Uploaded January 2009 | Updated September 2026, 2 weeks ago
Track 11. 'School Mam'. From the album 'No More Heroes'
Hugh Cornwell: Guitars & Vocals
Jean-Jacques Burnel: Bass & Vocals
Dave Greenfield: Keyboards & Vocals
Jet Black: Drums & Percussion
Produced by Martin Rushent
Engineer: Alan Winstanley
♪♫ A fine day for the classroom and the pupils are here
Timmy's got a headache but the others don't care
Sarah's got to stay behind and help with the drill
Teacher's got his eye on her moves in for the kill
Nobody can see or hear the things that they do
All the books are closed there must be something they do
Only teacher knows about the subjects they span span
Education's secondary - being a school mam
Oooey . . . teacher's doing fine as far as I can see
Being a school mam
Long holidays in the summer
Being a school mam
Free milk in your coffee breaks
Being a school mam
Government paid monthly salary cheques
Being a school mam
Noise is heard the principal investigates
She turns on all the cameras and it's too late
Catches both their pants down in a passion warm
Hasn't seen it happen since the day she was born
Reaches down for glasses that just can't be found
By the time she finds them - why they're down on the ground
Tossing and a'turning they've got feverish hands
Life can be so fluid when you're being a school mam
Oooey . . . teacher's doing fine as far as I can see
Being a school mam
Controlling promiscuity after hours
Being a school mam
Giving out detentions by the dozen
Being a school mam
Give her fifty lines (of speed)
Being a school mam
Sucking on her fingernails she can't believe what she's seen
She seems so engrossed at what appears on the screen
Locks her door with trembling hands
Her heart's beating fast she pretends she's down there
On the floor in the class
Gives herself to teacher although he doesn't know
Works herself into a frenzied state and it shows
Sarah's almost at the top but try as she can
She can't reach her helter skelter down with the school mam
Just watch her go and help her try if you can
Use your twentieth century imagination if you've got any
Oooey . . . now she's at the top and teacher sets her free
Being a school mam
Disgusting behaviour
Being a school mam
All over the parquet flooring
Being a school mam
Let the flood gates open wide
Being a school mam
Now the principal collapses dead on the floor
with
Contentment on her wrinkled old face ever more
She went out the very best way that an old woman can
She was where the action was down there with the school mam
Oooey . . . teacher never will discover who could see
Being a school mam
One and one make two if you are very lucky
Being a school mam
Two twos make four if I remember correctly
Being a school mam
Four fours make sixteen and sixteen's over age
Sixteen and sixteen make thirty-two, that's approaching middle age
Thirty-two and thirty-two make sixty-four, that's OAP land
Sixty-four and sixty-four make one-hundred-and-twenty-eight
One-hundred-and-twenty-eight divided by three
Let me pause for reflection for a second
But teacher
Three does not go into one-hundred-and-twentyeight exactly;
but it goes forty-two and a bit;
43, 44, 45, 46, 47, 48, 49, 49. 1, 49.2, 49.3, 49.4, 49.5, 49.6, 49.7,
49.8, 49.9 (X9)
Fifty ♪♫
Track 11. 'School Mam'. From the album 'No More Heroes'
Hugh Cornwell: Guitars & Vocals
Jean-Jacques Burnel: Bass & Vocals
Dave Greenfield: Keyboards & Vocals
Jet Black: Drums & Percussion
Produced by Martin Rushent
Engineer: Alan Winstanley
♪♫ A fine day for the classroom and the pupils are here
Timmy's got a headache but the others don't care
Sarah's got to stay behind and help with the drill
Teacher's got his eye on her moves in for the kill
Nobody can see or hear the things that they do
All the books are closed there must be something they do
Only teacher knows about the subjects they span span
Education's secondary - being a school mam
Oooey . . . teacher's doing fine as far as I can see
Being a school mam
Long holidays in the summer
Being a school mam
Free milk in your coffee breaks
Being a school mam
Government paid monthly salary cheques
Being a school mam
Noise is heard the principal investigates
She turns on all the cameras and it's too late
Catches both their pants down in a passion warm
Hasn't seen it happen since the day she was born
Reaches down for glasses that just can't be found
By the time she finds them - why they're down on the ground
Tossing and a'turning they've got feverish hands
Life can be so fluid when you're being a school mam
Oooey . . . teacher's doing fine as far as I can see
Being a school mam
Controlling promiscuity after hours
Being a school mam
Giving out detentions by the dozen
Being a school mam
Give her fifty lines (of speed)
Being a school mam
Sucking on her fingernails she can't believe what she's seen
She seems so engrossed at what appears on the screen
Locks her door with trembling hands
Her heart's beating fast she pretends she's down there
On the floor in the class
Gives herself to teacher although he doesn't know
Works herself into a frenzied state and it shows
Sarah's almost at the top but try as she can
She can't reach her helter skelter down with the school mam
Just watch her go and help her try if you can
Use your twentieth century imagination if you've got any
Oooey . . . now she's at the top and teacher sets her free
Being a school mam
Disgusting behaviour
Being a school mam
All over the parquet flooring
Being a school mam
Let the flood gates open wide
Being a school mam
Now the principal collapses dead on the floor
with
Contentment on her wrinkled old face ever more
She went out the very best way that an old woman can
She was where the action was down there with the school mam
Oooey . . . teacher never will discover who could see
Being a school mam
One and one make two if you are very lucky
Being a school mam
Two twos make four if I remember correctly
Being a school mam
Four fours make sixteen and sixteen's over age
Sixteen and sixteen make thirty-two, that's approaching middle age
Thirty-two and thirty-two make sixty-four, that's OAP land
Sixty-four and sixty-four make one-hundred-and-twenty-eight
One-hundred-and-twenty-eight divided by three
Let me pause for reflection for a second
But teacher
Three does not go into one-hundred-and-twentyeight exactly;
but it goes forty-two and a bit;
43, 44, 45, 46, 47, 48, 49, 49. 1, 49.2, 49.3, 49.4, 49.5, 49.6, 49.7,
49.8, 49.9 (X9)
Fifty ♪♫
![The Winter Of The Long Hot Summer - The Disposable Heroes Of Hiphoprisy
Track 5. The Winter Of The Long Hot Summer. From the album Hypocrisy Is The Greatest Luxury.
Written by M. Franti / M. Pistel / W. Badarou
♪♫ It all seemed so idiotic
all the accusations of unpatriotic
The fall well always remember,
capitulating silence election November
before the winter
of the long hot summer
Somewhere in the desert
we raised the oil pressure
and waited for the weather
to get much better
for the new wind to blow in the storm
We tried to remember the history in the region
the French foreign legion, Imperialism,
Peter OToole and hate the Ayatollah
were all we learned in school
Not that we gave Hussein five billion
Not of our new bed partner the Syrian
and of course no mention
of the Palestine situation
It was amazing how they steamrolled
They said eighty percent approval
but there was no one that I knew polled
No one had a reason for being in the Gulf
We waited for congress to speak up
illegal build up
But no one would wake up
Our representatives were Milli Vanillis
for corporate Dallas Cowboy Beverly Hillbillies
With perfect timing
the politicians rhyming their sentiments
so nicely oil gold and sand
my sediments precisely....
We regretfully support the lunacy
Im afraid there is no time for more scrutiny
National unity preserve our community
Teflon® election opportunities
were in profundant abundance
On January second the Bush administration
announced a recession had stricken the Nation
the highest quarterly earnings in ten years
were posted by Chevron®
Meanwhile a budget was placed in our hands
as the deadline in the sand came to an end
so much for the peace dividend
one billion a day is what we spent
and our grandchildren will pay for it til the end
When schools are unfunded
and kids dont get their diplomas
they get used for gun boat diplomacy
disproportionately black or brown we see
bullet catchers for the slave master
Then the conservatives called up reservists
to active service left families nervous
but more importantly broke nine hundred a month
but the check came late, army red tape you see,
this golden opportunity
We watched the tube and read the newspaper
The propaganda of the gas masked raper
was the proper slander to whip up the hatred
The stage was lit and the lights were all faded
The pilots in night vision goggles Kuwaited and
generals masturbated
til the fifteenth two days later they invaded
Not a single t.v. station expressed dissension or
hardly made mention to the censorship of information
from our kinder and gentler nation
blinder and mentaler retardation
DISORIENTATION
The pilots said their bombs lit Baghdad
like a Christmas tree
It was the Christian thing to do you see
they didnt mention any casualties
no distinction between the real
and the proxy
only football analogies
We saw the bomb hole
We watched the Super Bowl
We saw the scud missile
We watched Bud® commercials
We saw the yellow ribbons
Saw pilots in prison
We never saw films of the dead...at eleven
Angela Davis addressed the spectators
and shouting above a rumbling generator said
if they insist on bringing us down
then lets shut the whole country down
Marching through the downtown
A hundred thousand became participants
and we heard the drums of millions off in the distance
rushing through the cities
some of them did things that werent so pretty
most were there for primal scream therapy
news men concentrated
on the negative liked the jingoists more
peaceful protesters ended up on
the cutting room floor
Nintendo® casualties of the ratings war
More bombs dropped than in World War II
or in both Asian invasions,
new world order persuasion,
Business as usual for our nation
Could you imagine a hundred fifty thousand dead,
the city of Stockton coffins locked in
when we clocked in...not to mention civilians
The loss of life on both sides
pushed the limits of resilience
The scent of blood in our nostrils
fuel of the fossil land of apostle
The blackness that covered the sky
was not the only thing that
brought a tear to the eye or
the taste of anger to the tongues
of those too young to remember
Vietnam
Is heroin better in a veterans mind
than the memory of the dying laying in a line
Is it the smell or the shadows heaving and weeping
that keeps the soldier from sleeping
as he sings the orphans lullaby
When the soldiers put down their bayonets
the strings are chained to the marionettes
Emir of Kuwait gets back in his jet
we replace the dead with new cadets
will we hate those who did the shelling
or will we hate those who werent willing
to do the killing
when the leaders of the bald eagles come home to roost
will we sing a song of praise and indebtedness
for our deliverance from evil
or will we sing a song of sadness
for the dreaded debt this mess
delivered us PEOPLE ♪♫
~ [Many thanks to the copyright owners UMG for allowing this to be heard on YouTube] ~ ☺ The Winter Of The Long Hot Summer - The Disposable Heroes Of Hiphoprisy](https://i.ytimg.com/vi/goPgnIpz_0w/mqdefault.jpg)
![Tempus Fugit (Live) - YES ~ Tour 2009 @ Birmingham Symphony Hall, UK
Third number of their 12 song + 2 encore set
16th November 2009, Birmingham Symphony Hall.
Originally from the Drama album [1980]
~ Tempus Fugit ~
Written by Downes/Squire/Howe/White/Horn
2009 Tour Line up:
Benoit David - Lead Vocals
Steve Howe - Guitar
Oliver Wakeman - Keyboards
Chris Squire - Bass
Alan White - Drums
♪♫ Born in the night
She would run like a leopard
That freaks at the sight
Of a mind close beside herself
And the nearer I came
How the country would change
She was using the landscape
To hide herself.
More in the mind
Than the body this feeling
A sense at the end
Of a circular line
That is drawn at an angle
I see when Im with you
To navigate waters and finally answer to-yes.
If you were there you would want to be near me
Innocence, you could hold all the materials
And though nothing would really be living
It would shock Your fall into landing light
In the north sky time flies fast to the morning
The cold of the dawn it meant nothing to us
You were keeping your best situation
An answer to-yes
(Yes, Yes) And the moment I see you
(Yes, Yes) Its so good to be near you
(Yes, Yes) And the feeling you give me
(Yes, Yes) Makes me want to be with you
(Yes, Yes) From the moment you tell me - yes
If you could see all the roads I have travelled
Towards some unusable last equilibrium
Run like an athlete and die like a dead beaten speed-freak
An answer to all of your answers to-yes
In the north sky time flies faster than morning
The cold of the dawn it meant nothing to us
You were keeping your best situation
An answer to Yes
(Yes, Yes) And the moment I see you
(Yes, Yes) Its so good to be near you
(Yes, Yes) And the feeling you give me
(Yes, Yes) Makes me want to be with you
(Yes, Yes) If we wait for an answer
(Yes, Yes) Will the silence be broken
(Yes, Yes) Should we wait for an answer
(Yes, Yes) Do we leave it unspoken
(Yes Yes Yes Yes . . .) ♪♫ Tempus Fugit (Live) - YES ~ Tour 2009 @ Birmingham Symphony Hall, UK](https://i.ytimg.com/vi/hIWXKFeXNNQ/mqdefault.jpg)
![And You And I (Live) - {second part} - YES ~ Tour 2009 @ Birmingham Symphony Hall, UK
Seventh number (posted in two parts) of their 12 song + 2 encore set
16th November 2009, Birmingham Symphony Hall.
Originally from the Close To The Edge album [1972]
~ And You And I ~ (second part)
Written by Anderson/Bruford/Howe/Squire
2009 Tour Line up:
Benoit David - Lead Vocals
Steve Howe - Guitar
Oliver Wakeman - Keyboards
Chris Squire - Bass
Alan White - Drums
I. Cord Of Life
♪♫ A man conceived a moments answers to the dream,
Staying the flowers daily, sensing all the themes.
As a foundation left to create the spiral aim,
A movement regained and regarded both the same,
All complete in the sight of seeds of life with you.
Changed only for a sight of sound, the space agreed.
Between the picture of time behind the face of need,
Coming quickly to terms of all expression laid,
Emotion revealed as the ocean maid,
All complete in the sight of seeds of life with you.
Turn round tailor, Coins and
Assaulting all the mornings of the Crosses
Interest shown, Never know
Presenting one another to the cord, Their fruitless worth;
All left dying, rediscovered Cords are broken,
Of the door that turned round, Locked inside
To close the cover, the mother earth.
All the interest shown, They wont
To turn one another, to the sign Hide, hold, they wont
At the time Tell you, watching the world,
To float your climb. Watching all of the world,
Watching us go by.
And you and I climb over the sea to the valley,
And you and I reached out for reasons to call.
II. Eclipse
Coming quickly to terms of all expression laid,
Emotion revealed as the ocean maid,
As a movement regained and regarded both the same,
All complete in the side of seeds of life with you.
III. The Preacher the Teacher
Sad preacher nailed upon the coloured door of time;
Insane teacher be there reminded of the rhyme.
Therell be no mutant enemy we shall certify;
Political ends, as sad remains, will die.
Reach out as forward tastes begin to enter you.
Ooh, ooh.
I listened hard but could not see
Life tempo change out and inside me.
The preacher trained in all to lose his name;
The teacher travels, asking to be shown the same.
In the end, well agree, well accept, well immortalise
That the truth of the man maturing in his eyes,
All complete in the sight of seeds of life with you.
Coming quickly to terms of all expression laid,
As a moment regained and regarded both the same,
Emotion revealed as the ocean maid,
A clearer future, morning, evening, nights with you.
IV. Apocalypse
And you and I climb, crossing the shapes of the morning.
And you and I reach over the sun for the river.
And you and I climb, clearer, towards the movement.
And you and I called over valleys of endless seas ♪♫ And You And I (Live) - {second part} - YES ~ Tour 2009 @ Birmingham Symphony Hall, UK](https://i.ytimg.com/vi/hTla5pPLXDk/mqdefault.jpg)
![Hot Pants Finale (Live) - James Brown
Track 13. (disc 2) Hot Pants Finale [Live]. From the compliation album Make It Funky - the big payback: 1971-1975.
Recorded July 26th, 1971, Apollo Theater, New York, NY.
Released 1996
Written by James Brown / Fred Wesley
Arranged & Produced by James Brown
James Brown: Vocals
Jerone Jasaan Sanford, Russell Crimes: Trumpets
Fred Wesley: Trombone
Jimmy Parker: Alto Saxophone
St. Clair Pinckney: Tenor Saxophone
Hearlon Cheese Martin, Robert Coleman: Guitars
Fred Thomas: Bass
John Jabo Starks: Drums
John Morgan: Tambourine
Danny Ray: emcee
~ [Many thanks to the copyright owners UMG for allowing this to be heard on YouTube] ~ ☺ Hot Pants Finale (Live) - James Brown](https://i.ytimg.com/vi/huPiKFx7BJw/mqdefault.jpg)
![Black Pit - Steppenwolf
Track 8. Black Pit. From the album For Ladies Only.
Written by Kent Henry, Goldy McJohn
John Kay - vocals, guitar
Kent Henry - lead guitar
George Biondo - vocals, bass
Goldy McJohn - keyboards
Jerry Edmonton - drums
Richard Podolor - producer
Bill Cooper - engineer
http://www.steppenwolf.com/
The official Steppenwolf website.
~ [Many thanks to the copyright owners UMG for allowing this to be heard on YouTube] ~ ☺ Black Pit - Steppenwolf](https://i.ytimg.com/vi/i9PfrbScLi0/mqdefault.jpg)
![Reefer Madness - UB40
Track 13. Reefer Madness. From the album Signing Off.
Written by UB40
Jim Brown - Drums
Ali Campbell - Rhythm Guitar
Robin Campbell - Lead Guitar
Earl Falconer - Bass
Norman Hassan - Percussion, Congas
Brian Travers - Tenor Saxophone
Michael Virture - Keyboard, Strings, Organ
Produced by UB40 & Ray Pablo Falconer
Engineer: Rafe McKenna
Assistant Engineer: Neil Black
~ [ Many thanks to the copyright owners EMI for allowing this to be heard on YouTube ] ~ ☺ Reefer Madness - UB40](https://i.ytimg.com/vi/i_Q2kBiT5X8/mqdefault.jpg)


![Financial Leprosy - The Disposable Heroes Of Hiphoprisy
Track 11. Financial Leprosy. From the album Hypocrisy Is The Greatest Luxury
Written by M. Franti
Hiphoprisy is:
Michael Franti & Rono Tse
Musicians:
Michael Franti - Vocals
Rono Tse - Angle Grinder, Tire Rims, Chains, Break Drums, Electronic Springs, Sheet Metal & Steel Drums
Charlie Hunter - Guitar
Programming and Musical Arrangements by Mark Pistel & Michael Franti
Mixed by Jack Dangers, Mark Pistel
Engineered by Mark Spliffler Pistel, John Baker
Post production engineering by Jeff Mann
♪♫ [1st Commentary: The consumer is in no position right now to lead the country out of recession..... 2nd Commentary: We look at dollars coming out of one pocket of the of the institutions going to the other pocket. The issue is larger than are there dollars to educate our children, the issue is do we want to educate our children.....]
Financial leprosy
We got to get up
And wait in line
For the soup, toilets
And things to read
Fill out 11-0-1s
And take a seat
But then we got to
Find a place to sleep
We got to lay down
Upon newspaper, cardboard
Concrete, and plastic sheets
Effects of Eighties public policy
We used to buy
Full shopping carts
And buy useless products
Trained to drain
Not to remain
Red line economy
I have a dreams reality.
Well self effacing and mirror hating
The ethnic notions and potions
But I still smell bad
Skin fader, tanning booths
In conjuction with their plastic boobs
And diet pills
ALL MEANS TO ATTRACT AND DISTRACT
Designer glasses to see designer clothes
Designer cologne to wave under a designer drug nose
That sniffs through the perfume scented
Magazines
Try to make sense out of dollars
Often heard of, rarely seen
As an ear listens to the dial tone
I pretend to talk on a cellular phone
That I know I cant afford
Well I used to own this street
And now Im living on Market Street
Well self effacing and mirror hating
The ethnic notions and potions
But I still smell bad
Skin fader, tanning booths
In conjunction with their plastic boobs
And diet pills
ALL MEANS TO ATTRACT AND DISTRACT
[3rd Commentary: Narco-gangsters concern us all....we will need speed and bass....bass........ 4th Commentary: Its a matter of priorities when in California 42% of the kids in CYA are African-American and are about 8% of the population. Its a priority when 40% of those in the federal corrections are African-American]
Thieves generating revenues
Lottery poverty tax
Druglords and
Landlords
And praise the lords
They prey upon us
How did they ever
Manufacture consent
A meal in every trashcan
Myth of the Happy Hobo
COINTELPRO (COunter INtelligence PROgram)
The Cosby Show
Why did they cut the Pell
Grant, so they can build cells
Ten years in prison
But no tenure at the University
Is this ethnic diversity?
Or is it public policy
[5th Commentary: The ones who need education the most are not getting it]
Chemical bullets
Aimed at the Afro-Diaspora
A genocidal ghost
Manipulates a suicidal host
And as high technology
Eliminates the need for manual labor
And Mercedes-Benz® logos replace peace signs
On the necks of our youth
There goes self effacing and mirror hating
The ethnic notions and potions
But I still smell bad
Skin fader, tanning booths
In conjuction with their plastic boobs
And diet pills
ALL MEANS TO ATTRACT AND DISTRACT
[6th Commentary: The poverty industry.......the poverty industry...they can find 750,000 a week to pay police but we cant pay community based organisations for after school activities......the poverty industry.............the poverty industry................................the poverty indust](END) ♪♫
[Mercedes-Benz® is a registered trademark of Mercedes-Benz Corp.]
Note: This album is dedicated to Tahan K. Jones, the first African-American conscientious objector from the Iraqi slaughter, and to all others who refused to kill or be killed in the name of the New World Order, and to the infamy of those who did and were.
~ [Many thanks to the copyright owners UMG for allowing this to be heard on YouTube] ~ ☺ Financial Leprosy - The Disposable Heroes Of Hiphoprisy](https://i.ytimg.com/vi/kqB-wf49Xsc/mqdefault.jpg)
![YouTubers Go Actual - Hyde Park Gathering 25th May 2009
A marvellous day spent in Hyde Park with fellow YouTubers.
Many thanks to kentishbloke for organising the gathering and to everyone who made it, great to see you all ☺ Those of you who couldnt make it, try for the next one...(possibly this August?)
I had a lovely time, the weather was sweet and the wine was dry (or vice versa?). Our spot under the trees was a beaut, a fab place to relax and enjoy.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The soundtrack includes, first ~ Who Are You [Mutation 1] - Vernon Reid from his album MistAkeN IDEnTitY
second ~ Jazz Beat - Stephane Malca from the album Momo Presents Sounds from Momos Kemia Bar
third ~ Signed Fictitious - Vernon Reid again, from his album MistAkeN IDEnTitY
Keep on keeping on..... ☺ YouTubers Go Actual - Hyde Park Gathering 25th May 2009](https://i.ytimg.com/vi/kzM8lWUxra8/mqdefault.jpg)
![Tenderness - Steppenwolf
Track 4. Tenderness. From the album For Ladies Only.
Written by Mars Bonfire
John Kay - vocals, guitar
Kent Henry - lead guitar
George Biondo - vocals, bass
Goldy McJohn - keyboards
Jerry Edmonton - drums
Richard Podolor - producer
Bill Cooper - engineer
♪♫ She tried to show me how to love
I bit her lips and bruised her arms
No I hadnt learned Tenderness
She asked, what does love mean to you?
I grabbed her hair and pulled her down
I looked in her eyes and I laughed
The love I feel is hard and fast
Its for a face and for one night
I dont need to own anyone
She said, she said, All your women burn in your flame
But as it dies, as it dies, theyll leave you and seek revenge
She laughed and said, Youll go through hell
Youll live in lonely rooms I know
And watch for my loves Tenderness
Oh I went from her to someone else
And someone else mmmm
Oh I couldnt feel satisfied
She said, she said, All your women burn in your flame
And as it dies, as it dies, theyll leave you and seek revenge
I wish that I could find her now
My love is soft, my love is warm
Id take her to bed tenderly
Oh id take her to bed tenderly
Yes Id take her to bed tenderly
mmmhhhmmmm ♪♫
http://www.steppenwolf.com/
The official Steppenwolf website.
~ [Many thanks to the copyright owners UMG for allowing this to be heard on YouTube] ~ ☺ Tenderness - Steppenwolf](https://i.ytimg.com/vi/l1zwJT37U_o/mqdefault.jpg)