Brian KrockThis is the first part in a two video series on "Stairway." In this video, I felt that I had to clear up some bad takes by music YouTubers on the theory behind the iconic riff. In-so-doing, I had to discuss Bach's Bouree in E minor, a 12th-century liturgical drama called "The Play of Daniel," Mondeverdi's "Lamento della ninfa," Ray Charles' "Hit the Road Jack," and the Best Cry Ever.
I also give you a summary of research done by Alex Ross based on a lecture by György Ligeti about the Lamento Motif, and how humanity's musical imagination was shaped by the melodic contour of cries of despair.
It all makes sense. Promise.
0:00 - Intro 1:27 - Part One: Cancelled! 2:28 - Part Two: It is Bach, and it Rocks 8:58 - Part Three: The Harmony 15:08 - Part Four: Lamento 21:41 - Part Five: Conclusion (be thee neither Dazed nor Confused)
Everyone is WRONG about Stairway to Heaven | s c o r e s t u d y 0 7 aBrian Krock2020-10-16 | This is the first part in a two video series on "Stairway." In this video, I felt that I had to clear up some bad takes by music YouTubers on the theory behind the iconic riff. In-so-doing, I had to discuss Bach's Bouree in E minor, a 12th-century liturgical drama called "The Play of Daniel," Mondeverdi's "Lamento della ninfa," Ray Charles' "Hit the Road Jack," and the Best Cry Ever.
I also give you a summary of research done by Alex Ross based on a lecture by György Ligeti about the Lamento Motif, and how humanity's musical imagination was shaped by the melodic contour of cries of despair.
It all makes sense. Promise.
0:00 - Intro 1:27 - Part One: Cancelled! 2:28 - Part Two: It is Bach, and it Rocks 8:58 - Part Three: The Harmony 15:08 - Part Four: Lamento 21:41 - Part Five: Conclusion (be thee neither Dazed nor Confused)
Sources: Kivy, Peter. Sound Sentiment. Ross, Alex. Listen to This. Picador, 2011. Temple University Press, 1989. Wall, Mick. When Giants Walked the Earth. St. Martin's Griffin, 2010.
#StairwayToHeaven #LedZeppelinWe’re playing TODAY at Birdland in NYC. 5:30pm ESTBrian Krock2023-06-11 | ...Big Heart Machine: The Trumpet Section. Rehearsing for our gig at Birdland in NYC, tomorrow, June 11Brian Krock2023-06-10 | ...The trombone section of Big Heart Machine. Hear/see us live this Sunday, June 11 at Birdland!Brian Krock2023-06-09 | ...Big Heart Machine: The Sax Section. See us live at Birdland in NYC on June 11 at 5:30pm EST.Brian Krock2023-06-08 | ...Succession Theme (woodwind arrangement)Brian Krock2023-03-26 | Nicholas Britell's Emmy-winning theme played on #bassclarinet #clarinet #flute #piccolo #oboe #englishhornThe Turmoil of Succession’s ThemeBrian Krock2023-03-26 | I'm back, baby! No more mustache.
#successionseason4 #nicholasbritellAuthor Mark Stryker on Jazz From Detroit & his ~6,000 recordsBrian Krock2022-05-07 | Mark Stryker's book "Jazz From Detroit" is among my favorite books on the subject of jazz music. I was so excited to get the chance to hang out, listen to music, visit his favorite record store, and talk about his home town. Thank you, Mark!
0:00- introduction 1:10- John Garvey, Elliott Carter, U of I 9:13- becoming a music critic at the Detroit Free Press 13:53- what defines the Detroit jazz sound? 24:04- Contemporary Jazz Quintet 24:53- choosing to make your musical life in a smaller market 30:13- Mark's favorite record of all time
#Detroit #Jazzrare footage of CHARLES MINGUS for your listening pleasureBrian Krock2022-04-22 | In honor of Charles Mingus' centennial, please enjoy this bootleg performance from a 1965 television broadcast title "Jazz: The Experimenters," featuring The Charles Mingus Workshop & The Cecil Taylor Unit, plus commentary from none other than Ralph Ellison and Martin Williams.
Charles Mingus Workshop: Lonnie Hillyer, Hobart Dotson- trumpet Jimmy Owens- trumpet/flugelhorn Julius Watkins- French horn Howard Johnson- tuba Charles McPherson- alto saxophone Charles Mingus- bass (1-2), piano & narration (3) Dannie Richmond- drum set
Cecil Taylor Unit: Jimmy Lyons- alto saxophone Cecil Taylor- piano Henry Grimes- bass Sunny Murray- drum set
Village Gate, New York, September 10, 1965
0:00- "The Arts of Tatum and Freddie Webster" [introductory fragment] (Mingus) 3:33- Ralph Ellison commentary 6:03- "Number One" (Taylor) 8:29- Martin Williams commentary 10:30- Cecil Taylor commentary 12:03- "Octagonal Skirt and Fancy Pants" (Taylor) 14:44- Williams 16:55- "The Arts of Tatum and Freddie Webster" [continued] (Mingus) 22:20- Ellison 25:59- "Don't Let It Happen Here" (Mingus)
0:00- Intro 5:37- Part One: What is maqam? 9:19- Part Two: Characteristics of Arabic classical music 14:25- Part Three: "Lightning Flash" 21:10- Conclusion: Down with hierarchies
#microtones #maqam #AmirElSaffarHow Sufjan Stevens hurts your heartBrian Krock2022-03-27 | This is the second installment of my Sadboy Series.
0:00- Intro 3:09- Part One: Pedal Points in the Bass 9:12- Part Two: "Open String" Pedal Points 14:00- Part Three: Carrie & Lowell 21:05- Part Four: They're Everywhere!
Thanks for my The Band's Visit bandmates for play on this video: Yoni Battat- violin Wick Simmons- cello Alejandro Farja- guitar Mark Ziegler- bass Roger Kashou- darbuka Shai Wetzer- frame drum, shaker, ankle bells Me- alto flute, Bb clarinet, bass clarinet, alto saxophone, keyboards, vocals
If you want to listen to the musical excerpts that we recorded, you will have no choice but to go to my Instagram page to hear them: instagram.com/brian.krock
Please support me if you can! You don't even wanna know how much time and effort went into this... patreon.com/briankrock
Preemptively Addressing Your Quibbles [please read this before nit-picking my work]: Brittanica's definition says a pedal point is "a tone sustaining through several changes in harmony." I would like to amend that definition to be more inclusive: "A tone sustaining or reiterated through several changes of harmony." I think the former definition is too inflexible, and would necessarily exclude classic examples of pedal points, such as the excerpt I mentioned from Mozart's Jupiter Symphony. Some of you may cry: "BUT BRIAN! Wayne Shorter's 'Footprints' and Sufjan's 'Chicago' aren't really pedal points because the repeated pitches aren't sustained." Well, first of all, please note that in my video I said the former example was "pedal point-esque" (6:46) and that the latter, "were it sustained, would create a pedal point" (8:06).
But, really, these technical details are beside the point! You could, for example, accurately describe the repeated pitches in Sufjan's "I Should Have Known Better" as an ostinato, rather than a pedal point. But, again, it's a simple issue of whether or not you believe a note must be sustained- rather than simply reiterated- to count as a true pedal point.
I, myself, couldn't care less. Music isn't about rules. We come up with these names to describe phenomena to each other in order to have a dialogue about musical moments that inspire us. That's all.
Post-script: One of my main takeaways from this project is what a freaking phenomenal singer Sufjan is. Since his style is understated, it can be easy to overlook. But, as you follow along with my transcriptions, notice how rhythmically complex these melodies are. Then, remember that he double-tracks almost everything. So, as I was trying to record the vocals, I got frustrated as hell! Sufjan is so accurate with his consonants and cutoffs, his pitch is remarkably centered, and the lyrics somehow fit snugly within pretty forbidding syncopation.
I also spent a lot of time thinking about setting lyrics as a composer. Sufjan manages to make his poetry the central focus of these songs while simultaneously respecting the complexity of the emotions he's expressing by reflecting those complexities in the music itself. There are odd phrase-lengths, changing time signatures, beautiful borrowed chords, and nothing formulaic.]How to Buy a Musical InstrumentBrian Krock2022-03-19 | Y'all thought "hey man, how do you do that?" was dead? Think again! I just bought a new bass clarinet, and I realized the internet is lacking a sufficient guide to finding the right instrument for your specific needs. So, I made that video.
1:57- Assess your needs 5:24- Create a budget 10:07- Play test 18:18- Ask for advice
#purchasing #guideWhy I don’t like orchestral rock (and other unfiltered opinions) [Q&A]Brian Krock2022-03-05 | Just my undiluted thoughts on things that you guys asked me about on social media.
0:39- Classical orchestra + rock music = not my thing 4:10- "Fishwim" 5:29- Saxophone technique books 7:38- (kinda) learning Klezmer clarinet for "The Band's Visit" 9:38- Luciano Berio's "Omaggio a Joyce" 11:55- preparing for AP Music Theory dictation 15:46- how to write better big band horn solis 18:37- is the next Big Heart Machine album gunna have metal influences? 19:17- Alice Coltrane is awesome 19:28- being "jazz enough"
By the way, the music you heard throughout this video is an unreleased, unmixed demo called "Wild Iris" that Jeff is working on with the fantastic trombonist Raymond James Mason.
#JeffCoffin #saxophoneWorld premiere recording of my newest composition, ‘anti-jazz’! [full recording is on my Patreon]Brian Krock2021-12-10 | ...How Balinese Kecak & Ravels Bolero influenced Jims arranging styleBrian Krock2021-12-05 | 0:00- Intro 2:36- Part One: Interlocking Rhythms 8:51- Part Two: Perfect Fifths & Ravel's 'Bolero' 12:13- Conclusion: Sonic Alchemy
#adamneely #shawncrowderCaroline Davis wrote “Worldliness and Non-Duality” to grieveBrian Krock2021-10-12 | 4:04- Part One: Unspoken Words & Hidden Numbers 8:00- Part Two: Writing for Strings 10:53- Part Three: Duality Dissolving Into Non-Duality
#CarolineDavis #PortalsHes great. [Mad Rush analysis (with legos)]Brian Krock2021-09-13 | 1:47- Part One: Does Philip Glass suck? 6:34- Part Two: Maybe we should look into this binary business. 20:29- Part Three: Wait, where's the melody? 23:41- Conclusion: I was wrong about PG
#PhilipGlass #MadRush‘The White Lotus’ score makes me ANXIOUS. Here’s why.Brian Krock2021-08-20 | I love Cristobal Tapia de Veer's music for 'The White Lotus,' but it's stresses me (and a ton of other people) out, and I wanted to see if I could figure out why.
#TheWhiteLotusWhite Lotus Theme Music [woodwinds cover]Brian Krock2021-08-15 | Cristobal Tapia de Veer's original soundtrack for Mike White's HBO limited series "White Lotus," performed by Brian Krock on alto flute, flute, soprano saxophone, clarinet, recorders, and bottle.
⚡A NEW WAY TO SUPPORT THE CHANNEL ⚡ Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns: amzn.to/2TGd5Rf Yusef Lateef’s Repository of Scales and Melodic Patterns: amzn.to/35PWDnm (If you decide you want to pick up one of these books, please use my affiliate link- I'll get a commission.)
#WhiteLotusmy happy phrygian song [from the Adam Neely scale challenge]Brian Krock2021-05-17 | maybe you heard this on the Adam Neely video and wanted to hear it again? sorry, I blacked out for the entire time that I was making this video.
www.bigheartmachine.bandcamp.com www.briankrock.comFlipping Brandon Seabrook’s chord of the day into a sick beat and then soloing over it like a madmanBrian Krock2021-05-03 | ...Why the music in ‘Hereditary’ scared the [censored] out of me! | s c o r e s t u d y 1 7Brian Krock2021-04-18 | [Spoilers on spoilers on spoilers!]
0:00- Intro (Where I introduce the semitone via John Williams' "Jaws" theme. How original?) 2:55- Part One: Satony (You were thinking of Bernard Hermann's "Psycho.") 7:19- Part Two: Hail Paemon! (Going deep into a few sequences from "Hereditary.") 16:20- Part Three: Complete the Ritual (One last thing! Oh, and Schoenberg was dumb about this one thing.)
#Hereditary #ColinStetsonare new JAZZ STANDARDS hiding in modern MUSICAL THEATER? [w/ Adam Guettel] | s c o r e s t u d y 1 6Brian Krock2021-04-11 | And other ramblings about musical theater's relationship to jazz music. Featuring the incredible composer Adam Guettel.
0:00- Intro 5:37- Part One: Background on Adam Guettel and 'The Light in the Piazza' 12:32- Part Two: Analysis of 'Say It Somehow' 23:25- Part Three: Conclusion?
#TheLightInThePiazza #MyFavoriteThingsBrian Krock - Say It SomehowBrian Krock2021-03-28 | Brian Krock- saxophone Olli Hirvonen- guitar Marty Kenney- bass Jay Sawyer- drum set
Composed by Adam Guettel
Audio recorded by Matt Marantz Video recorded by Luke Marantz Audio mixing and video editing by Brian Krock
#BrianKrock #SayItSomehowFOUR CHORDS & F r e e J a z z | Q&A 4Brian Krock2021-03-14 | my off-the-cuff, under-cooked, over-simplified, well-intentioned, purely-subjective opinions
0:49- Steely Dan 1:46- Free Jazz 5:13- extended chords for sax quartet 9:07- modern big bands 11:22- orchestration ideas from non-notated sources 13:43- time management 17:18- four chord "spiraling" loops 22:18- South American composers
#QandA #fourchords #freejazzJust Wrong [Palladino/Mills] played by a shitload of woodwindsBrian Krock2021-03-08 | Brian Krock: bass clarinet, recorder choir, clarinet, oboe, English horn, alto flute, guitar Nathan Ellman-Bell: drum set
#JustWrong #woodwindsPino Palladino & Blake Mills discuss creating Notes With Attachments | s c o r e s t u d y 1 5Brian Krock2021-03-08 | clickbait title: D'Angelo, Jaco Pastorius, and a stethoscope walked into a bar
table of contents: 0:00- intro 3:38- a note from Steve Swallow 7:11- Pino's songwriting credits 8:14- their collaborative process 10:31- "Man From Molise" 12:35- inebriated time feel 14:00- Jay Dee and D 15:11- Blake's Insta 15:52- upper structure triads 16:42- Weather Report/Jaco 18:40- "Notes With Attachments" 22:43- creative engineering 32:11- Chris Dave & Marcus Strickland 38:16- reed instruments are better than guitar 49:04- musical maturity 53:39- stethoscope?
Brian Krock: saxophone/clarinet/compositions Olli Hirvonen: guitar Marty Kenney: bass Nathan Ellman-Bell: drum set
This event is sponsored in part by a grant from @LiveFromOurLivingRooms @MusicTalksConcerts
#liddle #livestreamBrian Krock Live StreamBrian Krock2021-02-27 | ...Arranging Video Game Music... for Studio Orchestra?! | s c o r e s t u d y 1 4Brian Krock2021-02-21 | Charlie Rosen
#8BitBigBand #CharlieRosen12 Things *FANS* Forgot About Steven WilsonBrian Krock2021-02-07 | This is the first kind of "opinion" piece I've put up on YouTube... and it will probably make no sense to a majority of my viewers who are into jazz music. Steven Wilson is a singer/songwriter/engineer/producer/multi-instrumentalist that I have been looking up to since I was but a wee lad. And, it's been driving me nuts to see the hate and negative reviews towards his recent album "The Future Bites," which I think is quite good. So... here's a listicle of things about Steven that we would all do well to remember.
#StevenWilson #TheFutureBitesEthan Iverson is in his neoclassical period, kinda | s c o r e s t u d y 1 2Brian Krock2021-01-31 | What do Bud Powell, Igor Stravinsky, and Ethan Iverson have in common? Equal parts balance, restraint, and economy... plus a healthy dose of 'wrongness.'
0:00- Intro 3:17- Part One: "They all mention Bud Powell." 12:38- Part Two: "There's room for me to steal this stuff... like A LOT of room." 17:55- Part Three: "Any hook is- almost by definition- asymmetrical." 21:11- Conclusion: "I could tell you, but I'd have to kill you."
Music used in this video: "Fanfares" and "Jelly Cat [alternate take]" by Big Heart Machine; "Instead, I'll try to be..." and "I am a worm and no man" by Brian Krock
#BudPowell #IgorStravinskyWhat to do when your music all SOUNDS the SAME? | Q&A 3Brian Krock2021-01-24 | Also: metal album recs, bass clarinet/practicing stuff, Dustin Johnson, over-complicated music, and more! This was a fun one.
#QandAWhy is Phoebe Bridgers music so DEVASTATING? | s c o r e s t u d y 1 1Brian Krock2021-01-17 | In this video, I'm exploring one single, solitary chord that really punches me in the gut whenever I hear it. And, it happens to be in the vast majority of Elliott Smith's songs, so I named it after him. Phoebe Bridgers seems to love to use it, too. This video features Molly McAdoo on vocals (and myself- be nice).
0:00- Intro Part One: Between the Bars 2:29- "Miss Misery" 5:40- "Say Yes" 7:01- "Angeles" 9:01- "Ballad of Big Nothing" Part Two: ICU, Major Two 11:32- "Kyoto" 14:47- "Killer" 15:41- "ICU" 16:23- "Savior Complex" 17:35- Part Three: Harmony Condensed
Music used in the video: "Memphis [remix]" and "Eiderdown (electronic version)" both by Brian Krock; "Fixed Position Piece" by Big Heart Machine. All three tracks are unreleased to the public but available on my Patreon.
⚡A NEW WAY TO SUPPORT THE CHANNEL ⚡ Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns: amzn.to/2TGd5Rf Yusef Lateef’s Repository of Scales and Melodic Patterns: amzn.to/35PWDnm (If you decide you want to pick up one of these books, please use my affiliate link- I'll get a commission.)
#PhoebeBridgers #ElliottSmithHow to notate complex metric modulations... er, uh, tempo equationsBrian Krock2020-12-19 | On episode 5 of "hey man how do you do that?," Brian shows you exactly how to add some elasticity to your stale beats with tempo equations. We look to Elliott Carter, who was preoccupied with elongating, abbreviating, abstracting, and generally f*cking time in his music.
FYI, the underscoring consists of two of my electronic tracks ("Memphis" and "I am a worm and no man"), both of which utilize metric modulations, and neither of which is available commercially. [You can download them on my Patreon page tho.]
2:12- defining Metric Modulation 3:13- some Brass Tacks 5:20- exceedingly complex example
⚡A NEW WAY TO SUPPORT THE CHANNEL ⚡ Elliott Carter 'Collected Essays and Lectures' amzn.to/3gZJVr2 Elaine Gould 'Behind Bars' amzn.to/2Wsflgx (If you decide you want to pick up one of these books, please use my affiliate link- I'll get a commission.)
Sources: Carter, Elliott. Collected Essays and Lectures, 1937-1995. 'The Time Dimension in Music.' 1965. Carter Elliott. ibid. 'String Quartet No. 1 and No. 2.' 1970. Gould, Elaine. 'Behind Bars.' 2011. Hannaford, Marc. 'Elliott Carter’s Rhythmic Language: A Framework for Improvisation.' 2012. Mead, Andrew. 'Time Management: Rhythm as formal determinant in certain works of Elliott Carter.' 2012.Is it a good idea to get a Masters degree in music? | Q&A 2Brian Krock2020-12-12 | Fake Dr. Krock retires after an extremely brief career. Also, I recommend scores and music books that are invaluable for musicians.
1:47- let's get in to your mustache 1:55- COVID & the NYC jazz scene 4:47- is it a good idea to get a Master's degree in music? 10:00- favorite books on composition/music history/etc 15:55- where to find scores 16:27- how to transcribe 18:22- private lessons with me 19:25- classical saxophone
⚡A NEW WAY TO SUPPORT THE CHANNEL ⚡ Elaine Gould "Behind Bars": amzn.to/2JOmbu9 Norman Del Mar "Anatomy of the Orchestra": amzn.to/3ncKfVL Ludmila Ulehla "Contemporary Harmony": amzn.to/3qK0H1Y Schoenberg "Theory of Harmony": amzn.to/3mdAO7t Stravinsky "Les Noces": amzn.to/3gGG1Dl (If you decide to buy one of these books, please use my affiliate link- I'll get a small commission. Thank you!)
#QandAJonny Greenwood nailed the score for Phantom Thread | s c o r e s t u d y 1 0Brian Krock2020-12-05 | I think I figured out why Paul Thomas Anderson's 2017 film "Phantom Thread" left me feeling uneasy, and I THINK it has something to do with Beethoven's "Moonlight Sonata," polyrhythms, and Messiaen's 2nd mode of limited transposition.
2:52- Phantasmagoria 8:05- part one: Beware, my foolish heart 12:22- part two: There's a line between love and fascination 17:55- part three: How white the ever-constant moon 21:19- part four: Then let the fire start 26:15- conclusion: This time it's love
⚡A NEW WAY TO SUPPORT THE CHANNEL ⚡ Phantom Thread Soundtrack on vinyl, hell yea: amzn.to/2L9Ub4r Quartet for the End of Time pocket score is a must-have: amzn.to/3gckt17 (If you decide you want to buy any of this stuff, please use my affiliate link- I'll get a commission. Thank you!)
#PhantomThread #JonnyGreenwoodNecrophagist played by a sh*tload of saxophonesBrian Krock2020-11-28 | I want to be in a band with Muhammed Suiçmez. "The Stillborn One" is my favorite song from Epitaph, so I had to transcribe the insane shredding that closes out the track. Surprisingly, playing the blast-beat riff on bass clarinet was the hardest part!
The score and parts for my arrangement on this tune is available on my Patreon page: patreon.com/posts/44157519
⚡A NEW WAY TO SUPPORT THE CHANNEL ⚡ Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns: amzn.to/2TGd5Rf Yusef Lateef’s Repository of Scales and Melodic Patterns: amzn.to/35PWDnm (If you decide you want to pick up one of these books, please use my affiliate link- I'll get a commission.)
#Necrophagist #Epitaphwtf is improvising compositionally?! | s c o r e s t u d y 0 9Brian Krock2020-11-21 | When it comes to the music of tenor saxophonist Mark Turner, the line between composer and improviser is substantially blurred. In order to understand why, I tore apart his composition "Jacky's Place" and his improvisation "Sky & Country" with the help of some friends.
4:52- part one: INSIDE 12:56- part two: OUTSIDE 19:52- conclusion: IN & OUT
⚡A NEW WAY TO SUPPORT THE CHANNEL ⚡ Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns: amzn.to/2TGd5Rf Yusef Lateef’s Repository of Scales and Melodic Patterns: amzn.to/35PWDnm (If you decide you want to pick up one of these books, please use my affiliate link- I'll get a commission.)
#MarkTurnerƐNDLƐSS CYCLƐS: John Coltranes Crescent is related to Giant Steps | s c o r e s t u d y 0 8Brian Krock2020-11-13 | This video goes on quite a journey... from an analysis of John Coltrane's solo on "Crescent," to a deeper look at his motivic development and extended techniques, to some profound realizations about the similarities in his "twin" compositions from 1959 ("Giant Steps" & "Countdown") and 1964 ("Crescent" and "Wise One").
3:42- one // SOLO 10:47- two // TWINS 21:05- three // FATHER, SON, HOLY GHOST
⚡A NEW WAY TO SUPPORT THE CHANNEL ⚡ Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns: amzn.to/2TGd5Rf Yusef Lateef’s Repository of Scales and Melodic Patterns: amzn.to/35PWDnm (If you decide you want to pick up one of these books, please use my affiliate link- I'll get a commission.)
Sources: Porter, Lewis. 'John Coltrane: His Life and Music.' University of Michigan Press, 1998. Hentoff, Nat. Liner Notes, 'Crescent.' Impulse, 1964. Hollander, Roel. 'John Coltrane’s Tone Circle.' https://roelhollander.eu/en/blog-saxophone/Coltrane-Tone-Circle/ Slonimsky, Nicolas. 'Thesaurus of Scales and Melodic Patterns.' Schirmer Books, 1947. Lateef, Yusef. 'Repository of Scales and Melodic Patterns.' Fana Music, 1981.
#JohnColtrane #GiantStepsThe most misunderstood instrument (feat. Sarah Jeffery & Adam Bellard) | s c o r e s t u d y 0 7 bBrian Krock2020-10-23 | In this video, I obsess over John Paul Jones' incredible recorder choir arrangement in Led Zeppelin's "Stairway to Heaven." Along the way, I get some guidance in all things medieval from @Team_Recorder and I give you a bird's-eye view of a recording session with Adam Bellard as we arrange recorder parts for his upcoming album, 'Love Hard // Work Soft.'
The music at the end of the video is an amazing arrangement by my friend Russ Anixter for the New York Fusion Ensemble that never got released. Dave Spiers is playing the incredible piccolo trumpet stuff at the beginning, and David Driggs is playing the gorgeous oboe solo. Check out Russ' Hippie Big Band: youtube.com/channel/UCa8Redy4H7KmTPBX3XZkiFA
0:00 - Introduction 1:01 - M Medieval Times 7:10 - PG Polyphonic Grimoire 12:55 - NR New Recording 15:16 - R Recorder: Contains Adult Material
#Recorder #StairwayToHeavenOut of the (Rhythmic) BoxBrian Krock2020-10-02 | Abstracted pulse = anti-quantization, or something.
The underscoring throughout this video is my song, "Steep Ravine," from my 2018 album "Big Heart Machine": www.bigheartmachine.bandcamp.com (Today is Bandcamp Friday, if you're feeling generous. They're waiving their fees, so all proceeds go directly to me.)
Sources: Gould, Elaine. “Behind Bars.” Randel, Don Michael, ed. “Harvard Dictionary of Music.” Prausnitz, Frederik. “Score and Podium.” Price, Simon. soundonsound.com/techniques/pro-tools-using-beat-detective Vivona, Christine M. “A survery of the harp writing of Benjamin Britten.” (1989)
#MetricModulation #RubatoThe song that cured my writers blockBrian Krock2020-09-18 | I wrote this tune after months of Crippling Composition Anxiety (CCA for short [not a real thing]). I found myself unable to write after Big Heart Machine's debut album came out, because I kept getting into my head with thoughts like, "You are a fraud," or, "Your first album was a fluke and you'll never write anything awesome again." Maybe that sounds crazy, but I know that these insidious ideas are not uncommon. So, I decided to throw some paint at the wall, and wrote a whole bunch of random ideas. Then, I made a sort of collage, mixing and matching pages of manuscript paper. The finished result made me realize... IT'S NOT THAT DEEP! Just write some goddam music. If you're having trouble writing, here's what my mentor, Jim McNeely, used to say to me- just focus on filling up some pages (or some DAW sessions [or insert-futuristic-composition-method-that-doesn't-yet-exist]) with notes. Don't stress about whether they are 'good' notes or not, you can figure that out later.
Brian Krock- conductor, composer Charlotte Greve, Caroline Davis, Anna Webber, Timo Vollbrecht, Jay Rattman- reeds John Lake, Kenny Warren, Chloe Rowlands, Dave Adewumi- trumpets Nick Grinder, Sam Blakeslee, Isaac Kaplan, Jennifer Wharton- trombones Olli Hirvonen- guitar ArcoIris Sandoval- piano Marty Kenney- bass Nathan Ellman-Bell- drum set
#BigHeartMachine #WritersBlockDecoding the Metaverse of Anthony Braxton | s c o r e s t u d y 0 6Brian Krock2020-09-11 | I took a deep dive into Anthony Braxton's 'Tri-Axium Writings' and 'Composition Notes' in a quest to finally understand the mystical alchemy of his compositional world. I learned a lot more about myself in the process... which I think might have been Mr. Braxton's goal all along?
0:00- Intro 6:43- Some History 10:58- Exploring the Tri-Axium Writings 16:02- Making Sense of the Titling System 20:45- Analysis of Composition 23B 29:25- Conclusion
-The underscoring in this video is “I am a worm and no man” from my album, VISCERA. -The transition music comes from my band liddle’s recording of “Composition 23B,” also from VISCERA. -The final ‘universe’ music is an excerpt of Anthony Braxton’s “Composition No. 56.”
✔️SOURCES✔️ Braxton, Anthony. _Tri-Axium Writings (Book 1)_ Braxton, Anthony. _Composition Notes (Book 2)_ Heffley, Mike. _The Music of Anthony Braxton_ Lewis, George. _A Power Stronger than Itself_ Lock, Graham. _Forces In Motion_ Shteamer, Hank. _Anthony Braxton’s Big Ideas_ Tri-Centric Foundation Catalogue of Works: drive.google.com/file/d/1-e9wKoSzot756Qiwl3khbdwlhM4SMeS3/view?usp=drivesdk
#AnthonyBraxtonHow do you practice & internalize POLYRHYTHMS? [feat. Kim Cass]Brian Krock2020-09-04 | Welcome to this, my stupid new Q & A series! If you've got questions for me (or special guests you'd like to suggest), hit me up in the comments or follow me on IG- I'll be opening my stories for questions once in a while.
Sources: Cowell, Henry. "New Musical Resources." Thomsen, Peter. "Overlapping Systems." finaleforum.com/viewtopic.php?f=5&t=14749 Willey, Robert. "Electronic Realizations of Conlon Nancarrow's Study No. 37 for Player Piano." http://www.willshare.com/willeyrk/creative/papers/study37Be like Gil Evans in 5 (not so) easy steps | s c o r e s t u d y 0 5Brian Krock2020-08-14 | Who doesn't want to write music like Gil Evans- the brilliant arranger behind such classic records as Miles Davis' "Sketches of Spain" and "Porgy and Bess?" Well, I called on Ryan Truesdell to see if he could help me crack the code... and realized along the way that in order to *write* like Gil, we need be try to *be* like Gil.
0:00 - Intro 2:22 - 1. Defy Conventions 9:39 - 2. Be Open to New Musical Developments 15:28 - 3. Use Unusual Instruments 19:12 - 4. Be Spontaneous 21:57 - 5. Be Anti-Commercial
♥ SUPPORT ME ON PATREON ♥ patreon.com/briankrock [If you're interested, my whole 3-hour long interview with Ryan Truesdell is available on my Patreon page. He showed me(/us) a lot of Gil's handwritten sketches and original scores that I couldn't include in this video because of copyright law and all that good stuff.]
Sources: Chinen, Nate. “Rediscovering a Tune Unplayed Since 1942” Crease, Stephanie Stein. “Gil Evans: Out of the Cool” Porter, Eric “Dizzy Atmosphere: The Challenge of Bebop” American Music Schuller, Gunther. "The Swing Era" Sidran, Ben. "Talking Jazz" [interviews] Truesdell, Ryan. "Centennial" [liner notes] Truesdell, Ryan. "Birth of the Cool: Back Where It All Begins" JazzTimes
#GilEvans #Top5Steve Swallow made me a disgusting cup of coffee | s c o r e s t u d y 0 4Brian Krock2020-07-26 | Humongous thanks to Steve Swallow for "abetting my folly" (his words) in making this video. Thanks to Chloe Rowlands (trumpet), Olli Hirvonen (guitar), and Nathan Ellman-Bell (drum set)- all members of my big band, Big Heart Machine- for lending me their instrumental prowess. Thanks to Molly McAdoo for acting in this video, as well as for coaching my through my camera shyness.