Fullmetal Pianist | She (dodie) | Transfem Cover/Hybrid Orchestral Cover @fullmetalpianist | Uploaded 1 year ago | Updated 1 hour ago
It’s January, so I thought it would be a good time to cover a song you wouldn’t normally find me covering on my channel. Don’t worry I’ll be back to covering my usual cartoon songs soon. In fact my next video will probably be Owl House related!!! Today however I present to you a hybrid orchestral cover of one of my favorite songs of all time, She by Dodie.
This song is so heartbreaking and sad, I love it so much!!! Listening to Dodie’s 2019 re-release of this song brings me to tears everytime! I want to leave my cover up to interpretation so I won’t go into too much detail on how I relate to this song. That being said, I find it delightful how much I, a lesbian trans woman, can relate to this song. A song that was written by a bisexual cis woman. I find myself relating to it in a way that’s somehow extremely similar yet completely different. I think that’s something that I really love about art. How an individual piece of art can speak to so many different people in so many different ways!
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Equipment used to make the video:
Recording DAW I use (Logic Pro X): apple.com/logic-pro
Piano visual (SeeMusic): visualmusicdesign.com
Video editor I use (Final Cut Pro): apple.com/final-cut-pro
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Social Medias: Twitter: twitter.com/FulmetalPianist
Facebook: facebook.com/Fullmetal-Pianist-2147816028578368
#dodie #dodieshe #dodiecover
It’s January, so I thought it would be a good time to cover a song you wouldn’t normally find me covering on my channel. Don’t worry I’ll be back to covering my usual cartoon songs soon. In fact my next video will probably be Owl House related!!! Today however I present to you a hybrid orchestral cover of one of my favorite songs of all time, She by Dodie.
This song is so heartbreaking and sad, I love it so much!!! Listening to Dodie’s 2019 re-release of this song brings me to tears everytime! I want to leave my cover up to interpretation so I won’t go into too much detail on how I relate to this song. That being said, I find it delightful how much I, a lesbian trans woman, can relate to this song. A song that was written by a bisexual cis woman. I find myself relating to it in a way that’s somehow extremely similar yet completely different. I think that’s something that I really love about art. How an individual piece of art can speak to so many different people in so many different ways!
---------------------------------------------
Equipment used to make the video:
Recording DAW I use (Logic Pro X): apple.com/logic-pro
Piano visual (SeeMusic): visualmusicdesign.com
Video editor I use (Final Cut Pro): apple.com/final-cut-pro
---------------------------------------------
Social Medias: Twitter: twitter.com/FulmetalPianist
Facebook: facebook.com/Fullmetal-Pianist-2147816028578368
#dodie #dodieshe #dodiecover
![Hellish Agony (Darkness: Recalibrated) [Original Song] | Dark/Intense/Epic Hybrid Orchestra](https://i.ytimg.com/vi/a04Rv6jcXh4/hqdefault.jpg "Hellish Agony (Darkness: Recalibrated) [Original Song] | Dark/Intense/Epic Hybrid Orchestra
(Warning: There is a lot of flashing lights in this video)
You know sometimes when you are a recovering metal head you just need to write an extremely edgy, dark, intense, and epic song. Darkness was originally a piece I wrote all the way back in 2018. It was the second original song I released on this channel. Given that it was one of the first songs I ever released, it was extremely edgy, and not going to lie it kind of sucked. Given that it is spooky season, I decided to see how I would write this song today. So, I give to you the hybrid orchestral song now named Hellish Agony (Darkness: Recalibrated).
I was surprised how much of the original song I kept in this new version. The only thing I took out from the original was the second half of its bridge. I did change up the order of things though, turning what was essentially an AABA formatted song into a verse/chorus song. I turned the intro and the first have of the bridge into verses and made what was originally the verses into choruses. I added a completely original bridge too. A bridge that devolves into twelve-tone theory because it’s Halloween season and why not. The twelve-tone starts at about 1:53, but it doesn’t become complete twelve-tone until 2:03.
Original version of this song (Darkness): https://youtu.be/XYj9lo0aR3k
Recording DAW I use (Logic Pro X): https://www.apple.com/logic-pro/
Piano visual (SeeMusic): https://www.visualmusicdesign.com/
Facebook: https://www.facebook.com/Fullmetal-Pianist-2147816028578368")
