20th Century Time Machine | Roy Lichtenstein Explains the Ideas Behind his Artwork (1966). @20thCenturyTimeMachine | Uploaded March 2017 | Updated October 2024, 6 hours ago.
A Roy Lichtenstein interview in which he explains the ideas and intentions behind his artwork.
Lichtenstein begins with a description of the modern landscape that inspired his work and influenced his style:
”I think we’re living in a society that is to a large extent is Pop, I think it’s one of the facets of our society, and it’s one of the facets of present society which is new, and is one of the facets which hasn’t existed before.
“It’s made in a way, partially, a new landscape for us. In the way of billboards, and neon signs, and all the stuff we’re familiar with, and also literature, and television, radio, almost all of the landscape, all of our environment seems to be made, partially, of a desire to sell products.
“This is the landscape that I am interested in portraying. I’m also not only portraying it, but I am working in the style of it, or a style which at least parodies the style of everyday art, everyday society.
“I am interested in portraying a sort of anti-sensibility that pervades the society and a maybe gross over-simplification. I use that more as style rather than actuality. I really don’t think art can be gross and over-simplified and remain art—it must have subtleties, and it must sort of yield to an aesthetic unity, otherwise it’s not in the realm of art, it’s something else probably. But I think using it as a style gives it a kind of brutality, and maybe hostility that is useful to me in an aesthetic way.”
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youtube.com/channel/UC_S8ZlDCRkMMgc7ciw8X-hg
The 20th Century Time Machine takes you back in time to the most important historical events of the past century. Watch documentaries, discussions and real footage of major events that shaped the world we live in today.
youtube.com/watch?v=EHAZA5h5cmo
A Roy Lichtenstein interview in which he explains the ideas and intentions behind his artwork.
Lichtenstein begins with a description of the modern landscape that inspired his work and influenced his style:
”I think we’re living in a society that is to a large extent is Pop, I think it’s one of the facets of our society, and it’s one of the facets of present society which is new, and is one of the facets which hasn’t existed before.
“It’s made in a way, partially, a new landscape for us. In the way of billboards, and neon signs, and all the stuff we’re familiar with, and also literature, and television, radio, almost all of the landscape, all of our environment seems to be made, partially, of a desire to sell products.
“This is the landscape that I am interested in portraying. I’m also not only portraying it, but I am working in the style of it, or a style which at least parodies the style of everyday art, everyday society.
“I am interested in portraying a sort of anti-sensibility that pervades the society and a maybe gross over-simplification. I use that more as style rather than actuality. I really don’t think art can be gross and over-simplified and remain art—it must have subtleties, and it must sort of yield to an aesthetic unity, otherwise it’s not in the realm of art, it’s something else probably. But I think using it as a style gives it a kind of brutality, and maybe hostility that is useful to me in an aesthetic way.”
Subscribe - never miss a video!
youtube.com/channel/UC_S8ZlDCRkMMgc7ciw8X-hg
The 20th Century Time Machine takes you back in time to the most important historical events of the past century. Watch documentaries, discussions and real footage of major events that shaped the world we live in today.
youtube.com/watch?v=EHAZA5h5cmo
