Uploaded November 2018 | Updated September 2026, 2 weeks ago
Rodrigo Constanzo discusses various creative coding projects in Max/MSP, highlighting his work with corpus manipulation, interactive DMX lighting, and live performance.
rodrigoconstanzo.com
research.hud.ac.uk/institutes-centres/cerenem/projects/creativecodinglab
Presented as part of the Electric Spring, Creative Coding Lab Symposium 2018
I’m all about showing you some of the stuff I do. A lot of it uses computers. Some of it uses lights. I might go on and on about why and forget about the how, but then remember that too, and go on and on about that a bit as well.
Rodrigo Constanzo makes art.
He thinks this is an important thing to do.
The art he makes is generally smeared in time, in the form of music.
He believes in magic. He believes in sharing things.
He believes in teaching.
He believes in openness.
He love sweet jams, and avoids speaking with a complicated vocabulary as much as possible.
He tries to live as presently and honestly as possible.
electricspring.co.uk
Rodrigo Constanzo discusses various creative coding projects in Max/MSP, highlighting his work with corpus manipulation, interactive DMX lighting, and live performance.
rodrigoconstanzo.com
research.hud.ac.uk/institutes-centres/cerenem/projects/creativecodinglab
Presented as part of the Electric Spring, Creative Coding Lab Symposium 2018
I’m all about showing you some of the stuff I do. A lot of it uses computers. Some of it uses lights. I might go on and on about why and forget about the how, but then remember that too, and go on and on about that a bit as well.
Rodrigo Constanzo makes art.
He thinks this is an important thing to do.
The art he makes is generally smeared in time, in the form of music.
He believes in magic. He believes in sharing things.
He believes in teaching.
He believes in openness.
He love sweet jams, and avoids speaking with a complicated vocabulary as much as possible.
He tries to live as presently and honestly as possible.
electricspring.co.uk
![Liza Lim: Transformation and radiance in Tree of Codes, an opera [11.10.2016]](https://i.ytimg.com/vi/RBRlZcvd8b4/mqdefault.jpg "Liza Lim: Transformation and radiance in Tree of Codes, an opera [11.10.2016]
Prof. Liza Lim discusses Tree of Codes, a new opera about bloodlines and memory, time, erasure and illumination, and its source material: Tree of Codes by Jonathan Safran Foer and Street of Crocodiles by Bruno Schulz. Opera commissioned by Oper Köln, Ensemble musikFabrik and HELLERAU.
https://lizalimcomposer.wordpress.com/
http://www.cerenem.org/")
