Uploaded July 2025 | Updated September 2026, 2 weeks ago
Artist Rodriguez Calero shares how she found her artistic voice after migrating back to Puerto Rico and studying art before going on to have a professional artistic career in New York City. Rodriguez Calero coined the technique “acrollage”, a blend of printmaking, collage, and acrylic techniques, while also incorporating art historical artworks, gender, sexuality, and sociopolitical issues into her work.
Diasporican Art in Motion Docuseries is a dynamic portrait series highlighting ten Puerto Rican artists living and creating in New York City. This curated selection is part of CENTRO’s Diasporican Art in Motion (DAM) initiative, a digital repository and research catalyst, and represents a living archive of Puerto Rican cultural expression in the U.S. diaspora.
Founded in 1973 by a coalition of students, faculty, and activists, the Center for Puerto Rican Studies at Hunter College (CENTRO) is the largest university-based research institute, library, and archive dedicated to the Puerto Rican experience in the United States. Learn more at centropr.hunter.cuny.edu
Learn more about Diasporican Art in Motion: https://centropr.hunter.cuny.edu/projects/diasporican-art-in-motion/
Follow us on social media!
Instagram: instagram.com/centropr
Facebook: facebook.com/centropr
Threads: threads.net/@centropr
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Support our work by donating today at community.hunter.cuny.edu/supportcentro
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Executive Producers
Ángel Antonio Ruiz-Laboy
Yomaira Figueroa-Vásquez
Producers
Glorimar Garcia
Carlos Rivera Fernández
Co-producers
Andrès Arias
Kristian Otero
Series editor
Carlos Rivera Fernández
Camera
Carlos Rivera Fernández
Secondary camera
Luis Johansel Cruz
Andrès Arias
Kristian Otero
Elizabeth Rodríguez
Eduardo Vilchez
Production assistants
Adrián Muñoz
Gabriella Cuellar
Jon Sosa
Luis Johansel Cruz
Subtitles and translations
Sebastián Meltz-Collazo
with assistance from
Merari Alvarado
Tracey Reverón
Artist Rodriguez Calero shares how she found her artistic voice after migrating back to Puerto Rico and studying art before going on to have a professional artistic career in New York City. Rodriguez Calero coined the technique “acrollage”, a blend of printmaking, collage, and acrylic techniques, while also incorporating art historical artworks, gender, sexuality, and sociopolitical issues into her work.
Diasporican Art in Motion Docuseries is a dynamic portrait series highlighting ten Puerto Rican artists living and creating in New York City. This curated selection is part of CENTRO’s Diasporican Art in Motion (DAM) initiative, a digital repository and research catalyst, and represents a living archive of Puerto Rican cultural expression in the U.S. diaspora.
Founded in 1973 by a coalition of students, faculty, and activists, the Center for Puerto Rican Studies at Hunter College (CENTRO) is the largest university-based research institute, library, and archive dedicated to the Puerto Rican experience in the United States. Learn more at centropr.hunter.cuny.edu
Learn more about Diasporican Art in Motion: https://centropr.hunter.cuny.edu/projects/diasporican-art-in-motion/
Follow us on social media!
Instagram: instagram.com/centropr
Facebook: facebook.com/centropr
Threads: threads.net/@centropr
TikTok: tiktok.com/@centropr
Support our work by donating today at community.hunter.cuny.edu/supportcentro
.
.
.
Executive Producers
Ángel Antonio Ruiz-Laboy
Yomaira Figueroa-Vásquez
Producers
Glorimar Garcia
Carlos Rivera Fernández
Co-producers
Andrès Arias
Kristian Otero
Series editor
Carlos Rivera Fernández
Camera
Carlos Rivera Fernández
Secondary camera
Luis Johansel Cruz
Andrès Arias
Kristian Otero
Elizabeth Rodríguez
Eduardo Vilchez
Production assistants
Adrián Muñoz
Gabriella Cuellar
Jon Sosa
Luis Johansel Cruz
Subtitles and translations
Sebastián Meltz-Collazo
with assistance from
Merari Alvarado
Tracey Reverón










