HDR 4K | BMPCC4K | Duke Gardens 2019 Tony Dae 2020-12-07 | Test upload of some shots from Duke Gardens I shot a bit ago. Shot and graded for rec709, transformed via ACES to rec2020 ST2084 1000nit. Still working through HDR content workflows for YouTube.Music Credit: bensound.comConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPOutput Settings:QuicktimeDNxHR HQX 10-bitEmbed HDR10 Metadata3996x2160 DCI Flat 1.8523.976 FPSColor Space Tag: Rec.2020Gamma Tag: ST2084 1000 nitGear stuff:Camera: Blackmagic Pocket Cinema Camera 4KLens: Sigma 50-100 f1.8, Metabones ef-M43 UltraCodec: Braw 8:1 and 5:1, ISOs 400 and 3200Capture Framerate: 23.976p and 60p
The Best Ever?? | Sony 50mm f1.2 GM Image Quality Review Tony Dae 2023-10-03 | Tony talks about his thoughts on image quality achieved using the Sony 50mm f1.2GM. See this video first: youtu.be/tHZnawPKk4wAll images shot with Sony 50mm f1.2 GM, Sony a7riii, Sony a7rv.Raw processed in DXO Photolab 6. I don't do straight out of camera images.More images available at: flickr.com/photos/147071481@N02Music: bensound.comChapters:00:00 - Intro01:40 - Portraits at f1.204:20 - Depth, 3d pop discussion06:15 - f1.2 image quality continued07:15 - Close up IQ08:50 - Stop down IQ10:14 - Final thoughts
Sony 50mm f1.2 GM Vs Sony 50mm f1.4 GM | Tony Responds... Tony Dae 2023-09-29 | Tony Dae bores his audience with thoughts on other people's thoughts of other people's hard work in doing comparisons of the two Sony GM lenses.Music: Yari, Unlocked, Bensound.com
Sony a7r5, Sony 50mm f1.2 GM Testing | 4K | The Getty Villa Tony Dae 2023-09-24 | Tony takes is clumsy handheld skills to The Getty Villa for some video tests. Hooray!My Assessment: 4K 24 looks fine, stabilization works OK. 4K 60p can lead to some aliasing... no like. I cut out some of it but you can still see some that made it in. No idea if its xavc-s to blame or that its binned, cropped, breathing compensation is on, AND I had active stabilization on which crops even more... crop/crop/crop makes bad times... looks ok on mobile sometimes.Dynamic Range is very good... no problems here. Just shoot correctly in slog3 and you're fine.Technical Information: • Sony a7r5, Sony 50mm f1.2GM, no filters etc. because I'm lazy. • Slog3/SGamut3.cine, graded in Davinci Resolve.• XAVC-S, 4K binned, mostly 60p, some 24. It should be obvious.Music: Veace D - Flash, bensound.com
Weeylite Ninja 200 Review Tony Dae 2022-10-27 | Tony's review of the Weeylite Ninja 200 bi color LED light. I was sent this to review by the company and, to my understanding, I can keep the product. The company did not have any say over what I could put into this review and no money changed hands. Hope this helps you out!Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPAll music from Bensound.comChapters:00:00 - Introduction00:59 - Build Quality of Head01:29 - General Light Quality02:40 - Power Supply is No Good05:32 - Battery Solution Unbalanced07:46 - Command/Power Save Issue08:34 - Bowens Adapter is Bad13:10 - Carrying Case is Nice13:21 - Recommendation14:29 - Wrap up
Sony 35mm f1.4 GM VS Sigma 35mm f1.2 DG DN VS Sigma 35mm f1.4 DG DN Tony Dae 2022-09-12 | Tony rambles on about comparing 3 different 35mm lenses on Sony E mount.Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPChapters:00:00 - Introduction01:34 - Sigma 35mm f1.4 DG DN02:15 - Sigma 35mm f1.4 DG DN Samples04:07 - Sigma 35mm f1.2 DG DN06:18 - Sigma 35mm f1.2 DG DN Samples07:43 - Sigma 35mm f1.2 DG DN Focus Issues11:45 - Sony 35mm f1.4 GM12:35 - Sony 35mm f1.4 GM Samples14:57 - General Comparison Summary16:07 - Wrap Up
SIGMA 35mm f1.2 Test | Sony FX3 Tony Dae 2022-09-02 | Test with Sigma 35mm f1.2 DG DN Art lens. I did not buy this lens due to the terrible manual focus control and the focus shifting issues when racking focus as demonstrated in this video. Even in slow motion, it looks baaaaad... but the overall IQ I really love. Shame really.Location: Aldridge Gardens, Hoover AL
Best Long Zoom for the $$ | Sigma 100-400mm f5-6.3 DG DN Contemporary | 1 Year Review Tony Dae 2022-05-23 | Real World Review of the Sigma 100-400mm f5-6.3 DG DN Contemporary lens. Opinions expressed are based on real world use and experience with the lens on Sony E mount with "full frame" cameras both in video and photography contexts. Photos taken with a Sony a7riii and video is taken with a Sony fx3.Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPMark Galer's Action Settings:youtu.be/GcihJikc7m8CHAPTERS:00:00 - Introduction00:20 - Build Quality02:20 - Image Stabilization & Auto Focus03:39 - Image Quality05:26 - Value & Recommendation
Sigma 24-70mm f2.8 DG DN ART | 1 Year Review Tony Dae 2022-05-09 | Real World Review of the Sigma 24-70mm f2.8 DG DN Art lens. Opinions expressed are based on real world use and experience with the lens on Sony E mount with "full frame" cameras both in video and photography contexts.Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPChapters:Sources:Sony Product Video:youtu.be/1Viel8MAl-MnVu Dust Issues Video:youtu.be/HEqqVMGpmeQ
FAST Editing With ANY Codec! | How To Use Proxies | Davinci Resolve | Sony fx3, a7siii, Canon R5... Tony Dae 2022-04-18 | Highly compressed HEVC source files got you down? Editing too slow? Well don't stand for it! Use proxies!Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPChapters:0:00 - 2:33 Introduction to Proxies2:33 - 4:09 Linking Single Proxy4:09 - 7:24 Generating Proxies7:24 - 8:25 Linking Multiple Proxies8:26 - 9:14 OutroEnable proxy recording on Sony fx3 or a7siii:helpguide.sony.net/ilc/2035/v1/en/contents/TP1000282137.html
This Ones for the Birds | Birbs in 120p Tony Dae 2022-04-11 | Short video from an outing to the Birmingham Zoo. All shot in 120p, handheld, using auto focus features. Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPMusic: Andybird - One Little StoryGear & Specs:Sony FX3Sigma 100-400 f5-6.3 DG DN120p, 4k, XAVC-HSSlog3/SGamut3, 640 & 12800 ISOGraded/cut in Davinci Resolve
Lets Fix It! | Banding in Your Render! Tony Dae 2022-04-04 | Let's take a crack at fixing color banding which often occurs with clean footage when rendering to an HD or even 4K master. Here we use a quick & easy industry standard technique... dithering using grain overlays. Please be sure to follow along with your own footage. The results can be hard to see on YouTube, but it does work! Please be sure you are viewing in 1440p or higher quality in order to better view the demonstration. Due to YouTube compression, even 1080p will simply not show the results properly... which is at least a demonstration of YouTube's inability to retain detail in HD.Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPMusic credit: bensound.com
4K HDR Version | 2022 Early Spring Flowers | Birmingham Botanical Gardens AL Tony Dae 2022-03-29 | Birmingham Botanical Gardens, Early Spring 2022The tulips are out and I love doing this kind of stuff. Can't help it. I know some of you couldn't give two rat's patooties, so its ad free. Enjoy.Shooting in the gardens while testing out handheld touch track auto focusing/rack focusing with Sony FX3. All shot in 60p slowed to 24p timeline. Graded in Davinci Resolve via ACES.This version is uploaded for HDR testing with Sony FX3. Please be sure to watch on an appropriate screen/browser. HDR should be visible on the settings gear if done properly.Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPMusic Credit: Bensound.com
2022 Early Spring Flowers | Birmingham Botanical Gardens AL Tony Dae 2022-03-20 | Birmingham Botanical Gardens, Early Spring 2022The tulips are out and I love doing this kind of stuff. Can't help it. I know some of you couldn't give two rat's patooties, so its ad free. Enjoy.Shooting in the gardens while testing out handheld touch track auto focusing/rack focusing with Sony FX3. All shot in 60p slowed to 24p timeline. Graded in Davinci Resolve via ACES.Music Credit: Bensound.com
Rainy Day Tony Dae 2022-03-16 | Stuck the camera out the door to record some rain all for funsies. Shot with 120p at 12800 ISO.Music credit: bensound.com
NANLITE FS-300 | Fan Noise Test 1 Tony Dae 2022-02-28 | Testing the fan noise on the Nanlite FS-300.The room chosen is a small office with very little wall coverings to simulate office talking heads. The light is 2 meters from subject and there is no other ambient noise in the room that is audible. According to some, this is a situation that the FS-300 is not usable due to the fan noise. Let's see if that's correct in a real life situation.Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPMusic credit: bensound.com
IRND Neutrality Test | Firecrest Ultra Cine Superslims | Indoors | PLUS STACKING! Tony Dae 2022-02-11 | Testing color neutrality of Formatt Hitech's Firecrest Ultra Cine Superslim IRND filters. I test the .6, .9, 1.2 kit AND stack them to provide a full 2-7 stop kit that's shown, in this test, to be usable and provide neutral results across the board.Chapters:00:00 Introduction and Sample Roll01:20 Camera/Lensing, Deeper Dive02:50 Stacked Filter Results04:09 Vector Scope, Balance Examination08:40 OutroDISCLAIMER:These filters fit in both my Smallrig Light Weight Matte Box and my Smallrig Mini Mattebox, however, the filters did NOT fit stacked together in 1 slot in the Light Weight Matte Box, but did fit stacked together in a single tray on my Mini. The Light Weight Smallrig matte box apparently does not have a wide enough slot, which is annoying, but not that big of an issue for me since I only use that one indoors and rarely need more than 2 stops of ND, if that.If you would like to buy as a result of watching this video, please use the affiliate link below:formatt-hitechusa.com/?rfsn=6331655.c3238c&utm_source=refersion&utm_medium=affiliate&utm_campaign=6331655.c3238cConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPMusic Credit: Bensound.com
R5C CRIPPLED BY DPAFI! | This Unsubstantiated Claim Explored... Tony Dae 2022-01-20 | Some folks are apparently incorrectly stating that the EOS R5 and R5C have different DPAF systems for video. Not true according to the spec sheets from Canon Europe, the most trustworthy Canon website I am aware of that I can read. Canon USA is often not updated. Since people on YouTube often do not cite sources appropriately or check to see if some other person has their facts wrong, its anyone's guess as to where this information came from. The only thing I can conclude is either A: somebody misread something and is spreading false information or B: There are contradictory spec sheets floating around out there from Canon. Either way there is not proof that the DPAF systems are different between the two cameras.The only thing I can conclude is that these cameras have the same DPAF version in video mode, as stated by the manufacturer.Links to spec sheets:canon-europe.com/cameras/eos-r5/specificationscanon-europe.com/cameras/eos-r5c/specifications
Why I DONT Shoot in S-Cinetone | S-Cinetone VS S-log3 | Part 1 Tony Dae 2021-12-17 | Part 1 of a series comparing Slog3 to S-Cinetone. We will be transforming Slog3 into Rec709 using ACEScct Color Management.Chapters:00:00 - Introduction01:00 - Disclaimers01:45 - Test Overview03:56 - Color Profile Comparison07:56 - Dynamic Range09:17 - Correcting First Samples18:43 - Correcting Second Samples23:13 - OutroSample Images provided to Patrons at:Patreon.com/tonydaeI NEVER shoot S-Cinetone or any other baked in Rec709 look when I have even a tiny bit of post-production budget. Proper 10 bit log will provide a lot more room to make corrections if they are needed, as shown here, and will provide far more room for color grading as well. Here we explore what happens when we shoot in the wrong white balance and how much room we have to correct easily and efficiently.Shot Specs:Sony FX3, XAVC-SI, 4K 10 bit 4:2:2Sigma 24-70 f2.8 DG DN @ F4S-log3/S-Gamut3 shot in ISO640S-Cinetone shot in ISO250 (To match exposure)Note:I used ISO 250 to match Rec709 transform from S-Log3 to make it easier to compare. You may wonder, why not base ISO of 100? It would require more exposure adjustments I wasn't going to make for this test and it would not prove anything anyways. S-Cinetone will ALWAYS have lower dynamic range compared to Slog3, Always. It isn't a debate or up for negotiation. If you do not believe me or Sony, you can try your own tests and choose whichever ISO levels you like, in fact, I encourage you to do so.Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPMusic Credit: Bensound.comSupport me on Patreon!Patreon.com/tonydaeWhat is ACES?acescentral.comSony White Papers:https://pro.sony/s3/2020/03/24095333/S-Cinetone-whitepaper_v2.pdfhttps://pro.sony/s3/cms-static-content/uploadfile/06/1237494271406.pdf
Sony FX3, Sigma 100-400 f5-6.3 DG DN | 120p, Slow Motion | High Frame Rate Test Tony Dae 2021-11-29 | Test shooting with the Sony FX3 and Sigma 100-400 F5-6.3 DG DN.Music Credit: Bensound.comTechnical Information |All shots are handheld with Image Stabilization set to Standard. Shot in broad daylight and some shade. Stupid clouds did not shade the sun like they were supposed to. Mixture of touch and wide tracking auto focus used for most shots, manual for a few.Camera:Sony FX3XAVC-HS, 10bit 4:2:260p/120pSlog3, Sgamut3Lensing:Sigma 100-400 f5-6.3Schneider Hollywood Blackmagic 1/4 filterNo ND filters, tested and stretched dynamic range.Matte Box for some shots to help with flaring, can't remember which.Post Production:Davinci ResolveACEScct Color ManagedConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYP
Sony a7iv | Better for Video than a7siii or fx3? | Tony Responds Tony Dae 2021-11-15 | Tony's thoughts about the Sony a7iv in relation to some other cameras. Music credit: Bensound.comSources:cined.com/sony-a7s-iii-lab-test-does-it-live-up-to-the-hypecined.com/canon-eos-r6-lab-test-rolling-shutter-dynamic-range-and-latitudeelectronics.sony.com/imaging/interchangeable-lens-cameras/all-interchangeable-lens-cameras/p/ilce7m4k-balphashooters.com/cameras/sony-a7iv/manualConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYP
No, Braw Doesnt Require Manual Application of IDTs for ACES. | Response Tony Dae 2021-11-13 | It doesn't and it is demonstrable. This was easy to test.Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYP
ACES Gamut Clipping Fixed | Davinci Resolve Tony Dae 2021-11-11 | Davinci Resolve 17.4.1 looks like they have added a gamut compression feature to fix ACES clipping. Hurrah!Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYP
Lets Grade Slog3! | Learn 3 Different Rec709 Conversion Methods! Tony Dae 2021-08-23 | In this video we explore color grading slog3 sgamut3 using Davinci Resolve. We use three methods: LUT workflow, RCM workflow, and ACES workflow.Please be sure to brush up on basics of color management. This video will use color management but will not be an in depth video going over all of its aspects.00:00 Introduction00:24 Why Some Struggle01:34 Arri LUT Workflow05:10 RCM Workflow08:50 ACES Workflow14:53 OutroConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPMusic credit: bensound.com
Does Brand Color Science Really Matter? | Part 2 | Matching Cameras Tony Dae 2021-08-20 | Part 2 of our series "Does Brand Color Science Really Matter?" Please see part 1 before watching this video.Here we explore how I corrected each camera to look similar.Big thank you to Carlos Quintero for the test material!Music credit: bensound.comLinks:yedlin.netacescentral.comyoutube.com/c/CarlosQuintero00/featuredConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYP
Does Brand Color Science Really Matter? | Challenging Perceptions on Brand Color Science Tony Dae 2021-08-07 | In this video we look at 5 different cameras from less than 5 brands and determine how important input color science from the manufacturer really is for real world rec709 results. At least 1 camera is (according to the online community) supposed to have some of the worst color science, and at least 1 camera (according to the online community) is supposed to have some of the best color science. We do not compare all brands in this video because I cannot get access to controlled test material of ALL brands available in the same setting, but we can extrapolate from what we learn here. This sample ought to be enough to get a more broad understanding of input brand color science and how much that matters for our end results achieved. Is there special sauce? And if there is, does that really even matter for our end results? We ask, "is good or bad Color Science more of a function of what we do with data from a camera, or is it an inherent quality from a brand's special sauce? As long as a camera gives us enough data to do what we want, does it really matter what the input color science is?"By looking at this more empirically, we can more easily select our tools, codecs, etc. based on needs and actual measurable things (dynamic range, resolution, malleability in the grade, sharpness, noise), thus be more free in our creative expression.Big thank you to Carlos Quintero for the test material!Music credit: bensound.comLinks:yedlin.netacescentral.comyoutube.com/c/CarlosQuintero00/featuredConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYP
Tony Responds | Leaving Lightroom, Photoshop Tony Dae 2021-06-25 | Tony responds to questions from our Patreon community.Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYP
ZLog2 Color Grading, NO Third Party Plugins | Arri Log C, RED IPP2, Color Managed! Tony Dae 2021-06-04 | Presenting a work around for using ZCam Prores files in Davinci Resolve without the use of any third party plugins or the manufacturer LUTs. We use a work around to get accurate colors and rec709 transforms using a variety of methods. See below for chapters. 0:00 - Introduction02:46 - Zlog2 to Arri LogC LUT Workflow in Resolve09:02 - How to create a LUT in Resolve10:58 - Zlog2 to RED IPP2 LUT Workflow in Resolve13:57 - Zlog2 Node Based Color Management Workflow in Resolve15:29 - Zlog2 RCM Workflow Standard in Resolve19:42 - How to Create a Power Grade in Resolve22:01 - Zlog2 RCM RED IPP2 in ResolveConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPMusic Credit: bensound.com#zcam #davinciresolve #colorgrading
Birmingham Botanical Gardens | Memorial Day 2021 Tony Dae 2021-06-01 | Birmingham Gardens, Memorial Day 2021.Tripods not allowed at the park, so I shot all handheld. I hope you enjoy it.Music credit: Bensound.comConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYP
Tony Responds | Advice on Sony | Best Lenses, Best Practices, Color Grading Tony Dae 2021-05-25 | Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPMusic Credit: Bensound.com
Tonys Handheld Long Lens Zoo Trip Failure Montage Tony Dae 2021-05-24 | I took an about an hour at the zoo shooting a 100-400 lens handheld for video. All shots in 24p at 1/50. I kind of hated it. Not recommended.Gear Used |Sony a7riii, slog2, sGamut3.cine, s35 modeSigma 100-400 f5-6.3SLR Magic VNDiiSLG Magic IE ProConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPMusic credit: Bensound.com
ZLog + Cinematch | Davinci Resolve Grading Tutorial Using ZCam E2-S6 Tony Dae 2021-05-06 | Zlog grading tutorial using Cinematch.Big thank you to Dark Echo Productions for the sample clip!Cinematch Free Trial, TRY FIRST!cinematch.com/purchase?gclid=Cj0KCQjwp86EBhD7ARIsAFkgakgBY8DM2I9UxnJBSmvarhh91E3FARCbfuArz8PiZ3TYmnvPcZZriVgaAn1eEALw_wcBMusic credit: Bensound.comConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYP===I haven't paid for this software but this is an independent video showing a use case scenario of the software. Any opinions expressed are my own, nobody gets to see the video before I publish and there has been no attempt to gain editorial control. There has been no payment for the content by outside persons or manufactures.
Lets Grade Slog2 In Under 10 Minutes! | Davinci Resolve | Slog2 Tony Dae 2021-04-16 | Grading Slog2 in under 10 minutes in Davinci Resolve using color management.Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPMusic credit: Bensound.com#slog2 #sony #colorgrading
Sony A7Riii SLOG2 Quick Test | Natural Color Tony Dae 2021-03-02 | A7riii quick test of slog2/SGamut3.Cine with backyard flowers and stuff to see what I can do with the codec in daylight and how effective the auto focus is for detail shots like these. Non-scientific, all handheld, mostly autofocused, some extra stabilization in post. Specifications....Sony a7riiiSuper 35 Crop mode4K 24p/100mbpsSlog2/SGamut3.Cine, Default settings with -7 on sharpnessCloudy White BalanceIn Camera Stabilization ONSigma 24-70 f2.8, NO filtersGraded in Davinci Resolve to Rec.709/G2.2 DisplayMusic credit | Bensound.com
Lets Grade HLG In Under 10 Minutes! | Davinci Resolve | HLG3 Rec2020 Tony Dae 2021-02-27 | Grading HLG3 Rec.2020 footage in Davinci Resolve.Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPMusic credit: Bensound.com
SONY FX3 | Tonys Thoughts! Tony Dae 2021-02-24 | My thoughts about the new Sony FX3.Music credit: Bensound.comConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYP
BMPCC6K PRO! | Tonys Thoughts Tony Dae 2021-02-19 | My thoughts about the new Blackmagic Pocket Cinema Camera 6K Pro.Music credit: Bensound.comConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYP
Fix Clipped Colors! | ACES | Gamut Clipping | Davinci Resolve Tony Dae 2020-12-16 | ACES can be annoying with transforming colors that are out of gamut. Here are several ways that you can deal with it including my current favorite method which uses a DCTL from the ACES community! Big thank you to the programmers in the ACES community!Music credit: Bensound.comConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPLink to source:blackmagicdesign.com/products/blackmagicpocketcinemacamera/blackmagicraw
Create HDR Content | bmpcc6k/4k, ursa 4.6k, braw, ACES, Davinci Resolve Tony Dae 2020-12-11 | This video explains how to output your Rec709 graded images to YouTube for proper display/playback!Music credit: Bensound.comPlease consider becoming a Patron!www.patreon.com/tonydaeACES CENTRAL:acescentral.comTest samples from this video:rec709 version: youtu.be/6ZJUOwjJ4dYHDR10 version: youtu.be/dvcA1ErQn1wOther HDR10 Test Renders:Bright/Saturated Colors: youtu.be/Rp8CmaEaenQSubdued/Darker Tones: youtu.be/jy_UsGGiF3QSource Links:blackmagicdesign.com/products/blackmagicursaminipro/galleryblackmagicdesign.com/products/blackmagicpocketcinemacamera/blackmagicrawblackmagicdesign.com/products/blackmagicpocketcinemacamera/gallery
HDR 4K | BMPCC4K, ACES | Jemison Park Tony Dae 2020-12-05 | First attempt at uploading 4K HDR content to YouTube for display. This is a test to see if it works/displays properly, details below. You must watch this on an HDR monitor to view it appropriately.Music Credit: Bensound.comConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPDetails:Shot in Mountain Brook AL. Not originally shot for HDR. Graded in Davinci Resolve 17beta in ACES color management. Graded originally for rec709 then output to DNxHR10 Rec2020/ST2084 1000nit. Intermediate codec was then cut and a contrast trim added in edit timeline.Output Settings:QuicktimeDNxHR HQX 10-bitEmbed HDR10 Metadata3996x2160 DCI Flat 1.8523.976 FPSColor Space Tag: Rec.2020Gamma Tag: ST2084 1000 nitGear stuff:Camera: Blackmagic Pocket Cinema Camera 4KLens: Sigma 18-35 f1.8, Metabones ef-M43 Ultra, Hollywood Blackmagic 1/4.Codec: Braw 8:1, ISOs 400 and 3200Capture Framerate: 23.976p and 60p
ACES/RCM | Bypass Resolve Color Management! Tony Dae 2020-12-02 | Video on how to avoid unwanted color management transforms to footage and graphics.
WHY Your Vlog Colors Look Bad and How to Fix It! Tony Dae 2020-11-22 | My attempt to help people struggling the Panasonic Vlog footage from the S1(H). Complaints were that skin tones look bad and that reds are tinted orange. I think I found the culprit... but if this does not help you, please send me your footage that shows the problem and I can attempt to trouble shoot the issue.This method is only 1 way of checking the color science of the camera to see what things look like when displayed through color management. There are many ways to check this, but this way is very easy to do and show you.Download footage from:cined.com/panasonic-lumix-s1-v-logvimeo.com/346714954Consider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPMusic credit: Bensound.com
SONY a7siii + Arri Log C = $$$ Tony Dae 2020-11-14 | Showing different methods for converting your Sony a7siii SLOG footage into more usable starting points culminating with Arri Log C techniques.Link to Sidney Diongzon video:youtube.com/watch?v=A6cVbL-GNIoConsider becoming a patron! patreon.com/tonydaeJoin us on Discord!discord.gg/5hcfee2bYPMusic credit:Bensound.com
