Richard J. Powell on Thomas Eakins Empathetic Realism @NationalGalleryofArtTalks
Richard J. Powell on Thomas Eakins Empathetic Realism  @NationalGalleryofArtTalks
Uploaded August 2021 | Updated September 2026, 13 hours ago
Richard J. Powell focuses on Thomas Eakins as uniquely empathetic among the many 19th-century artists who depicted African American performance and entertainment. Eakins' "Negro Boy Dancing" shows a young banjo player, an elderly teacher, and an adolescent dancer, evoking the American rage for the form of musical theater known as minstrelsy. Eakins' watercolor, along with two oil-on-board studies at the National Gallery of Art, challenged the tendency of minstrelsy to employ racial ridicule and physical exaggeration. Instead, Powell argues, Eakins adhered to a painterly realism as well as his own brand of empathy and ethics.

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Richard J. Powell on Thomas Eakins' Empathetic Realism

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