Uploaded August 2023 | Updated September 2026, 2 weeks ago
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In an effort to help promote living composers, we will be uploading works created by scorefol.io users to our YouTube channel, Score Follower, as well as excerpts of the work on instagram stories (and possibly reels collaborative posts). For practical reasons, not all works will be chosen; however, the potentially quick turn-around will make scorefol.io highlights an attractive way for many living composers to get their music on our socials.
General guidelines that we will be looking for:
1. Works involving samples of licensed music will not be selected.
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We kindly request not to contact us directly to solicit or suggest works for “scorefol.io highlights'' consideration. Our team curates a diverse program that reflects our slogan: "the score video resource for the beautifully gnarly sounds of today." We're not trying to objectively select the best works, but rather create a program that we think our audience will enjoy, in the same way you might put together a concert series, balancing out different ensemble sizes and configurations, aesthetics, other works in our YouTube queue etc. We appreciate your understanding and encourage all composers to continue sharing their works on scorefol.io.
By consenting to our YouTube agreement, you, the composer and copyright holder, are giving us, scorefol.io, permission to upload and host your work onto our YouTube channel. Composers should have explicit consent from performers before agreeing to this. Scorefol.io reserves the right to take down any video, at any time, if we conclude that not all permissions have been secured.
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When making a score video on https://scorefol.io, select the "YouTube Agreement" checkbox for consideration of your music making it onto the Score Follower channel.
In an effort to help promote living composers, we will be uploading works created by scorefol.io users to our YouTube channel, Score Follower, as well as excerpts of the work on instagram stories (and possibly reels collaborative posts). For practical reasons, not all works will be chosen; however, the potentially quick turn-around will make scorefol.io highlights an attractive way for many living composers to get their music on our socials.
General guidelines that we will be looking for:
1. Works involving samples of licensed music will not be selected.
2. We will only upload original works. No transcriptions, arrangements, orchestrations, etc.
3. Published works, and recordings on labels will not be selected, unless scorefol.io happens to have an ongoing relationship with those publishers/labels.
4. Your work must be set to “public” on scorefol.io. If it is set to “private,” we will assume that you no longer wish to have your music featured.
5. The recording quality will play a significant role in the work's selection.
6. Works relying on MIDI recordings will not be selected unless A: The MIDI is an obvious aesthetic feature or B: The MIDI rendition is fantastic, utilizing modern VSTs and/or samples.
7. Works that are cropped to the system, similar to our regular YouTube uploads, will be preferred.
8. Title pages, performance notes, and other preliminary materials should be moved to the "Notes" tab, and they should not have timestamps assigned in the video. We prefer to display preliminary notes at the end of the video since that increases engagement.
We kindly request not to contact us directly to solicit or suggest works for “scorefol.io highlights'' consideration. Our team curates a diverse program that reflects our slogan: "the score video resource for the beautifully gnarly sounds of today." We're not trying to objectively select the best works, but rather create a program that we think our audience will enjoy, in the same way you might put together a concert series, balancing out different ensemble sizes and configurations, aesthetics, other works in our YouTube queue etc. We appreciate your understanding and encourage all composers to continue sharing their works on scorefol.io.
By consenting to our YouTube agreement, you, the composer and copyright holder, are giving us, scorefol.io, permission to upload and host your work onto our YouTube channel. Composers should have explicit consent from performers before agreeing to this. Scorefol.io reserves the right to take down any video, at any time, if we conclude that not all permissions have been secured.
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![Jennifer Jolley — Lilac Tears [w/ score]
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performed by Timothy McAllister (saxophone) Liz Ames (piano)
Lilac Tears by Jennifer Jolley (2022)
https://www.timothymcallister.com/
https://www.jenniferjolley.com/
uploaded with permission from Jennifer Jolley, on behalf of the performers and #NeumaRecords
Record Label @ https://neumarecords.org/
Purchase Album @ https://timothymcallister.bandcamp.com/album/project-encore-vol-1
00:00 Lilac Tears
03:08 Performance Notes
This video is protected by copyright and/or related rights. Viewing and sharing this link is permitted only for non-commercial uses
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![Jiaying He — whisper drops [w/ score]
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performed by Anja Gaettens (violin), Haeun Jin (violin), Jennifer Merino (viola), Michael Schorr (cello)
whisper drops by Jiaying He (2022)
https://soundcloud.com/8ghtlom8bgsd
video edited by Alex Huddleston
this work was selected in the Fall 2022 #FollowMyScore call for works
uploaded with permission from Jiaying He on behalf of the ensemble
00:00 whisper drops
09:48 Performance Notes
This video is protected by copyright and/or related rights. Viewing and sharing this link is permitted only for non-commercial uses
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![Roman Parkhomenko — Collision [w/ score]
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performed by GAMEnsemble: Alexey Potapov (electric guitar), Yulia Migunova (Cello), Nikita Agafonov (Sax), Oleg Payberdin (artistic director)
Collision by Roman Parkhomenko (2021)
https://gamensemble.ru/
https://www.romanparkhomenko.org/
this work was selected in the Fall 2021 #FollowMyScore call for works
uploaded with permission from Roman Parkhomenko on behalf of GAMEnsemble
00:00 Collision
09:39 Performance Notes
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![Camila Carlosama Parra — Polvo [w/ score]
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performed by Juan Carlos Higuita (violín I), Tatiana Ladino (violín II), Carlos Parra (viola), Juan Pablo Martínez (violonchelo)
Polvo by Camila Carlosama Parra (2021)
https://soundcloud.com/camia-carlosama
this work was selected in the Spring 2022 #FollowMyScore call for works
uploaded with permission from Camila Carlosama Parra on behalf of the ensemble
00:00 Polvo
11:49 Performance Notes
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![Rachel C. Walker — Sifting, surface, silence [w/ score]
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performed by Remi Miura (shō)
Sifting, surface, silence by Rachel C. Walker (2021)
http://www.rachelcwalker.com
this work was selected in the Spring 2022 #FollowMyScore call for works
uploaded with permission from Rachel C. Walker on behalf of Remi Miura
00:00 Sifting, surface, silence
08:09 Performance Notes
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![Christopher Cerrone — Hoyt–Schermerhorn [w/ score]
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performed by Timo Andres (piano), Christopher Cerrone (electronics)
Hoyt–Schermerhorn by Christopher Cerrone (2010)
http://www.andres.com
http://www.christophercerrone.com
uploaded with permission from Christopher Cerrone, Project Schott New york #PSNY, #CircleRecords
Publisher @ https://www.eamdc.com/psny/
Purchase Score @ https://www.eamdc.com/psny/composers/christopher-cerrone/works/hoyt-schermerhorn/
Twitter : https://twitter.com/schott_ny
Purchase Digital/CD @ https://cerrone.bandcamp.com/album/the-arching-path
Produced & mixed by Mike Tierney / Edited by Mike Tierney & Charles Mueller / Recorded by Mike Tierney / Mastered by Alan Silverman for ARF Digital
00:00 Hoyt–Schermerhorn
07:46 Performance Notes
This video is protected by copyright and/or related rights. Viewing and sharing this link is permitted only for non-commercial uses
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Support us using the Brave Browser: https://brave.com/sco209 Christopher Cerrone — Hoyt–Schermerhorn [w/ score]](https://i.ytimg.com/vi/adYfety30S0/mqdefault.jpg)
![Maurizio Azzan — Tutte le estensioni dellaura [w/ score]
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performed by Duo Dubois
Tutte le estensioni dellaura by Maurizio Azzan (2019)
https://www.duodubois.com/
http://maurizioazzan.com/
http://www.esz.it/en/catalogues/contemporary-music/12511-azzan-maurizio
this work was selected in the Fall 2021 #FollowMyScore call for works
uploaded with permission from #EdizioniSuviniZerboni and Maurizio Azzan on behalf of Duo Dubois
Publisher @ http://www.esz.it/en/
Purchase ESZ Scores @ https://www.musicshopeurope.com/search?q=Maurizio+Azzan&SubstoreId=
00:00 Tutte le estensioni dellaura
10:41 Performance Notes
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![Ermir Bejo — Opus 9 [w/ score]
more info @ https://scorefol.io/w/clnpe5p6l0001l60fuzdu6px6
performed by Amorsima Trio: Mia Detwiler (violin), Michael Capone (viola), Kourtney Newton (cello)
Opus 9 by Ermir Bejo (2020)
https://www.amorsima.com/
https://www.ermirbejo.com/
Uploaded with permission from @ErmirBejo and @amorsimatrio.
Make your own score video on https://scorefol.io to be considered for a #ScorefolioHighlight video. Ermir Bejo — Opus 9 [w/ score]](https://i.ytimg.com/vi/av_8wWDE0WU/mqdefault.jpg)
![Eleni Ralli — Go within [w/ score]
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performed by Don Paul Kahl
Go within by Eleni Ralli (2020)
https://donpaulkahl.com
https://www.youtube.com/channel/UCY-sDYq4JalodS2fyh2IEnA
this work was selected in the Spring 2022 #FollowMyScore call for works
uploaded with permission from Eleni Ralli on behalf of Equilibrium Records and Don Paul Kahl
Go Within Full-Length Album available @
https://donpaulkahl.com/en/merch/go-within-debut-solo-album-don-paul-kahl-alessandro-cervino
Equilibrium Records - EQ163
Recorded at Estudio Sacramento (Alicante, Spain) on 12 August 2021
Daniel Saiz, recording engineer
00:00 Go within
07:26 Performance Notes
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![Bakir Bayakhunov — Yskyrma [w/ score]
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performed by Tsugumi Shirakura
Yskyrma by Bakir Bayakhunov (1977, rev. 2013)
https://www.sirene.at/kuenstler/shirakura-tsugumi/
https://www.bayakhunov.ru
uploaded with permission from Bakir Bayakhunov on behalf of Tsugumi Shirakura
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Support us using the Brave Browser: https://brave.com/sco209 Bakir Bayakhunov — Yskyrma [w/ score]](https://i.ytimg.com/vi/bOadHuG1eYs/mqdefault.jpg)