end I promised you
Just as you were in my dream Now let me off easy And I’ll slip down through the drain To release my scattered brain My enemy
Something just isn’t right I cut from the inside I’m frightened of the end I’m drowning in my self-defense Now punish me
Think of me as what you will I grow like a cancer I’m pressed out in the rain Deliver me from the poisoned pain
Credits: All instruments and lead vocal by Sufjan Stevens. Additional vocals by Megan Lui, and Hannah Cohen.Sufjan Stevens - A Running Start (Official Lyric Video)Sufjan Stevens2023-10-03 | Listen/Buy ‘Javelin’ here: sufjanstevens.lnk.to/javelin ‘Javelin’ by Sufjan Stevens, released on CD, LP & Digital October 6, 2023
Director, Producer, Animator, & Editor: Rena Johnson Featuring artwork by Sufjan Stevens
Lyrics: If I imagine myself peaceful On the fire escape Head first, my hands inside my T-shirt, as we run away So now we have a running start My body moves in mystic ways I cross my arms to shield my heart As everything turns into waves
I see the light upon the lake The silver moon, the water snake A pair of eyes, a gentle breeze Forgotten tales, a wild beast I know, I know the time has come To ask you for a kiss Don’t go, my lovely pantomime Receive of me my only wish
If I align myself with Pisces In a funny way Can you, my lover, kiss my bracelet And my shoulder blades We’ve always had a running start I jump between the trampolines You throw your arms around my heart As if to say you’re all I need
The winter pines, the lonely drake The light beneath the frozen lake A pair of eyes, a gentle breeze Forgotten tales, a wild beast I know, I know the time has come To ask you for a kiss Don’t go, my lovely pantomime Receive of me my only wish
All instruments and lead vocal by Sufjan Stevens. Additional vocals by Nedelle Torrisi, Megan Lui, and Hannah Cohen.Sufjan Stevens - Will Anybody Ever Love Me? (Official Music Video)Sufjan Stevens2023-09-13 | Listen/Buy ‘Javelin’ here: sufjanstevens.lnk.to/javelin ‘Javelin’ by Sufjan Stevens, released on CD, LP & Digital October 6, 2023
Director, Producer, Animator, & Editor: Stephen Halker Featuring artwork by Sufjan Stevens
Lyrics: Chase away my heart and heartache Run me over, throw me over, cast me out Find a river running to the west wind Just above the shoreline You will see a cloud
Tie me to a tiny wooden raft Burn my body, point me to the undertow Push me off into the void at last Watch me drift and watch me struggle let me go... ’cause I really wanna know:
Will anybody ever love me? For good reasons Without grievance, not for sport Will anybody ever love me? In every season Pledge allegiance to my heart Pledge allegiance to my burning heart
Hello wildness please forgive me now For the heartache and the misery I create Take my suffering as I take my vow Wash me now, anoint me With that golden blade
Tie me to the final wooden stake Burn my body, celebrate the afterglow Wash away the summer sins I made Watch me drift and Watch me struggle, let me go ’cause I really wanna know:
Will anybody ever love me? For good reasons Without grievance, not for sport Will anybody ever love me? In every season Pledge allegiance to my heart Pledge allegiance to my burning heart
Credits: Written by Sufjan Stevens Background vocals: adrienne maree brown, Megan Lui, Hannah Cohen Everything else by Sufjan StevensSufjan Stevens - So You Are Tired (Official Lyric Video)Sufjan Stevens2023-08-14 | Listen/Buy ‘Javelin’ here: sufjanstevens.lnk.to/javelin ‘Javelin’ by Sufjan Stevens, released on CD, LP & Digital October 6, 2023
Featuring artwork by Sufjan Stevens Director, Producer, Animator, & Editor: Rena Johnson
Lyrics: So you are tired of us So rest your head Turning back fourteen years Of what I did and said
So you are breathing disaster I did what I was told But I was a man born invisible Was it something I said Or some kind of joke?
So you are tired as the sun Are you with or without a friend? Bring me back everything Caught in your shield Let everything else descend
So you are seething with laughter Was it really all just a joke? I was a man indivisible When everything else was broke
So you are tired of even my kiss So go back to your den Throwing out everything Left in your field When there was nothing Left to defend
So you are dreaming of after Was it really all just for fun? I was the man still in love with you When I already knew it was done
So you are tired of me So rest your head Turning back all that We had in our life While I return to death
Credits: Artwork by Jessica Slaven Animated and produced by Stephen Halker Composed by Sufjan Stevens Performed by Timo Andres & Conor HanickSufjan Stevens, Timo Andres, & Conor Hanick - Euphoros [Visualization]Sufjan Stevens2023-05-19 | Stream / Buy CD/LP: sufjanstevens.lnk.to/Reflections
Credits: Artwork by Jessica Slaven Animated and produced by Stephen Halker Composed by Sufjan Stevens Performed by Timo Andres & Conor HanickSufjan Stevens, Timo Andres, & Conor Hanick - Reflexion [Visualization]Sufjan Stevens2023-05-19 | Stream / Buy CD/LP: sufjanstevens.lnk.to/Reflections
Credits: Artwork by Jessica Slaven Animated and produced by Stephen Halker Composed by Sufjan Stevens Performed by Timo Andres & Conor HanickSufjan Stevens, Timo Andres, & Conor Hanick - And I Shall Come To You . . . [Visualization]Sufjan Stevens2023-05-19 | Full title: And I Shall Come To You Like A Stormtrooper In Drag Serving Imperial Realness Stream / Buy CD/LP: sufjanstevens.lnk.to/Reflections
Credits: Artwork by Jessica Slaven Animated and produced by Stephen Halker Composed by Sufjan Stevens Performed by Timo Andres & Conor HanickSufjan Stevens, Timo Andres, & Conor Hanick - Mnemosyne [Visualization]Sufjan Stevens2023-05-19 | Stream / Buy CD/LP: sufjanstevens.lnk.to/Reflections
Credits: Artwork by Jessica Slaven Animated and produced by Stephen Halker Composed by Sufjan Stevens Performed by Timo Andres & Conor HanickSufjan Stevens, Timo Andres, & Conor Hanick - Rodinia [Visualization]Sufjan Stevens2023-05-19 | Stream / Buy CD/LP: sufjanstevens.lnk.to/Reflections
Credits: Artwork by Jessica Slaven Animated and produced by Stephen Halker Composed by Sufjan Stevens Performed by Timo Andres & Conor HanickSufjan Stevens, Timo Andres, & Conor Hanick - Reflections [Official Full Album Stream]Sufjan Stevens2023-05-19 | Stream / Buy CD/LP: sufjanstevens.lnk.to/Reflections
Credits: Artwork by Jessica Slaven Animated and produced by Stephen Halker Composed by Sufjan Stevens Performed by Timo Andres & Conor Hanick
00:00 Ekstasis 03:04 Revanche 08:24 Euphoros 11:39 Mnemosyne 15:07 Rodinia 20:58 Reflexion 23:56 And I Shall Come To You Like A Stormtrooper In Drag Serving Imperial RealnessSufjan Stevens, Timo Andres, & Conor Hanick - Ekstasis [Visualization]Sufjan Stevens2023-04-18 | Stream / Buy CD/LP: sufjanstevens.lnk.to/Reflections
Credits: Artwork by Jessica Slaven Animated and produced by Stephen Halker Composed by Sufjan Stevens Performed by Timo Andres & Conor HanickSufjan Stevens, Timo Andres, & Conor Hanick - Ekstasis [Live Performance Video]Sufjan Stevens2023-04-18 | Stream / Buy CD/LP: sufjanstevens.lnk.to/Reflections
Credits: Composed by Sufjan Stevens Performed by Timo Andres & Conor Hanick Directed by Brian Paccione (brianpaccione.com) Produced by Jess Magee Cinematography by Ben Rutkowski Camera Operators - Jordan Tetewsky, Ben Rutkowski, Brian Paccione Edited by Brian Paccione Engineering & Mixing by Sam Skinner Assistant Engineering by Aaron Ross Colorist - Jordan Tetewsky Filmed & Recorded Live at Yamaha Artist Services New York, March 2023 @yamahaglobal Sufjan Stevens, Chicago (Demo) [Official Audio - as seen on Hulus The Bear]Sufjan Stevens2022-08-23 | Listen/stream here: sufjanstevens.lnk.to/chicago-demo
Lyrics: I fell in love again All things go, all things go Drove to Chicago All things know, all things know
We sold our clothes to the state I don't mind, I don't mind
I made a lot of mistakes In my mind, in my mind
I drove to New York In a van, with my friend We slept in parking lots I don't mind, I don't mind I was in love with the place In my mind, in my mind
I made a lot of mistakes In my mind, in my mind
You came to take us All things go, all things go To recreate us All things grow, all things grow We had our mindset All things know, all things know You had to find it All things go, all things go
If I was crying In the van, with my friend It was for freedom From myself and from the land I made a lot of mistakes I made a lot of mistakes I made a lot of mistakes I made a lot of mistakes
You came to take us All things go, all things go To recreate us All things grow, all things grow We had our mindset All things know, all things know You had to find it All things go, all things goSufjan Stevens - Fourth of July (April Base Version)Sufjan Stevens2022-07-01 | Listen here: sufjanstevens.lnk.to/fourthofjuly Listen to the Dumbo version here: youtu.be/hdhOGOBg1G4 Listen to the original here: youtu.be/JTeKpWp8Psw Watch the music video here: youtu.be/SIGZimaAV4M
Today, July 1, on his birthday, Sufjan Stevens is releasing two alternate versions of his song, “Fourth of July” via Asthmatic Kitty Records.
The new versions are “Fourth of July (April Base Version)”, recorded in Eau Claire, WI at Justin Vernon’s April Base studio, and “Fourth of July (DUMBO Version)”, recorded in Sufjan’s old studio in Brooklyn, NY.
The original version of “Fourth of July” appeared on Sufjan’s album, Carrie & Lowell — a deeply personal album written to process his sorrow after the death of his mother, Carrie. Sufjan would work and rework, and record and re-record, trying to manage the grief. The refrain of the song, “We’re all gonna die,” became an anchor in each version he recorded. At the time of its release and when Sufjan would perform the song live on tour, this lyric and fact of life seemed to shock listeners. Yet its solemnity invited them to feel comfort, connection — even joy — wrought from great pain.
The song has recently had a resurgence with listeners — which may speak to a deep national grief and a yearning to heal. As we head into this Fourth of July weekend — a U.S. holiday marked by war (and death) — it seems the exact correct time to be sharing them. A limited run physical 7" in red will be released in December 2022, which marks the 10-year anniversary of Carrie’s death.
Lyrics: The evil it spread like a fever ahead It was night when you died, my firefly What could I have said to raise you from the dead? Oh could I be the sky on the fourth of July?
“Well you do enough talk My little hawk, why do you cry? Tell me what did you learn from the Tillamook burn? Or the Fourth of July? We’re all gonna die.”
Sitting at the bed with the halo at your head Was it all a disguise, like Junior High Where everything was fiction, future, and prediction Now where am I? My fading supply
“Did you get enough love, my little dove Why do you cry? And I’m sorry I left, but it was for the best Though it never felt right My little Versailles.”
The hospital asked should the body be cast Before I say goodbye, my star in the sky Such a funny thought to wrap you up in cloth Do you find it all right, my dragonfly?
“Shall we look at the moon, my little loon Why do you cry? Make the most of your life, while it is rife While it is light
Well you do enough talk My little hawk, why do you cry? Tell me what did you learn from the Tillamook burn? Or the Fourth of July? We’re all gonna die.”Sufjan Stevens - Fourth of July (Dumbo Version)Sufjan Stevens2022-07-01 | Listen here: sufjanstevens.lnk.to/fourthofjuly Listen to the April Base version here: youtu.be/rO7vi9GexrQ Listen to the original here: youtu.be/JTeKpWp8Psw
Today, July 1, on his birthday, Sufjan Stevens is releasing two alternate versions of his song, “Fourth of July” via Asthmatic Kitty Records.
The new versions are “Fourth of July (April Base Version)”, recorded in Eau Claire, WI at Justin Vernon’s April Base studio, and “Fourth of July (DUMBO Version)”, recorded in Sufjan’s old studio in Brooklyn, NY.
The original version of “Fourth of July” appeared on Sufjan’s album, Carrie & Lowell — a deeply personal album written to process his sorrow after the death of his mother, Carrie. Sufjan would work and rework, and record and re-record, trying to manage the grief. The refrain of the song, “We’re all gonna die,” became an anchor in each version he recorded. At the time of its release and when Sufjan would perform the song live on tour, this lyric and fact of life seemed to shock listeners. Yet its solemnity invited them to feel comfort, connection — even joy — wrought from great pain.
The song has recently had a resurgence with listeners — which may speak to a deep national grief and a yearning to heal. As we head into this Fourth of July weekend — a U.S. holiday marked by war (and death) — it seems the exact correct time to be sharing them. A limited run physical 7" in red will be released in December 2022, which marks the 10-year anniversary of Carrie’s death.
Lyrics: The evil it spread like a fever ahead It was night when you died, my firefly What could I have said to raise you from the dead? Oh could I be the sky on the fourth of July?
“Well you do enough talk My little hawk, why do you cry? Tell me what did you learn from the Tillamook burn? Or the Fourth of July? We’re all gonna die.”
Sitting at the bed with the halo at your head Was it all a disguise, like Junior High Where everything was fiction, future, and prediction Now where am I? My fading supply
“Did you get enough love, my little dove Why do you cry? And I’m sorry I left, but it was for the best Though it never felt right My little Versailles.”
The hospital asked should the body be cast Before I say goodbye, my star in the sky Such a funny thought to wrap you up in cloth Do you find it all right, my dragonfly?
“Shall we look at the moon, my little loon Why do you cry? Make the most of your life, while it is rife While it is light
Well you do enough talk My little hawk, why do you cry? Tell me what did you learn from the Tillamook burn? Or the Fourth of July? We’re all gonna die.”Sufjan Stevens & Angelo De Augustine - Beginner’s Mind (Official Audio)Sufjan Stevens2021-10-07 | Order/listen to "A Beginner's Mind" here: sufjanangelo.ffm.to/a-beginners-mind
Lyrics: Bodhi Tree grows in the light Shotgun shell, cannon fire Baby, we’ve got nothing to loose An ex-president, L.A. sure has been changing Living off the last of my loot
Hedonists in 909, trailer park columbine Tina taken by FBIs Uncut kilograms, two dead in the ambulance Life was just a new way to die
Will you let yourself unwind Put your soul on the line Striving for a beginner’s mind My heart wasn’t there Couldn’t be bothered to care Now we’re drowning in the moonlight
Oh my love, I can explain I was only a child in search of my own name A rider of the storm A mystic self-proclaimed The glider of the air A creature in its cage Now won’t you send me home To my point break
Lyrics: I slept for five days In stillness I laid full of demonic visions My still-life remains like the path of a pigeon That flew into flames from the rivals of hell
Raised from the dead, to save my soul J.P Monroe tied up his ghost Life was just like a camera show Captured in song, my life gives blood
It’s all flesh in my mind I can’t wait to inscribe All the names that I’ve read in the blood of your knife Heaven and hell await all who give of their life I’ve been waiting this time
Now covered in chains My skin is ablated with bleeding incision And still, life remains, my cadaver imprisoned As you shall retain me and raise me from hell
Cenobite seized within the throes To be released from the pillar of souls Dragged from the dark, my love extolled Bring me the beast, my life gives blood
It’s all flesh in my mind I can’t wait to describe All the dead that I’ve raised with the blood of your knife Heaven help me await all who give of their life Drink the blood of my wine
Lyrics: Open on Broadway, you’re a star Just an opportunist at heart Evil hid in glitz and glamour Drunk like a potion harvester
All about Eve Cat up a tree Margo Channing, Listen to me Don’t believe what she says When she sleeps in your head
Now the two allegories of pity and terror One for the money, for trial and error Telling the story anointing its pleasure Lady MacBeth in chains
Once in a lifetime you’re a star A circus of light falling apart Just as the flame is on the reservoir The darkness arises so much brighter
All about Eve Queen Tragedy All that you need is a throne to receive Now go sleep in the bed That you made while she bled from her open wounds
Two categories tell two different stories One for ambition, and one full of glory Backstabbing feeds on its own inventory Lady MacBeth in chains Lady MacBeth in chains
Lyrics: Evidence known so long Oh god, I’m lost in my wrongs Everything froze like stone Saw your heart couldn’t take much more
My boy, I don’t know why this life Is so cruel and unkind but it weighs on my heart All joys were taken from your eyes As the law would abide in murder and crime Hard lines as the fossil defines Its own shadow in lime and reveals how it dies
If anything goes, then everything’s flawed Oh my love, what the violence has caused Malevolence flowed from beyond And my heart cannot take much more
Oh joy I’m afraid of the light As the jewel of my mind begins to fall apart Do not destroy what has taken its time As the Lord would abide in murder and crime
Oh my love, I don’t know why this life Is so cruel and unkind but it weighs on my heart Fading lines as the fossil denies Its own shadow in time to conceal how it died
Evidence known, march on Oh god, I’m lost in the antiphon Where does everything go when everything’s gone? For my heart cannot break much more
Lyrics: This is the thing about people You never really know what’s inside Somewhere in the soul there’s a secret Hysteria grows where it was invited
This is the thing about fiction How everything feeds on its paranoia Wrapping it all up in tradition Now fill up the cup, go and drink your poison
My love is a witness for the loss of your innocence So give it all up, give it distance, live it up for the path of resistance
This is the thing about confusion You never really know what you’ll find Tell me what it means to be human The freedom you seek is to free your mind
My love is a witness for the loss of your innocence So give it all up, give it distance, live it up for the path of resistance
This is the thing about evil You never really know where it’s hiding Find your phantom in the cathedral The more you search for it, the less you’ll find
My love is a witness for the loss of your innocence So give it all up, give it distance, live it up for the path of resistance
Lyrics: A voice of air’s mellifluence Draconian will, superstition Now go arise, awake your dead An angel fell, one heaven sent The Beaufort scale measured the gales I saw the world between two sails The water climbed over the sky As miracles demystify
All that was lost in the world Yeah I’ve been lost in the world
How do we all make it through? Caught in thought, daydreaming like I do Just like you, when you told me all your dreams would come true Well I hope you’re right, and they always do
An optical indifference Parallel realms of existence Cosmologies apocalypse Your premonition’s persistence
For all that was lost in the world Yeah I’ve been lost in the world
How will we all make it through? Caught in thoughts, daydreaming like I do Just like you, when you told me all your dreams would come true Well I hope you’re right, and they always do
Track listing: 00:00 Reach Out 03:45 Lady Macbeth In Chains 07:29 Back To Oz 11:43 The Pillar Of Souls 14:55 You Give Death A Bad Name 19:04 Beginner’s Mind 21:22 Olympus 24:31 Murder And Crime 28:03 (This Is) The Thing 30:54 It’s Your Own Body And Mind 33:23 Lost In The World 36:35 Fictional California 39:28 Cimmerian Shade 43:49 LacrimaeSufjan Stevens & Angelo De Augustine - Lacrimae (Official Audio)Sufjan Stevens2021-09-24 | Order/listen to "A Beginner's Mind" here: sufjanangelo.ffm.to/a-beginners-mind
Lyrics: I called a name Over the ocean Lacrimal tears Fears of devotion
All the dreams I vowed to make come true And the life I long to take I loose Lord, why must this life be so cruel When there ain’t much you can do
I saw your eyes burn in the moonlight All I ask is a chance in this lifetime
All the dreams I vowed to make come true And the life I long to take I loose Lord, why must this life be so cruel And shadowed in the gloom
Lyrics: Shot to the skull or a strike to the brain As you withdraw, you give death a bad name Can you be stopped, or can evil be slain? Is there something to be lost to surrender the pain?
You’re just a shade of something betrayed Watch as you fade into the reservoir Can you exist, shade of the oculist No consciousness, less than a metaphor
What was once dead is now coming for you The television said it’s the right thing to do
Give me a name more than a flame Can it contain more than a metaphor? Show me your face give it some breathing space Feel my embrace, empty the reservoir
Was it for profit or was it for gain You gave it your all; you gave life a bad name
Sentries trembling voices assembling Nothing resembling what it had been before Contamination death to America Reanimation what are you waiting for
Shot to the skull or a strike to the brain The cadaver on the cross; you give love a bad name Can you explain all our divided pain What still remains after the rigor mortise Poured gasoline ghost in a dead machine God save the queen, lessons and metaphors
Hung from a tree, edge of the canopy All this debris, signals and semaphores Round them all up, drink from the holy cup Battered in blood, what are you waiting for?
Jump from the fire into the frying pan Voice of the choir now you are born again Gathered in song calling all next of kin Can do no wrong, perfect American
Follow your dreams into the black and white Anthropocene, live it up, give a fight Shot to the heart, God bless America Failed from the start, what are you waiting for?
Lyrics: The lamb cries ’til ears ring I cannot love from my prison of shame In Cimmerian Shade I’ll keep her safe in the well, tailor made
I just want you to love me I just wanted to know myself Fix it all, Jonathan Demme Beauty resides where your spirit dwells
My Starling flies into the rainbow Lost in the mist, Chrysalis, kill your idols Safe in my autogynophilia One black witch moth, now she’s lost in the meadow
I just want you to love me I just wanted to change myself Fix it all, Jonathan Demme Beauty resides where your spirit dwells
Save me from everything I ask for Soil from the sod, Lamb of God, rest in peace I’m still just running from the answer Safe in the cell, kiss and tell, my Clarise
I just want you to know me I just wanted to love myself Fix it all, Jonathan Demme Beauty resides where your spirit dwells
Lyrics: Oh, lift up your head, boy Don’t play pretend dead on the floor Now Harryhausen conceived from a cauldron Wielding Olympus with eyes on the shore
There’s nothing There’s nothing
Oh, show me the flow of my life Bound by Acrisius bronzed in the skylight Seeking the oracle’s eyes in the night with a sigh Seriphos greets us with moments of silence
Who will arrange my great escape? Hopelessly I have been torn from this outrage Tossing and turning uneasy it cost me the cross Am I at rest or resigned in my chaos?
There’s something It’s the light on your hand There’s something It’s the touch of my wristband There’s one thing It’s the weight of our wish There’s one thing It’s our very first kissSufjan Stevens & Angelo De Augustine - Reach Out (Official Music Video)Sufjan Stevens2021-07-07 | Order "A Beginner's Mind" here: sufjanangelo.ffm.to/a-beginners-mind "A Beginner's Mind" by Sufjan Stevens & Angelo De Augustine available on CD, LP, Cassette, & Digital September 24, 2021
Starring: Joku and Charlie (in order of appearance) Director: Jessica Calleiro Color: Gabriel Sanchez Voice Actors: Madeleine Monshausen & Stefan Buergermeister Special thanks to Marisa Tremblay Footage by Angelo De Augustine and Sufjan Stevens
Lyrics: I have a memory Of a time and place where history resigned Now my apology All the light came in to fulminate my mind
Reach out, reach out To all the ones who came before you Ponder what is right You and I, in defiance Speak out, speak out The conversation may afford you Wisdom of the wise You and I, in defiance
And I come from conscience where there is no conjugation I would rather be a flower than the ocean And I held myself as something of an innovation I would rather be devoured than be broken
All my life I tried so hard To separate myself from all That is and was and will be torn apart You were running unafraid I know you, but I’ve changed my way You know I take it all to heart
Home is where you’ve called my name I’ve gone as far as the eye can blame You said love may have lost its way
Now my life has been erased And what I gave, I gave for you And for myself and for the holy name You were running unashamed And yours is mine and all remains As nothing ever stays the same
Reach out, reach out to all the ones who came before Reach out, reach out to all the ones who came before Reach out, reach out and all at once the pain restores you Reach out, reach out and all at once the pain restores you All at once the pain restores you
I have a memory of a time and place where history resigned Now in my reverie For the guiding light that opened up my mindSufjan Stevens - Incantation VII - Convocations [Official Audio and Visual]Sufjan Stevens2021-05-06 | From Incantations, Volume 5 of Convocations Listen/buy here: sufjanstevens.ffm.to/convocations
Convocations, the new instrumental album from Sufjan Stevens, moves like a two-and-a-half-hour electronic/ambient mass for our present age of anxiety and dread; its 49 tracks work through the stages of grief and gladness with emotional mood music that is dreamy, dissonant, vertiginous, rhythmic, repetitive, urgent, and calm—that is, all the things we undergo when we inevitably live through isolation, uncertainty, and loss. Its five sonic cycles (Meditations, Lamentations, Revelations, Celebrations, and Incantations) replicate different stages of mourning, healing and catharsis, working both to soothe our unease while savoring a renewed sense of awe and wonder for being alive in these unprecedented times.
Stevens initiated Convocations in response to (and as an homage to) the life and death of his father, who died in September last year, two days following the release of The Ascension. It is, then, ultimately an album about death, and an album that reflects a year in which we have all lost so much. That said, this is not a personal record, but a universal one. Convocations is built on a shared experience that seeks to be honest about how complicated grief can be in these difficult times—the pain and separation, the anxiety, the unknown, the absolute joy of memory. This is also an album made in lockdown, when we were all cloistered in whatever space we had. Convocations arrives just as we begin to emerge from a year whose losses we will calculate for a lifetime. It is, then, right on time, as we begin to process our grief and try to carry on with it.
Convocations, the new instrumental album from Sufjan Stevens, moves like a two-and-a-half-hour electronic/ambient mass for our present age of anxiety and dread; its 49 tracks work through the stages of grief and gladness with emotional mood music that is dreamy, dissonant, vertiginous, rhythmic, repetitive, urgent, and calm—that is, all the things we undergo when we inevitably live through isolation, uncertainty, and loss. Its five sonic cycles (Meditations, Lamentations, Revelations, Celebrations, and Incantations) replicate different stages of mourning, healing and catharsis, working both to soothe our unease while savoring a renewed sense of awe and wonder for being alive in these unprecedented times.
Stevens initiated Convocations in response to (and as an homage to) the life and death of his father, who died in September last year, two days following the release of The Ascension. It is, then, ultimately an album about death, and an album that reflects a year in which we have all lost so much. That said, this is not a personal record, but a universal one. Convocations is built on a shared experience that seeks to be honest about how complicated grief can be in these difficult times—the pain and separation, the anxiety, the unknown, the absolute joy of memory. This is also an album made in lockdown, when we were all cloistered in whatever space we had. Convocations arrives just as we begin to emerge from a year whose losses we will calculate for a lifetime. It is, then, right on time, as we begin to process our grief and try to carry on with it.
Convocations, the new instrumental album from Sufjan Stevens, moves like a two-and-a-half-hour electronic/ambient mass for our present age of anxiety and dread; its 49 tracks work through the stages of grief and gladness with emotional mood music that is dreamy, dissonant, vertiginous, rhythmic, repetitive, urgent, and calm—that is, all the things we undergo when we inevitably live through isolation, uncertainty, and loss. Its five sonic cycles (Meditations, Lamentations, Revelations, Celebrations, and Incantations) replicate different stages of mourning, healing and catharsis, working both to soothe our unease while savoring a renewed sense of awe and wonder for being alive in these unprecedented times.
Stevens initiated Convocations in response to (and as an homage to) the life and death of his father, who died in September last year, two days following the release of The Ascension. It is, then, ultimately an album about death, and an album that reflects a year in which we have all lost so much. That said, this is not a personal record, but a universal one. Convocations is built on a shared experience that seeks to be honest about how complicated grief can be in these difficult times—the pain and separation, the anxiety, the unknown, the absolute joy of memory. This is also an album made in lockdown, when we were all cloistered in whatever space we had. Convocations arrives just as we begin to emerge from a year whose losses we will calculate for a lifetime. It is, then, right on time, as we begin to process our grief and try to carry on with it.
Convocations, the new instrumental album from Sufjan Stevens, moves like a two-and-a-half-hour electronic/ambient mass for our present age of anxiety and dread; its 49 tracks work through the stages of grief and gladness with emotional mood music that is dreamy, dissonant, vertiginous, rhythmic, repetitive, urgent, and calm—that is, all the things we undergo when we inevitably live through isolation, uncertainty, and loss. Its five sonic cycles (Meditations, Lamentations, Revelations, Celebrations, and Incantations) replicate different stages of mourning, healing and catharsis, working both to soothe our unease while savoring a renewed sense of awe and wonder for being alive in these unprecedented times.
Stevens initiated Convocations in response to (and as an homage to) the life and death of his father, who died in September last year, two days following the release of The Ascension. It is, then, ultimately an album about death, and an album that reflects a year in which we have all lost so much. That said, this is not a personal record, but a universal one. Convocations is built on a shared experience that seeks to be honest about how complicated grief can be in these difficult times—the pain and separation, the anxiety, the unknown, the absolute joy of memory. This is also an album made in lockdown, when we were all cloistered in whatever space we had. Convocations arrives just as we begin to emerge from a year whose losses we will calculate for a lifetime. It is, then, right on time, as we begin to process our grief and try to carry on with it.
Convocations, the new instrumental album from Sufjan Stevens, moves like a two-and-a-half-hour electronic/ambient mass for our present age of anxiety and dread; its 49 tracks work through the stages of grief and gladness with emotional mood music that is dreamy, dissonant, vertiginous, rhythmic, repetitive, urgent, and calm—that is, all the things we undergo when we inevitably live through isolation, uncertainty, and loss. Its five sonic cycles (Meditations, Lamentations, Revelations, Celebrations, and Incantations) replicate different stages of mourning, healing and catharsis, working both to soothe our unease while savoring a renewed sense of awe and wonder for being alive in these unprecedented times.
Stevens initiated Convocations in response to (and as an homage to) the life and death of his father, who died in September last year, two days following the release of The Ascension. It is, then, ultimately an album about death, and an album that reflects a year in which we have all lost so much. That said, this is not a personal record, but a universal one. Convocations is built on a shared experience that seeks to be honest about how complicated grief can be in these difficult times—the pain and separation, the anxiety, the unknown, the absolute joy of memory. This is also an album made in lockdown, when we were all cloistered in whatever space we had. Convocations arrives just as we begin to emerge from a year whose losses we will calculate for a lifetime. It is, then, right on time, as we begin to process our grief and try to carry on with it.
Convocations, the new instrumental album from Sufjan Stevens, moves like a two-and-a-half-hour electronic/ambient mass for our present age of anxiety and dread; its 49 tracks work through the stages of grief and gladness with emotional mood music that is dreamy, dissonant, vertiginous, rhythmic, repetitive, urgent, and calm—that is, all the things we undergo when we inevitably live through isolation, uncertainty, and loss. Its five sonic cycles (Meditations, Lamentations, Revelations, Celebrations, and Incantations) replicate different stages of mourning, healing and catharsis, working both to soothe our unease while savoring a renewed sense of awe and wonder for being alive in these unprecedented times.
Stevens initiated Convocations in response to (and as an homage to) the life and death of his father, who died in September last year, two days following the release of The Ascension. It is, then, ultimately an album about death, and an album that reflects a year in which we have all lost so much. That said, this is not a personal record, but a universal one. Convocations is built on a shared experience that seeks to be honest about how complicated grief can be in these difficult times—the pain and separation, the anxiety, the unknown, the absolute joy of memory. This is also an album made in lockdown, when we were all cloistered in whatever space we had. Convocations arrives just as we begin to emerge from a year whose losses we will calculate for a lifetime. It is, then, right on time, as we begin to process our grief and try to carry on with it.
Convocations, the new instrumental album from Sufjan Stevens, moves like a two-and-a-half-hour electronic/ambient mass for our present age of anxiety and dread; its 49 tracks work through the stages of grief and gladness with emotional mood music that is dreamy, dissonant, vertiginous, rhythmic, repetitive, urgent, and calm—that is, all the things we undergo when we inevitably live through isolation, uncertainty, and loss. Its five sonic cycles (Meditations, Lamentations, Revelations, Celebrations, and Incantations) replicate different stages of mourning, healing and catharsis, working both to soothe our unease while savoring a renewed sense of awe and wonder for being alive in these unprecedented times.
Stevens initiated Convocations in response to (and as an homage to) the life and death of his father, who died in September last year, two days following the release of The Ascension. It is, then, ultimately an album about death, and an album that reflects a year in which we have all lost so much. That said, this is not a personal record, but a universal one. Convocations is built on a shared experience that seeks to be honest about how complicated grief can be in these difficult times—the pain and separation, the anxiety, the unknown, the absolute joy of memory. This is also an album made in lockdown, when we were all cloistered in whatever space we had. Convocations arrives just as we begin to emerge from a year whose losses we will calculate for a lifetime. It is, then, right on time, as we begin to process our grief and try to carry on with it.
Convocations, the new instrumental album from Sufjan Stevens, moves like a two-and-a-half-hour electronic/ambient mass for our present age of anxiety and dread; its 49 tracks work through the stages of grief and gladness with emotional mood music that is dreamy, dissonant, vertiginous, rhythmic, repetitive, urgent, and calm—that is, all the things we undergo when we inevitably live through isolation, uncertainty, and loss. Its five sonic cycles (Meditations, Lamentations, Revelations, Celebrations, and Incantations) replicate different stages of mourning, healing and catharsis, working both to soothe our unease while savoring a renewed sense of awe and wonder for being alive in these unprecedented times.
Stevens initiated Convocations in response to (and as an homage to) the life and death of his father, who died in September last year, two days following the release of The Ascension. It is, then, ultimately an album about death, and an album that reflects a year in which we have all lost so much. That said, this is not a personal record, but a universal one. Convocations is built on a shared experience that seeks to be honest about how complicated grief can be in these difficult times—the pain and separation, the anxiety, the unknown, the absolute joy of memory. This is also an album made in lockdown, when we were all cloistered in whatever space we had. Convocations arrives just as we begin to emerge from a year whose losses we will calculate for a lifetime. It is, then, right on time, as we begin to process our grief and try to carry on with it.