Uploaded August 2014 | Updated September 2026, 2 weeks ago
Arthur Fiedler
William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), whose music was composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement, although he continued to compose cantatas, sacred music and secular vocal music. The overture is in four parts, each following without pause.
There has been repeated use (and sometimes parody) of parts of this overture in both classical music and popular media, most famously as the theme music for The Lone Ranger in radio and television shows. It was also used as the theme music for the British television series The Adventures of William Tell.
Franz Liszt prepared a piano transcription of the overture in 1838, which became a staple of his concert repertoire.There are also transcriptions by other composers, including versions by Louis Gottschalk for two and four pianos and a duet for piano and violin
Arthur Fiedler
William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), whose music was composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement, although he continued to compose cantatas, sacred music and secular vocal music. The overture is in four parts, each following without pause.
There has been repeated use (and sometimes parody) of parts of this overture in both classical music and popular media, most famously as the theme music for The Lone Ranger in radio and television shows. It was also used as the theme music for the British television series The Adventures of William Tell.
Franz Liszt prepared a piano transcription of the overture in 1838, which became a staple of his concert repertoire.There are also transcriptions by other composers, including versions by Louis Gottschalk for two and four pianos and a duet for piano and violin










![J. S. Bach - The Art Of Fugue, BWV 1080 (Organ)
Performer: Herbert Tachezi
Year: 1977
The Art of the Fugue; BWV 1080 (Organ)
The Art of Fugue (or The Art of the Fugue; German: Die Kunst der Fuge), BWV 1080, is an incomplete work of unspecified instrumentation by Johann Sebastian Bach (1685–1750). Written in the last decade of his life, The Art of Fugue is the culmination of Bachs experimentation with monothematic instrumental works.
This work consists of 14 fugues and 4 canons in D minor, each using some variation of a single principal subject, and generally ordered to increase in complexity. The governing idea of the work, as put by Bach specialist Christoph Wolff, was an exploration in depth of the contrapuntal possibilities inherent in a single musical subject. The word contrapunctus is often used for each fugue.
Simple fugues:
0:00 Contrapunctus I
3:11 Contrapunctus II
6:22 Contrapunctus III
9:18 Contrapunctus IV
Counter-fugues:
14:36 Contrapunctus V
17:51 Contrapunctus VI
22:00 Contrapunctus VII
Double and triple fugues:
26:00 Contrapunctus VIII
32:01 Contrapunctus IX
35:00 Contrapunctus X
39:23 Contrapunctus XI
Canons:
46:33 Canon per Augmentationem in Contrario Motu
49:27 Canon alla Ottava: Canon in imitation at the octave
51:43 Canon alla Decima in Contrapunto alla Terza
56:26 Canon alla Duodecima in Contrapunto alla Quinta
Mirror fugues:
1:00:57 Contrapunctus [à 3-rectus]
1:03:48 Contrapunctus [à 3-inversus]
1:06:46 Contrapunctus [à 4-rectus]
1:09:38 Contrapunctus [à 4-inversus] J. S. Bach - The Art Of Fugue, BWV 1080 (Organ)](https://i.ytimg.com/vi/uG3GkdEySlA/mqdefault.jpg)