Uploaded June 2011 | Updated September 2026, 2 hours ago
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Rock Goddess was an all-female heavy metal band from the New Wave of British Heavy Metal era that briefly enjoyed cult status in the early 1980s in Great Britain.
The band was formed in Wandsworth, South London in 1977, by sisters Jody Turner (guitar and vocals) and Julie Turner (drums) when they were thirteen and nine years old respectively. They recruited school friend Tracey Lamb on bass guitar and Donnica Colman on keyboards to complete the first line-up. The girls rehearsed intensively and, through a friend, managed to place a track on a sampler album, which circulated in the London music underground. Meanwhile, John Turner, Jody and Julie's father, who ran a music shop used his connections to get the band their first gigs. Finally, after the production of a four tracks demo tape and an appearance at the Reading Festival in 1982, the band obtained a recording contract with A&M.
They released their eponymous debut album with producer Vic Maile in 1983 as a power trio, without Colman, who had already left the group. At that time, there were temporary legal problems, because Julie Turner was still a minor attending school and she was restricted in the number of live shows she could play. Also in this period, Kat Burbella briefly joined the band as a second guitarist. Tracey Lamb became disgruntled at what she perceived to be the domination of the Turners and quit Rock Goddess to initially form the band She with Burbella, but ending up joining Girlschool in 1987. She was replaced by Dee O'Malley, who played bass and keyboards on the band's second album, Hell Hath No Fury, produced by Chris Tsangarides and released in 1984. The band co-headlined with Y&T and Iron Maiden on UK tours, and with Saxon in France. O'Malley announced her pregnancy just before Rock Goddess' first US tour and left the band in 1986. She was replaced by Julia Longman on bass and Becky Axten on keyboards.
After their contract with A&M expired in 1987, the already recorded in 1985 Rock Goddess' third album was released only in France, with the title Young and Free. However, their career was cut short by financial and contractual problems, which forced them to disband shortly thereafter. In 1988, the Turner sisters reappeared as The Jody Turner Band with two male musicians, but they did not go beyond the local club circuit. Jody Turner fronted a new line-up of Rock Goddess in 1994, to promote the re-release of Young and Free on the British Thunderbolt record label. After a name change to Braindance, the group disbanded again in 1995, after playing their last gig at the Thomas O'Becket public house.
You can buy this album here!
cdthen.net/rockgoddess.html
Rock Goddess was an all-female heavy metal band from the New Wave of British Heavy Metal era that briefly enjoyed cult status in the early 1980s in Great Britain.
The band was formed in Wandsworth, South London in 1977, by sisters Jody Turner (guitar and vocals) and Julie Turner (drums) when they were thirteen and nine years old respectively. They recruited school friend Tracey Lamb on bass guitar and Donnica Colman on keyboards to complete the first line-up. The girls rehearsed intensively and, through a friend, managed to place a track on a sampler album, which circulated in the London music underground. Meanwhile, John Turner, Jody and Julie's father, who ran a music shop used his connections to get the band their first gigs. Finally, after the production of a four tracks demo tape and an appearance at the Reading Festival in 1982, the band obtained a recording contract with A&M.
They released their eponymous debut album with producer Vic Maile in 1983 as a power trio, without Colman, who had already left the group. At that time, there were temporary legal problems, because Julie Turner was still a minor attending school and she was restricted in the number of live shows she could play. Also in this period, Kat Burbella briefly joined the band as a second guitarist. Tracey Lamb became disgruntled at what she perceived to be the domination of the Turners and quit Rock Goddess to initially form the band She with Burbella, but ending up joining Girlschool in 1987. She was replaced by Dee O'Malley, who played bass and keyboards on the band's second album, Hell Hath No Fury, produced by Chris Tsangarides and released in 1984. The band co-headlined with Y&T and Iron Maiden on UK tours, and with Saxon in France. O'Malley announced her pregnancy just before Rock Goddess' first US tour and left the band in 1986. She was replaced by Julia Longman on bass and Becky Axten on keyboards.
After their contract with A&M expired in 1987, the already recorded in 1985 Rock Goddess' third album was released only in France, with the title Young and Free. However, their career was cut short by financial and contractual problems, which forced them to disband shortly thereafter. In 1988, the Turner sisters reappeared as The Jody Turner Band with two male musicians, but they did not go beyond the local club circuit. Jody Turner fronted a new line-up of Rock Goddess in 1994, to promote the re-release of Young and Free on the British Thunderbolt record label. After a name change to Braindance, the group disbanded again in 1995, after playing their last gig at the Thomas O'Becket public house.


![Hurdy Gurdy -04- Peacefull Open Space (HD)
Hurdy Gurdy formed from the Danish group Peter Belli and the Boom Boom Brothers (aka The B.B. Brothers) in June 1967. Three of the B.B. Brothers, guitarist Claus Bohling, drummer Jens Otzen and British vocalist and bassist Mac MacLeod formed the power trio. Inspired by Cream but with more psychedelic leanings they split from Peter Belli to form the band named by MacLeod Hurdy Gurdy. They had considerable success in Scandinavia breaking many attendance records for their live shows. The band moved to England in early 1968, after MacLeod had been deported from Denmark.
In Denmark, on the 19th of December 1967 MacLeod wrote to Donovans manager Ashley Kozak to ask if he could help the band in any way. Donovan wrote The Hurdy Gurdy Man for them as a gift for MacLeod. MacLeod came back to the U.K. in the new year to see Donovan and a few weeks later the rest of the band followed. After hearing Donovans demo tape the band set up outside his Little Berkhamsted cottage and played their version of the song. Donovan did not like the heavy take on the track they played as he wanted a softer, acoustic arrangement. Soon after he released his own version of the song which became a hit, his version in the end had a similar arrangement to the Hurdy Gurdy version. Donovan told Keith Altham of the NME (and Hit Parader)in December 1968, Hurdy Gurdy Man, was originally written for a Danish group by that name,, There is a friend of mine in the group — Mac MacLeod — whom I looked to in the early days to learn how to pick the guitar. I wrote the song especially for them but then we got into a disagreement over how it was to be produced. I wanted to do it one way and they another. So I said, `Right then - Ill do it myself because I think its good enough for a single. So I did it. And its out.[1][2]
Whilst in the UK they did some recordings produced by Chris White and Rod Argent of The Zombies. Two tracks by the MacLeod era of Hurdy Gurdy, Tick Tock Man and Neo Camel are on the Mac MacLeod anthology The Incredible Musical Odyssey of the Original Hurdy Gurdy Man, and showcase the free-flowing power trio psychedelic rock sound that rivalled The Jimi Hendrix Experience in their live performances.
Otzen and Bohling had to return to Denmark shortly after those recordings, as they were unable to secure work permits from the Musicians Union. A new bassist (Torben Forne) was recruited to replace MacLeod, and in the early 1971 they released a self-titled album for CBS which has recently been reissued on CD. MacLeod briefly joined the post-Zombies group Argent. Hurdy Gurdy -04- Peacefull Open Space (HD)](https://i.ytimg.com/vi/WAUWfkxFrwE/mqdefault.jpg)






![Peter And The Wolf -09- Grandfather (HD)
Adaptation of Sergei Prokofievs original composition, all narration by Viv Stanshall.
Grandfather
Bass Percy Jones
Guitar John Goodsall
Drums Phil Collins
Piano Robin Lumley
Guitar [Slide] Gary Moore
Lyricon, Saxophone [Saxes] Jack Lancaster Peter And The Wolf -09- Grandfather (HD)](https://i.ytimg.com/vi/Z0RyyzhPi1M/mqdefault.jpg)
