Shakespeare Network | Romeo and Juliet - Nureyev - Fonteyn - Prokofiev - Shakespeare - 1966 - Remastered - 4K @ShakespeareNetwork | Uploaded January 2024 | Updated October 2024, 2 hours ago.
The first performance of MacMillan’s Romeo and Juliet choreography on February 9th 1965 was applauded by the audience for 40 minutes in spite of the fact that Nureyev was recovering from an injury and danced with a bandaged leg. “Even with one leg, Mr. Rudolf Nureyev dances better than others with two legs!” wrote the enthusiastic critic at the “Times”. In spite of the fact that certain journalists criticised Nureyev’s over-blonde hair, most of the Press was excellent and Nureyev “captivated the public as usual”.
MacMillan’s production was accepted as one of the repertoire’s great classics and the couple continued to star both in London and in New York. Their performance was magnificently filmed by Paul Czinner in 1966. In 1990, Rudolf Nureyev came back to dance Romeo and Juliet for the last time at Covent Garden, but in the role of Mercutio, alongside Sylvie Guillem and Jonathan Cope, for a gala given in homage to – and for the benefit of – Dame Margot Fonteyn, who was suffering from bone cancer which required extremely costly treatment.
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Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - misanthropos.net
Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty.
_______________________________
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Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you.
25% Direct support to website:
Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support.
25% Administration and governance:
We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values.
Our operating budget:
Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and
Board approval.
50% Direct support to communities:
Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs.
Contact us for further info. →
______________________________________
Shakespeare Network Educational Program:
- A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.
The first performance of MacMillan’s Romeo and Juliet choreography on February 9th 1965 was applauded by the audience for 40 minutes in spite of the fact that Nureyev was recovering from an injury and danced with a bandaged leg. “Even with one leg, Mr. Rudolf Nureyev dances better than others with two legs!” wrote the enthusiastic critic at the “Times”. In spite of the fact that certain journalists criticised Nureyev’s over-blonde hair, most of the Press was excellent and Nureyev “captivated the public as usual”.
MacMillan’s production was accepted as one of the repertoire’s great classics and the couple continued to star both in London and in New York. Their performance was magnificently filmed by Paul Czinner in 1966. In 1990, Rudolf Nureyev came back to dance Romeo and Juliet for the last time at Covent Garden, but in the role of Mercutio, alongside Sylvie Guillem and Jonathan Cope, for a gala given in homage to – and for the benefit of – Dame Margot Fonteyn, who was suffering from bone cancer which required extremely costly treatment.
Please consider subscribing to our channel for More Insights: youtube.com/user/ShakespeareNetwork?sub_confirmation=1
shakespearenetwork.net/works
_______________________________
FUNDRAISING CAMPAIGN - DONATIONS - Shakespeare Network Website and YouTube Channel:
Donate with PayPal or GoFundMe today:
_______________________________
Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - misanthropos.net
Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty.
_______________________________
Why Donate?
Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you.
25% Direct support to website:
Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support.
25% Administration and governance:
We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values.
Our operating budget:
Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and
Board approval.
50% Direct support to communities:
Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs.
Contact us for further info. →
______________________________________
Shakespeare Network Educational Program:
- A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.
