Uploaded November 2014 | Updated September 2026, 2 hours ago
After decades of controversy, Alison and Peter Smithson’s monumental housing estate in Poplar, East London, is finally being emptied of tenants in preparation for its demolition. The blocks will eventually be replaced by a quiver of anodyne towers designed by AEDAS. The AR’s History Editor Tom Wilkinson takes a final look at this landmark of Brutalism, tracing the context of its creation, the vagaries of its reputation, and exploring the unloved, but not unlovely spaces around it, concluding that Robin Hood Gardens is a reminder of architecture’s potential in an age of austerity.
CREDITS
Architects: Alison and Peter Smithson
Writer and presenter: Tom Wilkinson
Director: James English
Sound: Isabel Wilkinson
Voiceover production: Simon Charles
Editing: James English and Phineas Harper
Series Director: Phineas Harper
Music: 'Circle of Sleep' by Isnaj Dui
Special thanks: Jose Estevez
After decades of controversy, Alison and Peter Smithson’s monumental housing estate in Poplar, East London, is finally being emptied of tenants in preparation for its demolition. The blocks will eventually be replaced by a quiver of anodyne towers designed by AEDAS. The AR’s History Editor Tom Wilkinson takes a final look at this landmark of Brutalism, tracing the context of its creation, the vagaries of its reputation, and exploring the unloved, but not unlovely spaces around it, concluding that Robin Hood Gardens is a reminder of architecture’s potential in an age of austerity.
CREDITS
Architects: Alison and Peter Smithson
Writer and presenter: Tom Wilkinson
Director: James English
Sound: Isabel Wilkinson
Voiceover production: Simon Charles
Editing: James English and Phineas Harper
Series Director: Phineas Harper
Music: 'Circle of Sleep' by Isnaj Dui
Special thanks: Jose Estevez
