I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Hwang Yau-tai] Suite in E Phrygian Mode “Hometown Suite” for Piano (Score-Video)Quinone Bob2024-10-18 | 黄友棣 —— 家乡组曲
The work is a suite in sonata form with three movements without break: 0:02 - I. Allegro moderato (sonata form) - attacca:
The first theme is a Suiyuan folk song, ‘Lunar New Year's greetings’, and is harmonised in Phrygian mode; the second theme is in C major, and is based on the staccato and leaping intervals of the third and fourth stanzas of the first theme. The material of the Exposition section is taken from the rhythm of the beginning of the first theme. In the recapitulation section, the theme is simplified in order to make it more concise. The second theme appears in E major, the eponymous major key of Phrygian mode. The main design of this chapter is to use the modes in unison with the major key.
2:27 - II. Andante molto Sostenuto (variation form) - attacca:
The introduction is in rubato tempo. The theme is the northern Cantonese folk song ‘Falling Water’ which is in A Aeolian. The three variations do not add outward ornamentation, but rather analogise the inner tonality. The first variation is A Dorian (with the same key signature as G major); the second variation is A Lydian (with the same key signature as E major); and the third variation is back to A Aeolian. The ornamental phrases are like the sentences of the notes. The rhythm of the first theme of the first movement is used to recall the whole piece.
6:33 - III. Allegretto
The theme is the Shaanxi folk song ‘Blowing in the South Wind’, treated in the Phrygian mode to unify the whole piece. The middle theme is a line from the Kangding folk song, ‘The Moon is Bending’. The theme is reproduced and simplified. Within the three chapters, there is the rhythm of the theme of ‘Lunar New Year's greetings’ running through them to unify the whole piece.
The Hometown Suite is based on the theme of folk songs and focuses on nostalgia for the countryside. The first chapter expresses the happiness of spring, the second the melancholy of spring, and the third the blowing of the south wind and the shining of the moon, all of which express the scenery of summer.
(Source from the score)
Performer: Azusa Fujita
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Chiang Wen-yeh] Piano Sonatina Op.31 (Score-Video)Quinone Bob2024-10-16 | 江文也 - 小奏鸣曲 Op.31 (1940)
This piece has 3 movements: 0:02 - I. Moderato introductorio - Allegro animato 2:20 - II. Andante amabile 3:35 - III. Allegro gaio
Performer: 张奕明
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Jing Jing Luo] Three Dunhuang Poems for Piano (Score-Video)Quinone Bob2024-10-14 | 罗京京 - 敦煌曲子词 (1981)
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Lepo Sumera] Symphony No.1 (Score-Video)Quinone Bob2024-10-12 | This symphony has 2 movements: 00:10 — I. ♩ ≈ 72 - attacca: 15:30 — II. ♩ = 60 – 82 - Allegro - Un poco meno messo
Performers: Paavo Järvi / Malmö Symphony Orchestra
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Sumera's love for symphony orchestra was the reason why his musical material of a chamber work could grew into material for an orchestral work. The 1st movement of his First Symphony (1981) was born from a piano piece, the first one of the Two Pieces from the Year 1981.
This piano piece has become Lepo Sumera’s most frequently performed work, a kind of his musical cachet. It also marks a turning point in his musical style. After having applied free dodecaphony, chromatic modes (sometimes in aleatoric textures) and collage in the 1970s, he discovered natural diatonic modes for himself. Diatonic modes, long sections of motivic repetition and variation that appear in complex polyrhythmic and tonally ambiguous textures are characteristic to his works written 1981-86. At first sight, the abundance of motive repetitions in them suggests an influence of ‘minimal music’. Nevertheless, several other characteristics in Sumera’s works totally disagree with basic principles of the minimalist aesthetics: contrasting sections and suggestive climaxes, his emblematic concern about the overall form of a work In fact, works by American minimalists were not known in Estonia until 1983; Sumera derived his repetitive technique from the archaic Estonian runo songs, the incantatory nature of which fascinated him.
The First Symphony consists of two movements performed attacca. After the contrasting 2nd movement, which culminates in a gloomy grotesque, the material of the first movement returns in a long meditative coda.
(Source from https://www.emic.ee/, written by Merike Vaitmaa)
In my opinion, it's one of the best symphonies in 20th century, while using and combining modern music styles such as minimalism and polystylism, it also retains great accessibility, so that listeners who are not so familiar with contemporary music can also quickly accept and enjoy it.
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.
The only recording of this work cuts a great deal out of the original score. About half of the bars in the score was removed when recorded and the complete duration of this symphony will be approximately 80 minutes! Hope we may hear the complete recording of this masterpiece one day!
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SPECIAL THANKS to my friends, @classicalmusic3334 for kindly providing the score of this massive masterpiece, and @TheodoreServin for introducing the composer to me and inviting me to make a video to share this symphony! I really appreciate that!
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Miklós Rózsa] Festive Flourish for Brass and Percussion (Score-Video)Quinone Bob2024-10-06 | Performers: Rainer Padberg / Royal Philharmonic Orchestra
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Alexi Matchavariani] Ceremonial Overture (Score-Video)Quinone Bob2024-10-05 | Performers: Vakhtang Matchavariani / Georgian National Symphony Orchestra
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Stanislav Stempnevsky] Symphonic Poem in D Major Holiday (Score-Video)Quinone Bob2024-10-03 | Performers: Emin Khachaturian / Symphony Orchestra
Audio from https://audio.retro-archive.ru/record/3368
Stanislav Vladislavovich Stempnevsky, senior lieutenant of 640 fighter-antitank artillery regiment of the 7th Guards Mechanised Corps of the 52nd Army, Honored Art Worker of the RSFSR composer, was born in 1923 in Bilibey, Bashkir ASSR.
In 1941, immediately after graduating from school, he was drafted into the Red Army by the Oktyabrsky RVC of the Moscow region. S.V. Stempnevsky participated in the liberation of Poland, Prague, Germany. During the war he received three wounds. For front services our fellow countryman was awarded the Order of the Red Star (13.10.1944), the Order of the Patriotic War I degree (19.05.1945) and II degree (20.08.1944), medals ‘For bravery’, ‘For the liberation of Prague’ and ‘For victory over Germany in the Great Patriotic War 1941-1945’.
He graduated from the Moscow Conservatory in 1953 in the class of composition of Professor E.K. Golubev. Among his works are “Symphonic Dances”, symphonic poem “Holiday” for a large symphony orchestra; “Don Poem” for an orchestra of Russian folk instruments; operettas “The Queen stays at home” (dedicated to the revolutionary events of 1917 in Petrograd), “The Princess has found the chosen one” (based on G.-H. Andersen); operettas “The Queen stays at home”, “The Princess has found the chosen one” (based on H. C. Andersen); string quartet; works for piano (sonatas, sonatinas, variations, etc.); mass songs, choruses; music for films and television plays; arrangements of folk songs; music for children. 1971 he was awarded the Order of the Badge of Honour, and in 1981 he was awarded the title of Honoured Art Worker of the RSFSR.
Stempnevsky passed away on 28 August 1996 at the age of 73 years.
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Ottmar Gerster] Festive Overture 1948 (Score-Video)Quinone Bob2024-10-01 | Performers: Horst Stein / Leipzig Radio Symphony Orchestra
The Festive Overture 1948 for large orchestra by Ottmar Gerster was composed in 1948 as a work commissioned by the cultural department of the Thuringia regional executive of the SED to commemorate the centenary of the revolution of 1848 and at the same time as a song of praise for the development of socialism in the Soviet occupation zone, which was to lead to the founding of the GDR the following year. Musically, Gerster traces the emergence of socialism by using various musical quotations from battle songs. He begins his festive overture with the Internationale. According to Marx's materialist dialectic, however, no socialist state can emerge without going through the previous forms of society. Gerster quotes the Marseillaise as a symbol of the transition from feudal to capitalist society. Other songs quoted include “Смело, товарищи, в ногу” and the Russian funeral march “You Fell Victim to a Fateful Struggle”.
The Festive Overture was premiered at the Berlin State Opera as part of the SED's 1st Cultural Conference from May 5 to 7, 1948. The performance lasts around seven to ten minutes.
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Aram Khachaturian] Festive Fanfare in F Major for Eight Trumpets and Two Snare Drums (Score-Video)Quinone Bob2024-09-30 | Performers: Hermann Bäumer / brass partout Markus Finkler, Raphael Mentzen, Martin Hommel, Mario Schlumpberger, Marie-Therese Hopfenzitz, Matthias Kamps, Roman Rindberger, Christian Syperek (Trumpet) Jan Schlichte, Wieland Welzel (Percussion)
In 1975, during his last phase of creativity, which also included the trilogy of solo sonatas for cello, violin and viola – Aram Khachaturian composed the Festive Fanfares in F major for eight trumpets and two drums, to mark the 30th anniversary of Russia’s victory in the Great Patriotic War. Premièred in Moscow that same year, the Fanfares seem to hark back to his former duties in the ‘War Committee Commission for Defence Music’.
(Source from CD Booklet, Written by Nils M. Schinker)
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Tigran Mansurian] String Quartet No.3 (Score-Video)Quinone Bob2024-09-29 | This quartet has 3 movements: 00:05 - I. Grave - Vivo - attacca: 06:41 - II. Scherzando - attacca: 10:28 - III. Adagio
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Karen Khachaturian] Trio for Violin, Viola and Cello (Score-Video)Quinone Bob2024-09-27 | This string trio has 4 movements: 00:05 - I. Andantino - Poco più mosso - Tempo primo - attacca: 05:30 - II. Vivace - Meno mosso - Agitato - Tempo primo - attacca: 09:57 - III. Largo. Indifferente - attacca: 13:02 - IV. Allegro con fuoco - Adagio - Tempo I
Performers: Eugenia Alikhanova (Violin) Tatiana Kokhanovskaya (Viola) Olga Ogranovich (Cello)
The Trio for Violin, Viola and Cello was written in 1984, commissioned by the Alban Berg Vienna Society. In the words of one musicologist, "Here you can witness the development of the main trends of Karen Khachaturian's artistic ideas. The dramatic context is determined by sharp impressive contrasts."
(Source from CD Booklet, Written by Victor Ledin)
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SPECIAL THANKS to my friend, @TheodoreServin for kind offering the audio of Karen Khachaturian's chamber works!!
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Tigran Mansurian] Cello Concerto No.1 (Score-Video)Quinone Bob2024-09-25 | This concerto is a single-movement concerto, composed in memory of Dmitri Shostakovich.
Performers: Karine Gevorgyan (Celloist) Davit Khanjian / State Symphony Orchestra of Armenia
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Karen Khachaturian] String Quartet No.1 (Score-Video)Quinone Bob2024-09-23 | This quartet has 4 movements: 00:10 - I. Lento - attacca: 02:39 - II. Larghetto - Poco meno - attacca: 06:55 - III. Vivo - attacca: 09:32 - IV. Agitato - Meno mosso
The Quartet for Two Violins, Viola and Cello was written in 1969 and dedicated to the composer's father's memory. By musical means Karen Khachaturian tried to express very intimate feelings, recollections, as well as his own mature speculations on the eternal questions of life and death. According to one music critic, the "Quartet convincingly revealed a most powerful property of Khachaturian's creative individuality — his ability for the laconic expression of the message of a composition. The structure of the work is non-traditional: its four movements have the common line of the escalation and decline in dynamics and are perceived as the parts of one form (the first movement — introduction, second — exposition, third — scherzo, fourth — finale). The basic principle of development, as in the Cello Sonata is a conflict: it penetrates the whole work each movement and even some intonations and themes. Thus emerges the emotional intense, agitated, dramatic world of quartet images. A number of original, expressive instrumental methods also help to create this impression."
(Source from CD Booklet, Written by Victor Ledin)
(P.S.: There is a reference to Karen Khachaturian composing the String Quartet No.2 in 1998, but it's not entirely certain. So the video title is marked as String Quartet No.1)
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SPECIAL THANKS to my friend, @TheodoreServin for kind offering the audio of Karen Khachaturian's chamber works!!
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Tigran Mansurian] Cello Sonata No.2 (Score-Video)Quinone Bob2024-09-22 | This sonata has 3 movements: 00:05 - Movement I 06:40 - Movement II 13:48 - Movement III
Performers: Feliks Simonyan (Cello) Eduard Mamayev (Piano)
Audio from https://armradioarchive.am/
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About his 2nd Sonata for Violoncello and Piano (1974) - which is presented here - Mansurian writes: "The three-movement compostion displays lyrical and philosophical traits which altermate with episodes of inner concentration and contemplation. Dynamic outbursts turn into dramatic, and insome cases, even into grotesque ones. Utmost importance is given to the chord complex C sharp - G - C which connects almovements."
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Edvard Mirzoyan] Cello Sonata (Score-Video)Quinone Bob2024-09-20 | This sonata has 3 movements and without breaking when performing: 00:05 - I. Allegro moderato - attacca: 05:25 - II. Andante - attacca: 11:54 - III. L'istesso tempo - Allegro
Performers: Mstislav Rostropovich (Cello) Alexander Dedukhin (Piano)
“Mirzoyan’s Sonata is a wonderful piece…. I really love Mirzoyan not only as a composer, but also as a friend and as a human being. In this piece, I hear his human qualities, his sensitivity, his sincerity — all these qualities are manifested in his music, so I play it with pleasure.”
—— Mstislav Rostropovich
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Karen Khachaturian] Cello Sonata in C Major (Score-Video)Quinone Bob2024-09-18 | This sonata has 4 movements: 00:05 - I. Recitativo: Adagio - attacca: 03:46 - II. Inventio: Allegretto 08:30 - III. Aria: Andante 14:39 - IV. Toccata: Allegro con fuoco
This compositionis the composer's big success... The depth of thought, the virtuosity of musical implementations, beautiful melodically — all that captivate the audience, produce a great impression.
—— Dmitri Shostakovich
SPECIAL THANKS to my friend, @TheodoreServin for kind offering the audio of Karen Khachaturian's chamber works!!
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Avet Terterian] Cello Sonata (Score-Video)Quinone Bob2024-09-16 | This sonata has 3 movements: 00:05 - I. Andante - Allegro - Moderato - Vivo 09:24 - II. Adagio - attacca: 15:32 - III. Presto - Andante - Presto
Performers: Aznavoorian Duo Ani Aznavoorian (Cello) Marta Aznavoorian (Piano)
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Irina Manukyan] Wreath of Preludes, 15 Preludes for Piano Op.27 (Score-Video)Quinone Bob2024-09-10 | 00:05 - No.1: Maestoso 02:36 - No.2: Allegro furioso 03:27 - No.3: Andante, senza metrum, rubato 05:12 - No.4: Animato 06:16 - No.5: Moderato comodo 07:38 - No.6: Robato commosso e molto declamazione 08:35 - No.7: Andante teneramente 10:26 - No.8: Allegro leggiero 11:50 - No.9: Con moto risoluto 12:36 - No.10: Adagietto 14:24 - No.11: Lento 16:56 - No.12: Allegro giocoso 17:52 - No.13: Moderato misterioso 19:05 - No.14: Allegro trepido 20:03 - No.15: Andante e mesto
Like pieces of glass in a kaleidoscope that suddenly come together to form a whole picture, in the cycle “Wreath of Preludes” the small pieces strive to unite, connecting threads are stretched between them - sometimes similarities, sometimes contrasts, sometimes unfinished and continuing thoughts. Fifteen pieces are grouped into several microcycles: 4 - 4 - 4 - 3 — One of the possible groupings of preludes, based on the relationship of tempos and the character of the pieces. Each of the three initial groups has a mobile finale, similar to a toccata, which separates one cycle from another. All three groups contain pieces in the nature of a monologue-improvisation or introspective reflection. Three microcycles are three attempts to construct a whole, with an exit to the finale, which consists of three contrasting pieces - mocking, passionately pathetic and a monologue-farewell. This last prelude echoes the structure of the first, together they create a frame that holds the whole together. In both of these pieces, contrasting material is juxtaposed twice - sorrowful "sighs", reflections alternate with light flickering, free flight of dreams.
In concert practice, it is desirable to perform the cycle as a whole, and if this is impossible, then one should adhere to the division into microcycles.
(Sources from the score, written by Yu. Kreinina, translated by Google translate)
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Sergei Slonimsky] Coloristic Fantasia for Piano Solo (Score-Video)Quinone Bob2024-09-08 | Performing Notes - 0:02 The Piece - 0:22
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Boris Tishchenko] The Siege Chronicle Symphony Op.92 (Score-Video)Quinone Bob2024-09-05 | This symphony is a single-movement symphony.
Performers: Anton Lubchenko / Sochi Symphony Orchestra
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The symphony is based on material from the soundtrack to the play “Such a long Winter” by Yuri Voronov that was written in the same year 1984. Most probably, it is for this reason that the music itself in the symphony contains vivid non-musical associations. Although the symphony has no particular program, the landscape of its content is so spectacular and sculptured that it needs no special comment.
The symphony opens in a powerful sound of chords payed by the brass, which is followed by a developed picture of the Nazi offensive. Sounds of Morse apparatuses. buildings failing into pieces, gunshots, and glissandos of the brass fuse into one horrible picture of chaos and destruction.
After the volume of the sound has reached extreme limits, the strain gradually vanishes. Against the background of resonant quarters, distinctive rhythmic figures appear now and then (those heard before from the Morse apparatuses), binging us cose to the second section. The section begins in hollow, frozen sounds of low-pitched strings and winds, which are followed by an expressive tune of the violins. Transformation of the tune's material begins, and next, against the background of a Whistling tremolo of high-pitched strings, the cor anglais intones a new theme that is gradually dissolved in dead-cold passages of high-pitched woodwinds. Gradually, the motion is getting slower preparing the next episode: one more theme is played by muted violins, which is then followed by a battle scene. Its core Is formed by acute rhythms of the percussion, flourish of the brass, and rapid passages of the woodwinds, which arc suddenly interrupted at the culmination point.
A new section is opened by an acutely expressive sound of the strings, followed by a subdued painfully nostalgic waltz played by clarinets. Again, a developed battle scene appears, which is repeatedly pierced by the theme of the brass that opened the symphony, Especially expressive is its ending: after the triumphant culmination, the waltz reappears out of complete silence, as if embodying the image of the Past living in our memory and never surrendering to oblivion.
(Source from Booklet, written by Andrey Denisov)
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Vyacheslav Ovchinnikov] Symphony No.2 for Large String Orchestra (Score-Video)Quinone Bob2024-09-01 | This symphony has 3 movements: 00:10 - I. Adagio molto espressivo - Allegretto - Tempo I 13:33 - II. Scherzo: Allegretto 22:19 - III. Finale: Largo
Performers: Viacheslav Ovchinnikov / The USSR All-Union Radio & Central Television Grand Symphony Orchestra
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Valentin Silvestrov] 28. July 1750.... in memoriam J.S.B. for Cello Solo (Score-Video)Quinone Bob2024-08-31 | Performer: Alexander Rudin
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Melik Mavisakalyan] Sonata For Violin Solo (Score-Video)Quinone Bob2024-08-25 | This sonata has 3 movements: 0:05 - I. Andante - Moderato - Poco meno mosso - Meno mosso 3:57 - II. Allegretto non troppo 6:35 - III. Allegro con brio - Meno mosso
Performer: Ruben Aharonyan
Audio from Armenian Radio Archive, there are some differences between the recording and the score.
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Rostislav Boiko] Symphony No.2 Op.64 (Score-Video)Quinone Bob2024-08-23 | This symphony has 3 movements: 00:15 - I. Adagio (Addolorando) - Piu mosso - Tempo I - Meno mosso 08:50 - II. Allegro - Maestoso, meno mosso - Con affetto 12:19 - III. Andante cantabile (Pastorale) - Tranquillo, rubato - Lento
Performers: Evgeny Svetlanov / USSR Academic Symphony State Orchestra
The Second Symphony was inspired by images of heroic events in Leningrad during the Second World War: unprecedented adversity and hardship, but at the same time uttenmost resistance and refusal to bow to the enemy.
Boiko dedicated this symphony to hls parents — with whom he was living in Leningrad at the time — and to all those who helped defend Leningrad during the war years and rebuild the city thereafter." In the music this is communicated with a sustained emotion. The score has an enormous range of expression yet is constructed in realistic, concrete terms. You are aware that the composer is conveying actually experienced events, which still move him deeply, and which he wants to communicate with uncompromising candour. Boiko himself wrote ot this music:"Here my personal experience is interwoven with the fate of my nativeland, and has thus become a small part of it."
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a copyright report to YouTube and I will remove the video as soon as possible.[Adam Khudoyan] Sonata for Violin Solo (Score-Video)Quinone Bob2024-08-22 | This sonata is a single-movement sonata.
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Armen Shakhbagyan] Sonata for Violin Solo (Score-Video)Quinone Bob2024-08-20 | This sonata is a single-movement sonata. There are many differences between the recording and the score.
Performer: Leonarda Brushtein
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Armen (Armenak) Gurgenovich Shakhbagyan (Russian: Армен Гургенович Шахбагян; 1947 – 1999) was a Soviet-Armenian composer.
Shakhbagyan was born in Tbilisi in 1947 and graduated from the Tbilisi Conservatory of Music in 1972, where he studied under Professor Shaverzashvili. He participated in the Moscow Autumn Festival for many years. In 1999, Shakhbagyan died at the age of 51 at the height of his creative career. There is very little information about his life on the Internet.
Shakhbagyan's works are rooted in folk music and make extensive use of modern compositional techniques. His works include no less than three symphonies, the symphonic poem "The Communist", the vocal symphonic poem "The Monologue of Komitas", the poem "Song of Farewell" for string orchestra, the concerto for flute, piano and string orchestra, the "Polyphonic Sonata" for organ, the "Dedication" for chamber choir, two string quartets, a piano trio, the "Sonata-Ballade" for cello and piano, the "Prelude and Scherzo" for viola and piano, the "Solo Violin Sonata", the "Violin Sonata", the "Piano Sonata", etc.
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I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Dmitri Kabalevsky] Symphony No.4 in C Major Op.54 (Score-Video)Quinone Bob2024-08-18 | This symphony has 4 movements: 00:15 – I. Lento - Allegro molto e con fuoco - Doppio meno mosso - Poco piu mosso - Con fuoco (Poco piu mosso del Tempo l) - Piu mosso, agitato ed energico - Molto meno mosso - Strepitoso - Tempo l, festivamente - Doppio meno mosso 14:05 – II. Largo (ma rubato) 25:59 – III. Allegretto capriccioso e con moto - Piu mosso - Presto assai 31:30 – IV. Sostenuto assai - Allegro molto ed energico - Presto
Performer: Dmitri Kabalevsky / Leningrad Philharmonic Orchestra
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Dmitri Kabalevsky] Symphony No.3 in B-Flat Minor Requiem for Lenin (Score-Video)Quinone Bob2024-08-16 | This symphony has 2 movements: 0:10 - I. Allegro impetuoso - Molto meno mosso - Piu mosso - Molto agitato - Sostenuto, marziale - attacca: 7:04 - II. Andante marciale, lugubre - Tempo di marcia funebre e trionfale
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Dmitri Kabalevsky] Symphony No.2 in C Minor Op.19 (Score-Video)Quinone Bob2024-08-15 | This symphony has 3 movements: 00:10 - I. Allegro quasi presto – Poco sostenuto – Poco più mosso – Sostenuto e poco a poco accelerando – Con fuoco (poco meno mosso) – Prestissimo 07:15 - II. Andante non troppo – Moderato – Poco agitato Tempo I. Maestoso – Moderato – Tempo I – Poco meno mosso 17:07 - III. Prestissimo scherzando – Tempo I – Molto agitato (poco meno mosso) – Prestissimo tenebroso (Tempo I) – Con fuoco – Allegro Tempo I
Performers: Neeme Järvi / BBC Philharmonic Orchestra
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Dmitri Kabalevsky] Symphony No.1 in C-Sharp Minor Op.18 (Score-Video)Quinone Bob2024-08-12 | This symphony has 2 movements: 0:10 - I. Andante molto sostenuto - Poco a poco animando - Piu mosso, agitato - Andante - Poco piu mosso - Allegro agitato - Poco a poco meno mosso - Adagio, con gran espressione - Lento assai 8:30 - II. Allegro molto agitato e con spirito - Meno mosso - Andantino semplice - (accel. al:) Tempo l - Coda, Gajo (Presto)
Performers: Darrell Ang / Malmö Symphony Orchestra
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Haydn Wood] Piano Concerto in D Minor (Score-Video)Quinone Bob2024-08-11 | This concerto has 3 movements: 00:05 - I. Maestoso e moderato - Tranquillo - Cadenza - Allegro 15:05 - II. Andante 20:57 - III. Finale: Vivace
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Pēteris Plakidis] Meditation for Harp Solo (Score-Video)Quinone Bob2024-08-10 | Performer: Aliki Krithari
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Alexander Vustin] The Offering for Piano Quartet and Percussion (Score-Video)Quinone Bob2024-08-09 | This video commemorates the 49th anniversary of Shostakovich's death
This work is dedicated to Gidon Kremer and in memory of Shostakovich. It does not directly quote Shostakovich's works, but rather develops its own style. The piano playing last four chords at of the end of the work, leading to Shostakovich's signature motive "D-Es-C-H".
Performers: Igor Dronov / Studio for New Music Soloists Ensemble
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Pēteris Plakidis] Two Sketches for Oboe Solo (Score-Video)Quinone Bob2024-08-08 | 0:05 - I. Rubato 3:19 - II. Poco vivo
Performer: Vilnis Pelnēns
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Pēteris Plakidis] Two Variations for Cello Solo (Score-Video)Quinone Bob2024-08-06 | 0:10 - I. Arco: Allegretto giocoso - attacca: 2:49 - II. Senza arco: Poco piu mosso del I porte. Misterioso ed agitato
Performer: Maija Prēdele
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Nikolai Korndorf] A Letter to V. Martynov and G. Pelēcis for Piano (Score-Video)Quinone Bob2024-08-02 | Performer: Michail Dubov
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Georgs Pelēcis & Vladimir Martynov] The Correspondence for Two Pianos (Score-Video)Quinone Bob2024-07-30 | 00:05 - Pelēcis To Martynov - First Letter 00:54 - Martynov To Pelēcis - First Reply 02:49 - Pelēcis To Martynov - Second Letter 03:24 - Martynov To Pelēcis - Second Reply 04:42 - Pelēcis To Martynov - Third Letter 05:16 - Martynov To Pelēcis - Third Reply 06:27 - Pelēcis To Martynov - Fourth Letter 12:12 - Martynov To Pelēcis - Fourth Reply 18:32 - Pelēcis To Martynov - Fifth Letter 29:41 - Martynov To Pelēcis - Fifth Reply 46:35 - Postscriptum (Martynov) 48:35 - Postpostscriptum (Martynov) 50:05 - Postpospostscriptum (Pelēcis) 51:39 - Postpostpostpostscriptum (Martynov)
Performers: Georgs Pelēcis & Vladimir Martynov
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Irina Manukyan] Quartett-Serenade for Two Mandolins, Mandola and Guitar Op 34 (Score-Video)Quinone Bob2024-07-27 | Performers: V. Krouglov / "Mandolin"-Quartett
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Elisabeth Kuyper] Violin Concerto in B Minor Op.10 (Score-Video)Quinone Bob2024-07-25 | This concerto has 3 movements: 00:05 - I. Allegro con fuoco 12:50 - II. Adagio con molto espressione 20:40 - III. Prestissimo
Performers: Aleksandra Maslovaric (violin) Mikel Toms / Brno Philharmonic Orchestra
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Elisabeth Kuyper] Violin Sonata in A Major Op.1 (Score-Video)Quinone Bob2024-07-24 | This sonata has 4 movements: 00:05 - I. Allegro ma non troppo 08:08 - II. Tempo di Bolero 12:20 - III. Andante con espressione 16:34 - IV. Allegro energico e con fuoco
Performers: Aleksandra Maslovaric (violin) Tamara Rumiantsev (piano)
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Jaan Rääts] 24 Light Piano Pieces Op.85 (Score-Video)Quinone Bob2024-07-22 | 00:10 - No.1 in C Major 01:40 - No.2 in A Minor 02:53 - No.3 in G Major 03:53 - No.4 in E Minor 05:12 - No.5 in D Major 06:31 - No.6 in B Minor 07:45 - No.7 in A Major 08:45 - No.8 in F-Sharp Minor 09:53 - No.9 in E Major 11:05 - No.10 in C-Sharp Minor 12:49 - No.11 in B Major 14:13 - No.12 in G-Sharp Minor 15:12 - No.13 in F-Sharp Major 15:53 - No.14 in E-Flat Minor 17:10 - No.15 in D-Flat Major 17:55 - No.16 in B-Flat Minor 18:41 - No.17 in A-Flat Major 19:59 - No.18 in F Minor 20:41 - No.19 in E-Flat Major 21:34 - No.20 in C Minor 22:18 - No.21 in B-Flat Major 23:13 - No.22 in G Minor 24:08 - No.23 in F Major 25:05 - No.24 in D Minor
Performer: Jeroen Riemsdijk
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Jaan Rääts] 24 Bagatelli for Piano Op.50 (Score-Video)Quinone Bob2024-07-18 | 00:05 - No.1 in C Major: Allegro 01:04 - No.2 in C Minor: Allegro 01:42 - No.3 in D-Flat Major: Andantino 03:13 - No.4 in C-Sharp Minor: Andante 04:33 - No.5 in D Major: Allegro 05:18 - No.6 in D Minor: Andantino 06:21 - No.7 in E-Flat Major: Moderato 07:28 - No.8 in E-Flat Minor: Grave 08:14 - No.9 in E Major: Moderato 09:03 - No.10 in E Minor: Allegretto 09:56 - No.11 in F Major: Con moto 10:40 - No.12 in F Minor: Moderato 11:46 - No.13 in G-Flat Major: Con moto 12:41 - No.14 in F-Sharp Minor: Andante 14:16 - No.15 in G Major: Andantino 15:08 - No.16 in G Minor: Allegro 15:51 - No.17 in A-Flat Major: Andantino 17:23 - No.18 in G-Sharp Minor: Vivace 17:56 - No.19 in A Major: Moderato 18:47 - No.20 in A Minor: Allegretto 19:50 - No.21 in B-Flat Major: Sostenuto 21:50 - No.22 in B-Flat Minor: Allegro moderato 22:12 - No.23 in B Major: Con moto 23:08 - No.24 in B Minor: Moderato
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Eugen Suchoň] Baladická Suita for Piano Op.9 (Score-Video)Quinone Bob2024-07-17 | Performer: Ladislav Fanzowitz
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.
The reposting of the video has been approved by the video maker.[Jaan Rääts] 24 Preludes for Piano Op.33 (Score-Video)Quinone Bob2024-07-16 | 00:10 - No.1 in C Major 01:50 - No.2 in A Minor 03:35 - No.3 in G Major 04:41 - No.4 in E Minor 06:26 - No.5 in D Major 07:35 - No.6 in B Minor 08:34 - No.7 in A Major 09:34 - No.8 in F-Sharp Minor 10:25 - No.9 in E Major 11:43 - No.10 in C-Sharp Minor 13:01 - No.11 in B Major 14:24 - No.12 in G-Sharp Minor 16:03 - No.13 in G-Flat Major 17:24 - No.14 in E-Flat Minor 18:26 - No.15 in D-Flat Major 20:10 - No.16 in B-Flat Minor 21:43 - No.17 in A-Flat Major 23:16 - No.18 in F Minor 24:14 - No.19 in E-Flat Major 25:38 - No.20 in C Minor 26:37 - No.21 in B-Flat Major 27:37 - No.22 in G Minor 28:43 - No.23 in F Major 30:21 - No.24 in D Minor
Performer: Jeroen Riemsdijk
Score from https://ale07.ru/music/notes/song/fortepiano/raats.htm#song_24p
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Tigran Mansurian] Nostalghia for Piano (Score-Video)Quinone Bob2024-07-13 | Performer: Alexei Lubimov
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Tigran Mansurian] Agnus Dei, for Violin, Clarinet, Cello and Piano (Score-Video)Quinone Bob2024-07-11 | This work has 3 movements: 00:05 - I. Agnus Dei 07:02 - II. Qui tollis paccata mundi 11:01 - III. Miserere nobis
Performers: Anton Martynov (violin) Julian Milkis (clarinet) Alexander Rudin (cello) Daria Ulantseva (piano)
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Tigran Mansurian] Piano Trio No.2 (Score-Video)Quinone Bob2024-07-09 | This piano trio has 5 movements: 00:05 - I. Stances: Tranquillo 06:29 - II. Epigramma I: Allegro 08:52 - III. Canzone: Largo 13:44 - IV. Epigramma II: [No Tempo Mark] - Vivace, articolando 16:09 - V. Epitaph: Moderato
This work is in memory of Alfred Schnittke.
Performers: KMW Trio
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Andrei Golovin] Cantata Plain Songs (Score-Video)Quinone Bob2024-07-06 | This cantata has 7 movements: 00:10 - I. The Soul Keeps 05:51 - II. By A Decayed Wooden Hut 10:09 - III. In A Chamber - IV. At A Washed Out Road - Interlude - V. Cranes 25:59 - VI. I'll Ride Along the Hills of Dormant Motherland - attacca: 35:23 - VII. In A Far Off Place
Performers: Mikhail Svetlov (Bass) Natalia Burnasheva (Mezzo-soprano) Andrei Golovin (Piano) Igor Zhukov / Moscow Chamber Orchestra
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.[Andrei Golovin] Symphony No.3 (Score-Video)Quinone Bob2024-07-03 | This symphony has 2 movements: 00:10 - I. Andante con moto 08:55 - II. Adagio - Andante sostenuto - Andante con moto - Andante risoluto - Andante appassionato - Adagio
Performers: Vladimir Verbitsky / USSR State Symphony Orchestra
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.